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Thanks so much for spending the time to do this… are any of the 6 profiles more on the clean side of the spectrum? Personally, I don’t like the breakup and that’s one of the hardest things to dial in with the digital modelers. (I have the Helix, Kemper, and Headrush), and I’m wanting that tone of the TwoRock or Dumble with little to no break up as a platform for drive pedals. Thanks again!

If anyone is struggling to get their Strat's floating trem to stay in tune. I was the same, no amount of tinkering, trying different strings and lubrication would solve the constant tuning issues I had on one of my favourite Strat style guitars. Then, I discovered locking bridge saddles by Wilkinson. They aren't inexpensive for six small pieces of steel. But, my god, do they work. I can do anything I want with the bar now and it snaps straight back to being perfectly in tune. I was going to replace the whole bridge with a Vega trem, the Wilkinson saddles are far cheaper than that route.

Atleast you have the Flint on this board unlike the vertex video

You cannot use 2 effects that are in the same block ? thanks

I like the sound!

I can’t find it somehow 👀

Oh man a breakdown or lesson would be awesome! Great arrangement!

hey Daniel! thanks vor the cool video. are these exact intervals of the Trem relevant to the tuning stability if you just want to use it for vibrato and effect purposes? or would any other interval with the angled claw do? best, felix

It’s a take on the SRV circular lick. And it is great

Enjoyed the lesson. Would really help to have onscreen tabs with note lengths to make notes and timing clear

Considering this for playing live myself. Great video, thanks for the insight. Quick question - could you elaborate a bit on how you’re using the footswitches when you play live? Are you assigning a specific amp/rig to each switch or something else?

Great video!

Austen Hooks just puts 1/4 jacks and some very general service if needed, no mods, they are just the original amps. No secrets, this is known.

Hi. What are the settings of your flint for this song? Thank you. I’m taking your pickup music class now Is amazing!

Why can’t I find any HSS PRS out there

Slash had his guitar repaird cuz he did a neck bend and it broke. (He broke Jessica his No.1 guitar)

Any suggestions on UAFX dream pedal Velcro problem with the pedals feet?

Strange, the app and the great way of controlling and arranging effects and setlists is the reason why H9 is back on my board. I use Ipad. Best ever

Did you switch to a 500k pot for the bridge?

. Too my ear sounds like you need to adjust the eq less treble more mids.

@DanMmusic do you also have something like a Towner V block on there? I.e. a spacer at the B3 hinge plate, so the spring cup is a little further away from the stud of the tension bar? Apparently it's meant for Les Pauls, but I'm wondering if I need it for my 339 too

Thanks a lot. Demystifying the black arts of the floating Strat bridge.

Great video Daniel.. Would love to see IF the H9max can Mimic a Dobro Sound?? Take Care :)

Kemper was "killed" a long time ago. The helix line rivaled it and gave us cheaper options. The Tonex gave us the exact same technology with much more options at much cheaper prices. Now digital technology has allowed amp sims to sound close enough to tube amps, if not better sounding in some applications. Kemper and Line 6 are starting to fall behind by not releasing anything new other than smaller iterations of the helix and the pod..and Kemper with the disappointing player.

Italian luthier Galeazzo Frudua was demonstrating this method on RUclips 14 years ago and his videos are still available! I first learnt it from his videos and it works perfectly with no tuning issues.

It seems to me that all the Kemper boys are low in rock n roll. Just as i thought.

worst strat sound ever

Just use the tremolo bridge. Don't break your guitar.

I need a full cover

I'm sure that no matter what type of guitar it is, It is unnecessary to bend the neck to achieve vibration effect. It added unwanted tension to the neck, resulted in change in neck relief. Also it puts unnecessary force on the neck unevenly, increase the risk of having a twisted neck. That's why there is trussrod to help stabilize the neck through climate change, and keeps it straight. One time a friend of mine came over and bend the neck of my Fender Customshop Strat, I thought that was so stupid, all he had to do was use the tremolo bridge. I will never forget that day ever.

Verheyen might be a great player but he obviously doesn't understand the simple physics of the strat trem. What he says is total physics nonsense. If string tension equalled spring tension, the bridge would be decked, hard. Look at the lever lengths of the strings and springs to the knife edge rotation axis. It's much longer for the springs. In order for the bridge to float, it's the TORQUE from the springs that must match the TORQUE from the strings. And to do that, spring tension must be much LOWER than string tension. His angled claw is also physics nonsense. You get exactly the same intervals whether the claw is angled or not. Because the trem has a single common axis shared by all the strings - the knife edge. Also, there is not typically less tension on the treble strings and more on the bass strings. He's wrong about that too. But it doesn't matter anyway. You get the intervals that the string stiffnesses and their individual lever arm lengths to the axis give you (affected by things like saddle heights). You can't change that by angling the claw. You would need a different trem design to do that. Just watch Frudua on youtube. Straightforward trem setup procedures without the nonsense physics.

Hope you don't mind, I will be using this for someone showing their love for...well dirt...probably best not to ask

as a Tonex / Quad Cortex, newly Kemper Stage owner this was awesome to watch. I don't know why but no one covers this in depth. I'm all about the DI captures because I'm an amp in the room kind of guy and I was trying to figure out the best way to go about this. Just wanted to make sure I wasn't missing anything. I'll be using a Jet attenuator and a Fryette Ps-100 to create my Di captures and like you I have a Behringer mixer that I'll mix 2 mics to create a "Studio" profile. Thanks for the video man

Daniel, you rock! Love your playing 👍🏼. I think you could make any pedal, etc... sound good. Great tones and a great little to the point review. God bless you!

Nice. What is that box on top of your Matchless head? I always see that but I don't know what it is.

Yet another video that talks about the Carl V tuning method, but doesn't demonstrate how to do it.

Thank you both fornthe video. What about the tone? Is it affect the signal?

How are you getting on with the thornbucker pickups?

reharmonization is SICK AS HELL bro omg this gives the solo so much movement and energy i appreciate it a lot

I saw Carl's video about 6 months ago and did this to my Jeff Beck Strat (which already stayed in tune) and it took maybe 1/2 hour and works perfectly, except it's set to a major 3rd for the G. The low-E side spring and claw touch the side of the rout, but it has no negative effect, so go for it if you want -I love it!

Whar is that kemper pedalboard standing on? Is it something specific for pedals like a tray or something?

Males turning soft in this world Sad

You may cover this here but If I want to use my analog delay and reverb pedals, how do I use these with the player? I assume you just put them AFTER the Kemper - but the Kemper has balanced L&R out and would be going into pedals wanting to see unbalanced TS cables?

not sure if this is still monitored, but I get the E, B, and G intervals, but the E still goes sharp when I am aggressive with the tremolo bar...it's frustrating to adjust, play, tune, and need to adjust due too the E going sharp... I just read here a comment by BrainClark saying to only adjust one of the claw screws...I'll give this a try... also the comment by gm6417 saying back in the '70's he's been using this method with success. I've watched the Carl Verheyen video too, and neither that one nor this one actually SHOWS how to do this...

Love my Powered Head. Due to several factors such as finance and lack of accessibility with Rig Manager, I, as a blind musician haven't been able to use Kemper products until recently when I discovered that someone wrote accessibility scripts for rig Manager to work with my screen reader. I'm hoping that Kemper and other companies will consider blind and disabled musicians in future, but for now, loving the tones I'm getting from the Powered Head and Kemper nonpowered kabinet. Have you found an easier way to transport the head?

Dude sounds great! I love mine i have been a 15 year tube amp pedal guy past 2 years I’ve made the plunge to digital so glad I went Kemper . I love the MBritt stuff but I’m open for new suggestions for the rig I’m building for the new band I’m with

I made some great direct profiles running it through my suhr reactive load. But everyone on the Kemper forum told me I’m not supposed to use a load box per Kemper. Not sure how else this would be accomplished.

Switch them back bruv

Good video!

This is fantastic. I love it. Is there a tab available for this anywhere?