I see that the Enclave is not trying to waste the wastelanders' taxes this time. Genetically engineered catgirls are so much better than talking deathclaws...
Impressive. Hard to believe this type of music existed back then. Sounds so current or modern like our experimental/industrial music that some of us listen to today.
It probably sounded very different, whether in execution or in concept. It's a piece performed by an entire city in 1920's. The Baku and Moscow performances likely sounded somewhat more organic than this 2009 reinterpratation.
this was first performed in Baku, Azerbaijan, for the 5th anniversary of the October revolution. avraamov can be seen in a photo conducting the symphony with two flaming torches.
It sounds sort of gloomy at first, but the battle cry and song cut through like a flame. I was born in a port city, so the ship horns (I think?) and factory sounds bring back good memories. The whole thing feels like a kind of solemn hope; sad but very much unbroken.
Song of the giant factories, endless threads of trains and of the endless power of those who run them - the song of workers; the song of industrialization, brought on cars, ships, trucks and wings, brought by the people, by the Soviet command. Let us humanity sing it. I heard some kind of its cover the day before yesterday in Nizhniy Novgorod and I'm not going to forget it.
By the way, do you see a man on the mast with flags in his hands? This is the conductor. This symphony was played by the city - airplanes, cannons, trains, and he had to conduct like this.
@@strakhovandrri is this how the piece is performed in practice? I think humanity's very individual but influential exertion of creativity has waned a lot since even 1922 or earlier... no freedom of mind today
@@o.m.p.h.4483 well, it was performed like that a couple of times. Then there was a steam organ of sorts (more like steam whistle with multiple voices). Honestly, I don't mind if it won't be played like this ever again. Art should be voluntary, although it's cozy to believe that in Roaring Twenties: socialist edition the whole city was for it.
when you "repeat", then you are not "inventive"; ...but, I know what you mean... - not "the same", but w/ similar: efford/expressionism/braveness/experimentation
Yeah, my point was that there's this contradiction. When something becomes a formula, it stops being prog. Also, it's something general only. So, prog rock/metal isn't prog music anymore. The moment u have a limit and not a fluid expression, u're not prog. That's why avant-rock/metal is a bigger oxymoron.
Thanks a lot Mikheyev Andrei for posting this. Thanks to RUclips, I was listening to another great early 20s Soviet/Russian composition, "Iron Foundry" by Alexander Mosolov, which led to this piece. I find Russian art (visual and music) from this brief period of wild experimentation and short-lived optimism (WWI - mid 20s) to be fascinating. When I was in Florence Italy in September, I was fortunate to have seen a really fine retrospective of Natalia Goncharova.
@@fitz3540 What an absolute TRASH comment. I feel extremely bad for the people close to you. You sound like a very unhappy and/or insecure person. "Evil Incarnate"? LOL. It's fucking music, you dolt. Go cry in the corner if you can't handle it.
Arseny Mikhailovich Avraamov, (nacido en Krasnokutsky en 1886 murió Moscú, 1944) fue un compositor y teórico ruso de vanguardia. Estudió en la escuela de música de la Sociedad Filarmónica de Moscú, con clases particulares de composición de Sergey Taneyev. Se negó a luchar en la Primera Guerra Mundial y huyó del país para trabajar, entre otras cosas, como artista de circo. Al regresar en 1917, compuso su famosa "Simfoniya Gudkov" y fue un pionero en el sonido ruso en técnicas cinematográficas. Entre sus otros logros se encuentran la invención del arte gráfico-sónico, producido dibujando directamente sobre la banda sonora óptica de la película, y un sistema microtonal de 48 tonos "ultracromático", presentado en su tesis, "El Sistema Universal de Tonos", en Berlín, Frankfurt y Stuttgart en 1927. Su sistema microtonal es anterior a la creación de la Sociedad de Petrogrado para la Música de Cuartos de Tono en 1923, por Georgii Rimskii-Korsakov. Hoy, su obra más famosa es Simfoniya Gudkov (Sinfonía de Sirenas de Fábrica). Esta pieza incluía sirenas y silbatos de barcos de la marina, bocinas de autobuses y automóviles, sirenas de fábrica, cañones, sirenas de niebla de toda la flotilla soviética en el Mar Caspio, cañones de artillería, ametralladoras, hidroaviones, un "silbato principal" especialmente diseñado y representaciones de Internationale, Warszawianka y Marseillaise por una banda de masas y un coro. La pieza fue conducida por un equipo de conductores utilizando banderas y pistolas. Se representó en la ciudad de Bakú en 1922, celebrando el quinto aniversario de la Revolución de Octubre de 1917, y con menos éxito en Moscú, un año después.
it just seems so eerie, depressing even, a portrayal of coal mines, microplastics, lead, smog, dead end jobs, and the feeling of freedom while being trapped in a box that is big enough to seem like there isnt a box, even the art is eerie, the workers on the trucks, the soldiers, the ships
This was originally set/made in the early Soivet Union, and I think it was supposed to be hopeful (in person this would be a song made by multiple parts of the city, including factories, working together, so it would be a wonder). I don't think the SU had some of the things you mentioned, like dead end jobs. Since people were entitled to the right to work and receive a lot of free and decent accommodations.
Сразу хочется лететь на Марс совершать РЕВОЛЮЦИЮ. И главное ты чувствуешь что это ВОЗМОЖНО. Все сегодняшние "промоутеры" и "политтехнологи" просто ЩЕНКИ по сравнению с этим.
This sounds like it could be part of Stanley Kubrick's version of The Shining. Jack Nicholson was a Ghost from the 1920's Overlook Hotel, after all. Kubrick did his homework. Around 11:07
1920s Communism was extremely strange and centuries beyond its time. This was undone in the Stalinist era, which moved towards social conservatism and abandoned most of the ultra-progressive elements of the old Bolsheviks. I wonder what would have happened had these ultra-progressive cultural ideas continued
@@socialaccount1421 it will be better than Stalins boring ass “socialism realism”（just a copy of classism like Nazi art）remember Malevich . Kandinsky these find father if 20th century modernism all worked and happily worked for Lenin‘s soviet in revolution（Abd Lenin really like these vanguardism art） until Stalin took over If USSR had go this road The art history of Eastern Europe or entire world will be totally different it will make 60s soviet art look conservative
I forgot my name. Its Mikhail Malyenev, no, its KW-8918. We should get some rest. I should run. We should relax. We should stay calm. Everything is normal. I-we need to escape. We should listen to the radio. We know my name, it is KW-8918, it always has.
That moment when you realize that the internationale is playing in it
socialist topics bring .heat.ed debates and this could end up .from. a normal comment section to a dumpster .fire. if you know what i mean ;)
I see that the Enclave is not trying to waste the wastelanders' taxes this time. Genetically engineered catgirls are so much better than talking deathclaws...
@@lockejawe4050 yes my fellow American, state mandated catboys and catgirls for all
dude that was my exact reaction too! its was like; ''Wait what the hell?''
You're a pathetic excuse for a man, which you are and will always be...
Impressive. Hard to believe this type of music existed back then. Sounds so current or modern like our experimental/industrial music that some of us listen to today.
like throbbing gristle
It probably sounded very different, whether in execution or in concept. It's a piece performed by an entire city in 1920's. The Baku and Moscow performances likely sounded somewhat more organic than this 2009 reinterpratation.
I like when you wrote "some• of us".
fr
Tbf both Throbbing Gristle and Boyd Rice we're starting in The 1970s same with Cabinet Voltaire so only a couple decades early really.
The first techno in history
Luigi Russolo did it ten years earlier
Yall heard of vapor wave naw bro we on that industrial wave
I would say industrial music, not techno.
@@gregkavarnos7898 well techno really means technological and not necessarily a 4 by 4 beat
@@torticoThaddeus Cahill did it earlier.
We destroying individualism with this one 🔥🔥🔥
Indivualism is communism.
Individualism is socialism, corporations don't respect the individual.
God bless you
5:31 Imagine a wasteland with this music in the background
@Heinrich "Gaming" Himmler That's a Panopticon, you're thinking of Gilead
Yazov is better@ChickenFarmerHeinrich
@ChickenFarmerHeinrich u mad?
*The Great Trial Awaits*
T H E O N E S T A T E M A R C H E S O N
Rainworld
this was first performed in Baku, Azerbaijan, for the 5th anniversary of the October revolution. avraamov can be seen in a photo conducting the symphony with two flaming torches.
5:30
The One State marches on!
WE!
W E
W E
///WE///
WUZ
It sounds sort of gloomy at first, but the battle cry and song cut through like a flame. I was born in a port city, so the ship horns (I think?) and factory sounds bring back good memories. The whole thing feels like a kind of solemn hope; sad but very much unbroken.
If you're wondering, from about 5:40 you can clearly hear its the International!
The real Avant-garde art.
FASTER FASTER FASTER FASTER
No it's not
@@ChrisKunixyes, it is, it's literally the definition of "avant-garde" and "art"
@@iqmi_3 I was a fool so my apologies for not knowing better at the time.
@@ChrisKunix you were not a fool, you just didn't know what avant-garde art was. That's ok
Internationale starts at 5:31
I guess I'm living in one state
exactly what i came here for
@@tripod_boi2056 *We're living in the one state
@@keanux5906 yes.
And it's the truly best section of the entire piece.
*Deep in the mist, far beyond the reaches of even the most keen human eyes. The cogs and wheels of a great and terrible machine begin to turn.*
When you pass the aux to the Adeptus Mechanicus
Song of the giant factories, endless threads of trains and of the endless power of those who run them - the song of workers; the song of industrialization, brought on cars, ships, trucks and wings, brought by the people, by the Soviet command. Let us humanity sing it.
I heard some kind of its cover the day before yesterday in Nizhniy Novgorod and I'm not going to forget it.
By the way, do you see a man on the mast with flags in his hands? This is the conductor. This symphony was played by the city - airplanes, cannons, trains, and he had to conduct like this.
"This is the final struggle
Let us gather together, and tomorrow
The Internationale
Will be the human race!"
@@strakhovandrri is this how the piece is performed in practice? I think humanity's very individual but influential exertion of creativity has waned a lot since even 1922 or earlier... no freedom of mind today
@@o.m.p.h.4483 well, it was performed like that a couple of times. Then there was a steam organ of sorts (more like steam whistle with multiple voices).
Honestly, I don't mind if it won't be played like this ever again. Art should be voluntary, although it's cozy to believe that in Roaring Twenties: socialist edition the whole city was for it.
@@strakhovandrri I'd love to see it, personally
When the 1920ties were so wild and inventive let us repeat it in 2020-
Instead we get a disease and literal madness. Yup, rather wild indeed!
Inventive? Not so much...
The madness is where the fruitful seed for change is planted.
I wish we couldve
when you "repeat", then you are not "inventive"; ...but, I know what you mean...
- not "the same", but w/ similar: efford/expressionism/braveness/experimentation
We need to organize in order to do that (again)...
impressed by how this ends with all industrial machines roaring l'intenationale
This proves you that most people should stop calling some 70's bands progressive...
Actually we're calling it alternative :d
Dark and Industrial Ambient since 1920, lol.
This ain’t prog rock because rock wasn’t invented yet. This is mainline black tar PROG
Yeah, my point was that there's this contradiction. When something becomes a formula, it stops being prog. Also, it's something general only. So, prog rock/metal isn't prog music anymore. The moment u have a limit and not a fluid expression, u're not prog. That's why avant-rock/metal is a bigger oxymoron.
This is what the industrial revolution and its consequences sound like
Based.
Consequences have been based
@@loplopthebird1860 on the development of the productive forces, that is
@@blaisesposato4164 Just based
@@loplopthebird1860 reject monke return to humanity
If someone played this recording for me blind, and told me it was early Stockhausen, I’d have little reason to dispute that. This was amazing.
OHH thats why its in my recommended. Around 5:31 its the One State theme from Red Flood i had listened to just recently lmao.
Thanks a lot Mikheyev Andrei for posting this. Thanks to RUclips, I was listening to another great early 20s Soviet/Russian composition, "Iron Foundry" by Alexander Mosolov, which led to this piece. I find Russian art (visual and music) from this brief period of wild experimentation and short-lived optimism (WWI - mid 20s) to be fascinating. When I was in Florence Italy in September, I was fortunate to have seen a really fine retrospective of Natalia Goncharova.
Me after 5000 hours in factorio
T H E F A C T O R Y M U S T G R O W
Я не могу поверить,что этому творению 100 лет
@Иван Распутин Оригинал был гораздо хуже. Одни звуки заглушали другие.
Say what you will about the Union but this sort of industrial art is a good thing to come out of it. So... evocative
This music sounds like pure evil incarnate.
I'd love to see the creator hung somewhere for his crimes against beauty.
@@fitz3540 What an absolute TRASH comment. I feel extremely bad for the people close to you. You sound like a very unhappy and/or insecure person. "Evil Incarnate"? LOL. It's fucking music, you dolt. Go cry in the corner if you can't handle it.
@@fitz3540 ok boomer
@@jillydaqueen2282 Why are you so offended over a simple comment?
sadly it was quickly stopped
11:07 - chilling re-entry!
Arseny Mikhailovich Avraamov, (nacido en Krasnokutsky en 1886 murió Moscú, 1944) fue un compositor y teórico ruso de vanguardia. Estudió en la escuela de música de la Sociedad Filarmónica de Moscú, con clases particulares de composición de Sergey Taneyev.
Se negó a luchar en la Primera Guerra Mundial y huyó del país para trabajar, entre otras cosas, como artista de circo. Al regresar en 1917, compuso su famosa "Simfoniya Gudkov" y fue un pionero en el sonido ruso en técnicas cinematográficas. Entre sus otros logros se encuentran la invención del arte gráfico-sónico, producido dibujando directamente sobre la banda sonora óptica de la película, y un sistema microtonal de 48 tonos "ultracromático", presentado en su tesis, "El Sistema Universal de Tonos", en Berlín, Frankfurt y Stuttgart en 1927.
Su sistema microtonal es anterior a la creación de la Sociedad de Petrogrado para la Música de Cuartos de Tono en 1923, por Georgii Rimskii-Korsakov.
Hoy, su obra más famosa es Simfoniya Gudkov (Sinfonía de Sirenas de Fábrica). Esta pieza incluía sirenas y silbatos de barcos de la marina, bocinas de autobuses y automóviles, sirenas de fábrica, cañones, sirenas de niebla de toda la flotilla soviética en el Mar Caspio, cañones de artillería, ametralladoras, hidroaviones, un "silbato principal" especialmente diseñado y representaciones de Internationale, Warszawianka y Marseillaise por una banda de masas y un coro. La pieza fue conducida por un equipo de conductores utilizando banderas y pistolas. Se representó en la ciudad de Bakú en 1922, celebrando el quinto aniversario de la Revolución de Octubre de 1917, y con menos éxito en Moscú, un año después.
I always searched for that Kind of Futurist Music since i heard something like this in Radio
To think we were rather close to an Accelerationist nation actually existing...
iirc accelerationism does exist irl but on a completely different concept than in rf
This is beatiful, I am unable to stop listening to this great piece of art!
Visitor group from Zheltorossiya
This is rly chilling but amazing at the Same time
Anprim repelent.
it just seems so eerie, depressing even, a portrayal of coal mines, microplastics, lead, smog, dead end jobs, and the feeling of freedom while being trapped in a box that is big enough to seem like there isnt a box, even the art is eerie, the workers on the trucks, the soldiers, the ships
This was originally set/made in the early Soivet Union, and I think it was supposed to be hopeful (in person this would be a song made by multiple parts of the city, including factories, working together, so it would be a wonder).
I don't think the SU had some of the things you mentioned, like dead end jobs. Since people were entitled to the right to work and receive a lot of free and decent accommodations.
this sounds like the end of the world in the 1920s
Very abstract and avantGard and trippy
Damn this is haunting.
Overwhelmingly powerful
Perfect society moment
Bruhgundian System
@@doughboyproductions4391 One state dipshit
@@dj-no You really had to say that
@@trole7049 Yes
WE MARCH ON!
This is a 2009 recording and not a 1920s recording. But it's interesting!
2009
it was never recorded
@@random-le5qh wha, how - how is this here then?
@@GabeLily read the description there's even more details in the link
@@jimadler2430not accessible
Круто,буду слушать перед сном....Свичхаус стоит в сторонке
such an open explosive intellectual time - soviet during the 1920s
*NO MORE WAR!!!*
Сразу хочется лететь на Марс совершать РЕВОЛЮЦИЮ. И главное ты чувствуешь что это ВОЗМОЖНО. Все сегодняшние "промоутеры" и "политтехнологи" просто ЩЕНКИ по сравнению с этим.
This sounds like it could be part of Stanley Kubrick's version of The Shining. Jack Nicholson was a Ghost from the 1920's Overlook Hotel, after all. Kubrick did his homework. Around 11:07
the type of shit ive been on lately
I feel you
OP-01 gaming
Happy and joyful labor… forever
I work while this is on. INSPIRATION in the form of MVSIK
wow
I love this shit man. Fuckin awesome.
Чудеса тех ярких и яростных лет!
Powerful...inspiring!
one state anthem
and the 1970s though they were a "counter culture"
They were the continuation of Avant-garde in some sense.
1920s Communism was extremely strange and centuries beyond its time. This was undone in the Stalinist era, which moved towards social conservatism and abandoned most of the ultra-progressive elements of the old Bolsheviks. I wonder what would have happened had these ultra-progressive cultural ideas continued
@@socialaccount1421 horrifying results, maybe not as bad as Stalin, but definitely horrifying.
@@socialaccount1421 it will be better than Stalins boring ass “socialism realism”（just a copy of classism like Nazi art）remember Malevich . Kandinsky these find father if 20th century modernism all worked and happily worked for Lenin‘s soviet in revolution（Abd Lenin really like these vanguardism art） until Stalin took over
If USSR had go this road
The art history of Eastern Europe or entire world will be totally different
it will make 60s soviet art look conservative
Everyone thinks they're counter culture.
Thank you so much , Mikheyev Andrei for posting this.
Got a good idea where Aphex Twin got some ideas/samples from! Wow!
5:31 international
First Dark ambient in the history
Yes. Since DA is considered as post-industrial genre
This is damn brilliant! Great track!
Love these "finds"
*ONE STATE ONE STATE ONE STATE ONE STATE ONE STATE ONE STATE ONE STATE ONE STATE.*
We wuz one state
WE WE WE WE WE WE WE WE
too pioneered to the time
Futurism in architecture, music, the organisation of society. And then... Lenin and Stalin took it all.
Not Lenin, only Stalin
Lenin in fact made this possible
@@reptilespantoso Sounds like you're keen on Italian fasc-- err, "futurism"?
A natural symphony from unnatural sources. Quite poetic!
для редфлудовцев:
Гастев (тот самый) писал поэмы. И они как раз в духе ОП-01. Особенно "пачка ордеров".
One state One state 😫😫😫
Boss music be like:
Are the instruments electronically treated? If so, how would this be done in 1922? Amazing music.
The instruments are actual machines. The composer conducted the orchestra with two flaming torches and a tonne of trained workers on standby.
This is modern recreation. I suspect some sampling is involved due for convenience.
one state...
Perfect society moment
I love it
The Internationale Avant Guard Version
How so...?
DarkLight CyBorg because it's the fucking internationale... at 5:31
Revolutionary art... the marginalized electro music of the 20's ! It don't play on the radio !
**Avant-garde**
@@missk1697 oh shitt
finnaly i can get where is real sound of one state athem
Sounds like evp recordings in the hull of an old ship. Almost sad.
love it!
This is kino
Amazing!
"Мы" Момент
get stoned and play this in 5 different tabs at staggered timings
L'Internationale, Sera le genre humain.
英特纳雄耐尔，就一定要实现！
What a wonderful piece. 🖖
Oh God
Im in this side of RUclips again.
LOVE IT.
まるで私が初めて未来主義に触れた時の感動を表したかの様な曲
Industrial burgundy()
100 years have passed, the avantgarde went somewhere wrong.
Industrial Rock!
The Internationale was the national anthem of the Russian SFSR from 1918 to 1922, and of the Soviet Union until 1944.
Absolutely fantastic. The Russians always played a big role in the development of avant-garde music.
amazing....
WE
- OP-01
what is OP-01?
L A B O R W A V E
Beautiful music
5:31
WE!
5:31 Reminds me of the Rainworld soundtrack.
stupefacente
I forgot my name. Its Mikhail Malyenev, no, its KW-8918. We should get some rest. I should run. We should relax. We should stay calm. Everything is normal. I-we need to escape. We should listen to the radio. We know my name, it is KW-8918, it always has.
What is the name of the artwork?
6:00
WE enjoy ths song if my name isnt TZ-106
absolutely incredible
Im Just scared
Me too...
Me three…
WE are
We are just HAPPY*