i truly believe that the cello solo near the end is the most heartbreaking and devastating point in all of classical music. as if mahler, who sees himself as the might french horn had tried to speak through his favorite instrument, only to hear a soft, delicate, cello, all alone, call out to death itself.
At the climax of the movement the trombones didn't play. It was because a person in the public just close to them, had an heart attack and some mess happened between people and part of the orchestra playing due the situation and for help him.
0:22 - Primo tentativo 1:51 - Primo fallimento 2:08 - Secondo tentativo 4:11 - Secondo fallimento 6:21 - Terzo tentativo 9:39 - Terzo sviamento (ma dolce, onirico) 12:08 - Perso 13:42 - Quarto tentativo e CLIMAX 15:36 - Ricap 21:12 - Coda
@@lightningbolt4419 Oh you must be a better composer than him, with full creativity and emotional. Why not try compose one of your own? I'd happy to listen and give it a "feedback"
@@HourajiBallare yes I am a far better composer than him. I don’t have to write actual emotional climaxes or put any soul or thought into my compositions beyond my super obscure ideas of what “real music” is. You’re an idiot if you disagree btw.
![Gustav Mahler - Adagietto from Symphony 5 (Bernstein) [Score]](/img/1.gif)
you know it's slow when a page of the score is just under a minute
Beautiful...
i truly believe that the cello solo near the end is the most heartbreaking and devastating point in all of classical music. as if mahler, who sees himself as the might french horn had tried to speak through his favorite instrument, only to hear a soft, delicate, cello, all alone, call out to death itself.
thank you for this
10:08 do you hear that ??
Like a voice in the background
It’s probably just Lenny grunting. I honestly don’t mind it, it adds to the intensity.
At the climax of the movement the trombones didn't play.
It was because a person in the public just close to them, had an heart attack and some mess happened between people and part of the orchestra playing due the situation and for help him.
How do you know?
@@flyaway6646 there is an interview of one of the horns players who attended the concert. He talks about that
no words.
0:22 - Primo tentativo
1:51 - Primo fallimento
2:08 - Secondo tentativo
4:11 - Secondo fallimento
6:21 - Terzo tentativo
9:39 - Terzo sviamento (ma dolce, onirico)
12:08 - Perso
13:42 - Quarto tentativo e CLIMAX
15:36 - Ricap
21:12 - Coda
Or better yet, follow his own score and markings. (NY Philarmonic Digital Online.)
Viel zu langsam!
What a god awful composer
What's makes you say that, no beef just curious
@@chadsilver444Mahler should be a robot writing down my exact ideas about music theory with no creativity or emotional considerations.
@@lightningbolt4419 Oh you must be a better composer than him, with full creativity and emotional. Why not try compose one of your own? I'd happy to listen and give it a "feedback"
@@HourajiBallare yes I am a far better composer than him. I don’t have to write actual emotional climaxes or put any soul or thought into my compositions beyond my super obscure ideas of what “real music” is.
You’re an idiot if you disagree btw.