The true Genuine Professional. I am convinced that Karajan, along with his ally Dr.Böhm, was a rare person who perfectly embodied the "true, good, and beautiful" and "mind, skill, and body" of being a conductor without score at the all actual performance on stage.
36'20" gorgeous example of Karajan's capacity of spacialising sound. This tutti is not abruptly frontal like by most conductors, but clearly evokes an infinite musical horizon that depicts the geographical depth and perspective of an epic landscape.
There are people who say bad things about Karajan but there is a saying “envy is the companion of honour”. His achievement was to have invited so many new people to the circle of music without deteriorating the quality of the music.
La mejor sinfonía de Bruckner con el mejor director del siglo XX. Bruckner trabajó en su soberbia e insondable sinfonía hasta el último día de su vida (11 de octubre de 1896) sin poder terminarla.
@Juan Richart Ruiz Si, su monumental novena termina con el adagio (lento, solemne) en una forma serena y con una sensación de trascendencia fuera de este mundo. Una de las grandes sinfonías de la historia. Ferdinand Löwe la estrenó en 1903 pero con retoques, se tuvo que esperar hasta el 2 de abril de 1932 para que el director Hausegger la estrenara en su versión original.
Herbert von Karajan war immer sehr eitel und sehr auf seine Außenwirkung bedacht. Das hat mich immer abgestoßen. Ich stimme hier nicht in den Chor derer ein, die da sagen, er sei der Größte etc. Was veranlasst diese Leute, so etwas zu behaupten? Ich habe die Neunte von Bruckner bestimmt von sieben verschiedenen Orchestern und Dirigenten gesehen und gehört - wobei mir Celibidache in der Sammlung noch fehlt. Ich finde sie alle gut, auch diese von HvK und den Wienern. Und soooo schlimm finde ich den winzigkleinen Kickser des Hornisten am Schluss auch nicht. (Aber: Es geht nichts darüber, live bei so einem Konzert dabei zu sein. Vor zwei Tagen hörte ich die Berliner in der Philharmonie unter der Leitung des 97jährigen Herbert Blomstedt. Es hat mich zutiefst bewegt und überwältigt, all diese hochprofessionellen Musiker in Aktion zu erleben, diesen fantastischen Klang zu erleben in diesem wundervollen Kulturtempel.)
Qui si tocca uno dei vertici assoluti della composizione sinfonica e della sua interpretazione....Bernstein disse sostanzialmente: anche io ho interpretato la 9 di Bruckner ...ma dopo l interpretazione di Karajan non c è più nulla da aggiungere alla perfezione. HvK abbraccia l orchestra come se fosse un trio od un quartetto. Ed i wiener sono di una duttilità grandiosa. Molto meno ispirata e pesante qualche anno dopo la versione con i berliner
Non vorrei sbagliare... ma credo che Bernstein abbia detto questa frase sull’ottava sinfonia che non diresse mai perché Secondo lui Karajan raggiunse la perfezione e quindi sarebbe stato solamente copiare l’interpretazione di karajan.
È vero..a me risulta che la dichiarazione ufficiale fosse riferita al perchè nn avesse inciso l 8 di bruckner, ma nn ricordo dove ho letto che fece anche un commento ufficioso dopo aver inciso la 9. Grazie ....credo che entrambi conveniamo che il bruckner dell ultimo karajan con i wiener sia steaordinario.
Is anyone else driven insane by the constant repetitions and sequences? Don't get me wrong, I do love this music. He has wonderful moments, but the sequences sometimes just get to me.
Walk down the nave a great cathedral. You will see repetitions in the structure everywhere, arch after arch, column after column... It is part of the process of creating a monumental structure. Just allow yourself to waft along with the sequences as if they bear you aloft and propel you along. Failing that, try smoking something.
Now that's a very personal take but as a fan of metal as a teenager, repetitive heavy riffs were the norm to me. Maybe if you could link it with repetitive music that you like it could help you digest it better.
Our lives is short and fleeting, less than 100 years. However, the life of No.9 is This eternal and forever, No.９will transcend time and space and races of people
Symphony transcends the sorrows and joys of the human world
While I agree with every enthusiastic comment on this beautiful performance, I can't fail to express my disappointment on hearing those several flagrant "clams" by the first horn, and in such sensitive moments.,,, It was unacceptable, to say the least, from a principal player in a great orchestra.
There are now, but when this was recorded, the Vienna Philharmonic did not admit any women in their ranks. I think they were forced to end this after Austria joined the European Union and the government threatened to cut off funding.
![Beethoven: Symphony No .3 [Eroica] Karajan (1981 Tokyo live)](http://i.ytimg.com/vi/OcpuCgnCAxk/mqdefault.jpg)
今現在、活動している全ての指揮者が束になって挑んでも、カラヤンのような偉大なオーラを発散する指揮をする指揮者は、いないですなぁ。
そして、やっぱり本来のウィーン・フィルの音色、響きは、男性奏者だけの演奏にあります。
I had a lot of Karajan on vinyl back in the 70s. He is always good.
Always my favorite Bruckner 9 - he builds such tension, electricity and mystery.
カラヤンのブルックナーへの敬意があふれた演奏です。
カラヤンも凄いが、ゲルハルト・ヘッツェルがコンマスにいた当時のウイーン・フィルの安定感は素晴らしい。
ベーム、カラヤン、バーンスタインが指揮台立つ時は、コンマスの席には彼の姿が。
Superlativa prova di Karajan e dei Wiener, superiore alle stesse registrazioni con i Berliner del 1966 e del 1975.
The true Genuine Professional.
I am convinced that Karajan, along with his ally Dr.Böhm, was a rare person who perfectly embodied the "true, good, and beautiful" and "mind, skill, and body" of being a conductor without score at the all actual performance on stage.
C’est une splendeur totale que cette interprétation de ce chef d’œuvre total de l’immense et modeste Bruckner
カラヤン超カッコいい‼️
(特に第一楽章の最初のクライマックスと
コーダでティンパニが爆発炸裂するところ)
最高です
Silence the only thing that fits such music and performance and atmosphere. Bruckner meets god here!
36'20" gorgeous example of Karajan's capacity of spacialising sound. This tutti is not abruptly frontal like by most conductors, but clearly evokes an infinite musical horizon that depicts the geographical depth and perspective of an epic landscape.
かっこしいし、ブルックナの音楽に出会える美しい音楽。
Beauty and majesty! Von Karajan was born after Bruckner died but, you'd swear, they discussed how this was to be done.
what a inspiring music thank you for sharing
Nice
いや＝、凄い演奏だ。ヴィナフィルハーモニカーからこれだけの豊麗な響きを醸し出す。
ヴァイタリティ溢れる最大にパワーのある時代の演奏。
まだまだ、エネルギーありあまる指揮ぶりも、その後の円熟の高みへの階段の始まりのようでもあり。
同団との活動をもう十年拝見したかった。
あらためて、巨匠への哀悼の意を申し上げたい。
Favorite piece of every violinist
00:43 I. Feierlich, misterioso
24:03 II. Scherzo. Bewegt, lebhaft - Trio. Schnell
34:43 III. Adagio. Langsam, feierlich
What a sound, what a passion
Among many conductore I feel that Karajan gives me most in concert and opera. For me he is The Maestro Condctor of the 19 centry.
There are people who say bad things about Karajan but there is a saying “envy is the companion of honour”.
His achievement was to have invited so many new people to the circle of music without deteriorating the quality of the music.
Thanks.
Only Karajan and only the Vienna Philharmonic use the double timpani roll at 22:49... It gives such a brutal sound and Karajan shows it so well!!!
"...brutal"...really?!
Biscuis fines ❤😂🎉
Not my favorite Bruckner symphony, but this is an outstanding performance.
SIMPLEMENTE MARAVILLOSA
Immense.... Merci:)
このオーバーワーク的なカラヤンの指揮ぶりに感銘を覚える。指揮者は映像においても引き立つ役者でもなければならないと、時代を先取りして実践していた様に思える。オーソドックスなこの交響曲への解釈も良い。
13:18 such a tender yet powerful moment
Le note finali di questo CAPOLAVORO sono un addio alla vita...😥
Mil gracias por subirlo....de verdad...ese Adagio es todo! y más aún con Karajan
Sptチャンネル❤海外の🌄最高峰交響楽団多数お届け有り難う御座います文字が読めないので皆様世界平和願い世界の皆様に元気幸福お心平和お届けチャンネル皆様一人様残らず感謝します❤宜しくね🌕️
I knew he had this piece stored in his brain.
Certainement l' un des meilleurs maestros du 20e siècle !
The best Maestro!
Die Jahrhundertaufnahme❤️... Bis auf das Horn am Ende... Leider...
....alle haben es gehört. Ein großartiger Hornist, und menschlich. Eine Jahrhundertaufnahme mit einem historischen Makel. Gruß!
Superbe !
Wonderfuuuul piece , only Karajan can do this the incredible ending
La mejor sinfonía de Bruckner con el mejor director del siglo XX. Bruckner trabajó en su soberbia e insondable sinfonía hasta el último día de su vida (11 de octubre de 1896) sin poder terminarla.
@Juan Richart Ruiz Si, su monumental novena termina con el adagio (lento, solemne) en una forma serena y con una sensación de trascendencia fuera de este mundo. Una de las grandes sinfonías de la historia. Ferdinand Löwe la estrenó en 1903 pero con retoques, se tuvo que esperar hasta el 2 de abril de 1932 para que el director Hausegger la estrenara en su versión original.
Herbert von Karajan war immer sehr eitel und sehr auf seine Außenwirkung bedacht. Das hat mich immer abgestoßen. Ich stimme hier nicht in den Chor derer ein, die da sagen, er sei der Größte etc. Was veranlasst diese Leute, so etwas zu behaupten? Ich habe die Neunte von Bruckner bestimmt von sieben verschiedenen Orchestern und Dirigenten gesehen und gehört - wobei mir Celibidache in der Sammlung noch fehlt. Ich finde sie alle gut, auch diese von HvK und den Wienern. Und soooo schlimm finde ich den winzigkleinen Kickser des Hornisten am Schluss auch nicht.
(Aber: Es geht nichts darüber, live bei so einem Konzert dabei zu sein. Vor zwei Tagen hörte ich die Berliner in der Philharmonie unter der Leitung des 97jährigen Herbert Blomstedt. Es hat mich zutiefst bewegt und überwältigt, all diese hochprofessionellen Musiker in Aktion zu erleben, diesen fantastischen Klang zu erleben in diesem wundervollen Kulturtempel.)
Qui si tocca uno dei vertici assoluti della composizione sinfonica e della sua interpretazione....Bernstein disse sostanzialmente: anche io ho interpretato la 9 di Bruckner ...ma dopo l interpretazione di Karajan non c è più nulla da aggiungere alla perfezione. HvK abbraccia l orchestra come se fosse un trio od un quartetto. Ed i wiener sono di una duttilità grandiosa. Molto meno ispirata e pesante qualche anno dopo la versione con i berliner
Non vorrei sbagliare... ma credo che Bernstein abbia detto questa frase sull’ottava sinfonia che non diresse mai perché Secondo lui Karajan raggiunse la perfezione e quindi sarebbe stato solamente copiare l’interpretazione di karajan.
È vero..a me risulta che la dichiarazione ufficiale fosse riferita al perchè nn avesse inciso l 8 di bruckner, ma nn ricordo dove ho letto che fece anche un commento ufficioso dopo aver inciso la 9. Grazie ....credo che entrambi conveniamo che il bruckner dell ultimo karajan con i wiener sia steaordinario.
47:15
Is anyone else driven insane by the constant repetitions and sequences?
Don't get me wrong, I do love this music. He has wonderful moments, but the sequences sometimes just get to me.
Walk down the nave a great cathedral. You will see repetitions in the structure everywhere, arch after arch, column after column... It is part of the process of creating a monumental structure. Just allow yourself to waft along with the sequences as if they bear you aloft and propel you along. Failing that, try smoking something.
@@karldelavigne8134 Yeah i always hated mahler until i listened to the 3rd symphony stoned and was just blown away by the first 8 minutes
@@Chrisdvc26 Yes, and Mahler's 3rd is not known for its brevity...
Now that's a very personal take but as a fan of metal as a teenager, repetitive heavy riffs were the norm to me. Maybe if you could link it with repetitive music that you like it could help you digest it better.
What is a sequence?
And most importantly: What is a Repetition?
Close Combat 3 Soundtrack...
コレはDGでウィーンフィル創立150周年シリーズでCD化されたものと同じ演奏でしょうか？時代的に同じものだと思うのですが。
@@spt2648 御回答ありがとうございます♪ カラヤンは7番や9番はウィーンフィル、5番や8番はベルリンフィルがいいような印象があります。
@@spt2648 確かにザルツブルクよりムジークフェラインの方が音が豊穣な感じがしますね。
Muy espritual el final
150シリーズのはザルツブルグ劇場でのライブで７６年の演奏です。
Music is feeling be vegan!
Ma scusi, che commento sarebbe questo?
Music is a passion
An advertisement after just 2 minutes and 45 seconds!
That's RUclips!
精妙麗沢。
I've never seen and met ghosts and Karajan haters
카라얀 현역시절에 있던 단원중에서 아직까지 현역인 단원이 있나요
빈휠에도 몇명 있습니다. 베를린휠에도 5명정도는 있습니다. 퇴직 앞두고 있습니다만,
@ootamanabu 설마 카라얀 현역시절 마지막에 있던 당시는 젊은사람이겠지요
@권재욱-g5c 네 80년대에 입단 한 사람들입니다. 카라얀 만년에 들어온 젊은 신입들이죠. ㅋ
途中で頻繁に広告が出るので最悪です。
7:37
20:22
この演奏素晴らしくてよく聴きに来るんですが、57:55のホルン（ワーグナーチューバ？）を聴くといつもああああ可哀そう・・・って思ってしまい、さらにそれをちょっと睨んじゃうチェロとヴィオラ奏者に、睨まないであげて・・・と思ってしまいます 笑 それでも名演に変わりはありませんが。
カラヤンを嫌いな人と幽霊は見たことも会ったこともない。
Our lives is short and fleeting, less than 100 years.
However,
the life of No.9
is This eternal and forever,
No.９will transcend time and space and races of people
Symphony transcends the sorrows and joys of the human world
While I agree with every enthusiastic comment on this beautiful performance, I can't fail to express my disappointment on hearing those several flagrant "clams" by the first horn, and in such sensitive moments.,,, It was unacceptable, to say the least, from a principal player in a great orchestra.
年代が違うのもあるんだけど、手兵のベルリンフィルの演奏と比べるとこっちは一生懸命振ってる印象。ベルリンフィルの方は「もう説明いらないよね？」って感じでもっと楽に振ってる。
カラヤン、好きな音楽家じゃないけど
こういうの聴くと、やはり器が大きい!
まったく人の邪魔をしない
何故ブルックナーの良さが判らないんだ！ オイ…俺。
そう思うってことは 良さをすでに感じてるんですね！わかります 言語化しなくてもいいじゃ無いですか
素晴らしいと思いますよ😊
Merci Google !
私も分からなかった。演奏家も指揮者も分かってないからだと思う。
シューリヒト版のメリハリやまとまりには及びませんが、スタイルは同じであり、立派な演奏だと思います。
少し急いでいる感じもします。
Are there no women in this orchestra?
Gender doesn't matter
There are now, but when this was recorded, the Vienna Philharmonic did not admit any women in their ranks. I think they were forced to end this after Austria joined the European Union and the government threatened to cut off funding.
カラヤンの演奏は、作品を過度に立派にしようとする所の好き嫌いなんだろう。それが悪いとも思えないが。
ありのままでいいと言う人もいる。
きっとカラヤンは少ない数の演奏者でブルックナーを演奏すると評価が変わるのかもしれない。
この曲を完成させずにこの世を去ったブルックナーに失望する。
これがカラヤンの限界と思うと悲しみに満ちた曲に聴こえる。まあブルックナーの中でも一番出来の悪い曲なので仕方ないが。
24:36
40:20
39:53
27:25