Molto ma molto buono. Una delle migliori esecuzioni del capolavoro del Maestro Bach. Complimenti a questa seria ed infaticabile Istituzione concertistica! 👏👏👏
Love this one. Choir comprised of solo voices. Love the trilling cornett/trumpet....miss that in most performances these days....tempi zip along which is great
@@sarastroposa5198, well that was proven wrong. Bach had basically teen singers split into two groups. They were performing the cantatas in two services. Rifkin and Parrot describe it perfectly.
@@sarastroposa5198 @Tobias Javert No, Sarastro, Tobias is basically right about that. What Bach was doing in his "Draft for a Well-Appointed Church Music" (the document in which he asked for 12 singers in the choir in each of the four churches he was responsible for), he wasn't giving instructions for how to perform his music; he was telling the Leipzig Town Council what he needed to do his job as Leipzig's leading church music director. And that job, taken as a whole, was mostly performing other composers' music. With respect to his first choir (the one that did his cantatas), he wrote that he needed 12 singers "so that if someone is sick, we can at least still do a double-choir motet" (meaning, usually, SATB SATB), which they did at every service. As Gotthold Schwartz, then hearing the end of his time as Bach's successor as the Thomaskantor in Leipzig, said in 2020 on a video I saw on RUclips, it was basically four singers for the first choir (in a motet), four for the second choir, and four to substitute as necessary. When Bach wanted more than one singer in the choruses of his cantatas or other works, he had extra parts copied out for the extra singers. Of Bach's sacred works where the original parts survive, only a few (something like a dozen) have extra parts for singers. And only in two or three of those (the St. John Passion is one, though the St. Matthew is not) do those extra singers sing all the way through all the choruses; mostly there are sections they sing and sections they don't. Andrew Parrott explains this all quite well in his book "The Essential Bach Choir."
Although Handel used 32 singers for his first performance of his "Messiah" in Dublin in 1742 - 16 boy sopranos and 16 male singers. That means Handel's ideal "Messiah" has an all male singer cast.
@@tobiasstudtheol Handel used all-male choruses for in Dublin and in his later London performances of Messiah, yes, but even at that first performance in Dublin he had both female and male soloists; at all his performances in London over the years (except for one when he had a star castrato, for whom he made new arrangements of three arias), he used female soloists for all the soprano and alto arias -- and they sang along in the choruses, which was standard practice at the time.
This is horrible! I would like to ask this conductor to sing the opening bars (thirty second notes) up to his horrible tempo. He should stick with symphonic music and leave the rest to someone that has a basic idea about the voice and tempos
Amazing singers!
Great orchestra!
Magnificent version!
Cesareltenor 😊
Grossartige Auffuehrung mit viel Verve und mitreissend musiziert und gesungen.
WunderBach… Esta es la mejor versión que he escuchado… Gracias…
Sério?
Ein Traum von Harmonie und Frieden...🥁 Bach 🎺
This is a beautiful performance by all, thanks so much for sharing it!
Faszinierende Darbietung ! Mit freundlichen Grüßen Karsten Biastoch
telle une prière qui monte vers les cieux,haute admiration
Molto ma molto buono. Una delle migliori esecuzioni del capolavoro del Maestro Bach. Complimenti a questa seria ed infaticabile Istituzione concertistica! 👏👏👏
excellent! thanks for sharing...
Love this one. Choir comprised of solo voices. Love the trilling cornett/trumpet....miss that in most performances these days....tempi zip along which is great
Outstanding performance!
un magnificat d'excellence et prise de son de merveille
Dank nach Brixen für dieses hörenswerte Konzert.
stupenda esecuzione bravissimi complimenti
Me enamoré de la soprano Anna Dennis. ¡Qué voz más exquisita!
Excellent sound and performance! Congrats!
Wonderful Baroque orchestra
Extraordinário! Bach é o maior músico de todos os tempos,inigualável.
Matthäus Passion auf arabisch Erbarme dich
One of the smallest choirs I've seen but the large choirs that often perform this music are probably a development of the 19th century.
Amazing 👏🏼👏🏼👏🏼🥹
Yay!!!! Anna Dennis. My favourite soprano😀😀😀
This minimalist approach lends an intimacy which I am sure the Blessed Virgin Mary would approve.
Straight from heaven
00:19 - 01 - Chorus - Magnificat anima mea Dominum, Allegro moderato
03:07 - 02 - Aria - Et exsultavit spiritus meus, Andante con moto
05:32 - 03 - Aria - Quia respexit humilitatem, Adagio
07:59 - 04 - Chorus - Omnes Generationes, Allegro maestoso
09:13 - 05 - Aria - Quia fecit mihi magna, Moderato
11:32 - 06 - Aria (Duet) - Et misericordia, Larghetto con gran esspressione
15:03 - 07 - Chorus - Fecit potentiam, Allegro energico
16:50 - 08 - Aria - Deposuit potentes, Appasionato ma non troppo allegro
18:58 - 09 - Aria - Esurientes implevit bonis, Amabile e con tenerezza
22:18 - 10 - Aria (Terzetto)/Chorus - Suscepit Israel, Tranquillo molto
24:14 - 11 - Chorus - Sicut locutus est, Allegro moderato
26:10 - 12 - Chorus - Gloria Patri, et Filio et Spiritui Sancto, Maestoso
27:26 - 13 - Chorus - Sicut erat in principi, Allegro moderato
BEAUTIFUL!
OUTSTANDING PERFORMANCE!
Simplemente maravilloso
Gracias por compartir
Que bien se escucha el Magnificat de Bach teniendo de fondo la imagen de Cristo, la Virgen y algunos santos y santas.
Meravigliosa sinfonia
Glorious!
complimenti
Sommes allés au concert aujourd hui à la cathédrale de Vaison.
I love organ part
What a musitions!!! ❤️❤️❤️
It is best version I’ve ever heard !
Too bad there's no chorus of 12 voices... which is what Bach asked for...but modern conductors know better than Bach.
@@sarastroposa5198, well that was proven wrong. Bach had basically teen singers split into two groups. They were performing the cantatas in two services. Rifkin and Parrot describe it perfectly.
@@sarastroposa5198 @Tobias Javert
No, Sarastro, Tobias is basically right about that. What Bach was doing in his "Draft for a Well-Appointed Church Music" (the document in which he asked for 12 singers in the choir in each of the four churches he was responsible for), he wasn't giving instructions for how to perform his music; he was telling the Leipzig Town Council what he needed to do his job as Leipzig's leading church music director. And that job, taken as a whole, was mostly performing other composers' music.
With respect to his first choir (the one that did his cantatas), he wrote that he needed 12 singers "so that if someone is sick, we can at least still do a double-choir motet" (meaning, usually, SATB SATB), which they did at every service.
As Gotthold Schwartz, then hearing the end of his time as Bach's successor as the Thomaskantor in Leipzig, said in 2020 on a video I saw on RUclips, it was basically four singers for the first choir (in a motet), four for the second choir, and four to substitute as necessary.
When Bach wanted more than one singer in the choruses of his cantatas or other works, he had extra parts copied out for the extra singers. Of Bach's sacred works where the original parts survive, only a few (something like a dozen) have extra parts for singers. And only in two or three of those (the St. John Passion is one, though the St. Matthew is not) do those extra singers sing all the way through all the choruses; mostly there are sections they sing and sections they don't.
Andrew Parrott explains this all quite well in his book "The Essential Bach Choir."
ソプラノⅠの歌声が素晴らしいです！
Next time Messiah of Heldel with the same cast!!!!👏👏👏👏👏👏👏👏👏👏
This Ensemble & conducter did a great recording of the Messiah on CD. You should find it on Amazon
Thank you! I will find it!!!!🙏🙏🙏🙏👌🏻👌🏻👌🏻👌🏻👌🏻👌🏻👌🏻👌🏻
Although Handel used 32 singers for his first performance of his "Messiah" in Dublin in 1742 - 16 boy sopranos and 16 male singers.
That means Handel's ideal "Messiah" has an all male singer cast.
@@tobiasstudtheol
Handel used all-male choruses for in Dublin and in his later London performances of Messiah, yes, but even at that first performance in Dublin he had both female and male soloists; at all his performances in London over the years (except for one when he had a star castrato, for whom he made new arrangements of three arias), he used female soloists for all the soprano and alto arias -- and they sang along in the choruses, which was standard practice at the time.
One to a part chorus is interesting and does work. Wld be interesting with a one to a part ensemble too
Waaw!!
Far too quick at the beginning. The trumpets cant keep up with no valves!!!
I think it needed the whole chorus in the chorus pieces, because the single voices are too weak
I think the single voices work well, but they should be in front of the orchestra.
This is horrible! I would like to ask this conductor to sing the opening bars (thirty second notes) up to his horrible tempo. He should stick with symphonic music and leave the rest to someone that has a basic idea about the voice and tempos