Michael truly sounds unearthly and supernatural. He sounds like those creepy winds that make those eerie moaning sounds. Truly like a ghost. He gives me chills. No one like him.
The mature side of me is thinking, "Wow, Such amazing actors, with such great voices! It's amazing how much emotion they put into this!" The less mature side of me is thinking, "Wow! They're all making such silly noises!"
In my opinion, micheal Crawford portrays the books representation of erik’s voice. In the book they describe it as angelic and ghost like (paraphrasing) but I think Ramin truly portrays erik’s tortured soul. He puts so much anger and sadness into his voice. So micheal Crawford is my first place, with ramin as an EXTREMELY close second.
I can never decide between Michael Crawford or Ramin Karimloo when it comes to my favourite Phantom. Michael Crawford has that untouchable, from another world demeanor and it creates the perfect scene when it comes to Christine and the Phantom's story, plus he set the bar for all other Phantoms to follow. I think he's exactly what the Phantom was intended to be like. Ramin Karimloo's vocal and acting skills are so passionate and frightening, he makes the Phantom real and there's something beautiful and heart wrenching about his performance. I just can't choose between them. They're both so perfectly cast.
To me, this is THE part of the musical that makes or breaks a Phantom. Michael Crawford is absolutely unbeatable. Not because he originated the role, but because he is a technically perfect singer with impeccable phrasing. When he sings he has a clear, vulnerable angelic tone that can switch to unimaginably powerful and almost deranged in an instant. The only Phantom that comes anywhere close to matching him is Ramin Karimloo.
Yeah, I usually judge a Phantom based off of either this scene or the Final Lair sequence, since he goes through a pretty wide range of emotions there, too. MC is definitely my favorite. You phrased it pretty well yourself, so I’m not going to bother restating what makes him the best.
People forget that Barton was Crawford's understudy and when Crawford was in hospital with a throat infection Barton broke his leg and Crawford had to come back
Although I feel that all of these Phantom's bring this song something wonderful, no one seems to affect me in the same way that Michael Crawford does. The fact that he manages to sing it all in a very other worldly falsetto, matched with those heart-wrenching screams just bring tears to my eyes and sends chill down my spine. He keeps it very legato. Almost like you're riding a soft wave, ya know? Also, I've always appreciated how he tends to tone down the vibrato in this role. It makes it seem much more like a spirit, but also very human if that makes any sense (It doesn't).
0:11 Steve Barton 2:38 Ian Jon Bourg 5:15 Earl Carpenter 7:34 Michael Crawford (King!) 10:15 Anthony Crivello 12:15 John Cudia 14:42 Scott Davies 17:09 Ethan Freeman 19:42 Davis Gaines 22:18 Tim Martin Gleason 25:04 Peter Joback 27:33 Ramin Karimloo 29:58 Peter Karrie 32:37 Jeff Keller
What I enjoy about Ramin is that he does t ornament every note. He let's sweet notes be sweet and stand on their own value. He doesnt need to change what speaks for itself.
As the Phantom, Steve Barton sounds like someone’s trying to shake the life out of him...kind of throws me off. He was fantastic as Raoul though. May he Rest In Peace.
Leroux fans, here's a penny for your thoughts: What if the line "He was bound to love you when he heard you sing" was actually Erik returning to his third person speech mannerism, and that instead of Raoul, he was referring to himself?
+MJR Taurus Very interesting. I never thought about it, but it could be a possibility. Although, for this I am pretty sure he was referring to Raoul. :)
The problem I have with most of these guys is that they go overboard with the vibrato. I think it kills what could be an angelic fermata. I guess that's why I've always favored Ramin and Michael over most of the Phantoms. Their voices are unearthly.
MJR Taurus Ben Forster. Go to this link atruevaljean.tumblr.com/ scroll down and you'll find someone has the links to download act 1 and Act 2. I agree with you that The Phantom shouldn't have the booming sound. His voice should be angelic. I don't think any girl would be seduced by an old man who has the voice like their father. I like to imagine the phantom's voice is like Klaus Meine's voice.
I'm so used to hearing Steve Barton as Raoul, and now hearing him as Erik as well makes me have an even bigger appreciation for him :) he was on both sides of Christine love
Thank you so much for making these great comparison videos. I'm truly *very* grateful for the chance to hear so many different interpretations of the role. You chose an excellent variety of selections; we get to hear the Phantom being hypnotic, controlling, angry, vengeful, loving, grieving, broken -- I love hearing how each actor portrays both the Phantom's "mask" and his inner self. Thanks to these videos, I now have about ten "dream cast" Phantoms!
I always wondered that, too. Is he commanding the chandelier to go? Is he breaking the fourth wall and telling the audience to go because it’s intermission? Although I do like Caitlin Palmer’s interpretation here, that he’s telling everyone to get out of his theater so he can be alone.
Also, it's supposed to be HIM sending the chandelier down himself unless he's working with someone else and he's giving the command to let the chandelier go
Did a blind listen and here are my scores 10-Michael Crawford (Ok, I wont like, I recognized him, but he remains King) 9.5 Anthony Crivello 9 Peter Karrie 8.5 Peter Jöback 8.5 Ethan Freeman 8 John Cudia 8 Davis Gaines 8 Tim Martin Gleason 8 Ramin Karimloo 8 Steve Barton 8 Jeff Keller 7.5 Scott Davies 7.5 Earl Carpenter 6 Ian Jon Bourg
This is awesome! But guys you should go and listen the version of Ben Lewis! His Reprise just cuts through your soul and makes you feel desperately heartbroken...
How I wish there was a video of john Owen Jones singing the reprise from his show with Katie Hall. It's the most beautiful and heartbreaking version I've ever heard.
crawford. *sigh Karimloo's good at young Phantom tantrum. His 25th Anniversary performance blew shit out the water. Karrie, I've never liked. Everyone else are their own respectable Phantomimes. :)
I like Ramins portrayal of the phantom, but I sometimes feel like it’s overrated a tad bit. I prefer a more operatic tenor to portray the phantom, like john Cudia. My favorites are Crawford, Barton, Cudia, and Ramin
Ramin Karimloo.. Best actor to portray the phantom and has the best voice. If you watch him preform this song on youtube you can literally hear the pain in his voice and see the betrayal in his eyes.
on this list crawford, crivello, carpenter, karimloo, karrie and keller are very good but my all time fave is gerard butler. is he not on here because its a film not a play?
He was a great Phantom as an actor, But his voice didn't fit the character. It's not that he's terrible, but the phantom is supposed to have a incredibly beautiful voice. Also, he wasn't disfigured enough to be considered scary. btw that's just my opinion.
Alright let's do this in order then: all of these will be written from beginning to end of the song. My biases: I listen to Ramin a lot. I know Michael originated it but his voice is no my favorite and I've heard slivers 1. Not bad its very ghostly. The sadness is there too. Lacking in power. The audible crying is a bit tacky. 2. I'm feeling nothing from this. Very whiny. The audio is bad which is unfortunate since a lot of the nuances are lost. Interesting choice to speak over the song to build to the climax but it spits on the purpose of musical numbers. 3. Not bad. Really acting the hell out of it. Climax is bad. Hes going for a take but the execution is rough. Very unfortunate. 4. WOW... Crawford really does go for the ghostly spoopy affect. I dont the inflection but everything about it I can appreciate and respect on a technical level. It's very balanced which is shocking. I still dont like the interruptions but it is what it is. It speaks volumes when hes crystal clear when the audio is bad. ALSO THAT CACKLE IS OBJECTIVELY AMAZING. SUCH SKILL. However it is the best example this far of talking over the song. 5. NOT BAD. I like the falsetto it's really nice. Loses a lot of power in the climax. 6. I really like Cudia but it does sound a lot like Ramin. His phrasing is different and different is fine. I like the whispering. The crying is not amazing but I understand the reason it's there. 7. Slower start. It has elements I like but the falsetto sounds over acted. I feel the emotion from the audible crying. Power level is good in the climax. The orchestra dies a massive disservice. 8. Voice is fine. Nothing special. I think a lot of these performances lack a balance. Climax is not in sync. Very bad. 9. Lot of vibrato. The baritone is there and that's good. But everything is very dramatic. It's not a reflective moment here. It's a moment of dread and anger. 10. It's a take that is very niche. It's for those who like quietmoment loud moment quiet moment loud moment quiet moment. Because of this theres no build up. 11. It's fine. It's very Crawford but like all others, nonone can match Crawford and that's not because he was the first nor are they not trying. It's because the technical skill to pull off that is beyond my no anyones comprehension. 12. Ramin has the BEST beginning. Very quiet intro very soft. Good use of flat tones, they're beautiful. The swell and crescendo is amazing. It doesnt over do it. It's actually a very reserved performance and that aids the build up to the climax. Great power at the end. No other performance seems to execute vocal fries as well as he does and the scream is great. 13. It's good. Nothing special. Slow. Not a fan. 14. It's actually a very sweet performance but the horns help a lot. At the same time it's too weak. What makes Erik entrancing is his domineering personality. Theres the heart but not the fear. So overall Ramin and Crawford are remembered for giving very different performances.
All the Phantoms that do the weird, pained pterodactyl screeching during the part where Christine and Raoul are singing just doesn't do it for me. It takes me out of the moment. The sad, quite weeping or complete silence of some of them is what really works well. It makes the flip from sadness to rage more believable and powerful. Like what Ramin, Earl, and Anthony do. The screeching is just silly and strange. And when they scream Christine's name doesn't make me sad either. Quietly boys, give me real sadness and pain. Don't get me wrong, all these men are amazing at what they do, I just prefer one style to another.
love steve bartons laugh... a little too much vibrato from john cudia, peter joback seems a little too nasal, peter karrie sounds the most heart broken when he calls christine, ones i like: davis gaines, anthony crivello,...faves: not on the list but Chris Mann, and Ramin Karimloo...and i sadly cant remember who i saw in london back in 2010
I think every Phantom did a great Job. But I cant forgive Michael Crawford, what he doing with the Musical Dance of the Vampires. Originally Steve Barton shud play the Count Krolock At broadway, but he died before he coud Play the role. And Michael change the Play so much, that DotV was a Fail.
Michael Crawford and Anthony Warlow and maybe James Barbour are the only men who can play the phantom ever in my opinion. Everyone else just truly does not fit the character - the phantom is NOT supposed to be some smooth, attractive, muscular tenor man who moves solidly and smoothly - (sorry Ramon Karimloo, you're a much better Valjean, but you do not fit the character of the Phantom in any way). The character of the Phantom is supposed to be awkward, and move in a very odd yet swift manner, he's not supposed to be all that attractive, and he's not supposed to be some utterly amazing singer - although he should have a good voice, he also shouldn't be very large in physique - more of an average body type, the phantom is not exactly human and he's not used to human contact so he should act in that manner - so he's awkward - also there is NOTHING sexual about the phantom at all - modern phantoms are WAY too over sexualized - also he's not exactly in love with Christine - he's in love with the opera and doesn't want to let go and he loves Christine's voice and he only wants her so he can keep making music, which is his passion
Michael truly sounds unearthly and supernatural. He sounds like those creepy winds that make those eerie moaning sounds. Truly like a ghost. He gives me chills. No one like him.
The mature side of me is thinking, "Wow, Such amazing actors, with such great voices! It's amazing how much emotion they put into this!"
The less mature side of me is thinking, "Wow! They're all making such silly noises!"
In my opinion, micheal Crawford portrays the books representation of erik’s voice. In the book they describe it as angelic and ghost like (paraphrasing) but I think Ramin truly portrays erik’s tortured soul. He puts so much anger and sadness into his voice. So micheal Crawford is my first place, with ramin as an EXTREMELY close second.
I can never decide between Michael Crawford or Ramin Karimloo when it comes to my favourite Phantom. Michael Crawford has that untouchable, from another world demeanor and it creates the perfect scene when it comes to Christine and the Phantom's story, plus he set the bar for all other Phantoms to follow. I think he's exactly what the Phantom was intended to be like. Ramin Karimloo's vocal and acting skills are so passionate and frightening, he makes the Phantom real and there's something beautiful and heart wrenching about his performance. I just can't choose between them. They're both so perfectly cast.
To me, this is THE part of the musical that makes or breaks a Phantom. Michael Crawford is absolutely unbeatable. Not because he originated the role, but because he is a technically perfect singer with impeccable phrasing. When he sings he has a clear, vulnerable angelic tone that can switch to unimaginably powerful and almost deranged in an instant. The only Phantom that comes anywhere close to matching him is Ramin Karimloo.
Laura Green What she Said!
Yeah, I usually judge a Phantom based off of either this scene or the Final Lair sequence, since he goes through a pretty wide range of emotions there, too. MC is definitely my favorite. You phrased it pretty well yourself, so I’m not going to bother restating what makes him the best.
*Audience starts clapping at Micheal Crawford's last note* *Madame Giry* "can't you see the master is at work!"
People forget that Barton was Crawford's understudy and when Crawford was in hospital with a throat infection Barton broke his leg and Crawford had to come back
kungfukid2191 broke his leg?! During A performance ?
good point
How did that happen?!
Navid Namini I read on operafantomet that it was during a rehearsal. I think it was directly cited from Playbill
Michael came back because he couldn't be replaced
Although I feel that all of these Phantom's bring this song something wonderful, no one seems to affect me in the same way that Michael Crawford does. The fact that he manages to sing it all in a very other worldly falsetto, matched with those heart-wrenching screams just bring tears to my eyes and sends chill down my spine. He keeps it very legato. Almost like you're riding a soft wave, ya know? Also, I've always appreciated how he tends to tone down the vibrato in this role. It makes it seem much more like a spirit, but also very human if that makes any sense (It doesn't).
0:11 Steve Barton
2:38 Ian Jon Bourg
5:15 Earl Carpenter
7:34 Michael Crawford (King!)
10:15 Anthony Crivello
12:15 John Cudia
14:42 Scott Davies
17:09 Ethan Freeman
19:42 Davis Gaines
22:18 Tim Martin Gleason
25:04 Peter Joback
27:33 Ramin Karimloo
29:58 Peter Karrie
32:37 Jeff Keller
What I enjoy about Ramin is that he does t ornament every note. He let's sweet notes be sweet and stand on their own value. He doesnt need to change what speaks for itself.
As the Phantom, Steve Barton sounds like someone’s trying to shake the life out of him...kind of throws me off. He was fantastic as Raoul though. May he Rest In Peace.
Leroux fans, here's a penny for your thoughts:
What if the line "He was bound to love you when he heard you sing" was actually Erik returning to his third person speech mannerism, and that instead of Raoul, he was referring to himself?
+MJR Taurus Very interesting. I never thought about it, but it could be a possibility. Although, for this I am pretty sure he was referring to Raoul. :)
I know he is. I'm just letting my geekness show through.
LOL I like it. Geekiness is good. :)
As my mother always said: "Let your freak flag fly!"
+MJR Taurus Oh look..... My feels have been impaled.
I love how Michael keeps his cacklethe after the Orchestra stops ❤️
The problem I have with most of these guys is that they go overboard with the vibrato. I think it kills what could be an angelic fermata. I guess that's why I've always favored Ramin and Michael over most of the Phantoms. Their voices are unearthly.
I think you should check the latest London Phantom.
And what would his name be?
You've piqued my interest.
MJR Taurus
Ben Forster. Go to this link atruevaljean.tumblr.com/ scroll down and you'll find someone has the links to download act 1 and Act 2.
I agree with you that The Phantom shouldn't have the booming sound. His voice should be angelic. I don't think any girl would be seduced by an old man who has the voice like their father. I like to imagine the phantom's voice is like Klaus Meine's voice.
Hmmm...
I could picture as a Younger Erik in the Susan Kay novel quite easily, actually.
MJR Taurus
He is not really young, he is 34.
I cant deny that there are some actors out their that do a good Phantom, but nothing can beat Crawford, i mean just angelic/mysterious/enthrawlling!
Some Phantoms can't weep.
I'm so used to hearing Steve Barton as Raoul, and now hearing him as Erik as well makes me have an even bigger appreciation for him :) he was on both sides of Christine love
Mike Crawford was from his Last Performance of Phantom in LA!!!!!!! The Very LAST Performance of Mike as The Angel of Music!!!!!!!
there will not,and will never be a better Phantom (especially in this song) than Crawford! gets me every time!
My name is Alexander Baumann only one is incredible voice likes Christine daae
I can't decide between Ramin, Ramin or Ramin :/
JACK_ MTG how about Ramin.
Maybe Ramin!
Ramin is also a possibility!
JACK_ MTG You know, Ramin is also a valid option.
omg guys look Michael Crawford and ramin karloo
Thank you so much for making these great comparison videos. I'm truly *very* grateful for the chance to hear so many different interpretations of the role. You chose an excellent variety of selections; we get to hear the Phantom being hypnotic, controlling, angry, vengeful, loving, grieving, broken -- I love hearing how each actor portrays both the Phantom's "mask" and his inner self. Thanks to these videos, I now have about ten "dream cast" Phantoms!
Steve Bartons rendition was heartbreaking. One of the greatest phantoms in history
Ramin karimloo !!!!
I'm sorry but, I started laughing when Peter Karrie started crying "Christine", that was just too funny!!!
Same, i sorry
ChristiiiiiiiiiiiiiinnnnnnnnneeeeeeeeEEEEEEE sorry just had to 4 years later
@@xxwolfyxx1448 🤣🤣
@@shayvogler how ya doing 4 years later??😂😂
@@xxwolfyxx1448 good. How are you 4 years later
Ramin Karimloo is too good for this earth
I wonder why "Go" was the chosen word to have the Chandelier fall to. it's a wee bit out of place, says I. Why not just an anguished/angry cry.
I think in Germany they have a better word: the Phantom screams „Hinab!“ what means „Down!“
I always wondered that, too. Is he commanding the chandelier to go? Is he breaking the fourth wall and telling the audience to go because it’s intermission? Although I do like Caitlin Palmer’s interpretation here, that he’s telling everyone to get out of his theater so he can be alone.
@@caitlinpalmer9066 hahaha in opera voice though 😎 this is a good point though
@@julianrobbel4118 much better.
Also, it's supposed to be HIM sending the chandelier down himself unless he's working with someone else and he's giving the command to let the chandelier go
Michael Crawford is my favorite
peter's up there in age along with MC. I give both of them credit for doing such an awesome job!
John Cudia would have to be my favorite. You can just hear so much of the Phantom's pain in his voice!
Ramin Karimloo!!!!
Did a blind listen and here are my scores
10-Michael Crawford (Ok, I wont like, I recognized him, but he remains King)
9.5 Anthony Crivello
9 Peter Karrie
8.5 Peter Jöback
8.5 Ethan Freeman
8 John Cudia
8 Davis Gaines
8 Tim Martin Gleason
8 Ramin Karimloo
8 Steve Barton
8 Jeff Keller
7.5 Scott Davies
7.5 Earl Carpenter
6 Ian Jon Bourg
Amo essa parte.
Meus favoritos deste vídeo são Steve Barton, Michael Crawford, John Cudia, Davis Gaines.
earl carpenter by far so much passion in his voice!!!
This is awesome! But guys you should go and listen the version of Ben Lewis! His Reprise just cuts through your soul and makes you feel desperately heartbroken...
good point actually had the chance to see Ben Live last year
I saw Ben Lewis last February (2018) and he was heartbreakingly wonderful ❤️😍❤️
oooooh I loveeeeeee the evil laughs ahahahahahaha
Nobody:
Peter Karrie: CHRISTINREEEEEEEEEEEE
Crawford and Cudia are amazing.
How I wish there was a video of john Owen Jones singing the reprise from his show with Katie Hall. It's the most beautiful and heartbreaking version I've ever heard.
Ramin Karimloo, Earl Carpenter, Scott Davies and John Cudia
Scott Davies is probably my favorite.
best part of the whole show in my opinion
Michael Crawford
aw why didn't you include Colm Wilkinson? He's one of the most famous and notable Phantoms
Ramin and Michael 😘😍
You make the best comparison videos! Thank you :)
crawford. *sigh
Karimloo's good at young Phantom tantrum. His 25th Anniversary performance blew shit out the water.
Karrie, I've never liked.
Everyone else are their own respectable Phantomimes. :)
Earl Carpenter captures the Phantom's character in my opinion
Crawfooorrrrddddd
I love evil laughes!
steve bartons crying makes me so sad, must be a good actor. if only he had ramins singing
He played Raoul in the original London cast.
jeff keller is my vocal teacher!!!! he’s so talented
It was Ian Jon Bourg hands down. The sorrow in his voice was epic.
The clip with Ramin should have been from the RAH
I like Ramins portrayal of the phantom, but I sometimes feel like it’s overrated a tad bit. I prefer a more operatic tenor to portray the phantom, like john Cudia. My favorites are Crawford, Barton, Cudia, and Ramin
Thank you for not putting Gerard Butler's version
Thank you so much for putting this together!
Ramin
Michael
Peter Karrie! Sounds so scary! :D
If these phantoms keep weeping no while Christine and Raoul are singing I'm going to break down please help
I think there's something wrong here.. Where is Anthony Worlow? I mean, any chart will be incomplete without him :-)
However Here they are in order:
1.Ian Jon Bourg
2. Ramin Karimloo
3. Michael Crawford
4. Tim Martin Gleason
33:36 thank you for ruining the scene with that wailing
You should have Hugh Panaro on here.
Hey!! Very so much your voice. And great singer of phantom
5.Peter Karrie
6.Jeff Keller
7.Steve Barton
8.Earl Carpenter
9.Anthony Crivello
10. John Cuida
11. Scott Davis
12. Ethan Freeman
13. Peter Joback
Earl, Crawford, Ramin or Peter Karrie
ramin is pitch perfect.
who played him in the Cameron Mackintosh live tour?
In the U.S. the most recent two that I can recall are Cooper Grodin and currently Chris Mann
Ramin Karimloo.. Best actor to portray the phantom and has the best voice. If you watch him preform this song on youtube you can literally hear the pain in his voice and see the betrayal in his eyes.
DEAN KEATON Ramin was crying durning 25 anniversary and it broke my heart Ramin is the best Phantom!
on this list crawford, crivello, carpenter, karimloo, karrie and keller are very good but my all time fave is gerard butler. is he not on here because its a film not a play?
because of his shitty singing
He was a great Phantom as an actor, But his voice didn't fit the character. It's not that he's terrible, but the phantom is supposed to have a incredibly beautiful voice. Also, he wasn't disfigured enough to be considered scary. btw that's just my opinion.
Marcos Diógenes i agree he was a great phantom but to me the voice was perfect.
:)
harlyn blanchflower yes that's why
you're kidding, right? That's like saying Russell Crowe is the best Javert.
Favorite song in POTO
And huge panaro was a raoul also. Most of the raouls became phantoms surprisingly enough.
Alright let's do this in order then: all of these will be written from beginning to end of the song.
My biases: I listen to Ramin a lot. I know Michael originated it but his voice is no my favorite and I've heard slivers
1. Not bad its very ghostly. The sadness is there too. Lacking in power. The audible crying is a bit tacky.
2. I'm feeling nothing from this. Very whiny. The audio is bad which is unfortunate since a lot of the nuances are lost. Interesting choice to speak over the song to build to the climax but it spits on the purpose of musical numbers.
3. Not bad. Really acting the hell out of it. Climax is bad. Hes going for a take but the execution is rough. Very unfortunate.
4. WOW... Crawford really does go for the ghostly spoopy affect. I dont the inflection but everything about it I can appreciate and respect on a technical level. It's very balanced which is shocking. I still dont like the interruptions but it is what it is. It speaks volumes when hes crystal clear when the audio is bad. ALSO THAT CACKLE IS OBJECTIVELY AMAZING. SUCH SKILL. However it is the best example this far of talking over the song.
5. NOT BAD. I like the falsetto it's really nice. Loses a lot of power in the climax.
6. I really like Cudia but it does sound a lot like Ramin. His phrasing is different and different is fine. I like the whispering. The crying is not amazing but I understand the reason it's there.
7. Slower start. It has elements I like but the falsetto sounds over acted. I feel the emotion from the audible crying. Power level is good in the climax. The orchestra dies a massive disservice.
8. Voice is fine. Nothing special. I think a lot of these performances lack a balance. Climax is not in sync. Very bad.
9. Lot of vibrato. The baritone is there and that's good. But everything is very dramatic. It's not a reflective moment here. It's a moment of dread and anger.
10. It's a take that is very niche. It's for those who like quietmoment loud moment quiet moment loud moment quiet moment. Because of this theres no build up.
11. It's fine. It's very Crawford but like all others, nonone can match Crawford and that's not because he was the first nor are they not trying. It's because the technical skill to pull off that is beyond my no anyones comprehension.
12. Ramin has the BEST beginning. Very quiet intro very soft. Good use of flat tones, they're beautiful. The swell and crescendo is amazing. It doesnt over do it. It's actually a very reserved performance and that aids the build up to the climax. Great power at the end. No other performance seems to execute vocal fries as well as he does and the scream is great.
13. It's good. Nothing special. Slow. Not a fan.
14. It's actually a very sweet performance but the horns help a lot. At the same time it's too weak. What makes Erik entrancing is his domineering personality. Theres the heart but not the fear.
So overall Ramin and Crawford are remembered for giving very different performances.
Anthony Crivello and Michael Crawford
sb played raoul in the Crawford version also
John Owen Jones
peter Karrie is the best!
No doubt Michael crawford and Peter joback
where's Gerry?
Tiffany Stewart Many of us old school broadway phans do not speak of him.
+MJR Taurus Yes. I really want to erase the memory of ever hearing or watching that movie. Needed to watch the original to remove it from my mind.
+MJR Taurus fuck u!
are the best ever
Ramin
All the Phantoms that do the weird, pained pterodactyl screeching during the part where Christine and Raoul are singing just doesn't do it for me. It takes me out of the moment. The sad, quite weeping or complete silence of some of them is what really works well. It makes the flip from sadness to rage more believable and powerful. Like what Ramin, Earl, and Anthony do. The screeching is just silly and strange. And when they scream Christine's name doesn't make me sad either. Quietly boys, give me real sadness and pain. Don't get me wrong, all these men are amazing at what they do, I just prefer one style to another.
Anthony Crivello was nice except he took a thousand breaths to end a phrase which is a big music making no no.
love steve bartons laugh... a little too much vibrato from john cudia, peter joback seems a little too nasal, peter karrie sounds the most heart broken when he calls christine, ones i like: davis gaines, anthony crivello,...faves: not on the list but Chris Mann, and Ramin Karimloo...and i sadly cant remember who i saw in london back in 2010
Peter Joback or Ramin Karimloo? That IS the question!
The answer is Michael Crawford
scott xo
I think every Phantom did a great Job. But I cant forgive Michael Crawford, what he doing with the Musical Dance of the Vampires. Originally Steve Barton shud play the Count Krolock At broadway, but he died before he coud Play the role. And Michael change the Play so much, that DotV was a Fail.
Ramin Ramin ramiiiiin
Luv Tony Crivello
Howard McGillin, John Cudia, Hugh Panaro. In no particular order.
5. Peter Karrie
wordd
Uhm where's John Owen Joan's??!??!?
john owen JONES
There’s a part 2
Howard McGillin. Always
Omg ian joun burg can talk in english
Anyone else cry
Ramin is the best all the way!!
1 Ramin Karimloo
2 Steve Barton
3 Scott Davies
4 John Cudia
5 the others..
Man Earl was pretty bad. Couldn't even hit the high note.
Ninjohnson65 my prob with him in this is he didn't sob!
In that situation, I think it made his performance better. He was so utterly destroyed that his voice control just... went.
Michael Crawford and Anthony Warlow and maybe James Barbour are the only men who can play the phantom ever in my opinion. Everyone else just truly does not fit the character - the phantom is NOT supposed to be some smooth, attractive, muscular tenor man who moves solidly and smoothly - (sorry Ramon Karimloo, you're a much better Valjean, but you do not fit the character of the Phantom in any way). The character of the Phantom is supposed to be awkward, and move in a very odd yet swift manner, he's not supposed to be all that attractive, and he's not supposed to be some utterly amazing singer - although he should have a good voice, he also shouldn't be very large in physique - more of an average body type, the phantom is not exactly human and he's not used to human contact so he should act in that manner - so he's awkward - also there is NOTHING sexual about the phantom at all - modern phantoms are WAY too over sexualized - also he's not exactly in love with Christine - he's in love with the opera and doesn't want to let go and he loves Christine's voice and he only wants her so he can keep making music, which is his passion
Peter Jöback sounds like a little boy.
You do?