Please consider donating to my fund to transcribe Keith Jarrett's "Osaka, Pt. 1" from The Sun Bear Concerts. I will be making PDFs of each section available as I finish them. More information can be found here: gofund.me/cf065ef8
Fascinating to note that Keith rarely plays chord voicings with his left hand while playing solo...his approach is largely classical, often featuring three or four part counterpoint. However, the intensity and swing of his execution (combined with an unearthly level of hand independence) could only belong to a true jazz master.
Combining the touch and tone of say, Rudolf Serkin with an encyclopedic knowledge of classical repertoire, Jazz and the Great American Songbook, Jarrett stands as THE singularly masterful pianist-improviser of our lifetime.
Please consider donating to my fund to transcribe Keith Jarrett's "Osaka, Pt. 1" from The Sun Bear Concerts. I will be making PDFs of each section available as I finish them. More information can be found here: gofund.me/cf065ef8
Absolutely incredible how he could improvise things like this. And great job on the transcription thank you.
Thank you! Yeah, it's crazy. He blows me away every time
A compliment from one great transcriber to another. 😀
Greatest musician of all time
Great to see this, Keith is in a class of his own. Thanks for another excellent transcription.
Man, that was a trip!
No kidding!
3:40 Surprising baroque-esque! Brilliant work
Yeah, I love that part!
A part from being absolutely “simply” mind blowing, the way he ends is… epic!
Ha, I know. I love how he just walks away from the piano
@@michaellucke2654 no need of anything but “this is the last note, just as the others, but the last. Good night” …what an extraordinary unique brain
4:50
This sequence sounds like fire !
Like everyone else says: fantastic transcription of some incredible music making.
Thanks for sharing with us.
Glad you enjoy it!
Fascinating to note that Keith rarely plays chord voicings with his left hand while playing solo...his approach is largely classical, often featuring three or four part counterpoint. However, the intensity and swing of his execution (combined with an unearthly level of hand independence) could only belong to a true jazz master.
Obrigado por mais essa caro Michael 🙈🙉🙊
The One 'n Only!!
What the what?!? incredible performance and great work on the transcription!
Haha, thank you!
Thanks so much ❤❤
Amazing work. Quite a few numbers transcribed from that concert already. I wish you did "Do nothing till you hear from me" as well.
I'll check it out. There's a few others I've been considering, too. It's nice that there's a video of this concert!
great transcription ... you are a machine :) thanx
Combining the touch and tone of say, Rudolf Serkin with an encyclopedic knowledge of classical repertoire, Jazz and the Great American Songbook, Jarrett stands as THE singularly masterful pianist-improviser of our lifetime.