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Bruckner: Te Deum, WAB 45 (Karajan)
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- Опубликовано: 15 авг 2024
- Anna Tomowa-Sintow, Agnes Baltsa, Peter Schreier, José Van Dam; Herbert Von Karajan: Berliner Philharmoniker, Vienna Singverein
1. Te Deum - 0:00
2. Te Ergo Quaesumus - 6:52
3. Aeterna Fac - 9:34
4. Salvum Fac Populum Tuum - 11:19
5. In Te, Domine, Speravi - 18:03
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für Engelzungen, Gottsucher, gequälte Herzen und im Feuer gereinigte Seelen!
Majestoso! Sublime!
I passaģ quasi silenzius i paran propi na truada manieristica da Karajan chi rend miga al spirit ni la belezza e 'l entusiasmu da 'l Te Deum, un cant da glorificazion da Diu
This and Berlioz' are the most moving I have come across with...!
Yes I agree this is a very moving version, Bruckner was authentic in his sacred music I think, but I love the fact that you can also have something as bombastically joyful as Charpentier! ruclips.net/video/I3LIlzPtsmw/видео.html
@@lauriethompson740 I'll try that one too. Thanks!
Il più bel Te Deum assieme a quello di Verdi dei pezzi sacri!
ASTA POMPEJA ( ITALIA )
This drags. I prefer Jochum's version.
Other reviews suggest that this allows you to hear all the detail. Why not??
Poor singers! This is TOO SLOW!!!! Sounds lovely, yes, but in execution it must be so demanding for the singers. It already is hard to sing vocally let alone in this dragging pace.
this is gods music
no great music was ever composed by an atheist
facts from vienna austria
where it all began
gluck, haydn, mozart, beethoven, schubert, bruckner, brahms, j.strauss. schönberg. alban berg, von webern.
sorry for the asshole hitler we also produced
"no great music was ever composed by an atheist"
Laughably false. This statement is the product of ignorance, bigotry, or both.
As for "where it all began", I'm pretty sure that art music-and certainly sacred music-originated considerably earlier than the late 18th century. By several centuries.
The impact of atheism on the ability to write music is doubtful at best.
Brahms was an agnostic.
Too fussy ! The old version conducted by Karl Forster is the antidote
Fussy? Why?
@@LadyAkratos Karajan in recordings was often excessively smooth and mannered in a way that wasn't necessarily true of his live performances, which could be quite different. (Same with Kempff.) Bruckner was a simple direct composer and Forster catches that better than his more famous colleague.