I Часть 0:00 - А (Комплекс Дворцовой площади) 5:35 - В "Слушай" 9:35 - С "Арестант" 11:55 - В "Слушай" 12:45 - А (Комплекс Дворцовой площади) II Часть 15:54 - "Гой, ты царь наш батюшка" 19:15 - "Обнажите головы" 24:15 - "Обнажите головы" ц.59 26:40 - Комплекс дв. площади 28:01 - Фугато. Сцена расстрела 31:20 - "Обнажите головы" 31:40 - Кода на теме дв./пл. 34:08 - "Слушай" III Часть 35:36 - Начало 36:30 - "Вы жертвою пали" 40:00 - "Смело, товарищи, в ногу 42:47 - "Здравствуй, свободы вольное слово" 43:22 - "Обнажите головы" 45:50 - Кода IV Часть 47:10 - "Беснуйтесь, тираны" 50:25 - "Варшавянка" 51:15 - "Огоньки" 52:45 - фанфары и трубы 55:30 - Дворцовая площадь 56:00 - "Обнажите головы" 58:50 - Кода
0:00 - A (Palace Square Complex) 5:35 - In "Listen" 9:35 - From "Prisoner" 11:55 - In "Listen" 12:45 - A (Palace Square Complex) Part II 15:54 - “Goy, you are our king, father” 19:15 - "Bare your heads" 24:15 - “Bare your heads” v.59 26:40 - Door complex. area 28:01 - Fugato. Execution scene 31:20 - "Bare your heads" 31:40 - Coda on the theme of dv./pl. 34:08 - "Listen" Part III 35:36 - Start 36:30 - “You have fallen victim” 40:00 - “Bravely, comrades, keep up 42:47 - “Hello, free speech” 43:22 - "Bare your heads" 45:50 - Coda Part IV 47:10 - “Rage, tyrants” 50:25 - “Varshavyanka” 51:15 - "Lights" 52:45 - fanfare and trumpets 55:30 - Palace Square 56:00 - "Bare your heads" 58:50 - Coda
Something about The Eleventh fascinates me. I don't yet know what it is; but I keep 'trying' different recordings.... this one strikes me as particularly well articulated. Whether it's the conducting, the recording, or the performance, I do not know. I only know that THIS is a very special piece of music, and THIS is one of the better recordings of it I have found here. THANK YOU, VERY MUCH.
My personal favorite moments throughout the piece: 28:02-31:44 41:49-43:51 53:55-55:32 As you might be able to tell, my favorite musical moments tend to be big climaxes. That’s not to say that I don’t like the calmer and quieter moments: (the English horn solo from 56:00-58:47 seems to make time stand still.)
I never noticed those accented triplets on the snare part for the climax of January the Ninth holy shit that gave me chills hearing it articulated so crisply
@@CarterFelixOfficialI should be clearer, I meant more so the specific way that the triplets are accented in this recording; I feel like it doesnt come through as well in a lot of recordings
The 'oppression' section of the 9th of January movement has to be one of the most fire but also horrifying sections of classical music ever written. Reminds me of the climax of the 13th symphony's first movement which has a similarly horrifying subject.
Thank you all for 1K views! I started this channel as a simple passion project and didn’t expect it to spread to this many people. Have a nice day everyone!
Thankyou, too! Adding the score and taking the time to arrange page-turning for us is of great assistance. You now have 20K views. I hope the rest of us have a better day than those dwelling in Bakhmut.
i played this in the backround, and was on III (Adiago) while my dad was catching our frog with a net, and right when he got it, it got super loud and major
Haitink had the reputation for being reserved and staying to the score. This is an incredibly gripping performance. Maybe the best. Better than Mravinsky's.
I totally agree, but I'm sure Mravinsky knows how to make audiences and musicians feel the music and its composer. He sure knows how to make expression through music.
I don't know what it is with the Concertgebouw's tam-tam but it always sounded kinda sluggish and underpowered to my ears. So not the ideal performance as far as I'm concerned. Although it's certainly better than Mravinsky. The best of the "classic" Russian performances is probably Kondrashin anyway. But I would suggest you listen to Caetani, Järvi or Lazarev.
Don't forget this has a lot to do with sound mixing, when it comes to recordings this is often forgotten, because everyone only thinks about the conductor and the orchestra. @@MisterPathetique
I'm now perusing recordings of the work, after having been introduced to the programmatic massacre, and I wonder if the tempo from 30:23 should be faster, to show the swiftness and brutality of the attack.
I don't hear what you are saying. If that is all you can say, then you are nit picking. This to me is a fantastic recording and trust me I've listened to many recordings of this symphony. Weather it be live or not, to me this is one of, if not the best renditions of the Shostakovich's 11th.
@@lightspeed174wait, something is wrong with timecodes, it was a different time when I commented. 30:55 - tam tam is missing Anyways, this is one of my fav recordings of it as well, i think Haitink is one of the greats
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![Howard Hanson - Symphony No. 2, Op. 30 "Romantic" [with score]](http://i.ytimg.com/vi/abKXHeG0u6I/mqdefault.jpg)
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![Dmitri Shostakovich - Symphony No. 9 [With score] (Reupload)](http://i.ytimg.com/vi/qynu8yNiTrY/mqdefault.jpg)
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I Часть
0:00 - А (Комплекс Дворцовой площади)
5:35 - В "Слушай"
9:35 - С "Арестант"
11:55 - В "Слушай"
12:45 - А (Комплекс Дворцовой площади)
II Часть
15:54 - "Гой, ты царь наш батюшка"
19:15 - "Обнажите головы"
24:15 - "Обнажите головы" ц.59
26:40 - Комплекс дв. площади
28:01 - Фугато. Сцена расстрела
31:20 - "Обнажите головы"
31:40 - Кода на теме дв./пл.
34:08 - "Слушай"
III Часть
35:36 - Начало
36:30 - "Вы жертвою пали"
40:00 - "Смело, товарищи, в ногу
42:47 - "Здравствуй, свободы вольное слово"
43:22 - "Обнажите головы"
45:50 - Кода
IV Часть
47:10 - "Беснуйтесь, тираны"
50:25 - "Варшавянка"
51:15 - "Огоньки"
52:45 - фанфары и трубы
55:30 - Дворцовая площадь
56:00 - "Обнажите головы"
58:50 - Кода
Thank you so much for this, it’s really awesome!
0:00 - A (Palace Square Complex)
5:35 - In "Listen"
9:35 - From "Prisoner"
11:55 - In "Listen"
12:45 - A (Palace Square Complex)
Part II
15:54 - “Goy, you are our king, father”
19:15 - "Bare your heads"
24:15 - “Bare your heads” v.59
26:40 - Door complex. area
28:01 - Fugato. Execution scene
31:20 - "Bare your heads"
31:40 - Coda on the theme of dv./pl.
34:08 - "Listen"
Part III
35:36 - Start
36:30 - “You have fallen victim”
40:00 - “Bravely, comrades, keep up
42:47 - “Hello, free speech”
43:22 - "Bare your heads"
45:50 - Coda
Part IV
47:10 - “Rage, tyrants”
50:25 - “Varshavyanka”
51:15 - "Lights"
52:45 - fanfare and trumpets
55:30 - Palace Square
56:00 - "Bare your heads"
58:50 - Coda
Such an atmospheric symphony, particularly the first movement. Wonderful stuff.
I really like this recording
Rest in piece Haitink...
Rip
Something about The Eleventh fascinates me. I don't yet know what it is; but I keep 'trying' different recordings.... this one strikes me as particularly well articulated. Whether it's the conducting, the recording, or the performance, I do not know. I only know that THIS is a very special piece of music, and THIS is one of the better recordings of it I have found here. THANK YOU, VERY MUCH.
Same here. My favorite recording of the music.
My personal favorite moments throughout the piece:
28:02-31:44
41:49-43:51
53:55-55:32
As you might be able to tell, my favorite musical moments tend to be big climaxes. That’s not to say that I don’t like the calmer and quieter moments: (the English horn solo from 56:00-58:47 seems to make time stand still.)
I love the sound of the side drum in those fabulous Concertgebouw acoustics
I think the beginning part of the second movement (starting from like circa 22:00) is also really fabulous. It’s a part I circle back to a lot
I never noticed those accented triplets on the snare part for the climax of January the Ninth holy shit that gave me chills hearing it articulated so crisply
That's... the main part! How did you miss it? It symbolizes gunfire
@@CarterFelixOfficialI should be clearer, I meant more so the specific way that the triplets are accented in this recording; I feel like it doesnt come through as well in a lot of recordings
@@v_munuOh, alright! I love how loud they are! Other recordings usually dont do well on capturing it so good.
Sadly Bernand Haitink died recently :( Rest in peace
Yes, in October 2021...
Be happy that he became so old.
The 'oppression' section of the 9th of January movement has to be one of the most fire but also horrifying sections of classical music ever written. Reminds me of the climax of the 13th symphony's first movement which has a similarly horrifying subject.
Wonderfull interpretation and exellent sound!
That snare drum is gooooood
The fugato part is amazing
Absolutely brilliant Haitink
Best symphony ever written
Definitely a great symphony, but in my opinion not the greatest. That title would go to Beethoven 9, Mahler 2, or Mahler 8 in my personal opinion
@@benana_3 Mahler 8 is so overrated, especially when compared to the rest of his symphonies
@@benana_3 Mahler 2 is absolutely sublime
@@_CaptainCookie nah 😅
@@benana_3I totally agree.
Thank you all for 1K views! I started this channel as a simple passion project and didn’t expect it to spread to this many people. Have a nice day everyone!
Thankyou, too!
Adding the score and taking the time to arrange page-turning for us is of great assistance.
You now have 20K views.
I hope the rest of us have a better day than those dwelling in Bakhmut.
31:45 … incredible
i played this in the backround, and was on III (Adiago) while my dad was catching our frog with a net, and right when he got it, it got super loud and major
Thank you for the score with the performance.
why do I see you in every music score video I watch. We got the same taste fr
Good taste@@saratei99
Haitink had the reputation for being reserved and staying to the score. This is an incredibly gripping performance. Maybe the best. Better than Mravinsky's.
Even better than Gergiev!
@@pecator70 Way better.
I totally agree, but I'm sure Mravinsky knows how to make audiences and musicians feel the music and its composer. He sure knows how to make expression through music.
I don't know what it is with the Concertgebouw's tam-tam but it always sounded kinda sluggish and underpowered to my ears. So not the ideal performance as far as I'm concerned. Although it's certainly better than Mravinsky. The best of the "classic" Russian performances is probably Kondrashin anyway.
But I would suggest you listen to Caetani, Järvi or Lazarev.
Don't forget this has a lot to do with sound mixing, when it comes to recordings this is often forgotten, because everyone only thinks about the conductor and the orchestra. @@MisterPathetique
0:00 Вступление
5:35 песня «Слушай»
9:35 песня «Арестант» fis!!
2ч
15:54 «Гой» да?
19:15 «Обнажите головы»
26:40 дворцовая площадь ля минор
28:01 т. Расстрела
31:46 кода
3ч
36:30 ГП
4ч
47:10 1 тема
50:25 2 тема пунктиры
58:50 Кода
30:23
30:22 im dead 🥺😍
58:11 - «Гой ты царь наш батюшка»
38:58 «славное море, священный Байкал»
1:00:45 you can visualize the blood on the snow
אין כמו אימא בעולם!!!!!!!!.
?
I love this, but the tempo feels off at 30:00. So what I've found is to put it at 1.25 speed
18:35
30:10
48:50
30:30 the true meaning of russia
Tsarist Russia in 1905, and Putin's Russia in 2023......
@@ArtyFactual_Intelligence sad to see it going through the same fate.... If not worse
@@ArtyFactual_Intelligenceyour pfp has putin in it? 🤣🤣🤣🤣
I'm now perusing recordings of the work, after having been introduced to the programmatic massacre, and I wonder if the tempo from 30:23 should be faster, to show the swiftness and brutality of the attack.
Slower = More ruthless.
Listen to jarvi if you want it faster
The slowness makes it brutal and terrific.
Fast does not always equal more brutal, in fact slowing down the fast parts allows the listener to listen to the details
54:26
ayanokoji?
8:40
WHY SLOW DOWN AT THE CODA
Riddle me this,
Make this comment backwards
tob a ton ma I
oediv ralupop tsom ym hctaW
?em veileb tnoD
MCID
4790WO
Tam-tam player (and Decca sound enginieers) messes up at 30:55, lol
I don't hear what you are saying. If that is all you can say, then you are nit picking. This to me is a fantastic recording and trust me I've listened to many recordings of this symphony. Weather it be live or not, to me this is one of, if not the best renditions of the Shostakovich's 11th.
@@lightspeed174wait, something is wrong with timecodes, it was a different time when I commented. 30:55 - tam tam is missing
Anyways, this is one of my fav recordings of it as well, i think Haitink is one of the greats
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Communism
אין כמו אימא בעולם!!!!!!!!.
30:30
30:22
18:36