He could play standards (more specifically, "post Jim Hall jazz guitar") like nobody's business. I wish there were more recordings of him playing this stuff, as great as his more progressive and original music is.
I'm very embarrassed to be an enjoyer of jazz music, seeing all these people saying "enter name here, sounds like shit etc. etc." Just very sad to being so extremely negative towards the fine performance these cats put on. I think one thing is certain, we should be thankful that all these titan's sat down and displayed all of what made each one of them so unique. RIP Coryell, Tal, Abercrombie, and all of the giants who have passed. I want to say thank you for everything you have left us!
Eh brother, hear what you're saying - opinions... Not an educated musician, just a lover of good music, and it's funny, how in today's world, the megaphone of the internet gives the people who aren't capable of feeling embarrassment a mouthpiece, but is so often "cringeworthy". Great musicians, great jams, some folks just aren't gonna get it. It's ok.
I apologize to all commentators who pointed out winners -- we all have. My preference stays with Sco. HOWEVER, what is great here is the DIVERSITY of playing styles -- the true gift to all of us: Farlow's old school swing, Coryell's showmanship, Abercombrie's incredible phrasing, Sco's raggedy and modern fluency, Carlton's sweet west coast lines. And hardswinging Patitucci and Hart -- all masters here .... what else could we ask for?
Ricardo Moraes-Pinto I get through the first solo, then I suffer Coryell.... at that point I am certainly not thinking 'what else could I ask for...' I'm thinking please anything other than this will do....
Sco remains my fave solo. But I love Tal's for the legacy, Coryell and Ambercrombie for pushing/expanding boundaries, and LC for the sweet modern tones and Pop-friendly melodicism. All clean tone bases pretty much covered. #respect
i dont mean to be off topic but does any of you know a trick to log back into an Instagram account..? I was stupid forgot my login password. I would love any tips you can offer me
I used to play drums w/ John & the great pianist Les Czimber (RIP) in Orange County right around when he joined the Chick Corea Elektric Band. He was bout 24-25 & was the talk of the town. Before long, he was "playing like no one else on the planet," quoting an article from back then. Seems like yesterday!
Larry Coryell said in his book about critics, I don't really care what they say. He was a free spirit, was nice to meet him. Great player and always encouraging new talent. His music is almost beyond understanding for the novice listener. He liked to perform love the getting up and bringing it here like a boss lol... cool cat, R.I.P.
I like that Carlton stays true to his style no matter the context. He can burn through the changes with the bebop lines as good as anyone but he will always keep that bit of overdrive and make tasteful use of bending. Even if bending and distortion can seem out of place in trad jazz.
Wow! breathtaking. The idea of competitive jazz guitar is self defeating. Each one of these masters is achieving their own personal goals. Our participation in this brilliant display of talent is to appreciate it , all of it. It's diversity defines the whole purpose of jazz. I loved every one of those solos over those standard changes. Comp along and you get the idea of what they're reaching for; each one a valid goal. each one a success and a winner to it's purpose.
Nice playing all round. Abercrombie reminded me a bit of Metheny or vice versa. Coryell got into the riff pedaling and it brought the crowd and band up a notch. Different styles and everyone sounded comfortable and respectful of one another.
@@troysanders7775 I understand your point of view. He's my favorite player at the moment because there's so much to learn from him when it comes to improv and harmony. I think you should dig into him more!
Everyone here is being so careful not to quote any cliche playing at all; not outlining the changes or playing any obvious bebop licks, while staying true to their own unique style. Very interesting.
All I can say is they all Swing and they each listen hard and play terrific. I would be honored to sit n with any one of these guys. Tal Farlow was my Main Man ever since I first heard him do Manhattan when I was 17 yrs old and couldn't find any albums on him. Wow. I loved this.
And yes, Scofield is my fave here on this gig, but Crumbs and Carlton sound great too, same w/ Coryell and Farlow - each a unique musical personality/identity, each one, his own man.
Are you kidding. Sit all these primo cats in a room and let them jam to this.... what an honor. All bad comments can go back to wishing you could play.
🤍🤧👍Merci pour cette vidéo formidable et très touchante de surcroit. That was a great moment, reunion of joice and happiness without any competition between each others (or just a bunch, like real musiciens love it ah ah), certainly after a good meal with too much wine for everyones. Les feuilles mortes, les carottes cuites et la fin des haricots. Dans l'ordre : 0:01 Tal Farlow (guitare archtop hollow body) 2:02 Larry Coryell (guitare hollow demi caisse) 4:33 John Abercrombie (guitare solid body avec table de résonance) 6:33 John Scofield (guitare semi hollow) 9:00 Larry Carlton (guitare solid body sans table) 10:59 All together And always incredible John Patitucci (bass) and Billy Hart (drums) ! Tout le monde à gagné ! (.....Humm : First for me : John Abercrombie....). Mentions spéciales au chef Tal Farlow et au prix du public pour le fun du show Larry Coryell.
The way they all LISTEN and immerse themselves in the shared landscape of the changes, and then go inside to improvise in this way that so obviously transcends playing boilerplate canned phrases. Each holding their own. Just a master-class.
Took a few lessons with John when he was living in San Francisco with his girlfriend, Lisa. (The lessons were at her place.) I can attest to your experience. He was a truly nice guy. Just a really sweet man. So down to earth. I'd see him play at the old Keystone Korner and during the break he came out for a while and wanted to know my opinion on how he sounded. Just the fact that he wanted my opinion of this true master player's tone and performance was just ridiculous. He always had incredible tone, probably the best solid-body jazz tone I've ever heard. RIP my friend.
This made my head explode the first time I heard it. I would call this ganging up. FIVE tremendously accomplished guitarists in the same song. I can't even wrap my head around that!
After all those burning solos before him I just love the way Larry Carlton Place just enough keeps it melodic and please just enough plenty of space so it really catches the ear 👂
Tal:'This is fun'. Coryell: 'I'm funner'. Abercrombie: 'This is weird'. Scofield: 'Fuck this'. Larry Carlton: 'Oh shit'. Billy Hart: 'When's lunch?' Pattitucci: 'When's my solo?'
If a winner must be named, with all that stunning world class talent, the only winner is THE LISTENER, privileged to be able to hear such a banquet of virtuoso guitarists. Where was Clapped Out Eric in this jamboree? He could have changed any busted strings for them. And I'm a tenor/baritone player! What do I know? A damned sight more......NOW!
WOW!!! BRAVO!!! SUPER!!! O MÁXIMO de ARTE do JAZZ. Tal e Larry Coryel não estão mais no mundo físico, mas sua arte é Onipresente! Grande performance de Grandiosos músicos; TODOS eles. Obrigado pelo post.
¿Qué espera uno escuchar si reúne en un mismo escenario a genios guitarristas tocando un gran tema? Pues, escuchará MUSICA para el deleite de los oídos! AMARZING!
In Larry Coryell's autobiography 'Improvising', he says they were ALL absolutely blown away by Larry Carlton's playing here. I have to agree - they all sound a bit 'fingers doing the walking' except Carlton who brings some space and sweetness.
Reading the comments it seem some listeners haven t understand that the Larry Carlton's performance was to put the pressure and intensity higher and higher in order to end this song at its climax...and the result is just amazing...it ends like crazy... and Mr Carlton s touch with higher and amazing acurate notes were ment for this....a finish in "apothéose" !
Farlow; Coryell; Abercrombie; Scofield; Carlton... ...in that order. (What was the occasion for this?) How neat to see Farlow, the only pre-R 'n' R guitarist here, be the elder statesman with these four "fusion" giants. (To non-Guitarist, non-Music Geeks, these players are not household names; to Guitarists and Music Geeks, THEY ARE.) Note how good, how hard-swingingly rock solid Bassist Patitucci and Drummer Hart are, here... ...and look at Billy Hart's face at the end: It's as if he's thinking, "Not bad... Yeah, that was okay..."
Love this. Great opening with Tal and Larry comping for him. Enjoyed Larry's solo here. Had a little bit of many styles in it, a wonderful compressing of idioms and styles.
There are no Winners or loosers but only Followers and Leaders, if you watch and listen carefully, you could see or percieve if you wish (with an skilled eye) the Way how all players realy trust upon the guidance of Uncle Scolfied, maybe for a few second we doubt during Abercombie, but, when Scofields starts...The same maybe happened in the Baroque during competitions in improvisation, to bring everything to a new dimension of course we could only relate to ourselves etc... But still Thank God there is...Scofield!!!!! please listen Still Warm: All Mighty Rule of the Thumb Protocol and Techno!
Scofield (my favorite) flowing at ease as usual and a lot to say on the theme, Abercrombie too, Carlton reinventing the approach nicely, Farlow a classic, and Larry Coryell struggling as usual with some nice tricks but... he never really belonged there.
what the hell are you on about Larry Coryell deserved to be there ofc and i’d say he played a lot more in Tal’s than anyone there i don’t think one should compare in these situations but i’d defend coryell anyway because his playing just sings straight to my soul a lot more than scofield or anyone else here honestly i can respect them though and there’s no need to put other cats down
@@sumtin05698 ...well... you don't like it? It's your problem. You love listen to Larry and his picture is hanging in your living room shrine? Great for you. (unfortunately it won't improve Larry's poor playing a single bit... and you should replace the batteries in your hearing device)🤣
At 8:27 Scofield plays two notes first supposedly for himself only then the entire phrase...I thought to be the only one doing this trick when I'm not sure of what a note is going to sound like...glad to know I heard Scofield doing it, there still some hope for me:))
John Abercrombie do great and very in his own way! but John Scofield, WOW x 1000000 !!!! from 8:00 to 9:00 those are the 60 sec. more epic recorded in an all stars meeting like this. Just look at the ecstasy face of Patitucci and his connection with Scofield and song, then we can conclude that it was simply amazing, pure magical music esence behind a jazz guitar genious.
It's almost impossible to be objective, obviously. Tal (who I've always loved) was missing a mess of notes, but you gotta love his on the edge playing. Coryell always plays hard/harsh/blocky -- no subtlety. Abercrombie was so lyrical and liquid if a little hit or miss technically. Scofield was flowing intelligently and wild on all cylinders and basically showed everyone how to play those changes. Finally Carlton seemed mighty limited jazzwise, and he knew it, and so just played simple, lyrical, delicate to understate himself, which is probably what I'd've done too. All in all a fascinating group performance.
I think John Scofield and Larry Carlton the most interesting...Larry pulled some stunning high notes and John played the tune inside out and backwards and forwards.
Scofield plays with such fluidity.. and a touch of quirk, making his solos in interesting. Nice to see the Ibanez Artist guitars laying it down. Although that chorused sound might be out-dated today, I still feel it shines. Pat metheny has that sound in spades. Great video clip..!
![Martino,Scofield & DeFrancesco - SUNNY [High Quality]](http://i.ytimg.com/vi/syercy760YQ/mqdefault.jpg)
Funny that Mr. 335 is playing a solid body here.
John Abercrombie! if we are talking about jazz....the best sound, style, taste...
He could play standards (more specifically, "post Jim Hall jazz guitar") like nobody's business. I wish there were more recordings of him playing this stuff, as great as his more progressive and original music is.
the look of delight on Tal’s face as he watches each of these younger guitarists...
John Abercrombie and john scofield are great....
And were close friends.
RIP John Abercrombie.
I'm very embarrassed to be an enjoyer of jazz music, seeing all these people saying "enter name here, sounds like shit etc. etc." Just very sad to being so extremely negative towards the fine performance these cats put on. I think one thing is certain, we should be thankful that all these titan's sat down and displayed all of what made each one of them so unique. RIP Coryell, Tal, Abercrombie, and all of the giants who have passed. I want to say thank you for everything you have left us!
Eh brother, hear what you're saying - opinions... Not an educated musician, just a lover of good music, and it's funny, how in today's world, the megaphone of the internet gives the people who aren't capable of feeling embarrassment a mouthpiece, but is so often "cringeworthy". Great musicians, great jams, some folks just aren't gonna get it. It's ok.
Well said these are my heroes and have helped to elevate jazz and fusion music not just guitar 🎸
I are really taking care of Monkey's opinions ?
They’re fools. Lol. Don’t be so dramatic. Represent.
Abercrombie, Coreyll, Scofield, Farlow and Carlton. That's some serious guitar royalty going on there.
Abercrombie has the unorthodox solo style...very cool
I apologize to all commentators who pointed out winners -- we all have. My preference stays with Sco. HOWEVER, what is great here is the DIVERSITY of playing styles -- the true gift to all of us: Farlow's old school swing, Coryell's showmanship, Abercombrie's incredible phrasing, Sco's raggedy and modern fluency, Carlton's sweet west coast lines. And hardswinging Patitucci and Hart -- all masters here .... what else could we ask for?
the best comment sir
+chi1984 Thamk you, sir. I am just an amateur player.
Ricardo Moraes-Pinto what else could we ask for? Honestly?
Ricardo Moraes-Pinto I get through the first solo, then I suffer Coryell.... at that point I am certainly not thinking 'what else could I ask for...' I'm thinking please anything other than this will do....
Coryell (RIP) was a virtuoso, but he IS a hot dog here, no question.
Farlowe, the grandaddy of them all, and with the most depth of feel from that old school.
Sco remains my fave solo. But I love Tal's for the legacy, Coryell and Ambercrombie for pushing/expanding boundaries, and LC for the sweet modern tones and Pop-friendly melodicism. All clean tone bases pretty much covered. #respect
Pattitucci is absolutely burning it down on bass!
🔥
i dont mean to be off topic but does any of you know a trick to log back into an Instagram account..?
I was stupid forgot my login password. I would love any tips you can offer me
@Bryce Eden instablaster =)
@@bryceeden6237 i don't use that one it's not as good as "people" say
I used to play drums w/ John & the great pianist Les Czimber (RIP) in Orange County right around when he joined the Chick Corea Elektric Band. He was bout 24-25 & was the talk of the town. Before long, he was "playing like no one else on the planet," quoting an article from back then. Seems like yesterday!
John Pattitucci played the best guitar solo on the big weird guitar
😆
Suits and ties at 120 bpm..and energetic...and no heart attacks!....God is amazing
Closer to 250
10:29 - Abercrombie be like "WTF did i just hear pentatonic?!"
Larry Coryell said in his book about critics, I don't really care what they say. He was a free spirit, was nice to meet him. Great player and always encouraging new talent. His music is almost beyond understanding for the novice listener. He liked to perform love the getting up and bringing it here like a boss lol... cool cat, R.I.P.
Great
The great Larry Coryell...r.i.p.
I love the way Tal is looking at everyone. He obviously loves guitar music and those that make it.
I like that Carlton stays true to his style no matter the context. He can burn through the changes with the bebop lines as good as anyone but he will always keep that bit of overdrive and make tasteful use of bending. Even if bending and distortion can seem out of place in trad jazz.
He was out of his league here with true bebop players.
Wow! breathtaking. The idea of competitive jazz guitar is self defeating. Each one of these masters is achieving their own personal goals. Our participation in this brilliant display of talent is to appreciate it , all of it. It's diversity defines the whole purpose of jazz. I loved every one of those solos over those standard changes. Comp along and you get the idea of what they're reaching for; each one a valid goal. each one a success and a winner to it's purpose.
Billy Hart holding it all together! Amazing!!! Loved it!!!!1
Nice playing all round. Abercrombie reminded me a bit of Metheny or vice versa. Coryell got into the riff pedaling and it brought the crowd and band up a notch. Different styles and everyone sounded comfortable and respectful of one another.
Schofield the most melodic. He killed it.
Melodic? He's more dissonant than melodic.
@@troysanders7775 melodic dissonance. look it up.
@@troysanders7775 He's melodically dissonant
@sjb7183 He's rarely melodic which is why most guitarist I know don't like his playing. I also hate his tone but many like him.
@@troysanders7775 I understand your point of view. He's my favorite player at the moment because there's so much to learn from him when it comes to improv and harmony. I think you should dig into him more!
Everyone here is being so careful not to quote any cliche playing at all; not outlining the changes or playing any obvious bebop licks, while staying true to their own unique style. Very interesting.
All I can say is they all Swing and they each listen hard and play terrific. I would be honored to sit n with any one of these guys. Tal Farlow was my Main Man ever since I first heard him do Manhattan when I was 17 yrs old and couldn't find any albums on him. Wow. I loved this.
They probably would be honored if you were sitting with them.
And yes, Scofield is my fave here on this gig, but Crumbs and Carlton sound great too, same w/ Coryell and Farlow - each a unique musical personality/identity, each one, his own man.
Later that night, Patitucci was trying to sleep but still moving his fingers doing invisible basslines.
@@kevinpratt7105 wtf
Pattitucci fait tout le travail, l'importance d'un bon bassiste !
Are you kidding. Sit all these primo cats in a room and let them jam to this.... what an honor. All bad comments can go back to wishing you could play.
🤍🤧👍Merci pour cette vidéo formidable et très touchante de surcroit. That was a great moment, reunion of joice and happiness without any competition between each others (or just a bunch, like real musiciens love it ah ah), certainly after a good meal with too much wine for everyones. Les feuilles mortes, les carottes cuites et la fin des haricots.
Dans l'ordre :
0:01 Tal Farlow (guitare archtop hollow body)
2:02 Larry Coryell (guitare hollow demi caisse)
4:33 John Abercrombie (guitare solid body avec table de résonance)
6:33 John Scofield (guitare semi hollow)
9:00 Larry Carlton (guitare solid body sans table)
10:59 All together
And always incredible John Patitucci (bass) and Billy Hart (drums) ! Tout le monde à gagné !
(.....Humm : First for me : John Abercrombie....). Mentions spéciales au chef Tal Farlow et au prix du public pour le fun du show Larry Coryell.
Farlow and Coryell are peerless!
The way they all LISTEN and immerse themselves in the shared landscape of the changes, and then go inside to improvise in this way that so obviously transcends playing boilerplate canned phrases. Each holding their own. Just a master-class.
I've met abercrombie, such a nice guy. Loved his solo on this too. Gotta say scofield and abercrombie really said some great stuff.
Took a few lessons with John when he was living in San Francisco with his girlfriend, Lisa. (The lessons were at her place.) I can attest to your experience. He was a truly nice guy. Just a really sweet man. So down to earth. I'd see him play at the old Keystone Korner and during the break he came out for a while and wanted to know my opinion on how he sounded. Just the fact that he wanted my opinion of this true master player's tone and performance was just ridiculous. He always had incredible tone, probably the best solid-body jazz tone I've ever heard. RIP my friend.
🤧👍
This is interesting! Many top-notch guitarists backed by favorites Patitucci and Hart...beautiful standard...live! What more could a girl ask for?
ive commented on Pattitucci after gig shenanigans,perhaps that is what a girl wants?????
This made my head explode the first time I heard it. I would call this ganging up. FIVE tremendously accomplished guitarists in the same song. I can't even wrap my head around that!
These two solid guitars are especially great. Thanks for the good music.
man.. I wish I had john abercrombie's ear
I wish I had his moustache
as warrenZevon once sang "id like to know his tailor"
Loved his solo. How dare he take that talent to the grave. RIP Aber.
Con Artist i know it’s not a competition but O what a soul that man had
Bit weird are you a cannibal??
After all those burning solos before him I just love the way Larry Carlton Place just enough keeps it melodic and please just enough plenty of space so it really catches the ear 👂
Carlton isn’t really a jazz man.
And here’s the proof.
Tal:'This is fun'. Coryell: 'I'm funner'. Abercrombie: 'This is weird'. Scofield: 'Fuck this'. Larry Carlton: 'Oh shit'. Billy Hart: 'When's lunch?' Pattitucci: 'When's my solo?'
Pretty sums it up, yes.
Awesome use of whole tone scales thrown in by Sco.. so freakin cool and "outside"..!!!!!!!!
If a winner must be named, with all that stunning world class talent, the only winner is
THE LISTENER, privileged to be able to hear such a banquet of virtuoso guitarists.
Where was Clapped Out Eric in this jamboree?
He could have changed any busted strings for them.
And I'm a tenor/baritone player! What do I know?
A damned sight more......NOW!
A lot of guitar right there. Thanks for making available. Looks as if they all coincidentally were to get married later that day!
WOW!!! BRAVO!!! SUPER!!! O MÁXIMO de ARTE do JAZZ. Tal e Larry Coryel não estão mais no mundo físico, mas sua arte é Onipresente! Grande performance de Grandiosos músicos; TODOS eles. Obrigado pelo post.
Abercrombie is from another planet..."Backward Glance" For those who in this noisy turmoil still look for essence
¿Qué espera uno escuchar si reúne en un mismo escenario a genios guitarristas tocando un gran tema? Pues, escuchará MUSICA para el deleite de los oídos!
AMARZING!
nice collection of different generations and styles. Wonderful!
Larry carlton tocas espectacular!!..eres melodico en el jazz!!
In Larry Coryell's autobiography 'Improvising', he says they were ALL absolutely blown away by Larry Carlton's playing here. I have to agree - they all sound a bit 'fingers doing the walking' except Carlton who brings some space and sweetness.
MrSteviedan totally agree.
but unfortunately that fkn vallley arts guitar robbed him of his tone 335 for Lazza ,he is so much better than that damn solid schmaltz emoter!
Reading the comments it seem some listeners haven t understand that the Larry Carlton's performance was to put the pressure and intensity higher and higher in order to end this song at its climax...and the result is just amazing...it ends like crazy... and Mr Carlton s touch with higher and amazing acurate notes were ment for this....a finish in "apothéose" !
Hard to pick a favorite, they all have their own very cool take on this.
I was at this show--incredible gathering of players!
Abercrombie.... Que barbaridad! Que maravilla!!!
The first two minutes are all I need - Tal is my man !
Thank you for your comments.As you know ,each guitarlist has a very strong individuality.That's the best feature!
10:29 -- every time you do a bend on standards, thats the face of a jazz-purist guitarist!
+Giada Jade Ferrarin Cus Scofield is totally a jazz-purist. XD
of course :P
theMstanglover of course :P
+Giada Jade Ferrarin Every time you make a shit out of time etc..., thats the face of a real musician...
+Adrian Fernandez obviusly everyone can and has to play like he/she wants no matter bendings or tapping :) i was joking of course :P
John Abercrombie tho! wow, stole the show imo.
Awesome J Abercrombie and J Scofield🤩😍💖💖💖
no judgement, just hands down, flat out spectacular. thanx for that gentleman!
Scofield is so out of place but then not. Love it.
the incredible scofield
@crane4533 boring is carlton, sco is amazing
scofield el Mejor sin duda ....
!!So much ideas,so much talents !! Great Réunion ! thanks !!
It's not a contest! each player has his own style to bring to the table. Music is not (at least it shouldn't be) a competitive sport.
What a perfect discovery on this Autumn evening - 1st of November - the day after Halloween
great marvelous master piece.
autumn leaves the jazz standard no.1.
anyone know this melody n so many musicians try to play.
melancholy.
bravo brava
Abercrombie has the best time of the bunch
Yes!
Lots to like and learn from in this clip. One thing is that these guys really dont suit penguin suits ;-)
For sure! :)
a little credit to the hard working bass player trying to keep things in perspective . hey where is Joe pass when we really need him here ?
Farlow; Coryell; Abercrombie; Scofield; Carlton...
...in that order.
(What was the occasion for this?)
How neat to see Farlow, the only pre-R 'n' R guitarist here, be the elder statesman with these four "fusion" giants.
(To non-Guitarist, non-Music Geeks, these players are not household names; to Guitarists and Music Geeks, THEY ARE.)
Note how good, how hard-swingingly rock solid Bassist Patitucci and Drummer Hart are, here...
...and look at Billy Hart's face at the end:
It's as if he's thinking, "Not bad... Yeah, that was okay..."
+tuxguys
Scofield isn't fusion !! He's confusion ....
Mark Harris Cute.
Pure joy so many great musicians in one stage great thanks
ギタリスト皆さん方のプレイ、トーン、アクション、素晴らしく思い、楽しませて貰いました。
日本人にはロックトーンのイメージのＡＲのフロント(super58？)、は凄く、カールトン(私のFavarit)ＶＡのＥＭＧのジャズトーンより、
【ある面】
凄まじく、インパクト有るものでした。
日本人で、ＡＲをあのように使いこなせる人はいないかと思い、スコフィールド、(ベンソンも)等含め、ｌｂａｎｅｚｅのジャズトーンの実力に刮目させられ、時を忘れた感覚でした。
投稿者さんの、素晴らしい投稿に感謝します。
amazing group of characters!
tell me who can dislike a piece o ART like this!!
Contrasting styles and personalities and identities, excellent. It's not a contest to see who's better, such childish remarks.
So true.
Spiritual infants. Ignore them-they’re still learning.
Amen.
Well done that bloke who finished it.😂.... wouldn't have thought it was possible myself 👍.😂....
1:16 John Scofield; Autumn Leaves? I'll sit this one out
Nice bass as well.
Giants of jazz guitar as never before..whooah!!!!
Wow amazing! All of them!!!!!!!
Music is not a competition. But by god, these are the best of the best :)
Sco is absolutely burning!
Pattitucci -what a Monster ! Man he got around
Love this. Great opening with Tal and Larry comping for him. Enjoyed Larry's solo here. Had a little bit of many styles in it, a wonderful compressing of idioms and styles.
That was His thing.... Beautifuly expressed by You as "wonderful compressing of idioms and styles"... Larry Coryell ❤
I've been looking for this concert forever since I lost mine! Thanks!!!!!
Abercrombie so good player! Of course,Scofield too!
2年前からひろゆきとヒゲおやじの切り抜きやっててアバークロンビー好きとかあなたただ者じゃない！
Tal Farlow's Touch!!
There are no Winners or loosers but only Followers and Leaders, if you watch and listen carefully, you could see or percieve if you wish (with an skilled eye) the Way how all players realy trust upon the guidance of Uncle Scolfied, maybe for a few second we doubt during Abercombie, but, when Scofields starts...The same maybe happened in the Baroque during competitions in improvisation, to bring everything to a new dimension of course we could only relate to ourselves etc... But still Thank God there is...Scofield!!!!! please listen Still Warm: All Mighty Rule of the Thumb Protocol and Techno!
Simply exquisite!
Scofield (my favorite) flowing at ease as usual and a lot to say on the theme, Abercrombie too, Carlton reinventing the approach nicely, Farlow a classic, and Larry Coryell struggling as usual with some nice tricks but... he never really belonged there.
what the hell are you on about Larry Coryell deserved to be there ofc and i’d say he played a lot more in Tal’s than anyone there i don’t think one should compare in these situations but i’d defend coryell anyway because his playing just sings straight to my soul a lot more than scofield or anyone else here honestly i can respect them though and there’s no need to put other cats down
@@sumtin05698 ...well... you don't like it? It's your problem. You love listen to Larry and his picture is hanging in your living room shrine? Great for you. (unfortunately it won't improve Larry's poor playing a single bit... and you should replace the batteries in your hearing device)🤣
Guitar at it's most creative and beautiful!! Killer
7:46 - note Crumbs chuckling and bouncing in the background, as a sign of major approval of Sco's wicked line that start around the 7:38 marker.
At 8:27 Scofield plays two notes first supposedly for himself only then the entire phrase...I thought to be the only one doing this trick when I'm not sure of what a note is going to sound like...glad to know I heard Scofield doing it, there still some hope for me:))
Great upload, thanks! Surprised to see Larry Coryell playing a Borys archtop... maybe it was on loan from Emily? Whatever....?! Great playing by all!
John Abercrombie do great and very in his own way! but John Scofield, WOW x 1000000 !!!! from 8:00 to 9:00 those are the 60 sec. more epic recorded in an all stars meeting like this. Just look at the ecstasy face of Patitucci and his connection with Scofield and song, then we can conclude that it was simply amazing, pure magical music esence behind a jazz guitar genious.
John Scotfield and Abercrombie are now my favorites guitarists, besides Kurt Rosenwinkell , Pat Metheny and Guthrie Govan
Scofield 20 anni avanti e il triplo dello swing rispetto gli atri (piccola eccezione: Abercrombie)
Accidenti sono d'accordo! Ma quello al Cb non è Jhon Patitucci?
Concordo!
ambercrombie and scofield amazing
It's almost impossible to be objective, obviously. Tal (who I've always loved) was missing a mess of notes, but you gotta love his on the edge playing. Coryell always plays hard/harsh/blocky -- no subtlety. Abercrombie was so lyrical and liquid if a little hit or miss technically. Scofield was flowing intelligently and wild on all cylinders and basically showed everyone how to play those changes. Finally Carlton seemed mighty limited jazzwise, and he knew it, and so just played simple, lyrical, delicate to understate himself, which is probably what I'd've done too. All in all a fascinating group performance.
Larry could have done things the traditional way, but he wanted to appeal to the youth of that time. I love both ways.
I think John Scofield and Larry Carlton the most interesting...Larry pulled some stunning high notes and John played the tune inside out and backwards and forwards.
All of these players were an inspiration to me a as a young guitarist.
Scofield plays with such fluidity.. and a touch of quirk, making his solos in interesting. Nice to see the Ibanez Artist guitars laying it down. Although that chorused sound might be out-dated today, I still feel it shines. Pat metheny has that sound in spades. Great video clip..!