My favorite synchronization exercise - Guitar Mastery lesson
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- Опубликовано: 22 май 2019
- In this video Claus shows his favorite synchronization exercise. This exercise will help you develop the ability to play at blazing speed.
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Tags: #guitar #playguitarfast #speed #sologuitar #clauslevin
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Check out this exercise, and let me know if this helped you improve your speed and alternate picking skills!
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Man your free course has helped me and my alternative picking has gone up tremendously
Dear Sir,
I have been following you for years. I must say, that this realization is truly the opening of another dimension of playing. I give gratitude to your contribution. Thank you
This is what I was missing.
I actually tried NOT to group them and it totally messed my practice up.
Sometimes I'd go fast beyond my expectations and sometimes I'd have difficulties with speed 30~ bpm lower!
I also feel that the more relaxed and the less I think about the practice the better it was - the 'spasms' happened on their own!
So true.
Just want to say that following this approach in your free course has transformed my playing in a few weeks. Thank you so much, Claus!
I really didn't expect you to go out of your way to answer my question the next day. The free course is fantastic, but the additional information you provide on RUclips really makes it. I'm looking forward to getting through some of the others, but having to hold myself back and really master it one step at a time.
Really enjoy your approach, and your passion and intensity not only for guitar but for the motivation you bring to it. Keep being you and talking and playing as much as you like because people like myself enjoy both aspects in these videos. 🤘
This clip just buble’d up for me.
Great articulation of the mindworks behind licks and riffs. Gratzi. 🤙
Really love your videos
thanks for the support! Great video
I prefer this exercise over 4-finger chromatic runs up and down the neck. Thanks, Claus.
omg you are the best
I already got your Alternate picking course long ago but I was working on Scales, diatonic, pentatonic and Blues scales which are very vital for soloing at the end.
Great video as always!
Can you elaborate more on the subject that is tension in right hand and building stamina?
Nice..😉
Love this Charvel! What model is this exactly?
I do the accent thing since a long time and this is when I make the most progress. But there is even a further "concept" that I follow. Not only to make accents, but to even place them on the pick stroke where I may struggle. I turn around the rhythm so to say, to have that accent on the weak stroke. And in this way it works nearly always, whereas I maybe have even missed the stroke completely before, when the accent was in a place where I didn't struggle anyway. I hope, you understand the point. Hard to explain in English. Just make the weak stroke your 1 in the beat, even if it is actually the last note of the pattern. Turn it around. ;)
Claus is my main teacher. This course specifically (alternate picking) amped my guitar soloing by leaps and bounds.
Yow ... Because of you ... Not this video i mean the other one... I learned how to play fusion. Thanks a lot on the tips .. hehe .. i'll looking on your following video on a future lesson.. hehehe
You are welcome!
Hope to see you in another video!
Hi, I am really interested to watch it but a lot of things happen to coincide with this timing as there is some drug test related to my work place. Anyway, by any means , I will try my best to watch it
A psychology question - If I think of a cool phrasing rhythm, the energy and excitement that inspired that rhythm in the first place actually seems to make the notes come out very sloppily...because I was so into it. How to not have my playing get overwhelmed and messy by this positive emotion?
Hi I join you just now after my work
Nice, but I wish you’d elaborate a little on how to chose a picking pattern?
He possessed by Stevie T!!
Claus Levin Band? Where is it?
I guess my spasms need an update
My fingers just won't that fast lol
He just plays something before he gets short stroke so he can vocally repeat it
it's a good concept - but doesn't address the issue of taking that triplet pattern and playing it across two strings which is where all the hiccups happen for me. If i could stop getting stuck going from string to string - my picking would be almost good. But i keep getting stuck and I can't seem to fix it - and it is soooo frustrating. Ye s- I've seen Troy Grady's site - and while it's interesting for describing mechanics - right now it isn't much helpful when it comes to offering solutions or methods to address the issue. I'm getting desperate here to fix this!! :(
Two issues here- the mechanics of picking, which Troy Grady will absolutely help you with. And the second, what I call "internalizing the rhythm". For this I recommend learning Konnokal, the Indian counting system.
Triplets are counted: "Ta Ki Ta, Ta Ki Ta, Ta."
I'm guessing you haven't checked out that free alternate picking course he preaches about
@@derikdavis567 Perhaps once Troy gets some tutorials built - that will be true. Right now - and I'm a member there - for me it's largely just interesting - and a way to learn to observe mechanics but not necessarily learn them. I'm not the only one that thinks this - if you read through the forums. I think they're working to address that but it's not there yet. I've heard of the Indian system - although for some reason I thought I heard it called something else - from another channel here - i usually just feel trip il it - I don't really have a rhythm issue - I definitely have a picking issue. And its definitely frustrating the hell out of me. I appreciate your response.
@@godwinbssdd I'jm going to have to and see - I think I have actually but you know how it is - easy to get distracted but I'm pretty sure I watched it several months ago . And yes...I know i need to do more than just watch it. Fairly certain I ran those little group exercises he had - certainly worth revisiting
I can only speak for myself. I keep coming back for CTC membership because I've found Masters in Mechanics to be extremely useful- at the same time I also believe that Troy has left out a few things. This is actually the case for all teachers. Take what you can use and discard the rest.
I responded to your comment because i believe i was in a similar place as you 3 years ago. After nearly twenty years of playing my right hand was still inconsistent. 3 years of daily, FOCUSED work on rhythmic rudiments, has transformed me into a beast. Slap and pop, sweeping, hybrid, hybrid sweeping, tapping, harmonic tapping, lenny breau harp harmonics-- all of it became accessible when it was not.
You re good bro but you talk too much... thats a pitty