Hum - Stars (Live on the Jon Stewart Show) (June 11, 1995)

Hum is an American alternative rock band from Champaign, Illinois, United States. They are best known for their 1995 radio hit "Stars". After initially disbanding in 2000, Hum was largely inactive (save for sporadic performances) until reuniting in 2015 for a series of short tours. On June 23, 2020, the band announced and released Inlet, their first album of new material in over twenty-two years.
The initial line-up of the band formed in 1989, with guitarist Andy Switzky, guitarist Matt Talbott, bass guitarist Akis Boyatzis and drummer Jeff Kropp. Talbott and Switzky met at a cafe named Treno's, in Urbana, Illinois, where Switzky worked. Discussions about music led to the two forming the nucleus of Hum. Talbott had previously played in the local group We Ate Plato and was presently a member of Honcho Overload; Switzky had performed in the semi-serious live band Obvious Man and had studio experience with Designer Mustard Gas.[4]
The group performed at Akis' basement for their initial months. Due to a suggestion from Rick Valentin of Poster Children, the band chose the name Hum (over contenders like Grendel's Arm, Pod, and Feedbag), an intentional vague description of their sound and went through a second drummer before overhearing Bryan St. Pere playing along to a Rush record out of his apartment window and recruiting him.[5]
This line-up was not to last long, though, as Boyatzis left home for Greece in 1990. Local musician Joe Futrelle, who played with Switzky in Designer Mustard Gas joined briefly, before leaving for more serious musical pursuits and was replaced by Rod van Huis, later of Steakdaddy Six. Due to personal reasons, he amicably left the band and went on to perform in the Great Crusades. With the addition of Balthazar "Baltie" de Lay, of the band Mother (later Menthol), the band recorded their first demo in famed engineer Steve Albini's basement in Chicago.
The band recorded eight songs in first or second takes, with only vocal overdubs and had an official demo to shop around, named Kissing Me Is Like Kissing an Angel. At this point, Switzky was the group's primary singer, guitarist and songwriter, which remained the case when their first album, Fillet Show, was released by local label 12 Inch Records in 1991. The album features a faster, heavy sound somewhere between punk rock and heavy metal, with more overt political and humorous material than the later oblique lyrics that Matt Talbott would write.
Pressure grew on de Lay to focus his efforts on Mother and other pursuits, so he too left on good terms with the other members of Hum. Left without a bassist again, Talbott suggested Jeff Dimpsey, his bandmate in Honcho Overload. In that group, and during his brief stint with the Poster Children, Dimpsey played guitar and Talbott actually played bass, but the transition was smooth, and the band recorded two singles, "Hello Kitty" and "Sundress", the former on 12 Inch, and the latter on the new Champaign-based label Mud Records. Around this time, the Champaign scene started to coalesce with members of one band joining up with members of another to form an indefinite amount of one-off side projects, and the Parasol Records distribution company helped promote local acts nationally and brought in alternative music to record stores in Champaign, Illinois.
In the interim between these singles and the next album, creative differences grew between members of the band, and Switzky left. The remaining members recruited a local fan named Tim Lash, almost a decade their junior, to play guitar. His previous experience had been in a speed metal group The Grand Vizars (with Joe Ludwinski from Scurvine and Matt Friedburger from The Fiery Furnaces), and once casually remarked to the band after a show that if they ever needed a guitarist, they could give him a call.
The classic lineup of the band was in place, and the quartet headed to Idful Studios with Brad Wood producing Electra 2000. The album was released in its first two pressings by 12 Inch Records and distributed through Cargo Records. The lyrics were far more non-linear and conceptual, and introduced some of the space and science imagery that would dominate later songs. The album produced no singles, but due in no small part to distribution by Parasol, caught the attention of representatives from RCA Records. The band was signed, and hooked up with local club owner and sometimes-musician Ward Gollings as tour manager. They switched to producer Keith Cleversley for their major-label debut You'd Prefer an Astronaut in 1995. The album would produce their biggest hit, the single "Stars", which ended up peaking at #11 on the Billboard Modern Rock Tracks chart and #28 on the Billboard Mainstream Rock Tracks chart. They also supported the album with promotional appearances on Space Ghost Coast to Coast, The Howard Stern Show, 120 Minutes, and a hit video that was also featured on Beavis and Butthead.

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