@@itamarbar9580 The cherry on top is that this symphony and the last two movements of his piano concerto are the orchestral works dating from the year he stopped composing at the piano
The exposition of the first movement probably has to be the shortest in the entire history of the genre, being even shorter than the first movements of Berlioz' Symphonie fantastique and Harold en Italie. I find this piece very original and I loved it since the first time I heard it.
That notwithstanding, this is a glorious symphony. Many years ago I had a classmate who would practice the Scherzo at school (presumptively for an audition) and I thought this was a terrifying piece, but after listening to it myself I appreciate the emotional weight and musical depth...
Yeah, orchestras love to take this as an audition piece and it is a PAIN to practice. All those diminished arpeggios make it really hard to get it in tune, not even talking about the sheer speed of random string crossings you have to do. I am also currently practicing it for an audition and I find it even harder than Don Juan😭
Despite the fact that the 2nd movement of this symphony is HELL for violins, it’s actually really quite pleasing to listen to
That second movement reeks of "written by a pianist'
@@itamarbar9580 The cherry on top is that this symphony and the last two movements of his piano concerto are the orchestral works dating from the year he stopped composing at the piano
Sublime, imponente, majestuosa.
lol 😂 I sometimes accidentally do that in my pieces too for the violins. ( I’m a composer)
The exposition of the first movement probably has to be the shortest in the entire history of the genre, being even shorter than the first movements of Berlioz' Symphonie fantastique and Harold en Italie.
I find this piece very original and I loved it since the first time I heard it.
This is what makes him enjoyable.
That notwithstanding, this is a glorious symphony. Many years ago I had a classmate who would practice the Scherzo at school (presumptively for an audition) and I thought this was a terrifying piece, but after listening to it myself I appreciate the emotional weight and musical depth...
Yeah, orchestras love to take this as an audition piece and it is a PAIN to practice. All those diminished arpeggios make it really hard to get it in tune, not even talking about the sheer speed of random string crossings you have to do. I am also currently practicing it for an audition and I find it even harder than Don Juan😭
18:33 한국의 공익광고 bgm
素晴らしい!
What are the sad chords that start at 22:28?
Eb/Bb, Ebaug/B, Cm, Eb7/C#, Gm/D, Eb, Edim, Bb/F, Bbaug/F#, Gm, Bb7/G#, Dm
But really just: Eb, Cm, Gm, Eb, Bb, Gm, Dm
@@wk25-wu4du Thank you! So Ebaug, Eb7, Edim, Bbaug, and Bb7 are just non harmonic tone?
@@우준스코어 Yes - those chords include passing tones in the upwards chromatic scale in the celli and basses.
@@wk25-wu4du Thank you so much!
第3楽章はマーラーを予感させるねえ
15:03
Die Pauken am Schluß sind zu leise!!!
Abgesehen davon: Ist das nicht eine schöne Vorstellung?
I guess that only the Vienna Philharmonic could do that?!
First!
Last (so far).