@@FhowEpisodes the point of mixing is to make it so things are audible and not all fighting for the same space. The entire concept of "if you removed everything else" is ignorant. If I removed everything but the guitar, of course Id hear the guitar. But if you cant hear the guitars in the full mix you are literally not a good mixer. Same goes for all texture layers. If all its doing is adding mush underneath and its completely inaudible, then its not helping a mix. Its only there because this dude doesnt have a clue what hes actually doing and hes riding the wave of getting lucky enough to have worked with a couple bands who blew up on their own despite his incoherent mixes. George isnt a mix engineer. Hes a producer. A fine producer sure. But mixing is not his forte clearly. Not asking for random noises to be in the forefront...im saying if its literally inaudible and you have OVER 100 TRACKS OF THIS STUFF then you are not doing your job very well.
@@voyantcreative my point is that it’s not completely inaudible at all, you can hear each of these things in this video if you listen for them, along with the rest of the samples and layers in the background.
George is the fucking best "Modern" metal producer
Him and Mick Gordon.
@@takoshihitsamaru4675, plus: Forrester Savell, Simon Groove, Acle Kahney and John Browne.
Vdd linda
That snare tho
I love this song, the whole album was amazing
honestly wasnt even aware this stuff was there. those "shah"s and hallway effects at the end sound awesome!
Thanks for this, George ! Seriously could listen to you for hours, really hoping for some more of you in Nail The Mix !
Thanks for your music and production tips George, fall for me is beautiful ❤️
Post pro ,i want to get into this alot more!!
Thanks George!
danks jorj
Damn, I could've sworn that "Sha 3" was old mate's vocal.
I want the instrumental so bad
That snare.....damn! So tasty!
Cool sounds. I think it just gets drowned in the mix though.
Maybe you need to buy better audio hardware?
@@sahinlandman4667 Maybe
I appreciate them as little Easter eggs. I've listened to this album about 100 times and wasn't even aware of these.
wtf over a hundred layers. Dudes a madman 😂
And yet you can hear 10 of them... i guess thats mixing?
@@kurtisa.murray2711if you took all of the rest out, you’d notice. It’s what builds the atmosphere even if it’s not in the forefront of the track
@@FhowEpisodes the point of mixing is to make it so things are audible and not all fighting for the same space. The entire concept of "if you removed everything else" is ignorant. If I removed everything but the guitar, of course Id hear the guitar. But if you cant hear the guitars in the full mix you are literally not a good mixer. Same goes for all texture layers. If all its doing is adding mush underneath and its completely inaudible, then its not helping a mix. Its only there because this dude doesnt have a clue what hes actually doing and hes riding the wave of getting lucky enough to have worked with a couple bands who blew up on their own despite his incoherent mixes. George isnt a mix engineer. Hes a producer. A fine producer sure. But mixing is not his forte clearly.
Not asking for random noises to be in the forefront...im saying if its literally inaudible and you have OVER 100 TRACKS OF THIS STUFF then you are not doing your job very well.
@@voyantcreative my point is that it’s not completely inaudible at all, you can hear each of these things in this video if you listen for them, along with the rest of the samples and layers in the background.
2:53 st anger snare
Not even close.
I think your speakers lack any significant low or mid frequencies
Listening on my Kali LP 6's that snare sounds like a total opposite of the St. Anger snare.
@@jdmhbeats i think your brain lacks comprehension on what a JOKE is
Snare has the life compressed out of it.