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Thanks for this video, Jeremy. What is that rotary film processor you are using? It looks like a good alternative to the much larger JOBO equipment.

Kodak Tri X

I'm not too convinced how important viewfinder/rangefinder functionality is with a 21...but I'm sure it's a major help for muscle memory of pulling the camera to your eye and framing properly, I know when I use an external there's aways a split second where I have to reposition my eye

Really beautiful video. Thank you for sharing

Thanks, I’ve been looking for advice on the remake and your review has been the most helpful 😊 Have you tried the 2nd generation of the pre asph? V1 is just too expensive…

Thanks so much for this. I really appreciated your sharing your collection and history with these cameras. You also helped me get solid about purchasing a Leica MP after using an M3 for years.

Thanks for the detailed breakdown of the characteristics of kentmere!

Hi Jeremy, I love the images that you shot with the M240. Are these shot in RAW or in camera JPEGs? Any settings in camera?

Btw, I love my 67 too

I always thought I had serious GAS problems. This video is very soothing (-:

One thing to mention for those that camera scan their negatives, Kentmere in 135 and 120 seems to be the most flat film I have ever used. And it is the easiest to get great camera scans

This is an interesting argument, I always feel it is about waiting till your real photo 'alarm' goes off. The thing you really have to make a picture of instead of hunting for something that might be good. I recently made a portet book with 4x5 and it was the most stress full but most rewarding. Can't let go of my M9 though (-;

I used to shoot a lot of Fomopan 100 & 400. The last three rolls of it did not come out well at all, similar but more extreme to the results in this video. I primarily use the Cinestill DF96 monobath for my casual B&W as it is easy to travel with being one chemical - and I have never had any issues with any film stock with it (including Fomopan up till those three rolls.) The only problem I have ever had with the Cinestill monobath is all the derpy dildos on the internet telling me it isn't a "real" developer (despite the fact I have developed many, many hundreds of rolls with it) and act like the only "real" developers require a PhD in chemistry and 47 step process (lol.) At first I thought it was just my developer getting old - even though it looked/smelled/tasted fine (I didn't actually taste it....lol) I then loaded some HP5 into the camera (Bronica EC) metered it the same way, some of the same scenes - and developed in the same developer. Came out perfect. I loaded a roll of Fomopan into a different camera (Fuji GS645W) and mixed up some fresh developer - and the roll was unusable. Super thin negatives. At that point I had wasted three rolls to realize that Fomopan had made a change, or the rolls I had were from a batch that was wonky. Since then I have relegated the Fomopan to the back of the film fridge as "experimental and untrustworthy" and bought a bunch of Kentmere and more Ilford to replace it as I am unwilling to play roulette with it.

Hey Jeremy! I have another question, a year later! Do you use a lens filter on your lens, now that they have a replacement screw on hood that fixes the issue you described?

I’m about to sell my M9-P for one of these, but maybe I’ll just get both 😂

I love my voigtlander 21mm 3.5 color skopar... but this looks like a sweet setup

20/21/24 have been my lenses of choice since 1979 when I bought a Nikon F2 with a Nikkor Pre AI 20mm f3.5. Love at first sight.🌟🌟🌟🌟

Great Lens and video but at this point I would just shoot on an SLR!

Your sample pictures make me want to travel and take photos.

wow, this lens looks amazing!

woah the shot at 8:45 is fantastic !

thank you man for breakdown! actually i thought that kentmere is too flat and never gave it a shot. now i wanna buy some rolls and try it. it will be so cool to see more of your tests of other film stocks!

Very interesting! Even the Leica Pocket Book does not mention this lens version with goggles. Definitely very rare, never heard of it before - likely very few prototypes of this 21/2.8 ASPH with goggles were made. Would be great if you disclose the price you paid for it!

Very interesting! Are the sample photos taken on kentmere?

I searched this lens and I saw one copy with a 20,500 USD price tag...I guess I have to stick to a R4M or an external viewfinder😓

Great lens and perfect for a busy city! Look forward to more findings and shots on the next vid!

Amazing! I would love one of these - in the full review please show us how the viewfinder looks. Very interesting Lena when you read up on a few things

really nice video on this unusual and rare lens. look forward to a full review on this lens. thanks!

Love the 21mm focal on my Ricoh GR21. Spectacular lens on a point & shoot. Can’t wait to see the full review of this 21mm , love Rare stuff reviews!!! Thanks

One of the beer best RUclips channels. My only wish is you would post more often (including your photos). Thank you for making this video… I had no idea this lens even existed.

thanks for the video Jeremy, interesting setup but I would not change a 21mm I consider perfect in all regards: my 21mm 3.4 super-angulon: it’s superb in everything that matters to me: size, ergonomics, image quality and build quality. And the f3.4 aperture doesn’t bother me at all (I usually shoot hp5/fomapan 400 at ASA 800).

👌

I know it would run me a fortune but I wonder if DAG would do anything like this.

i recently acquired a broken GR1S with shutter and LCD flex cable broken. I manage to get them repair in Taipei and so far it is working great. Thanks for your video for the details explanation of your experience with GR1 film camera. Love it

Great video & pictures!

Throughly enjoyed this video ! New subscriber ! Just got a Leica M6 two days ago, it’s a 1988. Any other advice on making this camera last for a lifetime and to be able to pass it down to my son ? Ty !

Unfortunately, by taking fewer shots, you not only take fewer bad shots, but fewer good ones. Plus you get less pleasure out of pressing the shutter release button, which is the most enjoyable part of the process The MD camera for me personally takes the best of both worlds.

Very informative talk. Thank you. What did you settle on as your favorite developer for kentmere 400?

if you have any modern bsi sensor full-frame camera you could get the m9. use it on daylight situation and switch it to modern bsi sensor camera at low light situation. if you need only one camera can carry, definately go with M10

Very interesting. Any thoughts about Kodak Tri-X? Thank you.

Explore the works of painters such as Caravaggio and Rembrandt as well as the work of great photographers.

Will the auto mode work with other lens manufacturers???

Nice photographs! I’m also a fan of lightweight gear. This looks like a good option.

You make great content. You are a free thinker which comes up with independent and fresh content. Thank you