Color Grading Underwater GoPro 10 footage- Davinci Resolve

Today we are looking at two different clips in Davinci Resolve 18.6. Both clips are shot with a GoPro 10 using the flat profile.
If you are interested in learning to use an action camera including settings, composition as well as color grading and editing, comment below or reach out via our website, email or socials.
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Camera: GoPro 10
Editing and Color Correction: Davinci Resolve Studio 18.6
Editor: Hypoxic Film and Media
Color Correction: Hypoxic Film and Media
Filmed and Edited in 4K
#amedbali #davinciresolve #colorgrading #scubadiving #sidemount #scuba #underwatervideography #scubainstructor #PranaDive #HypoxicFilmandMedia #bali #theRAIDway #DiveRAIDInternational #SidemountSyndicate

[@lylelylelyle]

thanks a lot, it's much more detailed than some tutorials I've seen and tells me what I should look out for in the scopes.

[@pranadive]

My pleasure. I am glad I could help. Let us know if there is anything else you want to see us discuss.

[@josephdracula7487]

👍😎🤿🇵🇭! Looks great!

[@pranadive]

Thank you Joseph

[@tillalmeida7177]

youre right, not many colour grading tutorials for underwater footage. Even less so for GoPro cameras. This helped me alot more than learning how to change the colour of a car....
What settings are you using on your gopro? Lights, filters?

[@pranadive]

Glad this helped. I have also seen how to change the color on a car and thought it was useless for me.
We use lights when we need them. Cloudy days or deeper dives but for sunny days and shallow dives, we don't use them or filters. The filters can be great if you don't white balance and color match in post but if you do, I don't see a need for them. Currently I use the GoPro 12 on a tray with two Orcatorch 910v lights. Shooting in 4k at either 60 FPS or 120 FPS.
I think I will do a video on the settings we use here and go through them all.