@@55archdukeGlad to see some love for the slow movement of the fourth. So many people adore the Adagietto of the fifth, and indeed so do I, but the fourth has a profundity and melancholy that I find more enthralling than the Adagietto.
This synphony is one of the greatest masterpieces in musical history.Lenny worked his whole life in working, hearing and interpreting the correct Mahler.And he was the best Mahler conductor.
Lenny very teatral. I think all is about taste. I like much more Abbado. Great professional. Karajan, just genius. But Paavo Järvi with Luzerna festival orchestra is brilliant. Just music not show like Lenny.
@@baibaandersson9454I think it is difficult for some people to understand (mind) more then this to FEEL(heart) him and his work.....to judge him and his work is in my opinion very superficial
@@baibaandersson9454close your eyes and listen if you don’t like his podium manner; the proof is in the hearing and Lenny et al just sound better than anyone else here. And if you don’t like drama, why are you listening to Mahler at all?
Despite its length this remains one of Mahler’s monumental achievements & the final movement is indeed a unique moment. I also love the children‘s chorus with the alto & the latters solo contribution as well. Ludwig & Ferrier are absolutely sublime on their separate recordings of this music. Ferrier, as far as I know, has only one recorded performance live from 1947 that one can hear which only recently was issued. Although taped from the radio it is surprisingly clear. Mahler also captured nature superbly here & I love his comment made to Bruno Walter when the latter visited him in the wondrous Austrian landscape. Walter, being raised in Berlin was in awe of seeing such phenomenal scenery to which Mahler said something like: No need to stare at all that. I composed it all already! The composer was not short of ego but in this music one can experience the correlation between what one hears & the visual image that overwhelmed Walter.
Apart from Bernstein being both spectacular and sensitive - and my favorite Mahler interpreter - consider the remarkable quality of sound, images and editing in this recording performed with the technology of 50 years ago. Truly remarkable in all respects!
"the technology of 50 years ago..." 50 years ago was not that backward. The moon landing had been done, human hearts transplanted, the micro chip was just a few years away and you could call your distant cousin in Australia by phone, if you wished. Even though the carrier devices have changed, gain in recorded sound quality over the next 50 years has been minimal (I accept that tastes differ)...
✨✨Gustav Mahler (1860-1911)✨✨ ✨Symphony No. 3 *(1896)* ✨ Part 1️⃣ 0:01:19 I. Kräftig. Entschieden _[Pan Awakens, Summer_ _Marches In🧟♂️🌞]_ 0:06:38 *[11]* 0:07:41 *Langsam. Schwer. [13]* 0:10:36 *Tempo 1. [18]* 0:13:05 *[25]* 0:16:24 *[31]* 0:18:31 *[35]* 0:20:58 *Etwas wuchtiger.* *Immer dasselbe Tempo.* _(Marsch.)_ *Nicht eilen. [43]* 0:22:37 *[49]* 0:24:17 *Tempo primo. Wie zu anfang.* *[55]* 0:33:17 *[73]* Part 2️⃣ 0:34:18 II. Tempo di Menuetto _[What the Flowers in the_ _Meadow Tell Me 💐]_ 0:36:27 *L’istesso tempo [3]* 0:38:07 *poco riten.* 0:39:45 *Sempre l’istesso tempo* 0:39:56 *Etwas bewegter. Sempre* *l’istesso tempo* 0:43:59 *a tempo* 0:45:14 III. Comodo. Scherzando. Ohne Hast. _[What the Animals in the_ _Forest Tell Me🦉🌳🐿]_ 0:47:50 *[6]* 0:50:33 *[14]-10. Sehr gemächlich.* _(Posthorn solo 📯 Pt. 1)_ 0:55:25 *[17]-2. Mit geheimnissvoller* *Hast! Tempo I.* 0:57:53 *Immer noch zurüchaltend.* _(Posthorn solo 📯 Pt. 2)_ 1:00:59 *[30] Wieder lebhaft, und* *schneller als zu Anfang.* 1:01:37 *[32] Sofort wieder Tempo I.* 1:03:22 IV. Sehr langsam. Misterioso. Durchaus _ppp_ *Poem by* *Nietzsche from* _Also sprach Zarathustra_ _[What Man Tells Me🧔🏻]_ 1:13:20 V. Lustig im Tempo und keck im Ausdruck _[What the Angels Tell Me👼🏼]_ 1:17:29 VI. Langsam. Ruhevoll. Empfunden _[What Love Tells Me💕]_ 1:28:03 *[11] a tempo. Sehr* *Gesangvoll.* 1:33:56 *[21] Tempo I* 1:37:18 *[25] Langsam. Etwas* *zurückhalten* 1:43:11 *[31] Breit.* 1:44:58 *Applause* Christa Ludwig, mezzo-soprano *Konzertvereinigung Wiener Staatsopernchor* *Wiener Sängerknaben* Vienna Philharmonic Leonard Bernstein, conductor *Musikverein* *Vienna, Austria 🇦🇹 1972* 🧟♂️🌞 💐 🦉🌲🐿 👴 👼🏻 💕 *Note: The programmatic text enclosed by brackets* _[ ]_ *was written, but ultimately withdrawn, by Mahler.*
@@bzaatw: My pleasure. I did the same thing for the Mahler 3 with Abbado/Lucerne. Another great performance. Here’s a link if you’re interested: ruclips.net/video/Xplx64LVENg/видео.html
This clip moves me to tears even when played back on my laptop's speakers. The clip also shows LB's enormous appetite for music and life. He's not merely conducting music. He's performing it.
Everytime I listen it is like I hear the music for the first time. It is new for me again and again. It makes me speechless. ❤And when I hear only one Mahler-note I cannot stop listening. ❤
I have never seen two ranked, by various of we music lovers, lists of Mahler's symphonies which put them in the same order. (I don't believe I, myself, have placed them in the same order over the years).
Soy ingeniero en sonido y he quedado sin palabras con la perfección de esta grabacion realizada en los años 70 un sonido natural y brillante ecuacion de escelentes musicos y una direccion MAGISTRAL del maestro Leonard Bernstein para esta magnifica 3ra sinfonia de Gustav Mahler.Hay muchas frases y armonias musicales llevadas al cine de compositores cinematograficos.Orquesta otro nivel
Justo eso pensaba hace un momento, muchos temas llevados al las bandas sonoras, por ahí habrás escuchado parte del tema de Lumière en la Bella y la Bestia "Nuestro huésped sea usted", quizás Alan Menken no se inspiró en Mahler, pero ya Mahler habría hecho famoso ese motivo👌🏽 Que seguramente tiene que ver con alguna forma de la cultura popular de su época, o no, simplemente lo inventó y ya🤷🏽♂️
This symphony seems to embrace every imaginable human emotion. It's just an amazing piece of music. Ludwig was at her best in this concert. Gorgeous voice. And, as usual, Lenny was just Lenny. Watching him conduct is an experience in itself. He (Mahler) originally thought to give this symphony a two day presentation, thinking that the public couldn't sit still for such a long work.
Some of the best recordings of all time came from that period: 1965 Karajan's recording of Berlioz "Symphonie Fantastique" ... Klemperer/Barenboim recording of Beethoven's Five Piano Concertos--with the John Aldis Choir in the 5th--Choral Fantasia. Sublime and unmatched by anything since.
This is absolute interpretation of Mahler 3. Also, WP played this under absolutely profound interpretation of Bernstein!!! Still, WP keep some of sprit of Mahler!!! What a great history!!!
I believe Bernstein knew Maher’s work better than most. He wanted to be Mahler. He wasn’t going to hold back anything in the orchestra. Not with Mahler “watching.” I imagine Bernstein understood he and the orchestra needed the composer’s blessing, for Bernstein’s sake.
many thanks while I had the good fortune to watch the maestro conduct Mahler's 1st, 5th and 6th live in NY in the mid 1980s I am sorry I did not have the chance to watch him in this.
I often think that all tragedy in Bersteins life was about Mahler having been writing already all music that was in Bernsteins head as his very own experience.
Davvero ineguagliabile e da Brividi l'atmosfera del finale letteralmente Emotivo che suscita e scatena questa ennesima splendida sinfonia di un Maestro come Mahler che aveva vissuto con sentimenti anche contrastanti la drammaticità di un'epoca che aveva già straziato le anime e i cuori di coloro che avevano assistito inermi a eventi tragici dei conflitti umani e a loro volta poi vittime di quello che sarebbe in seguito stato l'apice della crudeltà umana con la shoah. Non è purtroppo servito da monito per un futuro a cui noi siamo partecipi e che tragicamente si ripresenta.
Thats the way I believe it should be performed, like Abbaddo did...the slowness brings out the grandeur and even though it is one of Mahlers "quietest" climaxes. it ranks up there with the Resurrection and 8th, as the 3 best.
@@rmharris2001 -- ....in that case, you'll also love "Somewhere Over the Rainbow"....based on Mascagni's "Il Sogno di Ratcliffe" intermezzo put to such elegant use by Scorcese in "Raging Bull" at the Detroit Fight.......
I mean, the last movement is simply sublime and we all know that, but the first one is really a unique experience. The severe part in contraposition to the "summer march" give an incredible landscape of emotion, sonically and philosophically. Life and death, apollonian and dionysian...this symphony really is an incredible journey
Toujours superbe dans sa direction, surtout des symphonies de Mahler avec les Wiener Philharmoniker. Encore faut-il ne pas oublier qu'à cette époque là, il n'y avait pas de femmes dans l'orchestre. Mais il tourne quand même les pages de sa partition, autant a t'il beau la connaître par coeur ! C'est dire s'il suit fidèlement ce que Mahler a écrit ! Et il a du mérite, car il transpire, mais la goutte de transpiration au bout de son nez ne le dérange apparemment pas !
1:18 I. Kräftig. Entschieden 34:18 II. Tempo di Menuetto Sehr mässig 45:12 III. Comodo (Scherzando) Ohne Hast 1:03:20 IV. Sehr langsam-Misterioso 1:13:18 V. Lustig im Tempo und keck im Ausdruck 1:17:28 VI. Langsam-Ruhevoll-Empfunden
개인적으로 말러 3번 교향곡의 6악장은 그 자체만으로도 교향곡 중 최고의 걸작 중 하나라고 생각하는데, 아바도의 6악장은 한 인물의 전기를 그려낸 연극의 피날레같은 느낌인 반면 번스타인의 6악장은 한 노인이 겨울에 난로 앞에 앉아서 자신의 인생을 천천히 돌아보는 느낌 그 노인은 자신의 삶을 되돌아보면서 잔잔한 환희로 이야기를 마무리 짓는데, 고차원적인 감정을 표현하는 것은 말러인지 번스타인인지.. 이 음악을 그저 듣는 사람 입장에선 결코 모를 일인 것 같다.
6악장에 대한 개인적인 감상평 전체적으로 음악의 높낮이가 분명 존재하지만 높낮이가 존재하지 않기도 하다. 극적인 감정 변화가 아닌 정중동이 느껴진다고 해야 하나? 가볍게 과거를 회상하는 듯한 멜로디로 시작해서 점점 고조되다가 말러 특유의 G.P.가 백미다. 꽉 차있는 여백의 미라고 할까. 피날레를 마무리하기 직전의 숨고르기. 마지막의 강렬하면서도 평온한 팀파니의 울림은 고요한 가운데 환희의 극치를 표현하는듯 하다. 마지막 스케일을 쭉 끌었다가 고요하게 끝맺음하는 번스타인의 손동작까지. 들으면 들을수록 깊은 맛이 나는 음악인 것 같다.
O Mensch! Gib Acht! Was spricht die tiefe Mitternacht? "Ich schlief, ich schlief -, aus tiefem Traum bin ich erwacht: - Die Welt ist tief, und tiefer als der Tag gedacht. Tief ist ihr Weh -, Lust - tiefer noch als Herzeleid. Weh spricht: Vergeh! Doch all' Lust will Ewigkeit -, - will tiefe, tiefe Ewigkeit!"
Es sungen drei Engel einen süßen Gesang, mit Freuden es selig in dem Himmel klang. Sie jauchzten fröhlich auch dabei: daß Petrus sei von Sünden frei! Und als der Herr Jesus zu Tische saß, mit seinen zwölf Jüngern das Abendmahl aß, da sprach der Herr Jesus: "Was stehst du denn hier? Wenn ich dich anseh', so weinest du mir!" "Und sollt' ich nicht weinen, du gütiger Gott? Ich hab' übertreten die zehn Gebot! Ich gehe und weine ja bitterlich! Ach komm und erbarme dich über mich!" "Hast du denn übertreten die zehen Gebot, so fall auf die Knie und bete zu Gott! Liebe nur Gott in alle Zeit! So wirst du erlangen die himmlische Freud'." Die himmlische Freud' ist eine selige Stadt, die himmlische Freud', die kein Ende mehr hat! Die himmlische Freude war Petro bereit't, durch Jesum und allen zur Seligkeit.
Tinc la symphonia , tree , de Mahlet , dema a la tarda anire al conservatori , com ahir , i , ho posare amb ordre el treball que tinc que fer de Armonia , es un moderato , adagio ❤❤
It is always fascinating to listen to pieces and then noticing the inspiration for another, as this one was probably an inspiration for John Williams while composing the music for The force awakens. Maybe it´s BS but I like the idea.
For those of us who are older, this a great testament to Bernstein's charismatic conducting. True, the playing is not perfect and details brought out by other conductors, such as the snarling muted trumpet near the end of the last movement, are not brought out. But the VPO was relatively new to Mahler at the time. Very moving!
At around 4:20 Bernstein does a "quack" sound. I was so surprised by that I had to scroll back and relisten to the part as I thought I may have heard a real duck through my noise cancelling headphones. Somehow it was awesome to catch this. Not sure why.
So true! Zubin Mehta conducting Mahler's 3rd is a poignant example: He, conducting the music all from his head and soul, looks absolutely drenched and takes his time recovering from what he has just gifted to the audience.
@@smoosikcompozer5935 while there is some merit to immediately applauding for the amazing performance, and in a way I agree with you, from a musical standpoint, and out of respect to the conductor, you should still never applaud until the piece is truly over. The last note takes time ringing throughout the hall, and, especially with for a piece with an ending as Mahler’s Third, it should be allowed to fade away naturally. Additionally, it is a part of the composer’s interpretation. Imagine people immediately applauded after the last note of a performance of Tchaikovsky’s Sixth! Just a quick disclaimer, by no means should you take my word as fact though, I am not an expert on this topic, merely sharing from my musical experience.
@@potatodecimator131 Haha no your point is definitely valid, and I think Tckaik did an excellent job of setting that mood. I think Mahler's ending was deserves either. Tchaik 6 is one of my favorites btw! I write with Mahler and Tchaik in mind most times...
The final movement is one of the most amazing pieces of all of western music.
1:38:03
29:12 to 33:58
bit longish yet divine
I too consider it the most profound movement I know. (the slow movement of the 4th comes close)
@@55archdukeGlad to see some love for the slow movement of the fourth. So many people adore the Adagietto of the fifth, and indeed so do I, but the fourth has a profundity and melancholy that I find more enthralling than the Adagietto.
My favorite composition of any genre of all time
MAHLER AND BERNSTEIN A TRUE GIFT FOR ALL HUMANITY FROM GOD.
Ah, this was the era when Bernstein brought Mahler to the world. It made a huge impression on the young me back then.
This synphony is one of the greatest masterpieces in musical history.Lenny worked his whole life in working, hearing and interpreting the correct Mahler.And he was the best Mahler conductor.
Vast, titanic, momentous !!
Lenny very teatral. I think all is about taste. I like much more Abbado. Great professional. Karajan, just genius. But Paavo Järvi with Luzerna festival orchestra is brilliant. Just music not show like Lenny.
Bravo! @@baibaandersson9454
@@baibaandersson9454I think it is difficult for some people to understand (mind) more then this to FEEL(heart) him and his work.....to judge him and his work is in my opinion very superficial
@@baibaandersson9454close your eyes and listen if you don’t like his podium manner; the proof is in the hearing and Lenny et al just sound better than anyone else here. And if you don’t like drama, why are you listening to Mahler at all?
Despite its length this remains one of Mahler’s monumental achievements & the final movement is indeed a unique moment. I also love the children‘s chorus with the alto & the latters solo contribution as well. Ludwig & Ferrier are absolutely sublime on their separate recordings of this music. Ferrier, as far as I know, has only one recorded performance live from 1947 that one can hear which only recently was issued. Although taped from the radio it is surprisingly clear. Mahler also captured nature superbly here & I love his comment made to Bruno Walter when the latter visited him in the wondrous Austrian landscape. Walter, being raised in Berlin was in awe of seeing such phenomenal scenery to which Mahler said something like: No need to stare at all that. I composed it all already! The composer was not short of ego but in this music one can experience the correlation between what one hears & the visual image that overwhelmed Walter.
Apart from Bernstein being both spectacular and sensitive - and my favorite Mahler interpreter - consider the remarkable quality of sound, images and editing in this recording performed with the technology of 50 years ago. Truly remarkable in all respects!
1:50 1:50 1:50
These were produced by Bernstein's own company Amberson, and they did not do it on the cheap!
"the technology of 50 years ago..." 50 years ago was not that backward. The moon landing had been done, human hearts transplanted, the micro chip was just a few years away and you could call your distant cousin in Australia by phone, if you wished. Even though the carrier devices have changed, gain in recorded sound quality over the next 50 years has been minimal (I accept that tastes differ)...
✨✨Gustav Mahler (1860-1911)✨✨
✨Symphony No. 3 *(1896)* ✨
Part 1️⃣
0:01:19 I. Kräftig. Entschieden
_[Pan Awakens, Summer_
_Marches In🧟♂️🌞]_
0:06:38 *[11]*
0:07:41 *Langsam. Schwer. [13]*
0:10:36 *Tempo 1. [18]*
0:13:05 *[25]*
0:16:24 *[31]*
0:18:31 *[35]*
0:20:58 *Etwas wuchtiger.*
*Immer dasselbe Tempo.*
_(Marsch.)_ *Nicht eilen. [43]*
0:22:37 *[49]*
0:24:17 *Tempo primo. Wie zu anfang.*
*[55]*
0:33:17 *[73]*
Part 2️⃣
0:34:18 II. Tempo di Menuetto
_[What the Flowers in the_
_Meadow Tell Me 💐]_
0:36:27 *L’istesso tempo [3]*
0:38:07 *poco riten.*
0:39:45 *Sempre l’istesso tempo*
0:39:56 *Etwas bewegter. Sempre*
*l’istesso tempo*
0:43:59 *a tempo*
0:45:14 III. Comodo. Scherzando.
Ohne Hast.
_[What the Animals in the_
_Forest Tell Me🦉🌳🐿]_
0:47:50 *[6]*
0:50:33 *[14]-10. Sehr gemächlich.*
_(Posthorn solo 📯 Pt. 1)_
0:55:25 *[17]-2. Mit geheimnissvoller*
*Hast! Tempo I.*
0:57:53 *Immer noch zurüchaltend.*
_(Posthorn solo 📯 Pt. 2)_
1:00:59 *[30] Wieder lebhaft, und*
*schneller als zu Anfang.*
1:01:37 *[32] Sofort wieder Tempo I.*
1:03:22 IV. Sehr langsam.
Misterioso. Durchaus _ppp_
*Poem by* *Nietzsche from*
_Also sprach Zarathustra_
_[What Man Tells Me🧔🏻]_
1:13:20 V. Lustig im Tempo und
keck im Ausdruck
_[What the Angels Tell Me👼🏼]_
1:17:29 VI. Langsam. Ruhevoll.
Empfunden
_[What Love Tells Me💕]_
1:28:03 *[11] a tempo. Sehr*
*Gesangvoll.*
1:33:56 *[21] Tempo I*
1:37:18 *[25] Langsam. Etwas*
*zurückhalten*
1:43:11 *[31] Breit.*
1:44:58 *Applause*
Christa Ludwig, mezzo-soprano
*Konzertvereinigung Wiener Staatsopernchor*
*Wiener Sängerknaben*
Vienna Philharmonic
Leonard Bernstein, conductor
*Musikverein*
*Vienna, Austria 🇦🇹 1972*
🧟♂️🌞 💐 🦉🌲🐿 👴 👼🏻 💕
*Note: The programmatic text enclosed by brackets* _[ ]_ *was written, but ultimately withdrawn, by Mahler.*
Thank you, very much for this detailed info.
@@bzaatw: My pleasure. I did the same thing for the Mahler 3 with Abbado/Lucerne. Another great performance. Here’s a link if you’re interested:
ruclips.net/video/Xplx64LVENg/видео.html
@marshallartz395
Compliments and thank you!
danke❤❤
This clip moves me to tears even when played back on my laptop's speakers. The clip also shows LB's enormous appetite for music and life. He's not merely conducting music. He's performing it.
Everytime I listen
it is like I hear the music for the first time. It is new for me again and again. It makes me speechless. ❤And when I hear only one Mahler-note I cannot stop listening. ❤
Bellissimo ❤❤❤ grazie mille amore mio per inviarmi questa meraviglia ❤
Probably Mahler's most melodious symphony; he himself considers it his best work.
considered ... (I agree it was, and going further ... one of the top five best of all time, if not #1).
Yes very melodious but Mahler’s 2nd si THE BEST: powerful and expressive, unbeatable.
I have never seen two ranked, by various of we music lovers, lists of Mahler's symphonies which put them in the same order. (I don't believe I, myself, have placed them in the same order over the years).
Soy ingeniero en sonido y he quedado sin palabras con la perfección de esta grabacion realizada en los años 70 un sonido natural y brillante ecuacion de escelentes musicos y una direccion MAGISTRAL del maestro Leonard Bernstein para esta magnifica 3ra sinfonia de Gustav Mahler.Hay muchas frases y armonias musicales llevadas al cine de compositores cinematograficos.Orquesta otro nivel
Justo eso pensaba hace un momento, muchos temas llevados al las bandas sonoras, por ahí habrás escuchado parte del tema de Lumière en la Bella y la Bestia "Nuestro huésped sea usted", quizás Alan Menken no se inspiró en Mahler, pero ya Mahler habría hecho famoso ese motivo👌🏽 Que seguramente tiene que ver con alguna forma de la cultura popular de su época, o no, simplemente lo inventó y ya🤷🏽♂️
Simplemente UNA MARAVILLA !
This symphony seems to embrace every imaginable human emotion. It's just an amazing piece of music. Ludwig was at her best in this concert. Gorgeous voice. And, as usual, Lenny was just Lenny. Watching him conduct is an experience in itself.
He (Mahler) originally thought to give this symphony a two day presentation, thinking that the public couldn't sit still for such a long work.
Bernstein at his very best! The video and sound are simply astounding for the time!
Some of the best recordings of all time came from that period: 1965 Karajan's recording of Berlioz "Symphonie Fantastique" ... Klemperer/Barenboim recording of Beethoven's Five Piano Concertos--with the John Aldis Choir in the 5th--Choral Fantasia. Sublime and unmatched by anything since.
Bernstein and Ludwig---a marriage made in heaven. His favorite singer.
OMG! It is so long since I had e listened to Mahler 3, but this brings me back to it with entirely new understanding.
Two audio and one video. All 3 are without question the finest Mahler recordings. A masterclass.
Glorious! Mahler's (and Lenny's) greatness is overwhelming
This is absolute interpretation of Mahler 3. Also, WP played this under absolutely profound interpretation of Bernstein!!! Still, WP keep some of sprit of Mahler!!! What a great history!!!
Für mich auch 🎹
I believe Bernstein knew Maher’s work better than most. He wanted to be Mahler. He wasn’t going to hold back anything in the orchestra. Not with Mahler “watching.” I imagine Bernstein understood he and the orchestra needed the composer’s blessing, for Bernstein’s sake.
Et aussi pour la I° et la IV° .
many thanks while I had the good fortune to watch the maestro conduct Mahler's 1st, 5th and 6th live in NY in the mid 1980s I am sorry I did not have the chance to watch him in this.
I often think that all tragedy in Bersteins life was about Mahler having been writing already all music that was in Bernsteins head as his very own experience.
Gustave mahler est l'un des grands compositeurs de tous les temps.
Condivido confermo anch'io con lei
Me gusta esta música.Muchas gracias 😊🎉
Un Genio....!!!! EL FINAL ES DIVINO, SOBRE HUMANO, MARAVILLOSO, INDESCRIPTIBLE!!!
Wonderful !! Bernstein the Best Conductor !!
Haitink and Bernstein RIP - your Mahler recordings are always on my youtube - WONDERFUL
Davvero ineguagliabile e da Brividi l'atmosfera del finale letteralmente Emotivo che suscita e scatena questa ennesima splendida sinfonia di un Maestro come Mahler che aveva vissuto con sentimenti anche contrastanti la drammaticità di un'epoca che aveva già straziato le anime e i cuori di coloro che avevano assistito inermi a eventi tragici dei conflitti umani e a loro volta poi vittime di quello che sarebbe in seguito stato l'apice della crudeltà umana con la shoah. Non è purtroppo servito da monito per un futuro a cui noi siamo partecipi e che tragicamente si ripresenta.
No doubt the best Mahler's No.3.
The Best!
Just two words ABSOLUTELY BEAUTIFUL
A masterpiece of sheer genius
I think only Bernstein could pull that ending off that slow...incredible!
Thats the way I believe it should be performed, like Abbaddo did...the slowness brings out the grandeur and even though it is one of Mahlers "quietest" climaxes. it ranks up there with the Resurrection and 8th, as the 3 best.
What a symphony…
Love "I'll be seeing you," 3rd Mvt......BRAVO from Mexico City!
I've always heard "I'll be seeing you" as well!
@@rmharris2001 -- ....in that case, you'll also love "Somewhere Over the Rainbow"....based on Mascagni's "Il Sogno di Ratcliffe" intermezzo put to such elegant use by Scorcese in "Raging Bull" at the Detroit Fight.......
@@steveegallo3384 Thanks!
Unvergesslich Christa Ludwig!
,
Nazi
She is incredible and such an example of good singing. The choir is wonderful too❤
Symphony , tree , Mahler , is very very beautiful ❤
This is an amazing performance. The music starts about 1:15 into the video if you want to skip the names and applause. Cheers.
Bernstein and Mahler what a combination.
Oui. Merveilleuse, luxueuse représentation. Totale maestria.
Merci.
simpli great , SIMPLI GREAT ART FOR HUMANS !!!! YES !!!!!!!!
It's very, very good
Congratulations Mahler ❤
Unas de las mejores interpretaciones del Maestro Bernstein, siempre he querido ver el video completo, gracias @gioiellidellamusica por subirlo 😁
33:43 such a great shot of Bernstein doing what he loved with a piece by a composer that he adored
Thank you for making this masterpiece available once again.
Berney you were the best
I mean, the last movement is simply sublime and we all know that, but the first one is really a unique experience. The severe part in contraposition to the "summer march" give an incredible landscape of emotion, sonically and philosophically. Life and death, apollonian and dionysian...this symphony really is an incredible journey
He sure knows how to end a symphony!
I will always be a Mahlerian!
Amazing man, iconic ❤
Thank you.
I love him so much
Toujours superbe dans sa direction, surtout des symphonies de Mahler avec les Wiener Philharmoniker. Encore faut-il ne pas oublier qu'à cette époque là, il n'y avait pas de femmes dans l'orchestre. Mais il tourne quand même les pages de sa partition, autant a t'il beau la connaître par coeur ! C'est dire s'il suit fidèlement ce que Mahler a écrit ! Et il a du mérite, car il transpire, mais la goutte de transpiration au bout de son nez ne le dérange apparemment pas !
Simplemente maravilloso
❤️❤️❤️🙏🙏🙏🙏🙏🙏 BRAVISSIMO!!!!!
Mahler could not do anything small. This is as big as music can sound.
Even soft he can be huge.
It is beyond this mundane world
Ich liebe dich!
1:18 I. Kräftig. Entschieden
34:18 II. Tempo di Menuetto Sehr mässig
45:12 III. Comodo (Scherzando) Ohne Hast
1:03:20 IV. Sehr langsam-Misterioso
1:13:18 V. Lustig im Tempo und keck im Ausdruck
1:17:28 VI. Langsam-Ruhevoll-Empfunden
Magnificent
Unvergesslich Leonard Bernstein ❤
充滿人味！
The last part from 1:17 is like breathing. In and out....❤❤❤
GLORIA ❤
Congratulations
개인적으로 말러 3번 교향곡의 6악장은 그 자체만으로도 교향곡 중 최고의 걸작 중 하나라고 생각하는데,
아바도의 6악장은 한 인물의 전기를 그려낸 연극의 피날레같은 느낌인 반면
번스타인의 6악장은 한 노인이 겨울에 난로 앞에 앉아서 자신의 인생을 천천히 돌아보는 느낌
그 노인은 자신의 삶을 되돌아보면서 잔잔한 환희로 이야기를 마무리 짓는데, 고차원적인 감정을 표현하는 것은 말러인지 번스타인인지.. 이 음악을 그저 듣는 사람 입장에선 결코 모를 일인 것 같다.
Best analogy!❤
Bernstein was buried with this Mahler 3rd Symphony score on his chest - he requested this !!! He loved it so !!!
Actually, Bernstein was buried with a copy of Mahler’s 5th Symphony. 😎🎹
Actually it was the 5th
I wish it had been the 3rd or the Resurrection, but it was the 5th!
With the score opened to the Adagietto
@@MarshallArtz007 ... and it was only the Adagietto, not the whole score... and it was a pocket score...
MARAVILHOSO!
Maravilhoso !!! Brasil.
Orchestra members giving 110% for the Maestro
Hurray, what a nice music !
Hermosa versión. Estamos esperando la serie de Netflix, Maestro sobre la vida de Bernstein.
6악장에 대한 개인적인 감상평
전체적으로 음악의 높낮이가 분명 존재하지만 높낮이가 존재하지 않기도 하다. 극적인 감정 변화가 아닌 정중동이 느껴진다고 해야 하나? 가볍게 과거를 회상하는 듯한 멜로디로 시작해서 점점 고조되다가 말러 특유의 G.P.가 백미다. 꽉 차있는 여백의 미라고 할까. 피날레를 마무리하기 직전의 숨고르기. 마지막의 강렬하면서도 평온한 팀파니의 울림은 고요한 가운데 환희의 극치를 표현하는듯 하다. 마지막 스케일을 쭉 끌었다가 고요하게 끝맺음하는 번스타인의 손동작까지. 들으면 들을수록 깊은 맛이 나는 음악인 것 같다.
Bernstein es el mejor intérprete Mahleriano de todas sus sinfonías, donde sus mejores conciertos lo realizó con la Filarmonica de Nueva York......
Shalom ❤
This Music is as old to them as Beatles Music is to us now 2023-05-08
Well, not exactly. Mahler's 3rd premiered in 1896. So it was a 76 year-old piece. The Beatles compositions are about 60 years old.
La música no tiene edad, no envejece, envejecen los que piensan que la musica es buena o mala según los años.
the horn part starting at 15:26 is insanity
At 1: 44: 25 Lenny winces when the 2 timpanists are not exactly together
O Mensch! Gib Acht!
Was spricht die tiefe Mitternacht?
"Ich schlief, ich schlief -,
aus tiefem Traum bin ich erwacht: -
Die Welt ist tief,
und tiefer als der Tag gedacht.
Tief ist ihr Weh -,
Lust - tiefer noch als Herzeleid.
Weh spricht: Vergeh!
Doch all' Lust will Ewigkeit -,
- will tiefe, tiefe Ewigkeit!"
Es sungen drei Engel einen süßen Gesang,
mit Freuden es selig in dem Himmel klang.
Sie jauchzten fröhlich auch dabei:
daß Petrus sei von Sünden frei!
Und als der Herr Jesus zu Tische saß,
mit seinen zwölf Jüngern das Abendmahl aß,
da sprach der Herr Jesus: "Was stehst du denn hier?
Wenn ich dich anseh', so weinest du mir!"
"Und sollt' ich nicht weinen, du gütiger Gott?
Ich hab' übertreten die zehn Gebot!
Ich gehe und weine ja bitterlich!
Ach komm und erbarme dich über mich!"
"Hast du denn übertreten die zehen Gebot,
so fall auf die Knie und bete zu Gott!
Liebe nur Gott in alle Zeit!
So wirst du erlangen die himmlische Freud'."
Die himmlische Freud' ist eine selige Stadt,
die himmlische Freud', die kein Ende mehr hat!
Die himmlische Freude war Petro bereit't,
durch Jesum und allen zur Seligkeit.
Pls never take this down :-)
The trumpet chorale c. 1:38:00 is one the most transcendent passages in all of music....
He even taps his foot in time!
Tinc la symphonia , tree , de Mahlet , dema a la tarda anire al conservatori , com ahir , i , ho posare amb ordre el treball que tinc que fer de Armonia , es un moderato , adagio ❤❤
It is always fascinating to listen to pieces and then noticing the inspiration for another, as this one was probably an inspiration for John Williams while composing the music for The force awakens. Maybe it´s BS but I like the idea.
He does the best Bradley Cooper imitation, ever.
🤣
Mahler 3 tells such a dramatic and compelling story. Bernstein's interpretation is great
To have been sitting in that audience on that particular performance…
For those of us who are older, this a great testament to Bernstein's charismatic conducting. True, the playing is not perfect and details brought out by other conductors, such as the snarling muted trumpet near the end of the last movement, are not brought out. But the VPO was relatively new to Mahler at the time. Very moving!
At around 4:20 Bernstein does a "quack" sound. I was so surprised by that I had to scroll back and relisten to the part as I thought I may have heard a real duck through my noise cancelling headphones. Somehow it was awesome to catch this. Not sure why.
No I heard the quak while walking from the conservatoire I learn at
L,ha escolto perque tinc que fer .....moderato , o , adagio al treball que tinc que fer de Armonia ❤
What is it about the Bernstein interpretations of Mahler that make them so unique?
L.Bernstein et Wph, très bien !
מוזיקה שפתוחה למגוון פרשנויות..פועלת לחוד וביחד עם סוליסט אחד ועם הרכב נגנים שמביאים קשת של רגשות מצמררת.בניצוח יחיד ומיוחד !!!
Люблю Малера.
One should never shout or applaud until the conductor lowers his arms.
Thanks for mentioning it, I totally agree, it kills the atmosphere
I would see it as an honor. The music was so compelling that one couldn't wait to exclaim with joy...and this piece deserves it!
So true! Zubin Mehta conducting Mahler's 3rd is a poignant example: He, conducting the music all from his head and soul, looks absolutely drenched and takes his time recovering from what he has just gifted to the audience.
@@smoosikcompozer5935 while there is some merit to immediately applauding for the amazing performance, and in a way I agree with you, from a musical standpoint, and out of respect to the conductor, you should still never applaud until the piece is truly over. The last note takes time ringing throughout the hall, and, especially with for a piece with an ending as Mahler’s Third, it should be allowed to fade away naturally. Additionally, it is a part of the composer’s interpretation. Imagine people immediately applauded after the last note of a performance of Tchaikovsky’s Sixth! Just a quick disclaimer, by no means should you take my word as fact though, I am not an expert on this topic, merely sharing from my musical experience.
@@potatodecimator131 Haha no your point is definitely valid, and I think Tckaik did an excellent job of setting that mood. I think Mahler's ending was deserves either. Tchaik 6 is one of my favorites btw! I write with Mahler and Tchaik in mind most times...
Криста Людвиг ❤ Хор ❤
Power of soul musique
Pachelbel's canon at ~19:40 in flutes+piccolo
Bellissimo ❤❤❤ grazie mille amore mio per inviarmi questa meraviglia ❤
If one were to say the history of mankind is the history of war, few would disagree....
Lenny, believe me, the second violinist is a really nice guy.