Editor Alan Heim, ACE Discusses Working with Bob Fosse on All That Jazz

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Editor Alan Heim, ACE discusses working with legendary director Bob Fosse on "All That Jazz." From the panel "Inside the Cutting Room with Bobbie O'Steen," at "Sight, Sound & Story" on June 8th, 2013. For more information go to: www.SightSoundandStory.com.
Alan Heim is an American film editor with more than thirty feature-film credits. He had an extended collaboration with the director Bob Fosse; Heim's editing of Fosse's film, "All That Jazz" (1979), was honored by the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the American Cinema Editors Eddie Award.
He was born in Bronx, New York. He was elected as a member of the American Cinema Editors, and served as the president of the organization from in 2006.
About the moderator: Bobbie O’Steen is a New York-based writer and film historian, dedicated to sharing the editor’s invisible art with students, professionals, and the movie-going public. She is an Emmy-nominated film editor and the author of two acclaimed books about editing entitled "Cut to the Chase" and "The Invisible Cut." O’Steen is currently partnered with Manhattan Edit Workshop for her series “Inside the Cutting Room," and she also moderates panels for American Cinema Editors’ EditFest. To find out more information on her speaking events go to: www.bobbieostee....
"All That Jazz" is a 1979 American musical film directed by Bob Fosse. The screenplay by Robert Alan Aurthur and Fosse is a semi-autobiographical fantasy based on aspects of Fosse's life and career as dancer, choreographer and director. The film was inspired by Bob Fosse's manic effort to edit his film Lenny while simultaneously staging the 1975 Broadway musical Chicago. It borrows its title from the Kander and Ebb tune "All That Jazz" in that production. The film won the Palme d'Or at the 1980 Cannes Film Festival.
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"Sight Sound and Story" is an annual event presented by Manhattan Edit Workshop that brings audiences "behind the scenes" with legends of visual storytelling. Each year the one day summit brings together a collection of diverse and intriguing high-profile speaker series to discuss the evolving world of post-production. Panels topics have included the art and processes of editing film & television, exploring ground-breaking interactive media, the fast pace of cutting sports television, getting the real from reality television, experiencing the magic of feature sound design, taking a look at the vital roles of the VFX artist, and deconstructing key scenes from fiction and documentary favorites.
Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications.
Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.
More information about Manhattan Edit Workshop and the classes offered visit: www.mewshop.com/
Alan Heim. n.d. In Wikipedia. Retrieved September 10, 2014, from en.wikipedia.or...
Featuring a clip from "All That Jazz” TM & © 20th Century Fox (1979) & Columbia Pictures (1979)
"All That Jazz". n.d. In Wikipedia. Retrieved September 17, 2014, from en.wikipedia.o...)
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[@Rob-sk1im]

Being a huge fan of Roy from the time I was young kid and getting to see All That Jazz at the age of ten in the movie theater is still one of the best cinematic memories to date. Still my favorite film.

[@palmereldritch7777]

The editing is out of this world, sharper than anything used in Psycho.

[@AntoniaUTube]

This was the best film editing job I had ever seen up until this time and for years afterward. One of my top five films of all time (Cabaret is another) and I have the poster!

[@masterxsir]

Because So many people played THEMSELVES in this film it was referred to as " BOB FOSSE'S HOME MOVIES " by savey people in the Business !