Cinematographer Bob Richman on his Most Impactful Scene from "The September Issue"
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- Опубликовано: 16 авг 2016
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Cinematographer Bob Richman discusses his most impactful scene from "The September Issue." Recorded at "Sight, Sound & Story: The Art of Cinematography" on September 30, 2015.
Bob Richman was born in Brooklyn New York and received a BA in psychology from SUNY Buffalo. He began his career in film working with the vérité pioneers Albert and David Maysles. He worked his way up from production assistant to assistant cameraman to cameraman. In 1991 he shared the director of photography credit with Albert Maysles on Christo's Umbrellas. The film documented Christo's installation of three thousand umbrellas north of Los Angeles and north of Tokyo. Maysles covered the Japan story and Richman covered the California story.
The September Issue is a 2009 American documentary film about the behind-the-scenes drama that follows editor-in-chief Anna Wintour and her staff during the production of the September 2007 issue of American Vogue magazine. The film is directed by R.J. Cutler and produced by Eliza Hindmarch and Sadia Shepard.
In 2007 director RJ Coutler contacted Richman to work on the film The September Issue about the notorious chief editor of Vogue Magazine, Anna Wintour. For almost eight months Richman followed Wintour and her staff at their offices in New York and at fashion shows and shoots in London, Paris and Rome. That film premiered at Sundance this year and Richman won the grand jury prize for best cinematography for documentary.
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"Sight Sound and Story" is an annual event presented by Manhattan Edit Workshop that brings audiences "behind the scenes" with legends of visual storytelling. Each year the one day summit brings together a collection of diverse and intriguing high-profile speaker series to discuss the evolving world of post-production. Panels topics have included the art and processes of editing film & television, exploring ground-breaking interactive media, the fast pace of cutting sports television, getting the real from reality television, experiencing the magic of feature sound design, taking a look at the vital roles of the VFX artist, and deconstructing key scenes from fiction and documentary favorites.
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Featuring a clip from "The September Issue" TM & © 2009 Roadside Attractions
"The September Issue". n.d. In Wikipedia. Retrieved December 10, 2015 from en.wikipedia.org/wiki/The_Sep...
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Watching this film, it becomes clear that Anna is the head of Vogue and Grace is the heart.
That’s why it’s great filmmaking.
@@DSQueenie I agree. And to think Grace didn’t want to be in the film originally.
You missed the part when Anna wanted his tummy to photoshopped and Grace asked the retoucher not to do it.
On the spot creativity. "Can you jump?" And boom: iconic picture.
love her! forgot about that part! iconic! on par with thee trentini jumper herself
The film educated me, and enchants me still. GCS is precious ♥️
when Grace left Vogue .............it went to pooh pooh
Beautiful scene 🥰
Grace you are a amazing women, 💙💙💙💙💙
I loved her in Carrie when she prays with Carrie on the staircase.
😂😂😂😂😂😂😂😂
How old it is? Girl it's only a couple hundred years old. Go to a country like Egypt or India and you'll see things from the dawn of civilization. Hell, even in Europe there's much older things.
and why are you so angry?
200+ years is still old. But Grace’s point is that ultimately some things are timeless. So it doesn’t really matter whether something is 75, 200 or 2000 years old, if they have a timeless essence. Also: talking about “the dawn of civilization” while missing the finer aspects of what it means to be civilized makes trivial the concept of having progressed and, ironically, being civil.
It's the Grand Trianon - it's almost 340 years old, built for Louis XIV, but it's still reasonably modern in terms of lines and form and space. So she was describing the paradox maybe, the old being like the new.
Age isn’t everything
@@pophybrid who's angry? i'm just incredulous that someone could think something so new in history is "old". any "anger" you're feeling is just projection.