Outstanding The Beatles ALWAYS put out the very best and never let it out until perfected as all there songs. Beautiful never to be matched in any way NEVER. They were the BEST at there craft and should never be questioned or compared to ANY band ever. Always forever THE BEATLES top of the pops
I’m sure there are books that answer my questions, but it’s long puzzled me how G and J derived their clever “Beatle chords”, which define their sound! Did they sit around trying different voicings and chord variations, or did they have a secret music mentor who advised them? What role did George Martin play in all that?
@@chasbodaniels1744 It would not surprise me if Paul had taught them both a lot of what he’d figured out. He was better with guitar earlier than J and G. Plus his musical understanding is just naturally off the charts.
@@ericstewart9742but it was said that in the early days George knew more chords than the other two. George had an instruction book that had a bunch of em
I never noticed that the pick-guard on the Gretsch says “Country GentleMEN” and not “Country GentleMAN”. It would’ve made more sense because the guitar is called a Country Gentleman.
Haha. You could be right because I have only ever seen a pickguard with the right name on it. I’ll see if I can find any other Country Gentleman Guitars that say “Gentlemen”.
Stellar works as always. Makes me appreciate Paul's work here even more. His part gives the track so much more liveliness and oomph, especially during the lick right before the chorus playing in unison with George.
@@elirosen1391 the black and gold was the original 1958 natural one he had painted, used on PPM and WTB. Once he got the 64 black and white he used it on hard days night-help
I believe George's riff was overdubbed as well. When we have analaized it on our channel, the riff seemed to be cut in. We have our own full instrumental of It Wont be long on our channel if you would want to hear the difference
Good job. Enjoyed it. Only way to improve would be to play the Ric as though you don't really like the guitar. Gives it that practiced nonchalance John had.
Hey Sam… great to hear you play this song! I’ve been trying to get George’s lead sound with my Gent but it seems like George has this extra grit in there that a clean signal doesn’t have. I’m wondering if that grit is George’s amp on the edge of breakup or there’s tape saturation going on. What do you think is happening there? BTW.. love the Gear There and Everywhere group! :)
Thanks Michael. I think the grit is the combination of the bridge pickup Filtertron and the AC-30. What amp do you have? I would mess with the settings, especially the volume and or master volume
Pienso y digo: a quien se le ocurriría decir que las guitarras desaparecerían , siendo un pretexto para rechazar a Los Beatles en su primer contrato? Vaya error!!!
When you collaborate with other RUclipsrs do you figure out the parts by yourself or do you work together to make sure you playing the right thing? And if you do work together have you ever had disagreements on what to play with the other person?
I choose to collaborate with guys that I really trust and already are detail oriented. Dom, Michael, Ryan and Juo are incredible. I’ll usually just send them the isolated tracks and we agree from the get go on who played what. Only have to ask one or two questions about gear or a certain part, to clarify
Nice job friend🤜🏻
Nice job YOU! 😁
Nice job guys!
Job friend nice! ✅
There's a certain sound to this era of The Beatles. John's Ric and George's Gretsch. It's that era. That sound. Great video once again 👍👍
For real, that late 50s influence while doing things new is beautiful
It's as if John and George were here.❤
We can only wish, right?
Outstanding The Beatles ALWAYS put out the very best and never let it out until perfected as all there songs. Beautiful never to be matched in any way NEVER. They were the BEST at there craft and should never be questioned or compared to ANY band ever. Always forever THE BEATLES top of the pops
I always love seeing the different chord voicings they used together to produce one unique chordal sound.
I’m sure there are books that answer my questions, but it’s long puzzled me how G and J derived their clever “Beatle chords”, which define their sound! Did they sit around trying different voicings and chord variations, or did they have a secret music mentor who advised them? What role did George Martin play in all that?
@@chasbodaniels1744 It would not surprise me if Paul had taught them both a lot of what he’d figured out. He was better with guitar earlier than J and G. Plus his musical understanding is just naturally off the charts.
@@ericstewart9742but it was said that in the early days George knew more chords than the other two. George had an instruction book that had a bunch of em
Very good sound❤
One of my favorite early Beatles songs ever! Y’all outdid yourselves! Seriously. That Gent sounds *chef’s kiss*
Да ..ранние Битлз это романтика! И пение какое! В основном, Джон Леннон солировал ...
Another home run Sam! Cheers Juo Det…well done indeed! Great chords in the bridge👊🏻
You really got that sound down perfectly for this! Keep up the great work Sam!
Well done fellas!!
I have no clue how you do what you do, but it resonates with me!
Love the split screen
Awesome, Sam! Thank you!
Nice understated guitar - leaving plenty of room for the vocals!
What an iconic sound that you always nail! Both of you❤ looking forward to hearing more of this dynamic in the future.
Thanks Evy!
Gee, I played that one this morning...glad to see you played it too!
Nice one sam
OMG ! So cool ! Thank you very much ! Excellent job !
This made me reappreciate the song after a while. Great job, y'all
Good choice. I love this song. Thanks for posting!
Perfect, as always! very accurate! I loved it!
Wonderful! Again! And the strumming in Lennon-style:-) p.e.r.f.e.c.t.i.o.n.!
What an amazing cover!! Great job guys, I love how both of you were using the clothing of the time it was recorded. Tone is spot on!
You got the sound spot on
sounds great!
Another awesome cover!!
This song is not so easy harmonically. Such a good one!
I never noticed that the pick-guard on the Gretsch says “Country GentleMEN” and not “Country GentleMAN”. It would’ve made more sense because the guitar is called a Country Gentleman.
I actually don’t understand why that is. I was borrowing this guitar. Possible it was a modded pickguard? Or an anomaly. Idk haha
Haha. You could be right because I have only ever seen a pickguard with the right name on it. I’ll see if I can find any other Country Gentleman Guitars that say “Gentlemen”.
Excelente! 👏🏻👏🏻👏🏻
Grande!
Hey Sam the chord progression for this song was very advanced for its time. not your average 3 chord song
True! Till There Was You is another one with interesting jazz chords
@@sampopkin yes you are so right
Dylan said the first thing he noticed about Beatles songs was all the unconventional chords they used (This was 1964, mind you).
Excellent observation.
Love it
He bought it in Hamburg and quickly had it painted black. Look at the photos of John and his Rick in1962.
Stellar works as always.
Makes me appreciate Paul's work here even more. His part gives the track so much more liveliness and oomph, especially during the lick right before the chorus playing in unison with George.
Anyone else notice that the chord progression during the chorus is the same as the main theme in Soldier of Love? 😮
Great lennon-mccartney song
❤
Great work! Quick question tho, what is the chord at 0:11? im trying to nail the cover but can't figure out what you did, thanks!
It's a Bb diminshed. Basically an A7 chord but with a Bb note instead of A
@sampopkin amazing! thank you so much! love the podcast btw you guys do great work!
Sam, can you do an acoustic cover called "She's leaving Home" Beatles. That would be awesome.
I noticed the different color fretboard of the Ric copy; what material?
Hi man, I think the material of that fingerboard is rosewood or ebony, not like the real Rickens that have maple, alder or walnut
@@juodet I thought the 325s were rosewood….
It can also be, the wood varies depending on the model
I thought John played the J160 in most of "With the Beatles". Am I wrong?
It’s split pretty evenly, 325 and J160
If you had to choose only one guitar to cover all Beatles bases? Which one would it be?
Maybe the casino or strat! They used so many it’s hard. Gretsch or rickenbacker for early days. Casino or les paul for later
When exactly did John get the black and white Rick 325?
I’m bad with this history but some time during the Ed Sullivan shows of 64
@@sampopkin so the black and gold model was mostly used on "A Hard Day's Night"?
@@elirosen1391 the black and gold was the original 1958 natural one he had painted, used on PPM and WTB. Once he got the 64 black and white he used it on hard days night-help
@@sampopkinI believe it was the Saturday before, Feb 8. FC Hall brought the guitars to the hotel room.
You are totally incorrect.
So John did play the riff in unison with George?
That’s Juo and my theory. You hear the rhythm guitar stop strumming when the riff is doubled. So it probably was John, not a george overdub
@@sampopkin i thought so. The first double tracked solo was on "Can't Buy Me Love".
Very good
I think george’s riff was overdubbed though?
i thought the same, for me there are some parts where the gretsch sounds twice
Yeah it’s very possible but I think John might’ve doubled it live
@@sampopkin Can we work on a cover on Money (That’s What I Want) with me on my 325, please?
I believe George's riff was overdubbed as well. When we have analaized it on our channel, the riff seemed to be cut in. We have our own full instrumental of It Wont be long on our channel if you would want to hear the difference
@@beatlesrevisited8350your video is actually where I got the ref from, thanks man love it
Good job. Enjoyed it. Only way to improve would be to play the Ric as though you don't really like the guitar. Gives it that practiced nonchalance John had.
Hey Sam… great to hear you play this song! I’ve been trying to get George’s lead sound with my Gent but it seems like George has this extra grit in there that a clean signal doesn’t have. I’m wondering if that grit is George’s amp on the edge of breakup or there’s tape saturation going on. What do you think is happening there? BTW.. love the Gear There and Everywhere group! :)
Thanks Michael. I think the grit is the combination of the bridge pickup Filtertron and the AC-30. What amp do you have? I would mess with the settings, especially the volume and or master volume
I just noticed that your strumming style is extremely similar to John's, is that intended? Does it have an effect on the tone?
That’s Juo Det who helped me record this cover. He definitely nailed john’s strumming. Yes strumming style, how hard you hit it affects tone
Fantastic as always. What are the chords on the outro? They tend to be different on different videos
Gmaj, F#maj, Fmaj, Emaj7
35X4XX
24X3XX
13X2XX
47644X
00:53 It's F#m not major. Other than that nice cover.
I thought so too, until I listened to the isolated guitar track and heard A# 🤷
@@sampopkin Can you share a link to the isolated guitar track?
@@AlexEnglishBeatles ruclips.net/video/maQ9SYpODDQ/видео.html
Can you pass me the final chord name please? Another amazing colab cover as always!
Thanks. It’s an Emaj7
476444
@@sampopkin OMG
@@sampopkin And what invertion in which guitar? xD
That ^ was for my part (George’s Gent)
Juo played John’s part as 021100
@@sampopkin Thank you Sam.
You forgot the feedback at the end of the song.
Maybe it was too quiet, but I did include the buzzing guitar string sustain at the end
Pienso y digo: a quien se le ocurriría decir que las guitarras desaparecerían , siendo un pretexto para rechazar a Los Beatles en su primer contrato? Vaya error!!!
Amamos esa dupla genial fuente magistral de desbordantes melodías
When you collaborate with other RUclipsrs do you figure out the parts by yourself or do you work together to make sure you playing the right thing? And if you do work together have you ever had disagreements on what to play with the other person?
I choose to collaborate with guys that I really trust and already are detail oriented. Dom, Michael, Ryan and Juo are incredible. I’ll usually just send them the isolated tracks and we agree from the get go on who played what. Only have to ask one or two questions about gear or a certain part, to clarify
Try a Gbm.