0:07 Sie werden euch in den Bann tun (Chor) 2:52 Es kommt aber die Zeit (Chor) 4:27 Christen müssen auf der Erden (Arie) 9:45 Ach Gott, wie manchen Herzeleid (Choral) 11:24 Es sucht der Antichrist (Rezitativ) 12:20 Es ist und bleibt der Christen Trost (Arie) 17:44 So sei nun, Seele (Choral)
I do absolutely concur to previous statements. Veldhoven is really becoming my Bach reference, the new standard. Outstanding dynamic phrasing. I noticed this the first time in St Matthews Sind Blitze und Donner in Wolken verschwunden : the crescendi the choir puts on “Hölle” and “Wut”. Here bass and tenor go even further in shifting from a strong start to a kind of decrescendo to then re-Crescendo again on the word “Bann”, creating an incredible suspense in order to the resolve and proceed further, thus creating an irresistible flow and musical narrative. And I can’t get enough of this perfect articulation in choir, recitativi and areas, so cool, precise and dramatic. Next the sounds passed from the controlled and precise choir on to the most homogeneously playing orchestra and back. Everything is done with so much transparency and attention to detail, everything serving to evoking a musical plot. It’s so fresh and inspiring. I don’t miss any new offering. Bravissimo! Keep going, please !
I keep coming back to this Cantata over the last days for this miraculous initial Tenor and Bass duet - they’re so tremendously listening to each other, creeping figuratively one into another’s tones, sculpturing a twisting reach & retreat suspense, unheard before. A true revelation.
Impossibly radiant music, so moving and so much solemn joy. I love watching the faces of the soloists and envy the pleasure they so obvious take in the music that they are making. What a gift!
Wunderschöne und gut artikulierte Aufführung dieser kompakten und perfekt komponierten Kantate mit gut harmonisierten und perfekt synchronisierten Tönen aller historischen Instrumente sowie herrlichen Stimmen aller genialen Solisten und perfekt vereinigten Stimmen des ausgezeichneten Chors. Der intelligente Maestro dirigiert das ausgezeichnete Ensemble im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Alles ist bewundernswert!
No había escuchado hasta ahora esta bella cantata.. Estoy muy impresionado por el primer movimiento y por el aria de soprano. Soy afortunado pues, después de tantos años, hasta el día de hoy Bach me reserva aún sorpresas que me conmueven por su belleza. Gracias a la NBS por esta excelente interpretación.
Ho l'impressione che da tempo sia stata intrapresa una gara da parte dei migliori interpreti delle cantate sacre di Bach. Speriamo che, per il godimento di tutti,prosegua senza soste .
All these are just superbly sung and played - and filmed. I wish I'd been able to listen to this choir a few years ago when I was a member of three choirs. Also I've found that they make a great background to pedalling on my exercise cycle!
Cantata for Exaudi 1. Arie (Duett) T B Sie werden euch in den Bann tun. 1. Aria (Duet) T B They will put you under banishment. 2. Chor Es kömmt aber die Zeit, daß, wer euch tötet, wird meinen, er tue Gott einen Dienst daran. (John 16:2) 2. Chorus But the time will come when whoever kills you will think that he does God a service by it. 3. Arie A Christen müssen auf der Erden Christi wahre Jünger sein. Auf sie warten alle Stunden, Bis sie selig überwunden, Marter, Bann und schwere Pein. 3. Aria A Christians must be true disciples of Christ on earth. They wait for Him at all times, until they happily undergo martyrdom, exile, and bitter pain. 4. Choral T Ach Gott, wie manches Herzeleid Begegnet mir zu dieser Zeit. Der schmale Weg ist trübsalvoll, Den ich zum Himmel wandern soll. ("Ach Gott, wie manches Herzeleid," verse 1) 4. Chorale T Ah, God, how much heartache do I encounter at this time! The narrow path is full of trouble that I shall follow to heaven. 5. Rezitativ B Es sucht der Antichrist, Das große Ungeheuer, Mit Schwert und Feuer Die Glieder Christi zu verfolgen, Weil ihre Lehre ihm zuwider ist. Er bildet sich dabei wohl ein, Es müsse sein Tun Gott gefällig sein. Allein, es gleichen Christen denen Palmenzweigen, Die durch die Last nur desto höher steigen. 5. Recitative B The Antichrist, the great monster, seeks with sword and fire to persecute the members of Christ, since their teachings are against him. He makes it appear that his deeds must be pleasing to God. However, Christians must resemble palm fronds, which, when laden, only climb higher. 6. Arie S Es ist und bleibt der Christen Trost, Daß Gott vor seine Kirche wacht. Denn wenn sich gleich die Wetter türmen, So hat doch nach den Trübsalstürmen Die Freudensonne bald gelacht. 6. Aria S It is and remains the comfort of Christians, that God watches over His church. For even though the storms rage, yet after the winds of trouble the sun of joy soon smiled. 7. Choral So sei nun, Seele, deine Und traue dem alleine, Der dich erschaffen hat. Es gehe, wie es gehe, Dein Vater in der Höhe, Der weiß zu allen Sachen Rat. ("In allen meinen Taten," verse 9) 7. Chorale Therefore take hold of yourself, my soul, and trust only in Him who has created you; Let it go how it goes; your Father in the heights knows the wisdom of all matters.
Wolkowy1. Because Wim Winters has shadowbanned me, I need to tell you this below others videos. I want to tell you about simple logic. Wim Winters explains Smart’s durations by often dropping certain movements in a symphony. But look at Winters’s and Sanna’s performances of Bethoven’s 5th, they have two versions, one lasting 1 hour, and the other 56 minutes. Smart’s durations range between 27 and 31 minutes. 30 minutes become half of 1 hour. But what about 27 minutes versus 56 minutes? The slow movement was performed a little faster than we are used to today. In this way, Winters and Sanna prove that Smart’s four performances included all four movements. In other words - Smart performed the 5th in single beat tempi. Gadient and Winters are wrong!
Forgive the importunate question, but where does the organist sit? I've been trying to figure that out for a couple of years now. Typically, he'd be up in the loft, close to the pipes, but the camera shows him in a better-lit area than that and when he looks upon the director he looks straight-line, and not down, seemingly.
It must be a mistake. 16 April 2020 is today, and they couldn't have possibly released a recording made on the same day. I sure hope the live performance, with live audience, was made and recorded long enough ago, and that everybody is safe.
@@JameSongMaker You mean 2,537 watched it today? Well, it's possible since all the comments are from today! Hooray, Bach seems to have made it to the Top Ten!
Ich denke du hörst und siehst nicht recht. Es ist wieder mal so weit. Da singen Tenor und Bass im Eröffnungsduet nicht "Sie werden euch in DEN Bann tun" sondern "Sie werden euch in DEM (!) Bann tun. Für einen Deutschen oder einen der ordentlich Deutsch spricht ist das primitiv und sprachentwürdigend. Im Eröffnungsrezitativ der Kantate BWV 183 droht im übrigen das Gleiche. .
Wer hier wohl nicht recht hört ! Es ist aber ein Sehfehler ; denn das „B“läßt sich nur mit geschlossenem Mund formen. Das „dem“ ist nur eine Täuschung.
![Quando Rondo - Life Goes On [Official Music Video]](http://i.ytimg.com/vi/eIf3fhMXAow/mqdefault.jpg)
0:07 Sie werden euch in den Bann tun (Chor)
2:52 Es kommt aber die Zeit (Chor)
4:27 Christen müssen auf der Erden (Arie)
9:45 Ach Gott, wie manchen Herzeleid (Choral)
11:24 Es sucht der Antichrist (Rezitativ)
12:20 Es ist und bleibt der Christen Trost (Arie)
17:44 So sei nun, Seele (Choral)
I guess Im kind of randomly asking but does anyone know of a good website to stream newly released series online ?
@Malakai Jad Flixportal
@Torin Ace thanks, I signed up and it seems like a nice service =) I appreciate it !!
@Malakai Jad Glad I could help =)
Fantastiskt framförande särskilt bravo till sopranen Maria Keohane!🎉
I so enjoy watching Maria Keohane perform. She is so involved in her performance ! Not just her voice, but her face and whole body express the music!
I do absolutely concur to previous statements. Veldhoven is really becoming my Bach reference, the new standard. Outstanding dynamic phrasing. I noticed this the first time in St Matthews Sind Blitze und Donner in Wolken verschwunden : the crescendi the choir puts on “Hölle” and “Wut”. Here bass and tenor go even further in shifting from a strong start to a kind of decrescendo to then re-Crescendo again on the word “Bann”, creating an incredible suspense in order to the resolve and proceed further, thus creating an irresistible flow and musical narrative. And I can’t get enough of this perfect articulation in choir, recitativi and areas, so cool, precise and dramatic. Next the sounds passed from the controlled and precise choir on to the most homogeneously playing orchestra and back. Everything is done with so much transparency and attention to detail, everything serving to evoking a musical plot. It’s so fresh and inspiring. I don’t miss any new offering. Bravissimo! Keep going, please !
I keep coming back to this Cantata over the last days for this miraculous initial Tenor and Bass duet - they’re so tremendously listening to each other, creeping figuratively one into another’s tones, sculpturing a twisting reach & retreat suspense, unheard before. A true revelation.
The best orchestra -team EVER!!!!!!!
Fantastic! Tenor/Bass Duet Breathtaking!
Impossibly radiant music, so moving and so much solemn joy. I love watching the faces of the soloists and envy the pleasure they so obvious take in the music that they are making. What a gift!
Wunderschöne und gut artikulierte Aufführung dieser kompakten und perfekt komponierten Kantate mit gut harmonisierten und perfekt synchronisierten Tönen aller historischen Instrumente sowie herrlichen Stimmen aller genialen Solisten und perfekt vereinigten Stimmen des ausgezeichneten Chors. Der intelligente Maestro dirigiert das ausgezeichnete Ensemble im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Alles ist bewundernswert!
No había escuchado hasta ahora esta bella cantata.. Estoy muy impresionado por el primer movimiento y por el aria de soprano. Soy afortunado pues, después de tantos años, hasta el día de hoy Bach me reserva aún sorpresas que me conmueven por su belleza. Gracias a la NBS por esta excelente interpretación.
The whole universe should be aware of Bach and his music
Das ist es auch!
12:20 - DELICIOUS!!!!!! superb, regal, stately tempo, dynamics and phrasing... and Keohane's voice... ahhhh
¡Qué preciosidad de Cantata, qué voces! ¡Y uno de los mejores contratenores del mundo: Tim Mead!
7:10 His voice is so pure and beautiful
Hermosa música, coro y solistas! Gracias Sociedad Bach!.
!Viva Jesús que ha resucitado!
Bach did master the Baroque/ Classical/ Romantic Music.
Sacred and Secular. His music can be played with almost every instrument.
Una delle mie Cantate preferite e, come sempre, interpretata meravigliosamente! 🙏💗🕊️
Beautiful consort work. Bravo Bach! Thanks for uploading and sharing. ❤️👼🎼🎵🎶👏🇮🇪☘️
Un grand merci à vous de mettre en lumière et magnifier ces grandes œuvres !
Truly sublime. A real team of specialists. Thanks for your hard work!
Ho l'impressione che da tempo sia stata intrapresa una gara da parte dei migliori interpreti delle cantate sacre di Bach. Speriamo che, per il godimento di tutti,prosegua senza soste .
These 2 guys give it everything, what a fantastic performance
Esplêndido! Simplesmente lindo, vocês são fantásticos.
Dankeschön ❤
Tim Mead’s solo is beautiful!
All these are just superbly sung and played - and filmed. I wish I'd been able to listen to this choir a few years ago when I was a member of three choirs. Also I've found that they make a great background to pedalling on my exercise cycle!
Welch wunderbare Worte!
Absolute sublime!!!
BRAVO, BRAVISIMO.
Bach, wunderbarer Musiker von Eisenach. Vielen Dank.
Meraviglia totale !
The great Bach
BWV 44 - "Sie werden euch in den Bann tun" I
Cantata for Exaudi
1. Arie (Duett) T B
Sie werden euch in den Bann tun.
1. Aria (Duet) T B
They will put you under banishment.
2. Chor
Es kömmt aber die Zeit, daß, wer euch tötet, wird meinen, er tue Gott einen Dienst daran. (John 16:2)
2. Chorus
But the time will come when whoever kills you will think that he does God a service by it.
3. Arie A
Christen müssen auf der Erden
Christi wahre Jünger sein.
Auf sie warten alle Stunden,
Bis sie selig überwunden,
Marter, Bann und schwere Pein.
3. Aria A
Christians must be
true disciples of Christ on earth.
They wait for Him at all times,
until they happily undergo
martyrdom, exile, and bitter pain.
4. Choral T
Ach Gott, wie manches Herzeleid
Begegnet mir zu dieser Zeit.
Der schmale Weg ist trübsalvoll,
Den ich zum Himmel wandern soll.
("Ach Gott, wie manches Herzeleid," verse 1)
4. Chorale T
Ah, God, how much heartache
do I encounter at this time!
The narrow path is full of trouble
that I shall follow to heaven.
5. Rezitativ B
Es sucht der Antichrist,
Das große Ungeheuer,
Mit Schwert und Feuer
Die Glieder Christi zu verfolgen,
Weil ihre Lehre ihm zuwider ist.
Er bildet sich dabei wohl ein,
Es müsse sein Tun Gott gefällig sein.
Allein, es gleichen Christen denen Palmenzweigen,
Die durch die Last nur desto höher steigen.
5. Recitative B
The Antichrist,
the great monster,
seeks with sword and fire
to persecute the members of Christ,
since their teachings are against him.
He makes it appear
that his deeds must be pleasing to God.
However, Christians must resemble palm fronds,
which, when laden, only climb higher.
6. Arie S
Es ist und bleibt der Christen Trost,
Daß Gott vor seine Kirche wacht.
Denn wenn sich gleich die Wetter türmen,
So hat doch nach den Trübsalstürmen
Die Freudensonne bald gelacht.
6. Aria S
It is and remains the comfort of Christians,
that God watches over His church.
For even though the storms rage,
yet after the winds of trouble
the sun of joy soon smiled.
7. Choral
So sei nun, Seele, deine
Und traue dem alleine,
Der dich erschaffen hat.
Es gehe, wie es gehe,
Dein Vater in der Höhe,
Der weiß zu allen Sachen Rat.
("In allen meinen Taten," verse 9)
7. Chorale
Therefore take hold of yourself, my soul,
and trust only in Him
who has created you;
Let it go how it goes;
your Father in the heights
knows the wisdom of all matters.
Perfect balance.
좋습니다.
Skøn musik og skønsang hele vejen igennem. Smukt......
about time someone applauded at the end!
I totally agree with notaire2's comment here below. I could not phrase it better. Thanks so much for uploading this unique Cantata and performance.
Wolkowy1. Because Wim Winters has shadowbanned me, I need to tell you this below others videos. I want to tell you about simple logic. Wim Winters explains Smart’s durations by often dropping certain movements in a symphony. But look at Winters’s and Sanna’s performances of Bethoven’s 5th, they have two versions, one lasting 1 hour, and the other 56 minutes. Smart’s durations range between 27 and 31 minutes. 30 minutes become half of 1 hour. But what about 27 minutes versus 56 minutes? The slow movement was performed a little faster than we are used to today. In this way, Winters and Sanna prove that Smart’s four performances included all four movements. In other words - Smart performed the 5th in single beat tempi. Gadient and Winters are wrong!
Besser als @notaire2 kann man es nicht formulieren... eine in jeder Hinsicht exellente Darbietung dieser wunderbaren Cantate
Forgive the importunate question, but where does the organist sit? I've been trying to figure that out for a couple of years now. Typically, he'd be up in the loft, close to the pipes, but the camera shows him in a better-lit area than that and when he looks upon the director he looks straight-line, and not down, seemingly.
The organist is playing a tracker organ, up at the pipes. The wall behind him is the back end of the ruckpositiv, which is the lowest set of pipes.
@@parrotlover9035 Thank you for the respectul reply. Now I know.
1:07 bros sharing a minor second
👍❤
It must be a mistake. 16 April 2020 is today, and they couldn't have possibly released a recording made on the same day. I sure hope the live performance, with live audience, was made and recorded long enough ago, and that everybody is safe.
WhyCan'tIRemainAnonymous?! Published today is different from performed or recorded today.
@@JameSongMaker Indeed, but if you read the description (at least as it was when I commented), it gives today as the date of *recording*.
They changed it, perhaps, to say that it was recorded February 10, 2018.
@@JameSongMaker You mean 2,537 watched it today? Well, it's possible since all the comments are from today! Hooray, Bach seems to have made it to the Top Ten!
Volgens mij staat de opname datum in de beschrijving verkeerd.
The counter tenor and bass soloists need to tone down the excessive vibrato. This is not Verdi.
Ich denke du hörst und siehst nicht recht. Es ist wieder mal so weit. Da singen Tenor und Bass im Eröffnungsduet nicht "Sie werden euch in DEN Bann tun" sondern "Sie werden euch in DEM (!) Bann tun. Für einen Deutschen oder einen der ordentlich Deutsch spricht ist das primitiv und sprachentwürdigend. Im Eröffnungsrezitativ der Kantate BWV 183 droht im übrigen das Gleiche. .
Wer hier wohl nicht recht hört ! Es ist aber ein Sehfehler ; denn das „B“läßt sich nur mit geschlossenem Mund formen. Das „dem“ ist nur eine Täuschung.
sorry if yawn!
No need to apologize. I am sorry...for you!
Le premier duo est moche ! Quel tenorino horrible...et mon Dieu, comme l’interprétation de Bach est devenue maniérée...un nid de vanités.