Boris Tishchenko: Symphony No. 7 (1994)

Moscow Philharmonic Orchestra conducted by / Orquesta Filarmónica Moscú dirigida por Dmitry Yablonsky.
I. (0:00)
II. (11:23)
III. (18:44)
IV. (29:54)
V. (38:57)
Boris Tishchenko was one of Shostakovich’s most direct successors, inheriting his musical methods and ideas and transforming them into new forms of musical experimentation. His Symphony No. 7, one of the very first post-Soviet symphonies, pays homage to the former school while heading to new musical terrains, such as avant-garde techniques, whilst using catchy melodies and romantic expression.
Boris Tishchenko fue uno de los sucesores más directos de Shostakovich, heredando sus ideas y métodos musicales; así transformándolos en nuevas formas de experimentación musical. Su Sinfonía No. 7, una de las primeras sinfonías post-soviéticas, rinde homenaje a la escuela anterior mientras se encamina hacia nuevos terrenos musicales, como las técnicas vanguardistas, siempre usando melodías pegajosas y expresión romántica.
More info/más información: musicalhistories.blogspot.mx/2...
Image/imagen: Ballet Scene / Escena de Ballet. Vladimir Ovchnnikov Jr. 2008.

[@AndrewKosinskicomposer]

Wicked second movement especially from around 13:00

[@ozgoodel.9645]

In addition to the second movement, the percussion-driven finale is also exceptional.

[@Glamourleichensack]

...ganz großes Ohrenkino! Neben seinem 2. Violinkonzert ist es mein Lieblingswerk von Tishchenko, obwohl ich seine Dante-Sinfonien rauf & runter höre. - Pardon, my (no) englisch :-)

[@Enkaptaton]

Ohrenkino kannte ich noch nicht

[@enriquesanchez2001]

Danke! Einige von uns verstehen Deutsch! :)

[@MegaCirse]

Dans cette musique flotte une sorte de brume propice aux rêves et aux dérives douces. Un climat de paix retrouvé que l'on ressent parfois sans savoir exactement pourquoi pendant certaines nuits d'été ! cet artiste construit un discours d'intériorité, de respiration, qui sait faire place au silence 🐾

[@ronaldbwoodall2628]

Tishchenko, as did Shostakovich, had the ability to infuse the acerbic wit in his music with a deeper intent and emotion, but in the process Tischenko more often becomes disturbingly "avant-garde", with harmonies that can be annoying and even grating at times. And too, his extended concertante passages can induce some restlessness, even while being interesting and formally cogent. Indeed, I find Tischenko's music quite interesting, having heard his 8th, 5th, and now his 7th, and wonder why I hadn't heard any of his music previously, as it has strength and personality in abundance.

[@chuckallen6487]

Very good observation, I copied it out to send it to a friend curious about Tischenko. Thanks

[@chuckallen6487]

Tishchenko is new to me but not to my little sister who plays the cello at the Mozarteu in Salzburg

[@kuang-licheng402]

rare pice