I can’t believe I’m here saying this… but judging by her second “bring me down” riff, this has to have been within her first week of performances before she got in trouble for riffing
Oh, interesting. Haven’t heard about that before. I think they don’t want her to riff because in their eyes the score is perfectly written and sometimes riffs can loose effect of the song. Nonetheless, Jessica had some absolutely excellent riffs.
@@chrisjacobs7417 Everyone gets spoken to about riffing on Broadway, listen to Sentimental Men a podcast and multiple actresses including Eden and Jessica talking about riffs, options, etc.
I like the riffing. Each actress brings something new to the role, and different emotions, I love seeing what each one can do. Jessica is by far the best in my opinion. Crisp, clear, the youthful sound I think elphaba should have. Love this riff. ❤️
No problem at all. I also have the Jessica Vosk Highlights of her first and last shows which got deleted from youtube, this includes - not full versions - but u know, the really good parts of the songs, I.e from “Unlimited” in the wizard and I, the flying portions of defying gravity, and from the “nessa...” portions of No good deed. Are you interested for me to upload them?
spiritually, I'm the guy at 0:39 reacting to her riff
I can’t believe I’m here saying this… but judging by her second “bring me down” riff, this has to have been within her first week of performances before she got in trouble for riffing
Which is the dumbest thing to get in trouble for
Oh, interesting. Haven’t heard about that before. I think they don’t want her to riff because in their eyes the score is perfectly written and sometimes riffs can loose effect of the song. Nonetheless, Jessica had some absolutely excellent riffs.
But Eden, Kristy, Ann, Shoshana, Jenny, etc didn't? This makes no sense and Jessica certainly has confirmed nothing of the sort
@@chrisjacobs7417 Are you replying to me?
@@chrisjacobs7417 Everyone gets spoken to about riffing on Broadway, listen to Sentimental Men a podcast and multiple actresses including Eden and Jessica talking about riffs, options, etc.
I like the riffing. Each actress brings something new to the role, and different emotions, I love seeing what each one can do.
Jessica is by far the best in my opinion. Crisp, clear, the youthful sound I think elphaba should have.
Love this riff. ❤️
This “how I” opt up shall be known as the Reverse Eden™️
Perfect video showing how a master interprets this score.
0:37-0:40 Amazing riff😲😲😲👏👏👏
Idc what anyone says. She is definitely top 2 or 3 best elphaba of all time. Her technique alone
Please don’t ever delete this 😭
Don’t you worry i won’t! :)
@@thomas965o this audio got taken down twice and I literally wanted to cry😭
This was definitely broadway!
Oh my god she is the queen 👑 😭😭😭 thank you so much for sharing!
thank youuu for uploading
No problem at all. I also have the Jessica Vosk Highlights of her first and last shows which got deleted from youtube, this includes - not full versions - but u know, the really good parts of the songs, I.e from “Unlimited” in the wizard and I, the flying portions of defying gravity, and from the “nessa...” portions of No good deed. Are you interested for me to upload them?
@@thomas965o yes please :)
@@elphiedeetz Cool, i will get to it now.
@@elphiedeetz ruclips.net/video/TTfiMZHJbjo/видео.html
The best “so if you care to find me”
One word: ICONIC
I loved her second BMD and hate that it was stopped on Broadway lol.
Honestly. Truly. And for what? It’s not over the top at all.
0:37
Molto brava!
Oh wowwww
Probably when she was touring. By the time she did broadway I don’t think this was allowed and she was probably was tired of the show anyways ha
This is definitely broadway,judging based on the high f riff,extended “look” and the mixing of the sound,the tour audios are more echo-y
It is surprisingly easy to differentiate the productions just from the orchestra