If you're trying to email me re consulting, I've had such an influx of emails off the back of this video, my email server is having issues delivering them all. So instead, please fill out the form on this page: alex.live/consulting . I will get back to you as soon as possible :) Also if you sent an email already, feel free to resend it using the form to make sure I definitely have it 👍
There is noting better then seeing explained how the equipment is setup for real situations broadcast. That is so much better then a broadcast about some Black magic equipment. I appreciate that as well but this video here has so much additional value.
This is amazing. A fresh look on how to create an infrustructure for live stream programing. Thank you very much Alex. I'd like to take this opportunity to ask for advice regarding a setup for livestreaming a dart tournament. If you are aware about darts, what would you think the best setup for it?
Wow! I'm really impressed at the high production value! It's amazing how coordinated it is! It genuinely rivals (and even surpasses in some cases) established TV productions I was wondering if you could make an in-depth video on the data gathering for the live graphics?
Overall this is a magnificent set up and how you explain your logic behind selecting different pieces of equipment is just great. Black Magic should pay you to be a spokesman bc you do a phenomenal job !
3:39 Kudos Alex on running the cables up into the ceiling scaffold 👍. I'm becoming more aware of advantages of moving cable off the floor as much as possible. Very clean.
Thanks Eric! Yeah keeping as much off the floor as possible certainly becomes vital the more equipment you have. I'm thinking about doing a video about cable management in general...but worry it might be too boring of a topic haha
Amazing video showing the behind the scenes of an actual show. I was so wrapped up in this as I watched it. The only thing missing was even a little bit of a breakdown of the audio chain being used...mics, interfaces, recording etc. Definitely looking forward to more videos like this.
You have always been so clear at explaining how everything works. I literally built my channel off your videos and have a list of upgrades ready for when I have cash to spend. This video and set up is amazing.
Glad you enjoyed it! Also, can I just say your content is fantastic! Have always loved your OBS tutorials an your no time-wasting / no bullshit approach to your content. Just clear, concise, and top info :)
Thank you for all your hard work and long hours you out into the project. I don’t think I’d be able to do 80% of the complex productions I do without it 🙌🙌
Again, great work Alex. This helps so much. Been a subscriber for a while now. Will definitely be scheduling a consult with you in near future. Thanks.
Outstanding, this is a killer solution! My first rack build had similar components, but wasn't nearly as well thought out for ease of use and flexibility, while keeping all of the professional features and connections accessible. The other biggest feature in the overall size, with such a small footprint this solution could fit in wider range of venues. The overall mobility for both road and air travel make this system very ideal for remote production. If only there was a wireless version of this build that would still allow camera control, then the possibilities would be endless.
Great build, man. LOVE your choices. My instinct would have been for a bigger switcher but I fell in love with your two tiered approach as I imagined running it myself and you really sold me. Phenomenal execution.
Just when I didn't think this account couldn't get any better, you roll out a whole F1 broadcast setup! Thank you for all of your insight over the years, I broadcast a radio show that is streamed to Fb/RUclips at the same time -- your RUclips videos made it all possible!
Thanks Bill, really appreciate the feedback. I’m actually in the middle of another studio build now, so out of interest were there any particular topics you wanted me to go in more detail with?
Nice setup, thank you! How do you pull data from formula1? You said you used Singular, but how did you get data there? What do you think about using Elgato arm lp instead of that mic stand? What lenses did you use? 12-35? Is it better for BM cameras to use Olympus 12-40, it does not have stabilisation, but it's 40 instead of 35 and you don't need stabilisation anyway.
Absolutely loving this type of content to see a deep dive of the cause and effect of why and how you do things is a game changer. Please make more of these as they are very valuable.
Thanks so much Marty, it's these types of comments that spur me on to create more vids like this. I have a few more for the near future planned, so keep your eyes pealed :)
Excellent work Alex! Both in planning and implementing the setup, as well as explaining it! I noticed the different tripod markings on the floor for the (I suppose) different set backgrounds, clever! This is the kind of set that really puts into perspective how Blackmagic changed the game, a few years ago it would have cost a lot more to have the same features. And there's still room to grow, by switching to an SDI workflow someday if needed! (now I understand why there are so many exclamation points in BM's product pages 🤣)
Thanks so much. Glad to hear you enjoyed the video and found it useful. Yeah because the studio is used for 3-4 different shows each week, it definitely helps to have the tripod placements marked out on the floor with some coloured camera tape. I totally agree with you about Blackmagic and how they have really made this sort of thing accessible to more people... a few years ago it would have only been traditional broadcasters with huge budgets that could have this sort of setup :) Thanks for all your support!
What software and hardware are u using for the DMX control? Are u connected to the API from the F1 timing provider or where are u getting the data from? Also, what settings are u using on the x32 in terms of compressor and or limiter?
3:30 why not use the studio converters and just run ethernet cables to the camera? That's one cable for all camera siginal and communication, including power.
Same question over here, the studio converters are incredible for this kind of environment. Its worth the upgrade down the line when there's more money, especially if you're building a rack. You'd also want to have an ATEM Extreme SDI or HD8 ISO for this specific application. You'd need about $7K - $10K more for all these upgrades. And also could've gone with the 6k Pro version of the cameras, which again, more money. I'd be interested to see the upgrades as this studio evolves. Every incremental upgrade would be really interesting to see!
Hi Alex, could you explain to me or make a video on how to configure the talback microphone that you use in the studio and how to use it with the streamdeck like you do? Thank you
Awesome setup! Would love to see a video showing the operators running the graphics live. How do you setup the router to avoid IP conflicts with existing networks that you may tap into at various shows?
Hey Seth, thanks for the compliment. I'll definitely see what I can do about showing more of the graphics stuff. Regarding the router, it was mainly a case of picking a rather obscure IP range for our router, and checking it doesn't conflict with any of the locations. So far, it never has, but we can change the router IP if needed :)
when you convert the graphics feed key and fill to HDMI does it carry an alpha channel? how do you maintain the transparency info into the BMD ATEM mini Extreme?
I find it interesting how OBS is now integrated into almost everyone's workflow, alongside stream decks. Stuff made for normal streamers, but a lot of professionals are using it for one thing or another, because it's incredibly versatile. I've seen it for capture cards, easy SDI output with the blackmagic cards, encoding, ...
That was incredible! I first found you by watching the Golf podcast makeover and thought that was brilliant! This is like that to the 10th power very well done and a very impressive use of resources!! Hello from the US in Sunny Florida! Well done indeed!!!
Something you might want to have a play with; few months ago I started using the BirdDog Play as an input for fills, overlay, video playback etc; being fed either from OBS or any other NDI source; and allow for a roaming phone camera etc. Found it has simplified alot of stuff and reduced the apps I need to interact with down to OBS studio, Behringer Air and ATEM. It did have a 500ms to 1s delay for me but that could be because of the cheap touch screen laptop i used for the OBS feed.
This is PHENOMENAL!!!! I love this! I dream of building something like this soon. Absolutely saving this video for the very very near future! Thank you Alex!
Very interesting video, Alex - fantastic insight into such a professional production. One question - I'm curious why the presenters are all using SM7B's, which make quite a visual statement - as opposed to (say) wireless Lav mics? Was this a deliberate decision and if so, why?
I'd love to hear if your graphics are doing well over HDMI with key and fill. My understanding is it will loose sync over time which is why SDI is still preferred. Cool build though.
I had that same thought. I’d honestly be hesitant to try and run an alpha layer of graphics over HDMI because my understanding is that HDMI simply isn’t capable of this. I’m wondering if it’s actually just a luma key or something similar.
Hi Alex Something on a much lower scale. I am on a very low budget, I would value your opinion on the blackmagic ultimatte 12 HD mini, small interviews one cam and the keyer must be on point. Thanks in advance Roy
Great video. I noticed all of the SM7Bs are upside down, they look really good if you flip them in their bracket. It hides the cable underneath so looks much cleaner on cam.
Alex. This is stunning. OMG - where do I start! If you were doing the same set up now, would you have gone for the new TV Studio HD8 ISO and 6K Pro Cameras. For portability this means you could bring location/track cameras directly into the show and leave the main hardware in the studio. Perhaps even an entire program could be created this way? I realise this would have switched you to SDI, perhaps with Studio Converters? I’m dying also to know what lenses you went for? Please, what were the start to delivery timeframes - and also, the hardware budget and your own budget. This seems like a lot of work but I’m sure made faster by your incredible knowledge! 😅 Personally I like the microphones as it gives talent a confidence crutch but I think I’d go for low profile arms like Joe Rogan rather than the stands? And finally, I don’t think you mentioned storage / or recording to SSD BMRaw in Camera? Sorry for so many questions but I’d really love to know. I’m also going to email you re scheduling a call.
Great video. Thank you very much. Always great to see how the atem mini (extreme) is used other then just for presenting the black magic products themself. My set is not as complete and tidy as yours yet but in general it is the same idea. The biggest difference is that I made the mini extreme part of the "desk" so for the real camera switching during a live broadcast (or live switching recording), I hit the actual buttons on the extreme. I chose that because less equipment in between feels fale-safer. I also use one mini computer for the Atem and Behringer control software and for video playback. One additional laptop to watch the stream and of course a router and switch to have my own network. Absolute great to see how good your whole technical set and stage (lighting) works. LOVE the idea of auto-changing lighting to make the stage even more interactive. Thank you for sharing this.
Love the sound of your setup! Funny you mention about having the ATEM in the desk, I’ve just built a setup this week where that was a requirement. Super clean! Glad I could inspire a bit re lighting! Thanks again for all your support
Amazing work! Are you planning to show how you come with the visual idea of the building set up. Like the table. Walls and lights. All the background design is amazing. Would be great to learn from this too. Amazing work!
Out of curiosity, why do you use the ultra studio for the key and fill signal? You mention you have a DeckLink card, so can’t you just use that for your two channels of signal?
I agree with absolutely everything in here- with one small note / caveat... coming up with the budget. If someone else is gonna pay for 5 BM studio cameras- plus all the other crap you need to run them- by all means! That aside- it is actually impressive some of the less extravagant elements of this- like using the mini given its super-source capability. Great setup- and breakdown of everything!
Everything looks great! But those colors coming out of the bm cameras are so harsh. Get a bounce or huge soft box and spread that light out more evenly. Would look much better. Good Job though!!!
Thanks Philip, will consider doing a video around the making of patch panel in the future :) The rack is a 10U rack on wheels... Think it was from Amazon if I remember correctly :)
If you're trying to email me re consulting, I've had such an influx of emails off the back of this video, my email server is having issues delivering them all. So instead, please fill out the form on this page: alex.live/consulting . I will get back to you as soon as possible :) Also if you sent an email already, feel free to resend it using the form to make sure I definitely have it 👍
Which are the actual lenses you are using apart from the 12 35?
How do u setup the displays at 165th Floor Studio? It should be changeable video / image right?
@@madgrapetvmy do you mean the background display? That’s is a 4 screen matrix where we are able to spread one video across the 4 displays
@@AlexPettitt yes sir. R u able to send the signal through atem via aux or a seperate pc with a video wall controller processor?
In this case we feed the screen from a completely separate computer :)
Really hope you like this new style of video. If you want to see more like this, please let me know :)
There is noting better then seeing explained how the equipment is setup for real situations broadcast. That is so much better then a broadcast about some Black magic equipment. I appreciate that as well but this video here has so much additional value.
Yes yes and yes please.
100%. Has shown me how I'm both on a good track with my builds, and ideas of how to improve
This is amazing. A fresh look on how to create an infrustructure for live stream programing. Thank you very much Alex.
I'd like to take this opportunity to ask for advice regarding a setup for livestreaming a dart tournament. If you are aware about darts, what would you think the best setup for it?
More!
Wow! I'm really impressed at the high production value! It's amazing how coordinated it is! It genuinely rivals (and even surpasses in some cases) established TV productions
I was wondering if you could make an in-depth video on the data gathering for the live graphics?
This is amazing! Such a high production value for the show, and it really pays off. Great setup, and well thought out!
Thanks so much! Really appreciate the compliment on the production values too :)
so good, that they quit the channel a few months ago
Alex - this is sooo good. Thanks for capturing this and explaining your decision making. Love how you have developed your channel.
Thanks so much Daron, really glad you enjoyed the watch and hope it was helpful too!
Great job!
Overall this is a magnificent set up and how you explain your logic behind selecting different pieces of equipment is just great. Black Magic should pay you to be a spokesman bc you do a phenomenal job !
3:39 Kudos Alex on running the cables up into the ceiling scaffold 👍. I'm becoming more aware of advantages of moving cable off the floor as much as possible. Very clean.
Thanks Eric! Yeah keeping as much off the floor as possible certainly becomes vital the more equipment you have. I'm thinking about doing a video about cable management in general...but worry it might be too boring of a topic haha
@@AlexPettitt I don't think this would be boring at all because it's something we all can probably still improve on
Amazing video showing the behind the scenes of an actual show. I was so wrapped up in this as I watched it. The only thing missing was even a little bit of a breakdown of the audio chain being used...mics, interfaces, recording etc. Definitely looking forward to more videos like this.
You have always been so clear at explaining how everything works. I literally built my channel off your videos and have a list of upgrades ready for when I have cash to spend. This video and set up is amazing.
Thank you for the tour!!
Glad you enjoyed it! Also, can I just say your content is fantastic! Have always loved your OBS tutorials an your no time-wasting / no bullshit approach to your content. Just clear, concise, and top info :)
As a Companion dev I always love to see its use out in the wild, that's a really cool studio setup you've got!
Thank you for all your hard work and long hours you out into the project. I don’t think I’d be able to do 80% of the complex productions I do without it 🙌🙌
Again, great work Alex. This helps so much. Been a subscriber for a while now. Will definitely be scheduling a consult with you in near future. Thanks.
Outstanding, this is a killer solution! My first rack build had similar components, but wasn't nearly as well thought out for ease of use and flexibility, while keeping all of the professional features and connections accessible. The other biggest feature in the overall size, with such a small footprint this solution could fit in wider range of venues. The overall mobility for both road and air travel make this system very ideal for remote production. If only there was a wireless version of this build that would still allow camera control, then the possibilities would be endless.
This is awesome, how are you sourcing the live data for the positions/data etc, and how do you create all the interactive graphics?
Great build, man. LOVE your choices. My instinct would have been for a bigger switcher but I fell in love with your two tiered approach as I imagined running it myself and you really sold me. Phenomenal execution.
wow people!
Amazing work behind the scenes!
I work for 3 tv programs, but it's always pre-recorded, even with months... this is another world!
Thank you. I am subscribing to you now. Just this video opened my eyes to some little details I didn't know
Just when I didn't think this account couldn't get any better, you roll out a whole F1 broadcast setup! Thank you for all of your insight over the years, I broadcast a radio show that is streamed to Fb/RUclips at the same time -- your RUclips videos made it all possible!
Thank you for showing us the behind the scene. What kind of lenses do you use in those black magic cameras?
Wonderful walkthrough!
Thank you so much!
This is great! We just got three of the Studio Camera 4k Pro's also! What lenses are you using and why?
Amazing how much goes into RUclips for top tier content, really goes under the radar
Outstanding!!! More if this studio set up. I could have watched 5 hours and gone more granular. Fantastic teaching.
Thanks Bill, really appreciate the feedback. I’m actually in the middle of another studio build now, so out of interest were there any particular topics you wanted me to go in more detail with?
Wow. Just wow. Thank you, I am so impressed with what tech and your skills have done…. amazing!
Really cool, thanks for sharing!
Alex, amazing setup - thanks for sharing!
Excellent background content and great production value for the show, and kudos for getting the word plethora in there.
Nice setup, thank you! How do you pull data from formula1? You said you used Singular, but how did you get data there?
What do you think about using Elgato arm lp instead of that mic stand?
What lenses did you use? 12-35? Is it better for BM cameras to use Olympus 12-40, it does not have stabilisation, but it's 40 instead of 35 and you don't need stabilisation anyway.
Great video with a lot of details. I’d love to see more, Alex!
Absolutely loving this type of content to see a deep dive of the cause and effect of why and how you do things is a game changer. Please make more of these as they are very valuable.
Thanks so much Marty, it's these types of comments that spur me on to create more vids like this. I have a few more for the near future planned, so keep your eyes pealed :)
Outstanding!
Thanks so much Dave. Glad you enjoyed it!
Excellent work Alex! Both in planning and implementing the setup, as well as explaining it!
I noticed the different tripod markings on the floor for the (I suppose) different set backgrounds, clever!
This is the kind of set that really puts into perspective how Blackmagic changed the game, a few years ago it would have cost a lot more to have the same features.
And there's still room to grow, by switching to an SDI workflow someday if needed!
(now I understand why there are so many exclamation points in BM's product pages 🤣)
Thanks so much. Glad to hear you enjoyed the video and found it useful.
Yeah because the studio is used for 3-4 different shows each week, it definitely helps to have the tripod placements marked out on the floor with some coloured camera tape.
I totally agree with you about Blackmagic and how they have really made this sort of thing accessible to more people... a few years ago it would have only been traditional broadcasters with huge budgets that could have this sort of setup :)
Thanks for all your support!
Extremely interesting insights!! Thank you for your efforts!!
What software and hardware are u using for the DMX control?
Are u connected to the API from the F1 timing provider or where are u getting the data from?
Also, what settings are u using on the x32 in terms of compressor and or limiter?
3:30 why not use the studio converters and just run ethernet cables to the camera? That's one cable for all camera siginal and communication, including power.
Good questions, I really did consider it, but at the end of the day it came down to cost. It wasn't justifiable to the client :)
Same question over here, the studio converters are incredible for this kind of environment. Its worth the upgrade down the line when there's more money, especially if you're building a rack. You'd also want to have an ATEM Extreme SDI or HD8 ISO for this specific application. You'd need about $7K - $10K more for all these upgrades. And also could've gone with the 6k Pro version of the cameras, which again, more money.
I'd be interested to see the upgrades as this studio evolves. Every incremental upgrade would be really interesting to see!
This is cool .
Usually people will skip pass the rack setup and specific stuff like which port is used for what.
But u did explain
Happy to answer any questions you have about the ports too :) Glad to have helped
@@AlexPettitt
yes.
It just shows us your passion in this rather than making 1 to get views 🥰🔥👏👍
Oh Alex this is next level! Wow! What a gig!!!
Hi Alex, could you explain to me or make a video on how to configure the talback microphone that you use in the studio and how to use it with the streamdeck like you do? Thank you
Great set guys you done a awesome job building that
Awesome setup! Would love to see a video showing the operators running the graphics live. How do you setup the router to avoid IP conflicts with existing networks that you may tap into at various shows?
Hey Seth, thanks for the compliment. I'll definitely see what I can do about showing more of the graphics stuff. Regarding the router, it was mainly a case of picking a rather obscure IP range for our router, and checking it doesn't conflict with any of the locations. So far, it never has, but we can change the router IP if needed :)
Could you give some background as to how you got data licencing from FOG?
when you convert the graphics feed key and fill to HDMI does it carry an alpha channel? how do you maintain the transparency info into the BMD ATEM mini Extreme?
Bitfocus Companion is a god sent!! The ability to automate tasks just makes it so much more conducive for a small production team!
What an insane set. Great job!
thank for this information. great video
I find it interesting how OBS is now integrated into almost everyone's workflow, alongside stream decks. Stuff made for normal streamers, but a lot of professionals are using it for one thing or another, because it's incredibly versatile. I've seen it for capture cards, easy SDI output with the blackmagic cards, encoding, ...
Impressive build & great video!
This was so interesting! What a setup! Love TLL.
dude this is epic. you are amazing.
This is Brilliant - well done!
That was incredible! I first found you by watching the Golf podcast makeover and thought that was brilliant! This is like that to the 10th power very well done and a very impressive use of resources!! Hello from the US in Sunny Florida! Well done indeed!!!
Ahh thats so awesome to hear, thanks Vincent! Also, Florida is one of my favourite places... I was based between Miami and Orlando for a bit :)
Incredibly informative video! What software are you currently using (or recommend) for controlling the DMX lights? Thanks for sharing your setup.
Don't sleep on Blackmagic they know their stuff! great video!
This is amazing! I'd love to see a more in-depth video on the graphics!
Really well thought out, and a great bit of engineering and planning. Nice one
Wow, what a great insight into how this is all put together! The professionalism of this show rivals that of huge companies like Sky!
That is super high praise! Thanks so much
Something you might want to have a play with;
few months ago I started using the BirdDog Play as an input for fills, overlay, video playback etc; being fed either from OBS or any other NDI source; and allow for a roaming phone camera etc.
Found it has simplified alot of stuff and reduced the apps I need to interact with down to OBS studio, Behringer Air and ATEM.
It did have a 500ms to 1s delay for me but that could be because of the cheap touch screen laptop i used for the OBS feed.
This is PHENOMENAL!!!! I love this! I dream of building something like this soon. Absolutely saving this video for the very very near future! Thank you Alex!
Top work Alex!
COOL! I m wondering about the rgb lights in this studio setup. Which products did you use for that nice homogenious stripes?
This is a fascinating setup and I grabbed a lot of tips for my studio. Thank you.
What is you had chosen SDI with 8 inputs and 4 outputs how would you add the Fifth camera with camera control
Very interesting video, Alex - fantastic insight into such a professional production. One question - I'm curious why the presenters are all using SM7B's, which make quite a visual statement - as opposed to (say) wireless Lav mics? Was this a deliberate decision and if so, why?
Also what lens are you using
...also wondering ;)
me as well
Really nice setup Alex!
Excellent detailed breakdown of how it's all hooked together. Well done.
Thanks Bris!! Hope all is well with you buddy :)
I'd love to hear if your graphics are doing well over HDMI with key and fill. My understanding is it will loose sync over time which is why SDI is still preferred. Cool build though.
I had that same thought. I’d honestly be hesitant to try and run an alpha layer of graphics over HDMI because my understanding is that HDMI simply isn’t capable of this. I’m wondering if it’s actually just a luma key or something similar.
Great video Alex, well done!
Hi Alex
Something on a much lower scale.
I am on a very low budget, I would value your opinion on the blackmagic ultimatte 12 HD mini, small interviews one cam and the keyer must be on point.
Thanks in advance
Roy
Great video. I noticed all of the SM7Bs are upside down, they look really good if you flip them in their bracket. It hides the cable underneath so looks much cleaner on cam.
This is terrific!! …Rowby.
Alex. This is stunning. OMG - where do I start!
If you were doing the same set up now, would you have gone for the new TV Studio HD8 ISO and 6K Pro Cameras. For portability this means you could bring location/track cameras directly into the show and leave the main hardware in the studio. Perhaps even an entire program could be created this way? I realise this would have switched you to SDI, perhaps with Studio Converters? I’m dying also to know what lenses you went for? Please, what were the start to delivery timeframes - and also, the hardware budget and your own budget. This seems like a lot of work but I’m sure made faster by your incredible knowledge! 😅 Personally I like the microphones as it gives talent a confidence crutch but I think I’d go for low profile arms like Joe Rogan rather than the stands? And finally, I don’t think you mentioned storage / or recording to SSD BMRaw in Camera? Sorry for so many questions but I’d really love to know. I’m also going to email you re scheduling a call.
Great video. Thank you very much. Always great to see how the atem mini (extreme) is used other then just for presenting the black magic products themself. My set is not as complete and tidy as yours yet but in general it is the same idea. The biggest difference is that I made the mini extreme part of the "desk" so for the real camera switching during a live broadcast (or live switching recording), I hit the actual buttons on the extreme. I chose that because less equipment in between feels fale-safer. I also use one mini computer for the Atem and Behringer control software and for video playback. One additional laptop to watch the stream and of course a router and switch to have my own network. Absolute great to see how good your whole technical set and stage (lighting) works. LOVE the idea of auto-changing lighting to make the stage even more interactive. Thank you for sharing this.
Love the sound of your setup! Funny you mention about having the ATEM in the desk, I’ve just built a setup this week where that was a requirement. Super clean!
Glad I could inspire a bit re lighting! Thanks again for all your support
Great video with ton of value 😍🙏 i would love to see how you work with live graphics and how you set that up 😁
I can only say WOW!
Yes you can. Thanks for the comment!
Great video. You make a really detailed setup look simple
Thanks matey! If you're ever up for doing a video about how you create the LUTS for these shows...I feel like my viewer would love to see it 👍
@@AlexPettitt I’m very up for that 👍🏻
Amazing video, thank you for sharing! What are the lens you’re using on the 5 cameras?
Excellent 🎉 presentation. A lot to take in. 😮 cheers from Australia 🇦🇺 Just ordered a Mini Pro ISO 👍 thanks Brendan
Thanks Brendan, glad you found it useful!
This is amazing Alex! I love watching your setup videos!
Wow this sooooooo good thank you
Beautiful congratulations
Hey Alex, any reason why you didn't use a video hub router in this setup?
Good Job Alex! - Nice build.=, Happy Client
Please how do you create your Live Graphics, and which software do you use
Phenomenal and efficient setup. Thank you so much for the in-depth tour.
My pleasure! Glad you enjoyed the video Allan
Simply amazing as always
Hi Alex! I love the setup. What hardware/software are you using for DMX on the Mac?
Amazing..i'm hoping to get these soon!
Unreal set up! Very intrigued as to the source of the live data. Super interesting tho!
That’s amazing. Any more info how to use singular live?
What do you think about using the constellation 2ME for a setup like this
Amazing work! Are you planning to show how you come with the visual idea of the building set up. Like the table. Walls and lights. All the background design is amazing. Would be great to learn from this too. Amazing work!
Out of curiosity, why do you use the ultra studio for the key and fill signal? You mention you have a DeckLink card, so can’t you just use that for your two channels of signal?
Great Video! What is the DMX Node called?
It's amazing how accessible it's becoming to produce something similar to Sky's football shows. It also always jars me just how small sets can be.
if you want physical controls for your x32 rack, take a look at the x-touch from behringer
What lenses are being used on the BM studio cameras 4k?
I agree with absolutely everything in here- with one small note / caveat... coming up with the budget. If someone else is gonna pay for 5 BM studio cameras- plus all the other crap you need to run them- by all means! That aside- it is actually impressive some of the less extravagant elements of this- like using the mini given its super-source capability. Great setup- and breakdown of everything!
Wow! You are the man!
Everything looks great! But those colors coming out of the bm cameras are so harsh. Get a bounce or huge soft box and spread that light out more evenly. Would look much better. Good Job though!!!
💯
Amazing world once again Alex. Would be nice to see how you made the patch panel, were you got the from where you bought the rack, etc
Thanks Philip, will consider doing a video around the making of patch panel in the future :) The rack is a 10U rack on wheels... Think it was from Amazon if I remember correctly :)