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You’ve done it again! Great insight to the thoughts and techniques of a photographer I wasn’t aware of. How generous of Matt to share his working practices and methods to get a portrait, I love his politeness and care he takes with his subjects. Thanks again to both of you.

So much I identify with here, and great work from Matt. When I used to shoot with a Hasselblad 503, it was SO much easier to approach people when I had the camera out. They were counterintuitively LESS intimidated by such a chunky looking camera because it looked unfamiliar and they were curious. Approaching people now with a big, modern looking camera is, I find, much harder - they're immediately on alert. I tend to keep my Sony in the bag until I've explained I'm an artist making work. I kind of wish I still had that vintage talking point!

Excellent video of Matt at work!

Great place for Street photography

Really amazing photos to capture on your street photography. Very professional composition

43:57 I wonder what was the approach line for her?

Molto bravo!!!!

Wow, the guy is great for doing his work. especially when talking to strangers, while me don't even want to talk to myself. This is worth watching and learning. Thank you for the video.👍

Hi Tim, very interesting video. Like all the rest! 👍🏼

hier in der schweiz könnte man das nie machen fremden einfach zu fotografieren so das sie es sehen schln zu sehn wie locker die menschen da sind .gruss✌

Hi Tim. It was an amazing video; enjoyed it so much. I love the pic of the lady with the missing teeth that Matt took. She has a beautiful smile. Can you ask Matt what type of light meter he's using? Cheers from the US. 👍🏾

I have been to Istanbul a lot, and there is definitely a lot you can shoot - so much so that it can get overwhelming quickly. Seeing a place and thinking, "okay this is neat" and turning that into a meaningful composition is difficult. The way Eduardo explains his process reveals the difference between most of us (self included) and a real artist - the intent to build an image. Just like sketch artists learn to break things down into fundamental 3d shapes, photographers need to break down layers, light, texture, and color. If all you need to point the lens at whatever jumps out at you, you might get lucky 1 in 2,000 shots but if you do what he does and see the scene and start building, not only will you create stronger images but also walk away with more keepers. I'd love to have a day walking around like this with this guy

Thanks, Tim, for a great video! It’s fascinating to follow along and see how different photographers work on the streets. It's a real treat. I’ve been thinking about something-many street portrait photographers show their work or Instagram feed to the people they photograph to explain why they’re taking pictures. But if you're just starting out, you don’t have any previous portraits to show. It would be interesting to hear how they handled this issue when they were beginners themselves.

Street photographers are a hard working bunch, but what do they do with the photos? What is the ultimate purpose?

Tim, this video is lovely. Again. Both relaxing and inspiring. I could happily watch your work for hours! Thank you.

Brilliant content

This man is superb. I would pay for having a coffee with him.

Brilliant video and chat. Loved every minute. Thank you guys for this.

What a fun outing. Matt Peers has a great eye with the camera, for sure, but it's his way of connecting with strangers that's the real star of the show. Photography is just the medium he uses to display the rapports he creates.

Qué fotógrafo más generoso. ¡Gracias por compartir tanto conocimiento!.

✌🏻 Nice pictures BUT: Terrible AI voice in german translated video... 🤮

Hi Tim. I’m a Sony user and I use an Alpha 6400 but I’m trying to switch lanes to Fuji and also without breaking the piggy. Would you still recommend the T-X2 in 2025? My Sony camera have a 24mp sensor as well and it’s more than enough for me BUT the X-T2 looks quite bulky and that what is making me feel a bit worried about the purchase. Thanks in advance.

Thanks Tim. This longer format interview really helps understand Matt as a person, the motivations and integrity that underpins his work. Hearing the mechanics and sequence of his thought process is fascinating; enabling you to comprehend how he generates such an excellent social diary of work.

That was an absolute masterclass. Such superlative interaction skills .

He’s got such a warm, assured manner and that shows in the photographs.

Getting people to not smile is the secret sauce I was looking for, this was excellent.

Great episode, could have watched it all day. Lady at the end nailed it, he just has a lovely friendly manner which comes natural which unfortunately you just can't teach

Love it, huge fun of Rolleiflex, I have same one that he is using on the video is a beast of camera, my grandmother have me the camera and love it, I cant believe the quality of glass from 1960 crazy, amazing video

Great stuff - but the no smiling rule doesn’t make sense to me. That lady smoking against the wall is defined by her huge personality and smile. A shame to wipe it off her in the portrait

I'm not impressed with those photos at all.

Great video, great questions. Thanks for introducing me to Eduardo Ortiz, what a talented photographer.

Yesss, glad Matt is getting the recognition he deserves. Such a nice guy on top of being an excellent photographer.

apologies if this sounds mercenary...but how does he make money?

what's your camera?

Valuable perspective from a master on the street. The human connection is forgotten in today's world of handsized computers. Technology has isolated us and changed human habits in a way unimaginable only a few years ago...people habitually look down at their phones....almost like a force-field when walking about. Breaking the 4th wall and striking a conversation...making someone feel seen...it's so important to not lose that. I loved this video.

Another great video, Tim. Thanks for the introduction to Matt and his work

Thank you, so inspiring ❤

Great video, Great pictures and great Photography. Thanks Tim and Matt.

The way Matt communicates and directs his subjects is masterful. His ability to quickly relate and create a comfortable dynamic with a complete stranger is what sets him apart. Beautiful work. It was also really cool to see his darkroom and workspace. I want to see more of that in these kinds of videos - it balances nicely with the out-and-about format. 🙏

I really loved and enjoyed this video, specially because of Matt's attitude towards people and towards the camera. He's humble, kind and honest, and it shows in his work. Lovely, really. Congratulations

This was a great episode Tim! Really enjoyed it!

i like matts work but he definitely gives off a nervous energy to me, if he approached me with that, i would be a little off putted. Enjoyed the video none the less! Keep killing it matt!

Really ace film Tim. Matt is my best buddy and I'm a big lover of his output and style. Seeing him at work like this is a real treat. I hope this inspires lots of other photographers who are interested in trying this to have a go. Great questions that got some real good insight into the psychology of the situation too and the mindset of the photographer.

The Bicycle Thief shot is really great, not only because of the sign. I like that there are 2 circles on the door in the background, while he is carrying 2 circles/wheels. Nice detail. Love it! 👏👏👏

Thank you for this video. Very interesting. I am a strEeet photographer. I gave up doing film as it is so expensive. Plus I love knowing what I have captured immmediately. Though I own a Rollie I’d never use it for street portraits. Very nice job sir. If I was doing street portraits I’d use a portrait lens or a zoom to give me a choice of focal lengths. I don’t know how to use flash and suspect it would be off putting. Using a small reflector or flashlight might help, especially with people wearing a brimmed hat. I know it isn’t Matt’s style, I think it would be interesting having the subject select the pose. Asking subject’s permission to take their photograph takes a lot of courage. I know I am not a charming person and thus pitching the subject would be hard for me. I wouldn’t take the rejection personally. It is simply a numbers game. Occasionally I’ve tried street portraits and mostly my subjects rejected my request restfully. Lately I’ve been doing intentional camera movement. Maybe this weekend I’ll try doing some street portraits. Mask On Nurse Marty (Ret)

"It's so unusual to see people with style" - Love that Matt! I'm stealing that line. 😍 Really interesting and inspiring video thank you.

“Or I believe I’m a photographer…” such humbleness

It all relies on human subjects that are unorthodox, which depends on the location/country. And it relies on skin colour and ethnicity of the photographer as well. Eg: If Mr Peers was a Somalian or a China Chinese on the streets of Birmingham, it would be monumentally different. It could even invite many negative and even dangerous responses.

I went for a photo walk this afternoon with my Mamiya TLR and came hope rather unsatisfied. Watching your video this evening has restored my hope. Thank you.

Such an interesting video, Matt has such a passion for his work and people. His books and dark room set up are very impressive.