At 8:05 : शृङ्गारं क्षितिनन्दिनी-विहरणे (what a beautiful verse); Kalyani (17:40), alapana in Kambhoji? 21:08, comment on lakshhya-lakshhaNa shankarabharanam? Or Begada? 26:10, Todi 28:45, जयजयवंती ३२:२५ , Darini Telusu -- shuddha saaveri 35:58 SSI and MS sing enati nomu (bhairavi) 39:15, the audio cannot be heard for several seconds Semmangudi's disciples singing a swarajati (चेत: श्रीबालकृष्णं - द्विजावंती - मुत्तुस्वामी दीक्षित) on his 100th birth anniversary 42:30, वदान्येश्वरम् (देवगान्धारी) 45:01, navaavaraNa kriti (कमलाम्बिकायै) in Kambhoji as female chorus - 47:25, शंकराभरणम् (एन्दुकु - वेदशास्त्र - त्यागराज ५१:००, from MMA-1968 concert, w Lalgudi Jayaraman and UKS), करहरप्रिया (राम नी समान नेवरु - पलकु पलकुलकु) 53:10 : full piece ruclips.net/video/jC11TTdiqXs/видео.html (the cut here starts at 16:38 mark) Lalgudi or VVS?, साम / शाम (मरवकवे - पट्नम्, w VVS) 1:01:08, कर्नाटक बिहाग (1:06:55 ruclips.net/video/UrAfCtgCgrA/видео.html w Lalgudi and Vellore R in 1967), श्रीमातृभूतम् - राग कन्नड १:१०:५५ At 47:25, a female chorus rendition of Deekshitar's Kambhoji composition (कमलाम्बिकायै कनकांशुकायै) starts, from its anupallavi, कमला-कान्तानुजायै कामेश्वर्यै अजायै . Is the complete rendition available on RUclips? (Yes, it is, since Sept 2022. ruclips.net/video/uaVujFg4kiM/видео.html ) The kriti is available as a) a chorus sung by DKJ and his disciples, b) by DKJ disciples, sung in 2018. Those are also beautiful.
Superb lec Dem by Rk Shriramkumar covering all the major aspects of semmangudi mama. Thanks Shriram Anna for mentioning Dwijavanthi Raga Alapana before Chetasri Balakrishnam sung by Semmangudi Mama. I have this recording in my mobile phone and whenever I hear that recording, I have tears in my eyes and I am stunned by the depth and musicality of Semmangudi Mama's voice.
This is the best way to celebrate a music genius' birthday - recalling his/her best performances and uniqueness with excepts and a connoisseur's commentary
Excellent presentation on Semmangudi Mama; Wonderful insights into his depth of music and the man by Sri Shriramkumar. That notwithstanding, I personally think the following points could have been also emphasized a bit more: 1. His Stellar and unmatched role in rendering to music and/or popularizing Maharaja Swathi Thirunal Compositions and his superlative repertoire of the Maharaja's kritis. (Bhavayami Raghuram - the Ramayana song of Sri Swathi Thirunal which was originally sung entirely in Saveri was set to tune as a Ragamalika of 7 Ragas by none other than Semmangudi Mama) 2. His Extensive (& emotive) treatment of Kharaharapriya Ragam - not done by even many other stalwarts - to this day, Semmangudi Mama's Kharaharapriya is the hallmark for the Ragam, IMHO. [Whenever I felt down, listening to his Kharaharapriya never failed to lift me up!] 3. His extensively bhava laden rendering of Subhapantuvarali Ragam - which is also unmatched and which has been emulated /imitated by others.
Ungalala pada mudiyuma sir semmangudi mama supera padinaru ungalukku oru warning rk shriramkumar sir enga padinalum oru negative comment vandukite irukku unga kittendhu. Ungalukku pidikalanna vera yengaya vadhu poga vendiyathuthane en Inga vandhu enga uyira vanguringa.
What a wonderful appreciation treatise on Semangudi the great. Thank you sir
At 8:05 : शृङ्गारं क्षितिनन्दिनी-विहरणे (what a beautiful verse); Kalyani (17:40), alapana in Kambhoji? 21:08,
comment on lakshhya-lakshhaNa
shankarabharanam? Or Begada? 26:10, Todi 28:45,
जयजयवंती ३२:२५ , Darini Telusu -- shuddha saaveri 35:58
SSI and MS sing enati nomu (bhairavi) 39:15, the audio cannot be heard for several seconds
Semmangudi's disciples singing a swarajati (चेत: श्रीबालकृष्णं - द्विजावंती - मुत्तुस्वामी दीक्षित) on his 100th birth anniversary 42:30,
वदान्येश्वरम् (देवगान्धारी) 45:01, navaavaraNa kriti (कमलाम्बिकायै) in Kambhoji as female chorus - 47:25,
शंकराभरणम् (एन्दुकु - वेदशास्त्र - त्यागराज ५१:००, from MMA-1968 concert, w Lalgudi Jayaraman and UKS),
करहरप्रिया (राम नी समान नेवरु - पलकु पलकुलकु) 53:10 : full piece ruclips.net/video/jC11TTdiqXs/видео.html (the cut here starts at 16:38 mark) Lalgudi or VVS?,
साम / शाम (मरवकवे - पट्नम्, w VVS) 1:01:08, कर्नाटक बिहाग (1:06:55 ruclips.net/video/UrAfCtgCgrA/видео.html w Lalgudi and Vellore R in 1967), श्रीमातृभूतम् - राग कन्नड १:१०:५५
At 47:25, a female chorus rendition of Deekshitar's Kambhoji composition (कमलाम्बिकायै कनकांशुकायै) starts, from its anupallavi, कमला-कान्तानुजायै कामेश्वर्यै अजायै . Is the complete rendition available on RUclips? (Yes, it is, since Sept 2022. ruclips.net/video/uaVujFg4kiM/видео.html ) The kriti is available as a) a chorus sung by DKJ and his disciples, b) by DKJ disciples, sung in 2018. Those are also beautiful.
Superb !!! What a insight !!
Superb lec Dem by Rk Shriramkumar covering all the major aspects of semmangudi mama. Thanks Shriram Anna for mentioning Dwijavanthi Raga Alapana before Chetasri Balakrishnam sung by Semmangudi Mama. I have this recording in my mobile phone and whenever I hear that recording, I have tears in my eyes and I am stunned by the depth and musicality of Semmangudi Mama's voice.
Shemmangudi. Swami..... Eqaval. Iam. Huge. Fan. Kodi. Kodi. Pranam
Thanks very much for uploading this. ShriRamkumar has explained with a lot of involvement. Chethashri. Is superb.
Great, Enjoyed. Used to see Seemangudi a lot during my childhood in Tyagaraja Samajam. Had offered Namaskarams to him.
This is the best way to celebrate a music genius' birthday - recalling his/her best performances and uniqueness with excepts and a connoisseur's commentary
Highly indebted to Parivadini and Shriram kumar Sir. Thanks very much.
Thanks a lot !!🙏🙏🙏🙏
Excellent presentation on Semmangudi Mama; Wonderful insights into his depth of music and the man by Sri Shriramkumar.
That notwithstanding, I personally think the following points could have been also emphasized a bit more:
1. His Stellar and unmatched role in rendering to music and/or popularizing Maharaja Swathi Thirunal Compositions and his superlative repertoire of the Maharaja's kritis. (Bhavayami Raghuram - the Ramayana song of Sri Swathi Thirunal which was originally sung entirely in Saveri was set to tune as a Ragamalika of 7 Ragas by none other than Semmangudi Mama)
2. His Extensive (& emotive) treatment of Kharaharapriya Ragam - not done by even many other stalwarts - to this day, Semmangudi Mama's Kharaharapriya is the hallmark for the Ragam, IMHO. [Whenever I felt down, listening to his Kharaharapriya never failed to lift me up!]
3. His extensively bhava laden rendering of Subhapantuvarali Ragam - which is also unmatched and which has been emulated /imitated by others.
Excellent contribution to Carnatic music....being true to Ragam was SSI DNA...purist with brilliance.
Please do one with dkp amma
excellent tribute to SSI mama
Fantastic program
feeling blessed
01:19:00
56 to 5745 ... horripilation
Semmangudi thanjavur iyendaa
Adhu eppidraa sambharla sweet kalakireenga? Puliyodharai illa.. puliyogare
Mamanaaala mookupodi podaama paada mudiyumaa?
Ungalala pada mudiyuma sir semmangudi mama supera padinaru ungalukku oru warning rk shriramkumar sir enga padinalum oru negative comment vandukite irukku unga kittendhu. Ungalukku pidikalanna vera yengaya vadhu poga vendiyathuthane en Inga vandhu enga uyira vanguringa.
@@navneethsundaresan6970 vidunga, rasanai illadhavargali thiruthuvadhu nam velai illai
Nee karanatakalendhu vandha vandheridhaane
lo en guru nindu??? lec dem adu ammikond kelu.. u will enjoy
@@vibelover5444 super maga
Prarabdha munDede...ishta idre keLu...illaandre T muchkond hogthaairu