BACH - FANTASIA AND FUGUE IN C MINOR BWV 537 - ORGAN OF RIPON CATHEDRAL
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- Опубликовано: 17 окт 2024
- Jonathan Scott performs Johann Sebastian Bach (1685-1750) Fantasia & Fugue in C Minor BWV 537 on the Pipe Organ of Ripon Cathedral.
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Film & Sound
Tom Scott
Thank you to everyone at Ripon Cathedral
THE ORGAN OF RIPON CATHEDRAL
T.C. LEWIS 1878
Harrison & Harrison 1926 - 1963 - 2013
Pedal
Double Open Wood 32
Open Wood 16
Violone 16
Sub Bass 16
Lieblich Bourdon 16
Violoncello 8
Flute 8
Viole 4
Mixture III 15.19.22
Bombardon 32
Ophicleide 16
Tuba 16
Octave Tuba 8
Tuba Clarion 4
Choir
Lieblich Bourdon 16
Salicional 8
Lieblich Gedeckt 8
Flauto Traverso 8
Salicet 4
Lieblich Flute 4
Nazard 2 2/3
Lieblich Piccolo 2
Tierce 1 3/5
Mixture III
Clarinet 8
Great
Double Stopped Diapason 16
Large Open Diapason 8
Small Open Diapason 8
Flute Harmonique
Stopped Diapason 8
Octave 4
Coppel Flute 4
Octave Quint 2 2/3
Super Octave 2
Mixture IV 19.22.26.29
Contra Tromba 16
Tromba 8
Octave Tromba 4
Swell (enclosed)
Bourdon 16
Geigen 8
Rohr Gedeckt 8
Echo Gamba 8
Voix Celestes 8 TC
Geigen Principal 4
Rohr Flute 4
Flautina 2
Mixture II 12.15
Sesquialtera III 17.19.22
Oboe 8
Tremulant
Contra Fagotto 16
Trumpet 8
Clarion 4
Solo (enclosed)
Viol d'Orchestre 8
Concert Flute 4
Corno di Bassetto 16 (+ extra octave of pipes)
Orchestral Hautboy 8
Tremulant
Contra Tuba 16 (+ extra octave of pipes)
Tuba 8 (unenclosed)
Orchestral Trumpet 8 (unenclosed - horizontal)
Couplers
Swell to Pedal
Swell to Great
Swell to Choir
Swell octave
Swell suboctave
Swell unison off
Choir to Great
Choir to Pedal
Great to Pedal
Solo to Pedal
Solo to Great
Great Reeds to Choir
Solo to Choir
Solo Octave
Solo Sub Octave
Solo Unison Off
Screen Console and Nave Mobile Consoles
Accessories
Both consoles can be played simultaneously.
SCREEN CONSOLE:
Swell pedals to Solo and Swell mechanical.
6 thumb pistons each to Gt and Sw. 4 thumb pistons each to Ch and Solo.
Reversible thumb pistons in Sw keyslip: Sw-Pd, Ophicleide.
Reversible thumb pistons in Gt keyslip: Gt-Pd, Sw-Gt, Ch-Gt, Solo-Gt;
thumb pistons in Choir keyslip: setter, cancel.
6 combination pedals to Pedal,
reversible toe pedals: Gt-Pd, Ch-Pd, Solo-Pd, Sw-Pd, Bombardon.
8 general pistons above Solo keyboard.
8 channels each of generals and divisionals.
Drawstops: Gt reeds on Ch, Ped on Sw pistons, Gt & Pd combs cpld.,
Sw toe pistons.
NAVE MOBILE CONSOLE:
Swell pedals to Swell and Solo operating wiffle tree EP motors.
In Choir keyslip: thumb pistons for Cancel, 6 divisional, Ch-Ped (rev.).
In Great keyslip: thumb pistons for Sequencer +, 6 divisional, reversible thumb pistons: Gt-Pd, Sw-Gt, Ch-Gt, Solo-Gt.
In Swell keyslip: thumb pistons for Sequencer +(2), Sequencer -, Sequencer restore, 6 divisional, reversible piston to Sw-Pd.
In Solo keyslip: thumb pistons for Solo-Pd, 6 divisional, screen cancel.
8 general pistons above Solo keyboard.
6 toe pistons each to Pedal and to Swell, Sequencer +, Sequencer r,
reversible toe pistons: Sw-Gt, Sw-Pd, Gt-Pd, Bombardon.
Drawstops to: Gt Reeds on Ch, Gt & Ped combs coupled, Pedal divide,
Mans I/II exch.
With music like this we understand why the organ is the king of the instruments.
In German "die Orgel" is female and thus she is the queen of instruments ;-)
@@christophbodner6518 French Organs are cooler though
I am amazed that Everytime I hear a Bach work, that he combines artistic expression and technical quality into a complete whole. It is as if the Lord God touched him in a special way, musically, so that every piece he composed was a masterpiece in its own right. I love listening to Bach because he soothes the soul, and, at the same time, is technically amazing.
Stunningly Haunting and Mournful, full of Dignity and Grace. Magnificence in All it’s Glory.
The first thing I do with every new video, even before I listen to it: I smash that 👍 button. Not once have I ever regretted it!
I do this too!
Hello!
Excellent and beautiful!
You together Jonathan and Tom,
Make this world a bit better and that,s true!
With love from the Netherlands.
I feel proud,that you invited me to this accustic Sensation & that lovely church with your passioned Fingers on the Keyboard & feet @ peddals.! Thank You!
Great!
Magnificent powerful organ played by a master. Couldn't ask for more!
Great music and fantastic organist !
I really enjoyed this.
Bravo!!
I seamed to have missed this Bach piece in the past, a real pleasure, and has usual clearly defined stops no muddle so easy to hear all notes from all keyboard and pedals, many thanks once more Jonathan and Tom for your expertise with the sound and video.
Magnificent.
Thank you very much!
Grazie, Maestro.
Gorgeous: I love this amazing piece by Bach!! Another video from my favourite (obviously!!!) concert. It was full of so many beautiful pieces of music. Another tour de force for you both Jonathan & Tom. Stunning views of the Cathedral & glorious recording again Tom - uplifting to say the least! Counting down the days to next week!!
Love Bach's music and this music piece is very beautifully Wonderfully played🍃thank you
Masterly performance of an epic piece. Bravo, Maestro!
Deux belles pièces d orgue bravo 💓👏👏👏👏
Thank you, thank you for using varying registration throughout. Almost gave the Fantasie a Franck-esque quality. So tired of hearing Bach on huge organs with no use of changing registration that can add so much expression to Bach's music.
Thank You so much for this treat in my ears~ great Performance & nice accustc recording
Bravo Jonathan. A lovely piece from J S Bach beautifully played . Always a pleasure to watch you play on these magnificent instruments.
Beautiful!!! Thank you!
Wonderful played as always Jonathan!😁👍👏👏👏👏
Oh, hi Peter! 😂
Hi Tobias! Nice to see you here!😁👍👍
Muy bueno me gusta No me pongo feliz después de ver otros videos. 🥰
Amazing!!!
Wunderschön!
I’m not sure why but every time I hear the fantasia the words “buried sweetly in your yellow hair” pop into my head. Great Performance Jonathan and excellent filming Tom!
BRAVO!!! MAGNIFIQUE!!!
As always, a joy to watch and listen to the music produced by Jonathan Scott, a real master with superb talent. Thank you Tom for always producing excellent video. So greatly appreciative to you both.
A wonderful performance. Not strictly baroque, but with nice touches of the colorful resources of this instrument. I fancy Bach would appreciate instruments that incorporated improvements such as constant and plentiful wind supply, higher wind pressures for reeds, and yes, even swell boxes.
I found it most inspiring with real depth Jonathan and also have to congratulate you both for reaching 100K subscribers well deserved !
Meu Deus, que beleza de execução! O J.S.Bach talvez ficasse com ciúmes do Jonathan. Como toca bem. Eu admiro a capacidade de tocar peças difíceis e com muita perfeição. Além da beleza das filmagens e do som feitos pelo Tom. Vocês são talentosos ao extremo e super competentes. Vão chegar logo em 1 milhão de inscritos. Parabéns!!! 🙂🙃👍🙌👏🥰❤️🙏🎹🎶
Eu concordo totalmente com você. Muitas felicidades. 🇺🇦
👏🏻👏🏻👏🏻👏🏻👏🏻🇧🇷
❤️❤️❤️
Thanks, so much, for uploading this separately from your recital at Ripon last July. I just find this piece so moving - and keep coming back to it. For any newcomers to your channel, they may find it interesting to hear you talk a bit about this piece before you play it (it's the second item on Jonathan's programme)! Best wishes to you both, as always. 🇺🇦
Благодарю
Молодец, Джонатан.
браво!!!!!
Hey!
Nice cuff links, Pal. :-D
100K
I'm a Bach fan, but sadly, this one didn't do it for me. Instead, I let my mind wander while I enjoyed Tom's excellent videography of that amazing cathedral.
It is a really impressive cathedral in North Yorkshire. Well worth a visit.
@@ds1868 Sadly, I live in California's Central Coast, & the closest I'll ever get to visiting is through Tom's great filming.
He always plays well but this was a bit rushed for my taste on a piece I know well but again he’s a great player. Clean and precise.
Bach can be played in so many ways and so we will find versions we like and those that don’t do much for us. I enjoyed this version as I like to hear all parts clearly. Music is a living art form and while there will always be a place for historical instruments and music played on original instruments etc, it is by no means the only way. I particularly enjoy the late Ivan Sokol playing Bach with his crystal clear bell like sound and light registration. However I don’t enjoy the recordings of Bach specialist, Stefano Molardi.
I love the Fantasia. But there is something about the phrasing and stretto that seems off to me. I know it's written that way, but some of the entries just seem rushed.
SOUND IS TO LOW...BUT GOOD EFFORT
..