![Will Gay](/img/default-banner.jpg)
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- Просмотров 42 109
Will Gay
США
Добавлен 8 янв 2024
My name is Will Gay and I am a professional photographer from Northern Colorado specializing in capturing Real Estate, Architecture, and Commercial photos.
I wanted to start this channel to help other professionals and aspiring amateurs get a better understanding of the real estate and commercial photography industry so they can provide better images for their clients and be better photographers. I have been a working professional in the photography and video industry for the last 15 years. I got my start like most people do, by buying a camera and chasing a dream.
My goal is to provide content that helps others become better at what they do and to give insights into what it's like to start and run a professional photography business.
I wanted to start this channel to help other professionals and aspiring amateurs get a better understanding of the real estate and commercial photography industry so they can provide better images for their clients and be better photographers. I have been a working professional in the photography and video industry for the last 15 years. I got my start like most people do, by buying a camera and chasing a dream.
My goal is to provide content that helps others become better at what they do and to give insights into what it's like to start and run a professional photography business.
How To Shoot Dark Rooms Using Flambient for Real Estate Photography
Dark rooms can be intimidating to edit and tricky to shoot. Today we talk about the camera settings for dark rooms, why I use them, and how to edit photos of a dimly lit basement and remove color casting.
00:00 Intro
00:58 Camera Settings
05:18 Lightroom
08:59 Dealing With Noisy Shadows
10:36 Camera Profiles
16:38 Enfuse Hard Masking
19:31 Photoshop
21:13 Why 50% Ambient Layer?
22:53 Color Casting Removal
29:15 Conclusion
Find my portfolio website here: willgayphoto.com/
Follow me on Instagram: willgayphotography
Check out my TikTok: www.tiktok.com/@willgayphoto
For business inquiries please email will@willgayphoto.com.
Thank you for watching, if I helped you out please give me a like a...
00:00 Intro
00:58 Camera Settings
05:18 Lightroom
08:59 Dealing With Noisy Shadows
10:36 Camera Profiles
16:38 Enfuse Hard Masking
19:31 Photoshop
21:13 Why 50% Ambient Layer?
22:53 Color Casting Removal
29:15 Conclusion
Find my portfolio website here: willgayphoto.com/
Follow me on Instagram: willgayphotography
Check out my TikTok: www.tiktok.com/@willgayphoto
For business inquiries please email will@willgayphoto.com.
Thank you for watching, if I helped you out please give me a like a...
Просмотров: 497
Видео
Is A Monolight or Speedlight Better for Interior Photography?
Просмотров 454Месяц назад
A comment on my flash modifier video asked to see a comparison between a speedlight and a monolight for interior photography. They also expressed that I was hurting my credibility by talking down to the MagMod system. Let's address the concerns and see why a monolight is a better choice for real estate photography than a traditional speedlight. 00:00 Intro 00:17 MagMod Comment 02:21 Godox ML-CD...
Is The K&F 3GDW Tripod Head Any Good For Real Estate Photography?
Просмотров 392Месяц назад
I used ball-head tripod heads for years in my professional work. I hated the old 3-way heads and anything that was too rigid for my style of work. But that all changed this year when I picked up the K&F Concept GD3W Tripod head. This head has sped up my workflow and helped me produce consistent-level photos in every shoot I do. If you are in the market for a new tripod head or want to give a 3-...
Using The Nikon 40mm F/2 For Real Estate Video Tours
Просмотров 291Месяц назад
Video tours have become a staple in my offerings to clients and at the start of this year, I was struggling to find a kit that was lightweight but could still produce the results I was looking for. The Nikon Z 40mm F/2 lens was the perfect addition to my bag. Its small size, great price point, and beautiful characteristics were just what I was looking for. Best Lens Reviews: www.youtube.com/@UC...
These Ideas Helped Me Grow My Real Estate Photography Business in 2024
Просмотров 424Месяц назад
I have had a couple commenters ask me for some ideas to grow your client base and build a stronger business. Here are three of the biggest things I have done this year that has brought me more clients and made my business stronger. Please let me know in the comments what other types of content you would like to see and anything I can help you with. 00:00 Intro 00:27 Business Coaching 02:05 Webs...
Different Flash Modifiers For Real Estate Photography
Просмотров 8422 месяца назад
A bit of a follow-up to my video about using my Godox CS-50D orb. These are the modifiers I have used over the last 10 years doing real estate and architecture. It's been a lot of trial and error and figuring out what works for me. Product Featured in this video: Godox AD400 Pro : www.amazon.com/AD400Pro-Outdoor-Portable-Speedlite-Rechargeable/ Reflector with Diffuser: www.amazon.com/Soonpho-St...
Godox Flash and Softbox for High End Flambient Real Estate Photography
Просмотров 1,6 тыс.2 месяца назад
Flash ambient photography is the gold standard when it comes to real estate, architecture, and designer interior photos. Using a high-quality modifier is key to minimizing harsh shadows and adding beautiful soft light to a scene. I have used a lot of different modifiers in my career and this is by far and away the best one for interior photography. Godox CS-50D - www.amazon.com/GODOX-Omni-Direc...
Natural Looking Flambient Real Estate Photography - Full Shoot And Edit
Просмотров 4,2 тыс.2 месяца назад
I want to walk you all through how I approach shooting for all of my real estate photography clients. We will go over how I shoot my angles, and how I use my flash, and then take it all into Lightroom and Photoshop and blend everything together using the methods I have shown in my previous videos. If you would like to see a full tutorial on how to set up LR Enfuse, How I blend using LR and Phot...
How To Setup Your Camera Gear For A Real Estate Photography Shoot
Просмотров 1,6 тыс.2 месяца назад
A highly requested video from commentators has been how I get set up for a real estate photography shoot. In this video I will walk you through a real shoot on site and how I get ready for it. We will go over all the gear that I use, how I set it up, and get ready for a shot. In the next video, we will go over a full tutorial on how I would shoot this scene, edit the photo, and deliver it to my...
All About Using Real Estate Photography Editors...
Просмотров 9193 месяца назад
I have had a few comments asking if use editors for my shoots and if I do how I find them. So today we are going to talk about editors and the ways I have found success using them. For all of my Real Estate Photography work, I use editors but for a lot of my specialty work, I edit myself with all of the techniques I show here. It comes down to time saving for me and that is really the only reas...
Setting Up These Real Estate Photography Photoshop Actions...
Просмотров 9633 месяца назад
You guys have been asking for it so today we will go over how to setup the 4 main actions I use to edit my real estate and architecture photography in photoshop. We will not be editing anything in this video but you will get to build all of the tools I used to speed up my flambient editing workflow. 00:00 Intro 00:27 Lightroom 01:40 Lightroom To Photoshop Shortcut 02:08 Find The Actions Panel 0...
Flambient Editing Tutorial Using LR Enfuse For Natural Looking Results
Просмотров 2,5 тыс.4 месяца назад
I had quite a few people in the comments for a tutorial on using LR Enfure and flash to create natural-looking photos for real estate so in this video I will walk you through my entire process. I will be making a video on how to create the actions that I use later but they are just standard flambient blending in Photoshop. 00:00 Lightroom 07:15 Photoshop 13:40 Conclusion Find my portfolio websi...
What Is The NAR Commission Settlement: Answers For Buyers and Sellers From A Real Estate Broker
Просмотров 1834 месяца назад
What Is The NAR Commission Settlement: Answers For Buyers and Sellers From A Real Estate Broker
Comparing Lightroom Enfuse and Photoshop HDR Pro 32bit Workflows for HDR Real Estate Photography
Просмотров 1,4 тыс.4 месяца назад
Comparing Lightroom Enfuse and Photoshop HDR Pro 32bit Workflows for HDR Real Estate Photography
Simple Handheld HDR Interior Photography For Real Estate Photographers
Просмотров 9964 месяца назад
Simple Handheld HDR Interior Photography For Real Estate Photographers
What I Pack In My Camera Bag As A Professional Real Estate Photographer
Просмотров 7234 месяца назад
What I Pack In My Camera Bag As A Professional Real Estate Photographer
Real Time Condo Flambient Editing For Real Estate Photography
Просмотров 9934 месяца назад
Real Time Condo Flambient Editing For Real Estate Photography
How To Create The Smoothest Speed Ramp Zoom Transitions with Motion Blur For Real Estate Video Tours
Просмотров 7214 месяца назад
How To Create The Smoothest Speed Ramp Zoom Transitions with Motion Blur For Real Estate Video Tours
Flash Ambient Kitchen Natural Editing Tutorial Using LR Enfuse | Real Estate Photography
Просмотров 2,3 тыс.4 месяца назад
Flash Ambient Kitchen Natural Editing Tutorial Using LR Enfuse | Real Estate Photography
Lightroom and Enfuse Full Tutorial And Setup Guide
Просмотров 2,3 тыс.4 месяца назад
Lightroom and Enfuse Full Tutorial And Setup Guide
How To Edit Natural Looking HDR Photography For Real Estate
Просмотров 10 тыс.4 месяца назад
How To Edit Natural Looking HDR Photography For Real Estate
How To Get Your First Clients as a Real Estate Photographer - Marketing Tips - EP2
Просмотров 2125 месяцев назад
How To Get Your First Clients as a Real Estate Photographer - Marketing Tips - EP2
How To Edit Exterior Twilights | Full Real Estate Photography Tutorial
Просмотров 5255 месяцев назад
How To Edit Exterior Twilights | Full Real Estate Photography Tutorial
How To Get More Clients - Marketing Tips For Real Estate Photographers - EP1
Просмотров 1535 месяцев назад
How To Get More Clients - Marketing Tips For Real Estate Photographers - EP1
Nikon Z8 Shooting Bank Settings For Real Estate Photography
Просмотров 6925 месяцев назад
Nikon Z8 Shooting Bank Settings For Real Estate Photography
Five Ideas For Real Estate Agents To Grow On Instagram in 2024
Просмотров 735 месяцев назад
Five Ideas For Real Estate Agents To Grow On Instagram in 2024
Master the Art of Exposure Bracketing for Stunning Real Estate Photography
Просмотров 6045 месяцев назад
Master the Art of Exposure Bracketing for Stunning Real Estate Photography
Hiring a Cheap Real Estate Photographer Is More Expensive Than Hiring A Professional
Просмотров 475 месяцев назад
Hiring a Cheap Real Estate Photographer Is More Expensive Than Hiring A Professional
Love your videos! Do you have details on the flash preset? I think many would be happy to pay for your presets if you prefer that. You have done a lot of work and we appreciate it.
Thank you so much! I have watched many real estate photography videos and yours are the closest to the style to what I would like to produce. I have set your LR Enfuse Preset thanks to @dataventurer9998; however, have you detailed your flash preset? I think many would be happy to purchase your presets too!
Good job, but too much work
Will is that a 7" reflector housing? Just ordered one for my AD600. Yours looks larger than 7 and I could only find the plastic snap on diffuser plate in 7". If you could confirm that would be great thanks!
How about how to start in the slow season.
Enfuse is great, but I still deal with blacks clipping. Darkest parts of image are clipped as whole black with no way to restore. Any ideas how to avoid this ?
I've been looking at a variety of modifiers lately as I've been bouncing either speedlights or an XPLOR600 off of the ceiling. What impact of shooting through the orb into the room have on creating shadows from things like lamp shades, ceiling fans etc? Thanks for this video!
Hey Will, Which AF-area mode are you using for RE, I shoot on a Z6iii and I've had some issues with at least 2-3 photos not coming into focus through a whole house shoot. I was previously shooting on Auto-area AF. Is that what you're using? I was looking through the options and I noticed Wide Area AF (L). Would that work better?
Can you explain your process/reasons for your work from 7:43? Thanks in advance, been enjoying all your videos.
Friend, how much could a session like this + a video cost? I am a real estate agent
Thank you for this, Will. It is detailed and simple, without talking down to us. You make a very good teacher.
Thanks brother for the hard mask tip and the further ambient 50% layer explanation.
Thanks for demonstrating flambient in dark basement. Was this lit with the ad400 and Godox lantern? I’m very interested in getting the z8. Have you been getting sync at 1/200 or is 1/160 more consistent? I’m borrowing the middle sized lantern to try with my ad600 because I like your results from your video on it. Thanks again!
The soft shadows of the flash do look good. But having that many details in the windows doesn't look natural. That's not how windows look when you're standing in a room, and there's too much emphasis on the window details that take away from the room. They're too dark and would benefit from being slightly blown out even for a more natural look (while preserving enough detail to see what's outside). And unless it's a window view of a great-looking landscape or garden that adds a clear value to the property, why would you want such an unnatural-looking precise detail of what looks like the wall of the house next to it? For real estate, shooting brackets and a custom Photomatix profile give me more natural-looking results and less hassle on location and in post.
If you got windows far away, it is hard to use darken mode because there is not enough light. Therefore, move closer and take a flash of the window. Then you could darken mode blend the far windows in post.
That is why you need a remote trigger. Walk and flash.
Thats one way to do it for sure. I have never enjoyed working that way, I like to keep it as quick and light weight as possible which includes not adding too many extra frames for trivial things like windows that are too far away, scalloped or dished ceilings, and shadows from ceiling fans. But if its something you can do that adds value and doesn't eat into your time. Im all for it!
@@WillGayPhoto using pen tool and tracing it out, that eats time if not more. Flash it.
Far-away windows shouldn’t have much darkness and detail to begin with. For a natural and balanced look, elements in the background should always be lighter and less pronounced (however slightly) than elements in the foreground.
Take advantage of U1, U2 and U3. U1 could be used to bracket (5 exposures or whatever exposures you need). U2 could be set as your Flash, set the K value. U3 same as U2 with 1/200 for those window pulls.
If you can move the chair, then move it back.
I would not move staging. The agent has paid a large sum of money for a designer to come in and stage the home a certain way. Small things like items on a counter sure but I would not move a chair or couch etc. Its far simpler to move your tripod a few inches.
I bought this and it says I need to Insall Enfuse Application on Configuration page but when I click it, it says it can't connect to server. Has this happened to anyone else?
do you mind sharing what flash and orb you are using?
Godox AD400 Pro and Godox CS-50D for the orb.
@@WillGayPhoto So what is the reason most r/e photographers don't use the orb?
Big Productivity Boost thanks for the walktrough. Looking forward to the color cast correction video, everyone approaches this problem differently. Just one usability suggestion. Your super high aspect monitor screen captures come out pretty compressed vertically in your photoshop / LR screens when viewed on a (what i think is a more normal) 16:9 aspect ratio. Watch one of your youtubes on a normal laptop or ipad to see what i mean.
I understand what you mean. I have fixed it for future recordings. As much as I hate working that way it does yeild a better product.
@@WillGayPhoto I think just for your screen caps I would never say you have to live that way 😂
thanks Will, another excellent and useful video. you said yourself in this vid that "there's no right or wrong way" to do these things but it's highly educational for us less experienced RE photogs to study what different more experienced guys had developed over time using trial and error and then try to understand the rationale. One thing your action does which is different than what i've been doing is stacking ambient copy normal mode 50% opacity<<ambient luminosity mode 100% opacity<<flash layer. I started off of Nathan Cools which is just ambient luminosity mode 50% opacity<<flash layer. I know you have a good reason for what you're doing but I didn't really grasp it fully in this video, can you elaborate a bit? PS I think you should come out with some t-shirts / merch: Flambient: These are the shadows I choose to fight!!
Sure my rational for using the ambient stack at 50% is that when you do a flambient blend a large percentage of the time if not always you will be creating flash shadows that show up as orange on the lumosity layer. The only way to fix them that I am aware of is to add some of the ambient photo back in to cover them up. Typically you would mask it back in. But I have found that adding an ambient layer at 50% removes those shadows without having to hand mask them out in most situations. Its for time saving so I don't have to spend extra time hand masking the shadows out. Its not perfect mind you, but it gets you close with minimal effort.
@@WillGayPhoto thank you brother, I just wanted to learn a little more about your rationale which seems to work. I built your actions and tried it on an existing flam stack and it DID require less hand editing. 🤙
Thanks for making this video. Super helpful as I look into upgrading my gear from a SB800 Speedlight! Is the x-nano now called X3 or X3-N? I searched x-nano on Amazon and also B&H and only the X-3 comes up?
I get the trigger that talks to the camera and strobe but what are you using to fire the camera / strobe remotely?
THIS IS REALLY GREAT - THANKS! This will solve so many problems! Like some others, until now I did not know this diffuser existed. For a similar - but NOT as good - outcome, I've been using a big ridgid (not very portable) 12" plastic sphere for the ad600 and a couple of fotodiox "ostritch egg" diffusers (for regular flashes). Those are okay, but your image results looks so much better.
i tried the lantern today - although I chose to use a side to side (more like diagonal) technique with the top town tilted approach and 45-degrees on larger space -I have to say that I really liked it and my editing was easier - I found that I had to do much less color cast correction and things moved much quicker in post. Very pleasing look over all. I used the two sided room pops because I like the contrast a bit more that way. That said - I used a quick over camera pop for a darken color repair layer, which came in very handy and was so quick on site too. I used the AD300 with an Aperture lantern, which is about 25" and fits perfectly through doorways - any bigger and it would not work. Thanks for sharing....
Great review and comparison, I’ve been using Godox AD600’s and Photoflex shoot-through umbrellas for years. To me that’s the best setup for me and I can cover anything from a small condo to a large luxury home.
Thank you, Will. I was looking at getting the AD200 but now I'm going for the AD400 thanks to this video. Awesome!
Hi Will, thanks for the video, can you tell me where to get the soft materiel cover for the Godox? Thank you.
how do i use time remapping and warp stabilizer on the same clip, i applied warp stabilizer on the video layer and precomposed it then enabled time remapping and it still didnt work
To make movements smooth, do you use slow motion?
Thank you so much! Super helpful and I agree that some projects might call for an in-house edit, now it's just a matter of experimenting more! Thanks again.
Since I've been photographing real estate, I've been using ball heads from Benro. But now i use their 3W head and it has a much faster and precise handling.
I was a ball head snob. I hated everything else. Loved Benro and still do. Actually was about to jump ship because my Tripod was not tightening but then I learned how to clean and grease it and properly take care of it. Can't say enough good things about Benro.
Hi, could you leave link for your L-Bracket brand you using. Thanks
Kirk BL-Z7. Its not made any more, but the updated version is the BL-ZII. If you search "Kirk BL-Z7II" you should find it. Or you can copy this link - www.bhphotovideo.com/c/product/1609635-REG
@@WillGayPhoto thank you 🙏
Hi there, thanks for recommending, is this compatible with Manfrotto tripods
As long as you have the standard 1/4"-20 mounting threads on the tripod yes it is compatible. I would be pretty surprised to find a photography tripod that doesn't use that standard. The manfrotto quick release plate for the camrea will not be compatible but the legs (sticks) should work fine.
I have both the K&F and the Manfrotto. The K&F is by far much better.
I rather just use a ball head and get it good enough. Quick fix in post to make in perfect. I have one tripod from this company but the quality is not very good. I just keep it in my car as a backup 😊
Whatever works. fixing it in post has never really been my style. I like to get it right in camera and then spend less time editing. Auto correction sucks most of the time specially with white walls and grey floors. Contrast detection gets thrown off for me and it never works correctly. Always found myself working more on getting it right in PS.
@@WillGayPhoto i am tilting downwards on all images and adjusting in ps so i dont get so much ceiling. I guess we all have our way on doing this 😊
Thanks for the comparison. Actual light spread examples would be useful. Personally i think it hurts your credibility a bit when you spent a fair amount of energy talking down something which you admitted you have not tried. Magbounce on an AD200 is a viable alternative, total cost is $80. Flexible, portable, convenient , durable.
To be clear, I have used a magmod. I ownd one and sold it because of how much I did not like it. Have I tried their complete system? No which is what I am talking about in this video. But nothing has changed since I owned their MagSphere. All they are doing is making a mounting system, the modifiers are nothing new. There are many other cheaper alternatives that use the same material they do which I also own. My problem with their system isn't egonomics or durability. Its the price. The Godox ML30 is the same thing as the Magsphere, it doesn't require a $27 mount to use it, and its 50% cheaper. My issue with MagMod is they overpriced for what you get. The MagBounce is also a tiny light source. Its no better than a reflector or a the white domes you get with a speed light. And you bring up a great point. It would be worth my time to show off the differences between a speed light and a monolight. I think it would also be worth it to show off the differences in modifiers so I can better illustrate what I am talking about. I am quite passionate about this subject because when I was in advertising I wasted so much money on gimmicky that I don't want others to waste their money on them. But point taken.
How does the magmod impact a shot when there is a ceiling fan or large chandelier in the room. Does it create shadows?
@@garyjones101 by definition , any flash is going to create shadows, it's a matter of how hard they are and your ability to put them where they are manageable. Personally, I find the magbounce to be a pretty viable option. You can hold it at "fan level" in a lot of rooms for a flash pop and minimize shadows and it largely takes bounced color casts out of the equation. no modifier is going to eliminate shadows in flambient.
YASS!! Finally it’s broken down for real estate! 🙌🏻
Hey will...how about a video on your 14mm cinema lens and why you've gone that direction?
Absolutely! I love my cine lens. Has not been all sunshine and rainbows but yea I will absolutely make a video about it.
Hey Will, have you had experience with clients who see the final images differently as you because they have a different RGB display from their devices? Off color, too washed look vs too dark look? Any suggestions on how to mitigate that?
Oh man this one sucks. Color is such a subjective thing, even before you get into the science of it. Displays can be brutal. I will put this down as a note for a video to dive deeper but one thing I have done is I have learned to edit for Iphone. I have an Ipad Pro for my Cubicasa and Matterport Apps and I spend a few days editing photos and testing them out on the Ipad to see how they looked vs what my monitor showed. I think the biggest thing I have done is to lean towards more neutral editing. I use neutral camera profiles, I use only the medium contrast tone curves for contrast and I only do 5-10+ on saturation to keep it under control. Also using the histogram and keeping things "ETTR" Exposed To The Right of the histogram keeps everything similar. Doing things this way I have not run into any issues.
@@WillGayPhoto Really appreciate you taking out the time to reply. I came to a similar conclusion these last couple of days. Read something like that most iphones after iphone 6 are 99% accurate or more and since most people have iphones. chances are they'll see the images how you intend. I live in Colombia so it's monitors and phones of all sorts but it's good to know iphone/ipad can be a good reference point. I guess setting those expectations with the client from the very start would help as well lol.
I also watch other gurus and use their methods. But now i use yours for my next clients :) Its so much faster and thats why this method should be fine with most of the jobs! But for window pull ill use another flashpop with more power + shorter exposure time. This should help to avoid dark halos around windows with the darken layer setting.
Absolutely it does. You run into issues (at least I have) with relfections when you do this. Because the light reflects off the walls and illuminates the room and you see yourself or parts of the room in the reflection. Its not always the case but its more than 50% of the time. I mean you can of course shoot more flashes from more angles to mitigate it but then you are taking more time, and adding more time to editing to masking out your reflections. I wish there was a simple solution but unfortunately its just the physics of flash and photography we are running into. But yes a GREAT point to bring up!
Thanks so much, very useful info. I have submitted a trial with Ursin Photo and have mentioned you in the referral.
Will. will this work in LR CC? (not classic)
I don't think so. As far as I know its only for Classic. I only use classic so I cannot comment to much on it. Maybe someone else can chime in!
6:20 nice solution for better organizing! Too bad, Canon doesnt provide this feature in the custom setting :/
7:55 great idea!! I always wondered how I solved the problem. Thank you :)
Rokinon 45mm 1.8 on a Sony. Love the perspective of that focal length.
Rokinon makes some great stuff. Im still surprised how much I love this focal length. Good reccomendation!
Love your wok.
Thank you!
Subscribed! 😊
Much appreciated!
I almost never use AF for Real estate video. One agency that sends a lot of work likes to have 1 unbroken walkthrough with no cuts so I leave AF off to do theirs but i'm getting other agencies that like the more dynamic videos with lots of B roll type shots and I just started shooting S-log to deal with the editing
Yeah The 1 takes have been super popular here. I only offer my style of video because I try not to be trendy and stick to what I am good at. Not that there is anything wrong with it. I just don't like offering something I am not fully invested in. Which leaves money on the table sometimes but it also keeps me from working for people I don't like as well. I switch in and out of AF for different situations. My 14mm is MF only but there are times when I am shooting details I want to roll the focus. Also when I am recording my social media video being able to use full time focus on my eyes and not get any motor noise is super nice. I wish Nikon offered better Log profiles. I shoot N-Log but its nothing like S-LOG or RED LOG. I wish. I also found that the adapter made the 50mm F mount "hunt" for focus alot if I used it. But thats to be expected with an adapter sadly.
@@WillGayPhoto really? I didn't think it was a new idea. I thought the short more cinematic shots were the new thing. Their reasoning for it is the viewer can more easily keep track of where they are in a house. I can understand it, I think some of the photographers around here lose their people with orphaned rooms. There is not much new construction here so houses were made to be heated with a central wood stove or fireplaces and rooms were made to be blocked off when not being used so navigating a house isn't as straight forward as it seems in new houses with more open concepts. I have to give them what they want though so i'm stuck with most being single takes.
Interested in learning more about your switch to the Z6iii when you have a Z8? Using one for video and one for stills? Only using the Z6iii? What did you do with your Z6ii?
Such a big help! Thanks!!
Glad you found it helful!