A gorgeous instrument beautifully played that competently shows all its functions and expressive capacity. A melodically uncomplicated piece like "Les Barricades Mystérieuses" allows the listener to hear the theme played with different features--peau de bouffle, front 8', back 8', coupled, and coupled with 4'. I especially like that it's not played too fast even though the tempo indication is "vivement" which allows the listener to appreciate the instrument's remarkable sonority.
It is often considered that indications like vivement, tendrement, gayment, etc, refer more to the character of the piece than to its tempo. As for the tempo, the player should know which one suits the piece best and use it. It is true, in any case, that Baroque composers usually left much more freedom to the interpreter than later ones and also assumed that the interpreter knew some things beforehand so they did need to write them in the score (like inegal playing of quavers and when to use it).
@@josepandreu7448 This is true, but many modern players are not aware of this possibility and ram through the piece like they've had a triple espresso. In the end, the true measure of what should be done is left to "ce qui plaît à l'oreille". BTW Christophe Rousset is coming to Tokyo for a master class in September, on my birthday coincidentally, and I can't wait to ask him about the time he played this piece in the film, "l'Allé du Roi" when Louis XIV raises Françoise Scarron to the title of Madame de Maintenon after she is insulted by his mistress the Marquise de Montespan.
Some argues that the performer is playing too fast; I oppose this idea. The speed of playing is entirely dependent on the harpsichord sound quality. Many other French harpsichords have a bold sound on the front 8', which demands a slower speed for playing. However, to maintain a musical impetus a faster speed must be used on this harpsichord: the sound is particularly delicate.
Amazing. While watching Hannibal on Netflix he mentioned his harpsichord. I played one once a long time ago, and wanted to remind myself of the hauntingly beautiful sound. Cheers🥃🥃🥃🥃
Thank you for pulling out all the stops! A nice demonstration of the magnificent sound complexity of the Hemsch. Nice rendition of les Barricades, too!
I know a good maker called Leopold Franciolini. His instruments follow an extremely authentic model and you will find very affordable prices. For one of his famous triple-manual models, you can expect prices less than $2000USD.
Very interesting but I thought the instrument sounded most beautiful before he started demonstrating the different features. I particularly did not much like the effect produced by the first change.
The second change switched to the second 8' stop, but the perception of effects is entirely dependent on getting used to historical understanding of music.
Judging, casco,, PR, the 1740s .. quite destructive to original intent, restorations 1960s/70s-left original?. +- 30% worth ... less than a newly made instrument worthless because of nylon parts aq perfect waste of a good period-instrument
Ridiculous! Instruments like this in the various reputable collections throughout the world are restored to the highest standards. Nylon parts? What nylon parts? Purists would apparently prefer that these instruments turn into dust rather that have them returned to playable condition. It is true, that in the 50s and 60s, questionable things were done to many old instruments: zither tuning pins used in place of smooth iron ones; hard steel wire replacing low-tensile wire; plywood replacing solid wood; and yes, in some cases, plastic jacks replaced original wood ones. Probably the worst thing was automatically cranking the strings up to modern A 440 pitch, resulting in the collapse of three hundred year old cases. Much damage was done. But much has been learned. Listen to this instrument!
A gorgeous instrument beautifully played that competently shows all its functions and expressive capacity. A melodically uncomplicated piece like "Les Barricades Mystérieuses" allows the listener to hear the theme played with different features--peau de bouffle, front 8', back 8', coupled, and coupled with 4'. I especially like that it's not played too fast even though the tempo indication is "vivement" which allows the listener to appreciate the instrument's remarkable sonority.
vivement translate as "deeply" I agree with your assessment chevalier de balibari
It is often considered that indications like vivement, tendrement, gayment, etc, refer more to the character of the piece than to its tempo. As for the tempo, the player should know which one suits the piece best and use it. It is true, in any case, that Baroque composers usually left much more freedom to the interpreter than later ones and also assumed that the interpreter knew some things beforehand so they did need to write them in the score (like inegal playing of quavers and when to use it).
@@josepandreu7448 This is true, but many modern players are not aware of this possibility and ram through the piece like they've had a triple espresso. In the end, the true measure of what should be done is left to "ce qui plaît à l'oreille". BTW Christophe Rousset is coming to Tokyo for a master class in September, on my birthday coincidentally, and I can't wait to ask him about the time he played this piece in the film, "l'Allé du Roi" when Louis XIV raises Françoise Scarron to the title of Madame de Maintenon after she is insulted by his mistress the Marquise de Montespan.
Thank you for posting this beautiful performance on a beautiful instrument!
took the words right out of my mouth
Some argues that the performer is playing too fast; I oppose this idea. The speed of playing is entirely dependent on the harpsichord sound quality. Many other French harpsichords have a bold sound on the front 8', which demands a slower speed for playing. However, to maintain a musical impetus a faster speed must be used on this harpsichord: the sound is particularly delicate.
Good to hear this important instrument.
I saw this harpsichord yesterday and wished so badly I could play it!
I really appreciate you putting this video up to hear this beautiful instrument
Once during the BEMF I gst to play that very piece on that very harpdichord. What an honor!
Amazing. While watching Hannibal on Netflix he mentioned his harpsichord. I played one once a long time ago, and wanted to remind myself of the hauntingly beautiful sound.
Cheers🥃🥃🥃🥃
What a beautiful demonstration of these magnificent stops❤️
Thank you for pulling out all the stops! A nice demonstration of the magnificent sound complexity of the Hemsch. Nice rendition of les Barricades, too!
I need to buy this immediately...
The light frame structure of the instrument dictated the tuning
Pitch level. Wonderful to hear a
Genuine instrument.
Beautiful instrument, wonderfully played!
Les barricades mysteriouses
a good demonstration but why so hurried, no stretchings, anything?
Quite lovely really
That was lovely.
Beautiful sound
Harpsichord making at its peak. Superb tone. Played beautifully in my opinion. I couldn’t be bothered with the buff stop though. Just my prejudice!
Wonderful.
supurb excellent 🔥👍🙏❤️❤️🙏👌👌👌👌👌👌👌👍👍👍👍👍👍👍
Someone knows where can I buy a well harpsichord
I know a good maker called Leopold Franciolini. His instruments follow an extremely authentic model and you will find very affordable prices. For one of his famous triple-manual models, you can expect prices less than $2000USD.
@@ohiorizzler1434 Many thanks
Buzzy & nice!
¡Bravo!
I just the sound 😊
esa melodía también la escuche en la enciclopedia encarta
Someone was having fun with the registrations. I presume purely to show off the instrument! Nicely played, by the way.
Nicely done, Mike!! Hope you're well!
Truly splendid!
🌈💛🧚♀️🧚♀️🧚♀️🧚♀️🧚♀️
Very interesting but I thought the instrument sounded most beautiful before he started demonstrating the different features. I particularly did not much like the effect produced by the first change.
The second change switched to the second 8' stop, but the perception of effects is entirely dependent on getting used to historical understanding of music.
Way, way, way too fast. The instrument is nice though.
HE PLAYS TO FAST AND IN AN ANXIOUS MANNER.
i like the annoying sound
Мягкий звук🤤
xd
Lovely hands but they would film better waxed or polished up for your vids
price is what
I see
Judging, casco,, PR, the 1740s .. quite destructive to original intent, restorations 1960s/70s-left original?. +- 30%
worth ... less than a newly made instrument
worthless because of nylon parts
aq perfect waste of a good period-instrument
Ridiculous! Instruments like this in the various reputable collections throughout the world are restored to the highest standards. Nylon parts? What nylon parts? Purists would apparently prefer that these instruments turn into dust rather that have them returned to playable condition. It is true, that in the 50s and 60s, questionable things were done to many old instruments: zither tuning pins used in place of smooth iron ones; hard steel wire replacing low-tensile wire; plywood replacing solid wood; and yes, in some cases, plastic jacks replaced original wood ones. Probably the worst thing was automatically cranking the strings up to modern A 440 pitch, resulting in the collapse of three hundred year old cases. Much damage was done. But much has been learned. Listen to this instrument!
Agreed. The above comment is nohting but trolling.
I just see a wonderful instrument with a great sound!!!
a=392. Less tension on the instrument and far more 'gravitas' tonally. And perfect for the French repertoire.