Hi Leonard. I have played guitar for many years and have had many amplifiers: Peavy Classic, Soldano 50, ENGL Sovereign, VOX AC30, Fender The Twin, Blues Deluxe, Deluxe Reverb RI, ... Now I have a Marshall DSL 40CR, a Boss Katana 100 and a Tonemaster Deluxe Reverb (black). I use the Katana for rehearsals, the Marshall for big events, but the one I use the most is the Tonemaster. It's light, it sounds good and with my pedalboard I have all the sounds I need. I am almost 73 years old and I appreciate the lightness of the material for transport and assembly. But after watching your video I have ordered a Celestion Neo Creamback that will arrive today and I will replace the Jensen, in addition to updating the firmware. Thank you very much for the video and congratulations on your way of playing, I love blues and you do it wonderfully.
Hi Leonard, thanks for your input on this amp. Great points and I’m glad to hear that someone with your experience and background find this amp worthy. Absolutely great playing. Thank you. 😊
And thank you. I’m never trying to steer anyone or sell anyone on anything, just reporting my experience, and if my reviews are useful, then that’s gratifying.
I still have my 1964 Deluxe Reverb… I got as a birthday gift at 14 years old…… it was used …some parts were replaced years ago… but it still going strong … and at 69 years old … I can still move it … lucky me😅… I love the amp still after all these years ❤
@@leonardgriffieblues5845 o on another point… I got rid of JMC 800 with the 4 -12 cab and a Sunn Enforcer with its 4-12cab and a twin reverb and a super reverb and a 410 Peavey classic… over the years …now I have the Deluxe… a Polytone mini brute with 10’ speaker and a Boss Katana… I got rid of all the real heavy stuff… and PA systems are so good theses days that the mini brute can even sound like a tone monster. I’m gonna try Fender tone series one day … I just might not in time be able to lift the 64 up flights of stairs in the future… if I live long enough for that day to come Lol … so it may be time for one of those by then… love your playing and videos… they give me hope to keep playing 👍
I’ve had a blonde tonemaster deluxe for about two years as well. It’s the best overall guitar amp on the market today by my estimation. Great sound, light weight, and it solves every issue traditional Deluxe reverbs had. Great video 😊
Thank you my friend. Yes, at live shows it’s very consistent, which is important. And the power scaling and excellent line out are godsends at some shows.
Real-world knowledge and rational commentary? How dare you! ;) Great video, great sounds, and subscribed. My TMDR Blonde arrives later today for its 30-day test run. I love the practical-ness of modelers and have been using a HX Stomp XL exclusively for a few years over dozens of gigs, though over the last few months I've come to realize I've been missing the connection between the guitar and the (real) amp. Perhaps the TMDR is the cure for what ails me!
Thanks so much. I hope it works for you. Glad you’re getting the Blonde. That Neo-Jensen in the black one literally ruins the amp. Thanks for watching.
Great comments about repairs. Yes most amps under $2K have surface mounted components which when failing fail very hard. Just because it is "tube" doesn't mean it was made well. As these units fail I bet there comes up a market for those used modules to be recycled into other broken units. If Fender did decide to completely drop support for the Tone Master line then nobody would buy anything similar they might come up with in the future. Nobody would trust them.
I concur. As an example, I have a friend who’s Blues Junior melted down beyond repair. Tubes are no guarantee the amp will be serviceable. Thanks for watching.
@leonardgriffieblues5845 agreed! Tubes are often their own source of problems. I had a Fender HR DeVille that blew a power tube, which lead to not only new tubes but a trip to the technician to repair the other components that blew as a result of the blown power tube.
Absolutely LOVE mine. I've had the TM Twin for two years and the TM Deluxe for a year and they cover all my needs for gigging and recording beautifully. I have sold most of my premium tube amps and the ones I still own just sit in a closet along with a Kemper and some boutique solid state amps. Between my TMs, there's nothing else I need or GAS for any longer.
Nice to hear. The vast majority of comments have been favorable. Even though originally bought mine because of an advancing back condition, hundreds of shows later and I still don’t feel like I’ve given up anything significant. These amps are quite an achievement. Thanks so much for watching.
Great review - thanks for the update. The tones you're getting all sound uniformly excellent. The only place I could detect any digital "squish" is the example around 2:44 with the green Strat. It's pretty clear that today's digital isn't yesterday's solid-state and, as someone who's been chasing tone for 40 years and long ago decided my amps had to have tubes, I'm really rethinking my position.
Thanks for your thoughtful review - few people are willing to admit that once you get into a mix, our concerns about whether one or another is the best really results in the smallest, marginal gains. Seems like this amp is more than good enough, and this can be true while still preferring the overall feel and intricacies of a true tube deluxe.
Even though I love my Tonemaster Deluxe, I've found that even a well setup Katana is hard to tell from a much more expensive amp. I end up playing it more than my classic 20 or Deluxe TM.
@@leonardgriffieblues5845It’s interesting how our ears adjust. I’ve been a Fender tube guy for 15 years. Still gig with my SuperSonic 22… But got a Spark 40 (w/ external battery pack) for practice and now a Boss ME-90 for recording. People assume they’re hearing my $1500 tube amp on recordings…but, it’s ‘beginner’ gear dialed in mixed with some good guitar playing.
You hit a nail on the head!!!!! The hand wired Fenders of yesterday were all night and day. One in a shop would sound gorgeous with fantastic frequency compression and the next sound horrible. Reason: A wrong resistor ort capacitor here and there. I finally broke the code by going over the component placement schematic Fender provided. It was amazing how many errors would show up. As much as PCB is looked down on, you have to appreciate the consistency it provides.
I've had my DRTM for 3+ years and love it. Yes at 73 the weight factor was a big part of my decision to buy one. I added tilt back legs. The line out with cab simulation is awesome and worked so much better than a mic in front of it! I did the download upgrade (bright cap delete) and I like the suggestion for a Celestian Cremeback. I may try that since the Jensen Neodymium gets a bit overwhelmed when pushed. Played gigs, indoor, outdoor, big band, little bands etc and I can't find much not to like about it. Good summary and I concur with all of your comments.
Thanks so much my friend. Yes, mine is updated to full Blonde spec, including the Neo-Creamback and firmware. I didn’t care for that neo-Jensen. Not terrible but the Celestion is a big improvement to my ears. Thanks for watching.
Thanks for playing a variety of guitars (single coil & PAFs) through the TM. Some of my favorite rig combos and you made it sound Good. I just worked a trade with a guy for his two year old TM DR and I'm giving him my 11 year old '68 Custom Deluxe reverb reissue, the kind with the circuit board. It's currently in good shape but does have a bit of the noise issue that is common on that model. I'm moving to a smaller place and needed something with an attenuator for playing in the house, so I like the TM for its sound and that feature specifically. I've always had a tube amp and I've replaced a lot of tubes over the years. I figure that with my less than 3 hours a week on the TM, it should last me a long time.
Mine is still going strong after many, many shows, lots of recording, and almost all of my practicing. Plus it’s dead quiet and capable of very low volume. I do recommend the blond version updates, speaker and firmware.
Over the last year I’ve been tone chasing again. I purchased a Maz 18, Joe Walsh Z Master, and Fillmore 25. I still play my blonde TM Deluxe 90% of the time.
I don’t know if I mentioned this in the video, but I played live in a loud room a few days ago and it occurred to me I’ve never experienced any modeling amp that’s as present in a live setting as the TM. Glad you’re enjoying yours. Thanks for watching.
After playing so many different amps through the years , I like reliability. Never really heard much difference between tube & solid state except for their warmth . At the expense of sounding naive tube amps are heavy and tubes gas up . Solid state amps of yesteryear are too. I have a number of amps and my go to amp for gigging is a fender champion 100. If I need more , I mike it or line it . For years I used a Peavey Bandit 65 . Then a Classic 50 4/10. However my all time favorite was a 72 Princeton that I no longer own . I bumped it up to 35 watts from 12 . Today I just use what the show calls for . I never could afford a 2K amp . Besides Im actually a 50+ year drummer . Im glad You found something thats easier for you to tote . Best regards , Ben*Ben
Thanks so much. You know, over the course of my very long career, I’ve played many of the best amps ever made, and I don’t regret playing the Tone Master one bit. At the end of the day, it’s about the playing and this amp doesn’t hinder that in the slightest. Thanks for watching.
I once played over an original deluxe reverb and it was incredible. Most of the videos about the Tonemaster did not yet convinced me but you gave me a lot of arguments and some thought food. Thank you - btw: very tasty blues playing.
Thank you my friend. Yes, as I mentioned, I’ve played a lot of Deluxe Reverbs. The Tone Master isn’t identical but in a real world setting it’s very close to all but the most magical examples, and it’s many advantages close the gap. But keep in the mind the speaker is critical. I didn’t like the neo Jensen at all.
@@leonardgriffieblues5845 : I have the 64 Dream Pedal and I actually prefer my Quilter Superblock US over it. The clean-breakup does not convince me. How does the Tone-Master break up? As a blues-player it's all about cleans breaking up a little bit but most people do not make videos about that when presenting guitar-amps. I was about getting a Victory V4 amp but unfortunately the prices went up by 100€ here in germany so a TMDR is getting into the same price-league. For people who do not want to lug big amps around it is very interesting (BTW: I love pedal-amps).
Excellent playing sir! Need to brush up on my blues vocabulary. The tone of your amp sounded great! A compliment to your style of playing. Very natural.
i''ve owned a TM blonde for over a year and i love it, I'm older and gig about 1 to 3 times a week and i'm a tube snob I've own several Deluxe reverbs since the 60's the reverb on a most of them older amps. sound great.
The blonde version or equivalent sounds the best to my ears. I realized after saving a few bucks by buying the black and converting it to a blonde equivalent, I would have come out ahead just buying the blonde and selling the neo Creamback I had. Doh! Thanks for watching.
Your comments beginning at 4:12 has been my experience exactly. Tube amps are only slightly better sounding, and only when played on their own. In a band setting the TM sounds & feels the same as a tube amp. Thanks for the video!
I’ve had my TMDR since February 2020 and l love it. I updated to the blonde firmware, but still have the original neo Jensen, which sound fine for me. The attenuator was a godsend during four months of lockdown- that amp just about kept me sane!
every gigging (former or current) guitarist I personally know has owned or does own a Deluxe Reverb or two... or three....most of them bought used, and made from pre CBS days to the late 1990's both blackface and silverface though there are a couple of new ones in that collection. they all sound different, most sound good, some sound truely great, and a few sound like their best use would be to have a chain attached to the handle and used as a boat anchor. all of the pre 2000's ones have had multiple repairs and have sometimes come back sounding like completely different amps. I'm primarily, almost exclusively, a bass player and had long since moved from valve and MOSFETs to class D so I didn't have that "must be tube" bias (sorry pun not intended there) and I got the Tonemaster for home use with my Bass VI and baritone guitars and for jam nights so damned if I was going to buy a full sized guitar amp that dislocated my shoulder every time I wanted to walk it over two blocks to a friends place and because I thought it captured the spirit of the Deluxe, if not the sound of its best examples. I've had friends and friends of friends who've refused to use it on jam nights 'cause "solid state/digital modeling" but after I remove the tone master badge most have played through it and not even noticed they were plugged in to until told.. yeh some said "bit shrill" or similar once they found out others before they realised it was the Tone Master but mixes well with the other tube one at my friends place with no one sitting in as player or guests even noticing the "fake" classic from the 65 reissue in the room.
@@TheRealMarxz I found the shrillness to be mostly down to that neo Jensen, which is why mine is fully upgraded to the blonde version spec. The Celestion makes a massive difference. Funny about removing the badge. I was doing a show a year or so ago and I had a guy come up, compliment my sound, and ask what year my Deluxe was. I’ve never removed the badge so clearly he didn’t notice, but he assumed not just tube, but vintage as well! Yes, touring I played through a bunch of the reissues when available in the backline. They were all over the map sound wise. I also owned an early Silverface Deluxe back in the 90s, and honestly, it was more steely and shrill than the ToneMaster. At the end of the day, it’s the playing that matters, not subtle differences in sound. Thanks so much for watching.
@@leonardgriffieblues5845 I have a Neo cream in a 1x12 cab which I've used with Katana head (never clicked with that so sold it) .... I've been thinking of putting a speaker out on the tonemaster but probably easier just to swap it out
Another thing to consider is the lack of ongoing maintenance costs. No tubes to replace, nothing to re-bias. Also, largely hum free unlike most tube amps. That said, for clean sounds I love my TM Super Reverb, but with drive pedals in front to get a classic rock tone, I just cant get a sound I'm happy with. I accept that may just be me, but its super easy with my Hot Rod Deluxe to get the sounds I'm looking for. So sadly, my TM may be up for sale. I really want to love these amps for all the reasons you've highlighted. (my back is also not as amp friendly as it once was)
I haven’t tried the TM Super Reverb. When I played vintage SRs, I tried the tube reissues in the backlines and didn’t really care much for them. Not sure what it was but they sounded nothing like mine. I suspected the speakers. Thanks for watching.
Hot Rod Deluxe and drive pedals go hand in hand. I can't fault you for that because that's how the sound is meant to be. I play clean and I know that even if I play with pedals, my audience (which is my church congregation), won't even notice much. So I think I'll get the Tone Master because I can plug in direct to the PA system.
I can say I still love your playing and tone. Particularly like your lead/soloing. You don't see the need to 'wank off' with the guitar, but fit the lead lines within the song, or just musical. I love that. You are 100% correct on modern PCB based Tube Amps. In fact they have a few potential issues, that neither older PTP or even bullethole Tube amps, OR digital amps can have. Those boards can become conductive, from condensation over time with the high voltages in places, and have some truly spectacular catastrophic failures.
Very helpful video-- thanks! Now that I'm in the market for a new amp-- and also have back problems-- the Deluxe Reverb Tone Master is right there at the top of my list. Still deciding between the Fender, Boss Katan 50, and maybe the Line6 Catalyst. Weight has become just as important as sound/tone. Price naturally being a consideration makes me lean more toward the other amps, but I really do miss my old tube Deluxe Reverb sold many years ago. The price of replacement tubes is A LOT more than it was when I had my amp, AND I hated trying to trace down strange noises in that amp. Meaning the Tone Master is a logical alternative to the tube version. Anyway, really enjoy your videos!
@@leonardgriffieblues5845 After sleeping on it, I called my local shop and arranged to buy the blond version. I think my main reservation was the question of reliability-- so this video was just what I needed; a two year review. My afternoon will be spent with the new amp today :D Thanks again!
I Have the fender super reverb tone master and I love the sound without the weight. I'm glad I came across your channel. keep up the good work I enjoy your videos.Its nothing like a down to earth guy enjoying what they do.and that's playing the guitar!!!
I haven't had a chance to check out a Tone Master Super, but it seems like the ideal application for an attenuator and lightweight drivers in a pine cab. Super Reverbs sound glorious when cranked, but they're painfully heavy, even for a younger player, and the way they beam can get you in a lot of trouble with FOH, and with audiences in smaller venues.
I just bought the Twin Reverb TM amp last night. It is an upgrade from my Princeton 60w 12" speaker. All I can say is WOW - it is so loud and clean and no distortion. I can't wait to play with it more tonite! And I got it off Craig's L. for $650 in pristine condition!
Thanks for this great update and review! I've been looking at the Tone Masters for a while now and really liked the sound and authentic feel of the Deluxe. Nice to know on the firmware update and swapping out the speaker as well! The older I get the less weight I want to pack to a gig, so these appear to be a great option. Also - Great playing on here!!! Cheers!
Thanks so much. Yes, I’ve yet to see a downside. If I could still lug my vintage Super Reverbs I probably would, but honestly, I’ve been very happy with the Tone Master. Thanks for watching.
Excellent Leonard. I've had my Twin Reverb about the same time and bought in the same circumstance. I read a review that said, "and the best thing is, I don't need my phone to program it!!" SOLD, right there haha. I love it, but am looking to swap to Celestions, so your thoughts have really helped. Some very tasty playing too.
Thank you my friend. Yes, if you’re a lover of blackface Fenders but can no longer cope with the weight, these amps are a godsend. Thanks so much for watching.
Very much the same conclusion I reached. I have a DRRI and the Tone Master. They sound quite different, and the valve amp does have richer mids and slightly thicker tone. I also updated the speaker to a Creamback and the firmware update. Without it. I hated it. The Jensen Neo has a harsh 3-5khz spike that is ghastly. And that’s why people comment on poor performance with drive pedals. I take the Tonemaster to most gigs. The weight and attenuation alone makes this choice easy.
Thank you. You’re absolutely right. It’s not my vintage Super Reverb, but in a band mix at stage volume, it sounds great and I don’t have to hire someone to carry it! Thanks for watching.
I like mine a lot. The attenuation feature is 🔥. I can set it at one watt and overdrive it without pedals at low volumes. BTW, I like the stock speaker. To each his own.
Absolutely. If the stock neo-Jensen works for you then no reason to pay more. There are so many factors. Which guitar, what your settings are, what your touch is like, etc., etc. Thanks so much for watching.
I have the blonde TM deluxe and love it. I also love Roland Blues Cubes. I have owned both a handwired deluxe reverb and handwired Princeton and although they sound good, I usually could not crank them to get the best out of them. If you take the flexibility of the TM and great sound, it is a far better amp for most players. I thought your video was superb, your playing is lovely and you explained the benefits of the TM to a tee. Very well done, now subscribed. All the best mate 🎸
Thanks so much. I actually played a Blues Cube Artist for probably a year. Pretty nice amp. I do prefer the TM though. Playing blackface Fenders literally all my life it’s a pretty comfortable fit. Thanks again for watching.
I agree with your assessment of this amp. You can hear a difference between a TMDR and a 65 reissue or a real 65. But it’s not a huge difference especially in the mix. For the weight and features, the TMDR is a really good option. I bought mine about the same time as you did - early 2020. I’ve used it about 3 hours a day. It failed late February 2023 - just out of warranty. I took it to an authorized Fender repair facility. It was repaired at no charge through Fender support. A surface mount diode had failed. It was a Fender documented service procedure for a known issue for a batch of randomly bad components. It’s not ‘landfill’ unless there’s severe electrical or water damage. I run a company that manufactures and services surface mount technology. If it’s not proprietary it can generally be fixed using market components. If it’s proprietary, then it’s up to Fender support or secondary market sources. I like it a lot.
Thanks Leonard. Good review. I want to replace my 1980's Fender Montreux. (solid state version that replaced the original Twin Reverb, before re-introducing the tubed, "The Twin"). The one issue you mentioned about being not quite as full or fat comparatively. One thing that works for me on solid-states is to run a Blues Driver pedal with the drive at zero, volume to balance, and the little tone control to dial in humpups or SCoils. Clean and fat. I leave it on all the time. Turn the pedal off for super-clean or thinner sound.
I do use drives and boosts, but really, it sounds fine. They did a great job. I only meant that if you did a direct A/B with a good tube DR, it may not seem quite as rich in isolation. But in any real world use, I don’t miss anything. Thanks for watching.
@@leonardgriffieblues5845 Thanks Len. I think you have a great sound, from watching your videos. I did understand that you had no problems with the slight difference. I just thought to flesh out the topic for your viewers. The driver at zero gain is a great way to add fat without added distortion. Caveat: My Blues Driver had the tone circuit modded for more range before I started using it this way. So who knows!
I have owned the Fender Tone Master Twin Reverb for about a year. Zero complaints besides that it’s not worth as much if I had to sell it as the tube amplifier. The only thing I wish they added was an effects loop but that’s a very minor thing. Other than that, it sounds and plays great.
I did the obvious, and bought mine used. Ducking that initial depreciation improved the value equation, and happily, it's still chugging along just fine. As far as the speakers go, the one thing that most pros agree about, is that the stock Jensen in a DRRI doesn't cut it. Following my own preferences, I didn't go with a Creamback, either. I currently have the well broken-in Alnico Weber 125-A0 from my Tweed Deluxe in it. Not everybody's choice for a blackface Fender, but it works for me!
Hey Leonard - Great review and overview. Fantastic to have your real world use experience to be especially good to hear. I've had mine since pretty much when they were released. I've got amps like a 100w Mesa Lonestar, a Marshall JTM45 half stack, 30w vintage style PRS (no gain other than pushing the el84s or the preamp tubes via the master vol), a few other nice tube amps, including an original '68 Super Reverb. But what's running this very moment? We'll, it's getting late here and playing my SR at its best volume - no can do, so I've got my DR on the lowest setting, turned up to about 4 and life is good and everyone (the neighbors) are happy! Good luck with your channel! Paul in Austin
First, thanks so much and I’m happy you enjoyed the video. You know, that’s the thing, if I could still carry vintage Super Reverbs I’d likely be doing that, but owning and using this Tone Master does solve a lot of problems and the sound really doesn’t feel like a compromise.
That’s great. Failures still seem to be pretty rare. I’ve only ever heard of one and it was completely repairable as you’d expect. Thanks for watching.
Great video. More reviews should be like this, (re)assessing the equipment after a prolonged period of use in different situations. This is only the second video on these amps I've seen that mentions that the tube versions vary wildly in sound - most don't have that experience, and compare the Tone Master to the one and only tube version they've ever played. Tasty playing, too. Re the Creamback, does it drop straight in? Thanks in advance 👍
congratulations Leonard, and thanks for this very usefull video for me, I´m just in the border to change from the tubes amp to solid state amps. By the way, your sound is really great. best
These haven't been out long enough to see how durable they are, but in theory they should (I hate the word "should" lol). I won't complain about mine (black) since I got it second hand mint for half price. Just the light weight and not to worry about tubes, mixed with how close they sound to the real thing is good enough for me to have it go through hours of daily practice. I haven't thought of replacing with the celestion speaker... but will consider it :) What I needed was a lightweight workhorse amp that can be loud and quiet (for the house) and I'm pretty sure I found it. I'll save some tube hours on my other amp. Thanks for your valued opinion! :)
@@leonardgriffieblues5845great job! I’m wondering if any local amp tech will take these amps in case they need repairs after the warranty or only fender are able to, since it’s digital technology.
@@michellegault4122I imagine it’s going to depend on the tech, but these are modular, and any good tech should be able to isolate a problem and order the replacement part from Fender, if needed. As I understand it, a lot of the parts are off the shelf stuff but things like the main processing unit are proprietary of course.
I bought one shortly after they arrived in the UK and it crapped out the second time I turned it on. Dead...Nuthin'.😮 I took it back to Guitar Guitar in Birmingham and they sent it back to Fender under guarantee. They replaced it with a new one. Obviously not very fixable. This was before Fender had published the firmware updates and the reverb was over the top at low attenuation. This all changed once the updates arrived. I am still a proud owner, I love the amp and am quite happy with the Jensen Neo. Great playing, man!
I've never played through a Tone Master Fender but I'm confident I'd be 100% happy with the sound. I'm sure I'll get one eventually. Right now I'm really enjoying my old Peavey Bandit 65 for fender-y cleans. It sounds incredible.
I have the Blonde Version and I still love it today. Even more so when I don't get to play on it for a few days or when I rotate it with little Supro Delta King 8 1wtt amp. I like the Blonde Deluxe better infact. It just really sounds thay part.
Yeah, it’s funny because I bought the black with the idea I’d immediately upgrade it to blonde specs, which I did. Then realized, “wait a minute, I could have bought the blonde for 50 bucks more, then sold my neo Creamback and come out ahead! Doh!” LOL. Thanks for watching.
@@leonardgriffieblues5845 lol true! But the original Blackface look one of my favorites. I wish I had the option of the Blackface with the creamback speakers. Although I really liked the sound of the Blonde Deluxe better. But I definitely dig the amp.
8:53 you are right and that's the problem, it's like most modern technology, which isn't made to last and gets replaced after a few years. Computers, smartphones, TVs, all of those get replaced every couple of years because they break, they burn, they have battery issues, the material worn out quickly, the updates stopped and a long etc
I think “every couple years” is a bit pessimistic. Fender reports very few Tone Master failures and contrary to what’s been repeated on the internet, they are fully serviceable. The problem isn’t that things like TVs don’t last, it’s that consumers want something new long before the one they have fails. I’ve been shopping used TVs. People are selling 7 or 8 year old models that work as well as ever because they bought one that’s 3 inches bigger. Computers, yes. They force you to upgrade as new software is developed. Thanks so much for watching.
It would be good if Fender put the Celestion Creamback in the Black amp. I've been sitting on the fence with the Tonemasters, and the new Bassman T/M seems very enticing. Not cheap though.
I agree, but they were going for something close to a vintage Deluxe and unfortunately that neo-Jensen is just not a very good speaker. Almost anything else would be better. Of course the advantage to the neo-Creamback is, not only does it sound great, but the firmware update gives you the IRs based on that speaker so the line out sounds just like what you hear out of the cab.
Hi. I agree with everything you said. I'm 75 yrs old (oh... man) and I now use a tone master Twin Reverb in my bar gigs. It sounds great. I've had it since 2021 and no problems so far. I love the fact that the XLR cab sim can go direct to the board and I can have lower stage volume. I also play in a weekly jam session where its possible to leave the gear there. For that jam I have a 68 Silverface Super Reverb that Is the classic Blackface (AB763) circuit. I am fortunate in that I have electronics training so I can repair it if need be. I love both these amps. I'd like to try the Deluxe though. And you're correct about that Tone Master being a hell of lot easier on my 75 year old back than the Tube versions. My only concern is, as you said, how long will Fender support these amps. If they decide to put an effects loop in future versions, I fear they might cease production of modules for earlier versions like mine. I can fix the 68 Super... the Tonemaster twin is another story. Keep up the great vids. Subscribed.
I have 7 fender tube amps but have been looking for something not as heavy. If they made a vibrolux version I'd probably considered buying one, but for the difference in cost between the deluxe reverb TM and black star debut 50 I ended up buying the debut 50 after trying both out.
Coincidentally, I own a 1966 Deluxe Reverb, had serious lumbar spine issues requiring major surgery, and am in a working band averaging 35-40 gigs per year. I bought the Blonde Deluxe Reverb Tone Master about a year ago. I agree the (42 lbs) tube version is slightly better, but in a live environment the (23 lbs) Tone Master is a winner. I now carry the amp in one hand and my guitar in the other when loading/unloading. I think of it as my "senior citizen" amp! Love it! Great review, thank you.
I found your review and comments very interesting and helpful. At 78 it's time to sell my old 58 Bassman, I just can't lug it around anymore like I used to. I can see the Tone Master Deluxe Reverb will do everything I'm likely to want perfectly. I've been wanting a Deluxe Reverb for several years.
Thanks. I’m glad you found the video helpful. Yes, these amps are quite capable. I used to lug a Super Reverb around myself and the Tone Master has been a godsend. Best of luck.
I wouldn't sell the Bassman until you've played the Tonemaster for a month or two. I had the Blonde deluxe tonemaster with the software updated, and wasn't very impressed. My Blues Junior IV sounded better overall to my ear. I sold the Tonemaster a couple of months later.
My 2 cents... I have the blonde TM Deluxe Reverb. I got it because it sounded good and it is only 23 lbs. I play only at home now. But I've had about 40 pre 1970 fender amps. IMHO, the TM Deluxe will not be close to your 58. But it will sound pretty good.
@@mikelundquist4596 Yes, I can't see myself gigging any more now. I only play at home these days too. I also use Scuffham S-Gear 3 on the computer sometimes. You can dial up a pretty close Deluxe Reverb for practicing at home on that. I'll check out the blonde TM Deluxe next time I'm in the city.
@@skeres01 Thanks for the tip. I don't think I'll be selling the Bassman now. I have it going through a Boss Tube Amp Expander, which allows the amp to sound great at any volume setting. As I've decided I most likely won't be gigging any more, the weight won't won't be an issue. I can't imagine it not sitting there behind me after all the years I've had it.
Great “Roast” or praise for your Tone Master!! I agree this amp sounds just about perfect for those of us that want that Fender sound without the weight or those pesky Tubes! One other complaint is the lack of a effects loop, and that would be a Big plus for guys that run a lot of pedals that sound better in a loop then thru the front. 💥😱
Yeah, there was a lot of carping about no loop when these came out. It seemed strange to put non traditional features like a line out and attenuator and no loop. I do seem to remember a Fender rep said there was a technical reason to leave it out but I can’t remember what it was.
Thank you so much for these truly insightful observations that can only come from long and deep experience. What a difference from other superficial reviews. I bought a used Black TM at a good price in a private sale. It recently failed and is now in for repair. Plan to update you guys with details when I get it back.
First, thank you. I’m very glad you found my presentation helpful. Yours is the first case of any failure of these amps I’ve personally heard of, and yes, I’d be very interested in the outcome. It would appear very few have had any problems (or reports would be impossible to miss) but of course an occasional issue is inevitable with any electronics. I hope it’s minor and inexpensive.
@@counterbalancelife4305 Fixed and working perfectly. Took it to Flynn Amps, very highly regarded around here……builder and repairer of tube amps. …Marshall/ Fender clones etc. The guy had never heard of TM. Completely flummoxed by the internals. Had little hope of sourcing parts. Lots of to and fro with Fender USA. (from here in Scotland) . Time consuming. Eventually they put him on the right track for parts. The work was way out of his specialisation. He didn’t really charge for the time he spent so I gave him a twenty five dollar bottle of champagne. We had great chat. He laughed at the dummy standby light. Explained how the shape of the squared-off digital wave form was always going to sound different from analogue. He’s right of course but I have a Blues Junior, a Five Watt Custom Champ , hand-wired, and a Princeton Reverb . Yes the TM sounds very slightly flatter……but still fantastic. I love it.
I owned a Marshall Origin for awhile. Not a bad amp at all. I’m more of a Fender amp guy but there was nothing wrong with the Origin. Thanks for watching.
Thanks! Very helpful - looking for a lighter giggable amp. This one sounds good. I notice they also have something called the FR-10 and 12. Might check those out too since they are smaller. I mostly play smaller places, and if I play a larger venue, they usually have the amps already there.
As a handwired Fender guy from the past, I will say that good on you on lightening the load! Lower back / hip issues caused me to use a different perspective on today's technology.
Oh yeah, if I was still body building and didn’t have the poor judgement to get old, I’d still be lugging my Super Reverbs around! 😆 Actually, I’m very lucky. These amps came along at exactly the right time. Thanks so much for watching.
I’ve been playing electric guitar in rock bands for 50 years (yes, 50). Been using two Tonemaster Deluxe Reverbs for over two years. One stays at the rehearsal room, the other I take to gigs. I absolutely love them. Only weighs 23 pounds ! Sounds as great as any Deluxe Reverb and is plenty loud enough! Sound guys STILL tells me to turn down! HA‼️. I play in a surf band and the reverb is just what I need! I heard the Celestion speaker upgrade adds 7 pounds to the amp. Is that true? If so, I’ll pass.
@@doctorskull8197 Not even remotely true. The Celestion Creamback Neo weighs 4.2 lbs, and the Jensen N12K weighs 4.4 lbs, so the Celestion is actually a hair lighter. I put a Creamback Neo in my Louis Electric Columbia Reverb (a terrific, all-tube 1x12 amp based on a Princeton Reverb circuit) to lighten the weight from 39 lbs to 34.5 lbs, and the speaker sounds absolutely GREAT in the amp... I love the Creamback Neo. Nonetheless, the amp is still heavier than my 70-year-old back is inclined to deal with every time I take it out, so I'm thinking of picking up a TMDR for a lot of my band's live gigs, which is why I found myself here.
I got sick of my tube amp sounding good, then crap, then great, then total crap based on the power available at gigs. I bought a Twin Reverb Tone Master and my first gig it actually sounded great. We had to play at lower volumes, so I used the attenuator. I've also played it at rehearsal at 22W power and it's a beast. It will never sound as good as a great tube amp with good power. But, who cares. It's consistently good all the time.
Exactly right my friend. I loved my vintage Super Reverbs, and thankfully I played enough big, outdoor festival stages where I could turn it up a bit. But it was never at home at small clubs. And, of course, I’m past being able to lug them around. With the superb line out, I rarely set my Tone Master Deluxe higher than the 12.5 watt setting, which allows dialing the amp into the sweet spot every single time. Yes, my SRs dialed into the sweet spot was a bit more heavenly, but I couldn’t always do that, so when it comes to that all important consistency, the TM wins. Thanks for watching.
My whole lumbar is fused and why I changed to TM Princeton 20 lbs. and we’ll worth it. Diff as you said marginal. I’m happy as a home studio/ song write4 @ 65. TY. I felt I was becoming tone deaf. I feel better now.
That’s great. Yeah these came along at the perfect time for a lot of us. I find it perfectly satisfying for both live and studio work. Thanks for watching.
Bought a black TM DLX RVB in 2019 when it hit the stores. Did not like it. The speaker, the reverb, the bright cab, how it took dirt pedals and there was some digital sizzle even when clean notes were ringing out. So I sent it back. Last year I got me a blonde one, did the latest firmware update (reverb and bright cap) and I am loving it! I also own a 64 Custom hand wired DLX Rvb where I swapped the original Jensen for a Creamback . That's my own, my precious. But the TM Blonde is perfect for practicing at home, recording at home and the odd session or pub gig.
I don’t tend to use effects loops, so for me it’s all about the character of the sound, and they are very different sounding amps. I haven’t had the opportunity to play through the TM Bassman yet, but from what I’ve heard it does have the tweed Bassman thing going on. It’s also going to be a bit louder if you need the extra volume. Obviously, if possible, spend some time playing through both. They probably feel a bit different as well. Thanks so much for watching.
Your playing is possibly some of the most elegant I've heard in a long time.
Thanks so much for the kind words. And thanks for watching.
@@leonardgriffieblues5845 but the big question is ; would Eric Clapton use one- or John Mayer ?
@@vincentl.9469LOL. When do you suppose was the last time EC carried his own gear?
@@leonardgriffieblues5845 I dont know, probably not for a long time
😂@@leonardgriffieblues5845
Hi Leonard. I have played guitar for many years and have had many amplifiers: Peavy Classic, Soldano 50, ENGL Sovereign, VOX AC30, Fender The Twin, Blues Deluxe, Deluxe Reverb RI, ... Now I have a Marshall DSL 40CR, a Boss Katana 100 and a Tonemaster Deluxe Reverb (black). I use the Katana for rehearsals, the Marshall for big events, but the one I use the most is the Tonemaster. It's light, it sounds good and with my pedalboard I have all the sounds I need. I am almost 73 years old and I appreciate the lightness of the material for transport and assembly. But after watching your video I have ordered a Celestion Neo Creamback that will arrive today and I will replace the Jensen, in addition to updating the firmware. Thank you very much for the video and congratulations on your way of playing, I love blues and you do it wonderfully.
Thank you so much. I think you’ll love the Celestion and the updates. Really transforms the amp.
This is by far the best review of the Tone Master.
Thanks so much.
Hi Leonard, thanks for your input on this amp. Great points and I’m glad to hear that someone with your experience and background find this amp worthy. Absolutely great playing. Thank you. 😊
@@davidconboy5822 And thank you so much for watching.
Love your smooth and sweet playing tone!
Thank you my friend
I love the consistency night after night. With the impulse response direct out I don’t have to even worry about someone putting a bad mic on it.
Yes, the line out is excellent. The sound guys have all been very happy with it. 👍🏼
I’ve had my Tonemaster Deluxe Reverb for two years and I can’t see myself changing it. What a great amp.
👍🏼😎 Thanks for watching.
Thank You man. I mean truly honest review,. I appreciate your assessment is after 2 years of real world use.
And thank you. I’m never trying to steer anyone or sell anyone on anything, just reporting my experience, and if my reviews are useful, then that’s gratifying.
Beautiful smooth playing !!
Thanks so much and thanks for watching.
I still have my 1964 Deluxe Reverb… I got as a birthday gift at 14 years old…… it was used …some parts were replaced years ago… but it still going strong … and at 69 years old … I can still move it … lucky me😅… I love the amp still after all these years ❤
That’s great. An unbeatable amp.
Thanks for watching.
@@leonardgriffieblues5845 o on another point… I got rid of JMC 800 with the 4 -12 cab and a Sunn Enforcer with its 4-12cab and a twin reverb and a super reverb and a 410 Peavey classic… over the years …now I have the Deluxe… a Polytone mini brute with 10’ speaker and a Boss Katana… I got rid of all the real heavy stuff… and PA systems are so good theses days that the mini brute can even sound like a tone monster. I’m gonna try Fender tone series one day … I just might not in time be able to lift the 64 up flights of stairs in the future… if I live long enough for that day to come Lol … so it may be time for one of those by then… love your playing and videos… they give me hope to keep playing 👍
I've had a Twin Reverb since about 1970. Still love it.
Yeah, I’ve played through a lot of them since the 60s. The old body just can’t lug em around anymore. Enjoy it and thanks for watching.
I am getting one of these amps so I am glad to hear your views on it! cool playing too...thank you
Glad you found it helpful. Thanks so much for watching.
I’ve had a blonde tonemaster deluxe for about two years as well. It’s the best overall guitar amp on the market today by my estimation. Great sound, light weight, and it solves every issue traditional Deluxe reverbs had. Great video 😊
Thank you my friend. Yes, at live shows it’s very consistent, which is important. And the power scaling and excellent line out are godsends at some shows.
Best ? Not
Real-world knowledge and rational commentary? How dare you! ;) Great video, great sounds, and subscribed. My TMDR Blonde arrives later today for its 30-day test run. I love the practical-ness of modelers and have been using a HX Stomp XL exclusively for a few years over dozens of gigs, though over the last few months I've come to realize I've been missing the connection between the guitar and the (real) amp. Perhaps the TMDR is the cure for what ails me!
Thanks so much. I hope it works for you. Glad you’re getting the Blonde. That Neo-Jensen in the black one literally ruins the amp. Thanks for watching.
Great comments about repairs. Yes most amps under $2K have surface mounted components which when failing fail very hard. Just because it is "tube" doesn't mean it was made well. As these units fail I bet there comes up a market for those used modules to be recycled into other broken units. If Fender did decide to completely drop support for the Tone Master line then nobody would buy anything similar they might come up with in the future. Nobody would trust them.
I concur. As an example, I have a friend who’s Blues Junior melted down beyond repair. Tubes are no guarantee the amp will be serviceable.
Thanks for watching.
Great insights makes me more at ease when considering getting a Tone Master for various reasons
@leonardgriffieblues5845 agreed! Tubes are often their own source of problems. I had a Fender HR DeVille that blew a power tube, which lead to not only new tubes but a trip to the technician to repair the other components that blew as a result of the blown power tube.
However any older fender tube amp at least from the seventies back is completely servicable
You need an older point to point amp with american tubes, it will run for decade after decade
Absolutely LOVE mine. I've had the TM Twin for two years and the TM Deluxe for a year and they cover all my needs for gigging and recording beautifully. I have sold most of my premium tube amps and the ones I still own just sit in a closet along with a Kemper and some boutique solid state amps. Between my TMs, there's nothing else I need or GAS for any longer.
Nice to hear. The vast majority of comments have been favorable. Even though originally bought mine because of an advancing back condition, hundreds of shows later and I still don’t feel like I’ve given up anything significant. These amps are quite an achievement.
Thanks so much for watching.
May I know what boutique solid state amps you own?
Great review - thanks for the update. The tones you're getting all sound uniformly excellent. The only place I could detect any digital "squish" is the example around 2:44 with the green Strat. It's pretty clear that today's digital isn't yesterday's solid-state and, as someone who's been chasing tone for 40 years and long ago decided my amps had to have tubes, I'm really rethinking my position.
You know they’re doing something right when I’ve had players come up to the stage and ask what year my Deluxe is. 😆
Thanks for watching.
Sounds absolutely lovely at 4:30 !
Thanks so much, and thanks for watching.
@leonardgriffieblues5845 It's a pleasure buddy!
Thanks for your thoughtful review - few people are willing to admit that once you get into a mix, our concerns about whether one or another is the best really results in the smallest, marginal gains. Seems like this amp is more than good enough, and this can be true while still preferring the overall feel and intricacies of a true tube deluxe.
In the midst of a performance, I really don’t notice any difference at all, except that I can always have it set at the perfect volume level.
Thanks
Even though I love my Tonemaster Deluxe, I've found that even a well setup Katana is hard to tell from a much more expensive amp. I end up playing it more than my classic 20 or Deluxe TM.
@@leonardgriffieblues5845It’s interesting how our ears adjust. I’ve been a Fender tube guy for 15 years. Still gig with my SuperSonic 22…
But got a Spark 40 (w/ external battery pack) for practice and now a Boss ME-90 for recording. People assume they’re hearing my $1500 tube amp on recordings…but, it’s ‘beginner’ gear dialed in mixed with some good guitar playing.
You hit a nail on the head!!!!! The hand wired Fenders of yesterday were all night and day. One in a shop would sound gorgeous with fantastic frequency compression and the next
sound horrible. Reason: A wrong resistor ort capacitor here and there. I finally broke the code by going over the component placement schematic Fender provided. It was amazing
how many errors would show up. As much as PCB is looked down on, you have to appreciate the consistency it provides.
Yep. Nothing wrong with high quality PCB construction.
Thanks for watching.
Oh, and thanks for a clear,rational review.
Very happy you found it so.
Answered all my questions. Plus, enjoyed your musicianship 😊
Thanks so much. Good to hear.
I've had my DRTM for 3+ years and love it. Yes at 73 the weight factor was a big part of my decision to buy one. I added tilt back legs. The line out with cab simulation is awesome and worked so much better than a mic in front of it! I did the download upgrade (bright cap delete) and I like the suggestion for a Celestian Cremeback. I may try that since the Jensen Neodymium gets a bit overwhelmed when pushed. Played gigs, indoor, outdoor, big band, little bands etc and I can't find much not to like about it. Good summary and I concur with all of your comments.
Thanks so much my friend. Yes, mine is updated to full Blonde spec, including the Neo-Creamback and firmware. I didn’t care for that neo-Jensen. Not terrible but the Celestion is a big improvement to my ears. Thanks for watching.
Great video! Balanced POV, I had never thought of the tv/appliance comparison. Nice playing and another cool tshirt!
Thank you my friend. Appreciated.
Thanks for playing a variety of guitars (single coil & PAFs) through the TM. Some of my favorite rig combos and you made it sound Good.
I just worked a trade with a guy for his two year old TM DR and I'm giving him my 11 year old '68 Custom Deluxe reverb reissue, the kind with the circuit board.
It's currently in good shape but does have a bit of the noise issue that is common on that model. I'm moving to a smaller place and needed something with an attenuator for playing in the house, so I like the TM for its sound and that feature specifically.
I've always had a tube amp and I've replaced a lot of tubes over the years. I figure that with my less than 3 hours a week on the TM, it should last me a long time.
Mine is still going strong after many, many shows, lots of recording, and almost all of my practicing. Plus it’s dead quiet and capable of very low volume. I do recommend the blond version updates, speaker and firmware.
Over the last year I’ve been tone chasing again. I purchased a Maz 18, Joe Walsh Z Master, and Fillmore 25. I still play my blonde TM Deluxe 90% of the time.
I don’t know if I mentioned this in the video, but I played live in a loud room a few days ago and it occurred to me I’ve never experienced any modeling amp that’s as present in a live setting as the TM.
Glad you’re enjoying yours. Thanks for watching.
Of course! The Deluxe Reverb ToneMaster is awesome, can't find anything close.
I have to agree. Many sound pretty good, but the Tone Master feels better under the fingers. Thanks for watching.
Awesome points and great review!! Thankyou sir.
And thank you so much for watching
The current Fender Tone Master Deluxe Reverb is just an amazing amp. Good choice...
Thanks.
After playing so many different amps through the years , I like reliability. Never really heard much difference between tube & solid state except for their warmth . At the expense of sounding naive tube amps are heavy and tubes gas up . Solid state amps of yesteryear are too. I have a number of amps and my go to amp for gigging is a fender champion 100. If I need more , I mike it or line it . For years I used a Peavey Bandit 65 . Then a Classic 50 4/10. However my all time favorite was a 72 Princeton that I no longer own . I bumped it up to 35 watts from 12 . Today I just use what the show calls for . I never could afford a 2K amp . Besides Im actually a 50+ year drummer . Im glad You found something thats easier for you to tote . Best regards , Ben*Ben
Thanks so much. You know, over the course of my very long career, I’ve played many of the best amps ever made, and I don’t regret playing the Tone Master one bit. At the end of the day, it’s about the playing and this amp doesn’t hinder that in the slightest.
Thanks for watching.
I once played over an original deluxe reverb and it was incredible. Most of the videos about the Tonemaster did not yet convinced me but you gave me a lot of arguments and some thought food. Thank you - btw: very tasty blues playing.
Thank you my friend. Yes, as I mentioned, I’ve played a lot of Deluxe Reverbs. The Tone Master isn’t identical but in a real world setting it’s very close to all but the most magical examples, and it’s many advantages close the gap. But keep in the mind the speaker is critical. I didn’t like the neo Jensen at all.
@@leonardgriffieblues5845 : I have the 64 Dream Pedal and I actually prefer my Quilter Superblock US over it. The clean-breakup does not convince me. How does the Tone-Master break up? As a blues-player it's all about cleans breaking up a little bit but most people do not make videos about that when presenting guitar-amps. I was about getting a Victory V4 amp but unfortunately the prices went up by 100€ here in germany so a TMDR is getting into the same price-league. For people who do not want to lug big amps around it is very interesting (BTW: I love pedal-amps).
Excellent playing sir! Need to brush up on my blues vocabulary. The tone of your amp sounded great! A compliment to your style of playing. Very natural.
Thanks my friend. Appreciated.
Sweet playing and wise words. Can’t beat that! Thanks for the video.👏
Thank you my friend.
i''ve owned a TM blonde for over a year and i love it, I'm older and gig about 1 to 3 times a week and i'm a tube snob I've own several Deluxe reverbs since the 60's the reverb on a most of them older amps. sound great.
The blonde version or equivalent sounds the best to my ears. I realized after saving a few bucks by buying the black and converting it to a blonde equivalent, I would have come out ahead just buying the blonde and selling the neo Creamback I had. Doh!
Thanks for watching.
What is the speaker brand for your blonde? I’ve noticed that the website descriptions never mention this at all.
@@CageyLeigh it's a celestion neo
Your comments beginning at 4:12 has been my experience exactly. Tube amps are only slightly better sounding, and only when played on their own. In a band setting the TM sounds & feels the same as a tube amp. Thanks for the video!
Very happy you enjoyed it.
I’ve had my TMDR since February 2020 and l love it. I updated to the blonde firmware, but still have the original neo Jensen, which sound fine for me. The attenuator was a godsend during four months of lockdown- that amp just about kept me sane!
That’s great. Keep it keeping you sane and thanks for watching.
What is the advantage of the blonde firmware?
every gigging (former or current) guitarist I personally know has owned or does own a Deluxe Reverb or two... or three....most of them bought used, and made from pre CBS days to the late 1990's both blackface and silverface though there are a couple of new ones in that collection.
they all sound different, most sound good, some sound truely great, and a few sound like their best use would be to have a chain attached to the handle and used as a boat anchor.
all of the pre 2000's ones have had multiple repairs and have sometimes come back sounding like completely different amps.
I'm primarily, almost exclusively, a bass player and had long since moved from valve and MOSFETs to class D so I didn't have that "must be tube" bias (sorry pun not intended there) and I got the Tonemaster for home use with my Bass VI and baritone guitars and for jam nights so damned if I was going to buy a full sized guitar amp that dislocated my shoulder every time I wanted to walk it over two blocks to a friends place and because I thought it captured the spirit of the Deluxe, if not the sound of its best examples. I've had friends and friends of friends who've refused to use it on jam nights 'cause "solid state/digital modeling" but after I remove the tone master badge most have played through it and not even noticed they were plugged in to until told.. yeh some said "bit shrill" or similar once they found out others before they realised it was the Tone Master but mixes well with the other tube one at my friends place with no one sitting in as player or guests even noticing the "fake" classic from the 65 reissue in the room.
@@TheRealMarxz I found the shrillness to be mostly down to that neo Jensen, which is why mine is fully upgraded to the blonde version spec. The Celestion makes a massive difference.
Funny about removing the badge. I was doing a show a year or so ago and I had a guy come up, compliment my sound, and ask what year my Deluxe was. I’ve never removed the badge so clearly he didn’t notice, but he assumed not just tube, but vintage as well!
Yes, touring I played through a bunch of the reissues when available in the backline. They were all over the map sound wise. I also owned an early Silverface Deluxe back in the 90s, and honestly, it was more steely and shrill than the ToneMaster. At the end of the day, it’s the playing that matters, not subtle differences in sound.
Thanks so much for watching.
@@leonardgriffieblues5845 I have a Neo cream in a 1x12 cab which I've used with Katana head (never clicked with that so sold it) .... I've been thinking of putting a speaker out on the tonemaster but probably easier just to swap it out
I have the twin reverb version. I’ve been using live, direct IR out into the PA. I love it.
Yeah, the direct out is exceptional. I always instruct the sound guys to use that rather than micing.
Thanks for watching.
Totally agree with your assessment. I've owned one for about a year and love it too.
Nice. Thanks for watching.
Another thing to consider is the lack of ongoing maintenance costs. No tubes to replace, nothing to re-bias. Also, largely hum free unlike most tube amps. That said, for clean sounds I love my TM Super Reverb, but with drive pedals in front to get a classic rock tone, I just cant get a sound I'm happy with. I accept that may just be me, but its super easy with my Hot Rod Deluxe to get the sounds I'm looking for. So sadly, my TM may be up for sale. I really want to love these amps for all the reasons you've highlighted. (my back is also not as amp friendly as it once was)
I haven’t tried the TM Super Reverb. When I played vintage SRs, I tried the tube reissues in the backlines and didn’t really care much for them. Not sure what it was but they sounded nothing like mine. I suspected the speakers.
Thanks for watching.
Hot Rod Deluxe and drive pedals go hand in hand. I can't fault you for that because that's how the sound is meant to be. I play clean and I know that even if I play with pedals, my audience (which is my church congregation), won't even notice much. So I think I'll get the Tone Master because I can plug in direct to the PA system.
I can say I still love your playing and tone. Particularly like your lead/soloing. You don't see the need to 'wank off' with the guitar, but fit the lead lines within the song, or just musical. I love that. You are 100% correct on modern PCB based Tube Amps. In fact they have a few potential issues, that neither older PTP or even bullethole Tube amps, OR digital amps can have. Those boards can become conductive, from condensation over time with the high voltages in places, and have some truly spectacular catastrophic failures.
Thanks so much my friend. I really appreciate you enjoying my channel.
I enjoyed your review. I have the Deluxe Reverb and I feel the same exact way you do. I'm happy as can be with it.
Great to hear. Thanks for watching.
Very helpful video-- thanks! Now that I'm in the market for a new amp-- and also have back problems-- the Deluxe Reverb Tone Master is right there at the top of my list. Still deciding between the Fender, Boss Katan 50, and maybe the Line6 Catalyst. Weight has become just as important as sound/tone. Price naturally being a consideration makes me lean more toward the other amps, but I really do miss my old tube Deluxe Reverb sold many years ago. The price of replacement tubes is A LOT more than it was when I had my amp, AND I hated trying to trace down strange noises in that amp. Meaning the Tone Master is a logical alternative to the tube version. Anyway, really enjoy your videos!
Thanks so much. Very glad you found it useful.
@@leonardgriffieblues5845 After sleeping on it, I called my local shop and arranged to buy the blond version. I think my main reservation was the question of reliability-- so this video was just what I needed; a two year review. My afternoon will be spent with the new amp today :D Thanks again!
Great review and the 4:30 Albert King riff puts it all into perspective.
Thank you my friend. I appreciate the view.
Very informative video, with clear analysis, and honest pros & cons from an experienced musician. What more could I ask?
Thank you, I appreciate the positive feedback.
I've had my Twin for almost three years now. No problems, and great tone. Add the DO and the power attenuator and it's an unbeatable package.
Yes, lots of upside to these. Thanks for tuning in.
Griff, love your channel. You provide very articulate and honest reviews of these different products. Hope you have a great day!
Thanks so much my friend. Very happy you enjoy my channel. Have a great one yourself.
I Have the fender super reverb tone master and I love the sound without the weight. I'm glad I came across your channel. keep up the good work I enjoy your videos.Its nothing like a down to earth guy enjoying what they do.and that's playing the guitar!!!
Thanks so much. I’m happy you found my channel and enjoy it. 😎
I haven't had a chance to check out a Tone Master Super, but it seems like the ideal application for an attenuator and lightweight drivers in a pine cab. Super Reverbs sound glorious when cranked, but they're painfully heavy, even for a younger player, and the way they beam can get you in a lot of trouble with FOH, and with audiences in smaller venues.
I just bought the Twin Reverb TM amp last night. It is an upgrade from my Princeton 60w 12" speaker. All I can say is WOW - it is so loud and clean and no distortion. I can't wait to play with it more tonite! And I got it off Craig's L. for $650 in pristine condition!
Well that sounds like a great deal. Thanks so much for watching.
Thanks for this great update and review! I've been looking at the Tone Masters for a while now and really liked the sound and authentic feel of the Deluxe. Nice to know on the firmware update and swapping out the speaker as well! The older I get the less weight I want to pack to a gig, so these appear to be a great option. Also - Great playing on here!!! Cheers!
Thanks so much. Yes, I’ve yet to see a downside. If I could still lug my vintage Super Reverbs I probably would, but honestly, I’ve been very happy with the Tone Master. Thanks for watching.
Excellent Leonard. I've had my Twin Reverb about the same time and bought in the same circumstance. I read a review that said, "and the best thing is, I don't need my phone to program it!!" SOLD, right there haha. I love it, but am looking to swap to Celestions, so your thoughts have really helped. Some very tasty playing too.
Thank you my friend. Yes, if you’re a lover of blackface Fenders but can no longer cope with the weight, these amps are a godsend. Thanks so much for watching.
Very much the same conclusion I reached. I have a DRRI and the Tone Master. They sound quite different, and the valve amp does have richer mids and slightly thicker tone. I also updated the speaker to a Creamback and the firmware update. Without it. I hated it. The Jensen Neo has a harsh 3-5khz spike that is ghastly. And that’s why people comment on poor performance with drive pedals. I take the Tonemaster to most gigs. The weight and attenuation alone makes this choice easy.
Thank you. You’re absolutely right. It’s not my vintage Super Reverb, but in a band mix at stage volume, it sounds great and I don’t have to hire someone to carry it! Thanks for watching.
Very nice review. Props to fender for figuring out an amp version of an iphone. Cant wait to hear the bassman in October. Ty.
Thanks so much. Yeah, the Bassman look promising.
I like mine a lot. The attenuation feature is 🔥.
I can set it at one watt and overdrive it without pedals at low volumes.
BTW, I like the stock speaker. To each his own.
Absolutely. If the stock neo-Jensen works for you then no reason to pay more. There are so many factors. Which guitar, what your settings are, what your touch is like, etc., etc. Thanks so much for watching.
I have the blonde TM deluxe and love it. I also love Roland Blues Cubes. I have owned both a handwired deluxe reverb and handwired Princeton and although they sound good, I usually could not crank them to get the best out of them. If you take the flexibility of the TM and great sound, it is a far better amp for most players. I thought your video was superb, your playing is lovely and you explained the benefits of the TM to a tee. Very well done, now subscribed. All the best mate 🎸
Thanks so much. I actually played a Blues Cube Artist for probably a year. Pretty nice amp. I do prefer the TM though. Playing blackface Fenders literally all my life it’s a pretty comfortable fit. Thanks again for watching.
I agree with your assessment of this amp. You can hear a difference between a TMDR and a 65 reissue or a real 65. But it’s not a huge difference especially in the mix. For the weight and features, the TMDR is a really good option. I bought mine about the same time as you did - early 2020. I’ve used it about 3 hours a day. It failed late February 2023 - just out of warranty. I took it to an authorized Fender repair facility. It was repaired at no charge through Fender support. A surface mount diode had failed. It was a Fender documented service procedure for a known issue for a batch of randomly bad components. It’s not ‘landfill’ unless there’s severe electrical or water damage. I run a company that manufactures and services surface mount technology. If it’s not proprietary it can generally be fixed using market components. If it’s proprietary, then it’s up to Fender support or secondary market sources. I like it a lot.
Yeah, a lot better story than my friend’s Blues Junior, which caught fire and melted the PCB!
Thanks for watching.
I still love mine three years later
I’m coming up on three years this spring. Still going strong. 😎
Most useful review of these amps I’ve seen. 👍
Well thanks. Happy to hear that.
Thank you Boss Man. Very helpful .. and beautifully tasteful playing. 👍🏻 😎 🫡
Thank you my friend. Appreciated.
Thanks Leonard. Good review. I want to replace my 1980's Fender Montreux. (solid state version that replaced the original Twin Reverb, before re-introducing the tubed, "The Twin").
The one issue you mentioned about being not quite as full or fat comparatively. One thing that works for me on solid-states is to run a Blues Driver pedal with the drive at zero, volume to balance, and the little tone control to dial in humpups or SCoils. Clean and fat. I leave it on all the time. Turn the pedal off for super-clean or thinner sound.
I do use drives and boosts, but really, it sounds fine. They did a great job. I only meant that if you did a direct A/B with a good tube DR, it may not seem quite as rich in isolation. But in any real world use, I don’t miss anything.
Thanks for watching.
@@leonardgriffieblues5845 Thanks Len. I think you have a great sound, from watching your videos. I did understand that you had no problems with the slight difference. I just thought to flesh out the topic for your viewers. The driver at zero gain is a great way to add fat without added distortion. Caveat: My Blues Driver had the tone circuit modded for more range before I started using it this way. So who knows!
I have the blonde one. Nice amp, great sound celestion speaker is mandatory. Cheers
Obviously I agree, especially about the speaker. I honestly didn’t care much for the stock black version. Thanks so much for watching
Great review. Exactly the things I wanted to know.
Glad it was helpful! Thanks for watching.
I have owned the Fender Tone Master Twin Reverb for about a year. Zero complaints besides that it’s not worth as much if I had to sell it as the tube amplifier. The only thing I wish they added was an effects loop but that’s a very minor thing. Other than that, it sounds and plays great.
Nice. Enjoy it my friend and thanks for watching.
I did the obvious, and bought mine used. Ducking that initial depreciation improved the value equation, and happily, it's still chugging along just fine. As far as the speakers go, the one thing that most pros agree about, is that the stock Jensen in a DRRI doesn't cut it. Following my own preferences, I didn't go with a Creamback, either. I currently have the well broken-in Alnico Weber 125-A0 from my Tweed Deluxe in it. Not everybody's choice for a blackface Fender, but it works for me!
@@steverolfeca I might consider that myself
Thanks Leonard, that really helped me make my mind up to buy one - Mark
Well I hope it works great for you. Thanks so much for watching.
Good review and really enjoyed your playing!
Thank you so much. Appreciated.
I'm currently playing a (fantastic) 70-pound 1982 Carvin EV-100 and want to get one of these lightweight beasts!!!
I feel ya. I used to lug 70 lb. Super Reverbs around. Glad I was body building back then!
Hey Leonard -
Great review and overview. Fantastic to have your real world use experience to be especially good to hear.
I've had mine since pretty much when they were released. I've got amps like a 100w Mesa Lonestar, a Marshall JTM45 half stack, 30w vintage style PRS (no gain other than pushing the el84s or the preamp tubes via the master vol), a few other nice tube amps, including an original '68 Super Reverb. But what's running this very moment? We'll, it's getting late here and playing my SR at its best volume - no can do, so I've got my DR on the lowest setting, turned up to about 4 and life is good and everyone (the neighbors) are happy!
Good luck with your channel!
Paul in Austin
First, thanks so much and I’m happy you enjoyed the video. You know, that’s the thing, if I could still carry vintage Super Reverbs I’d likely be doing that, but owning and using this Tone Master does solve a lot of problems and the sound really doesn’t feel like a compromise.
Can listen to you all day
Thank you so much.
My Blonde Twin Tonemaster is still going strong. Approx 50 gigs on it thus far.
That’s great. Failures still seem to be pretty rare. I’ve only ever heard of one and it was completely repairable as you’d expect. Thanks for watching.
Love your playing style.
Thanks so much, and thanks for watching.
Great video. More reviews should be like this, (re)assessing the equipment after a prolonged period of use in different situations. This is only the second video on these amps I've seen that mentions that the tube versions vary wildly in sound - most don't have that experience, and compare the Tone Master to the one and only tube version they've ever played. Tasty playing, too.
Re the Creamback, does it drop straight in? Thanks in advance 👍
Thanks so much. Appreciated. Yes, the Neo-Creamback is the speaker used in the Blonde version and it drops right in.
congratulations Leonard, and thanks for this very usefull video for me, I´m just in the border to change from the tubes amp to solid state amps. By the way, your sound is really great. best
Thank you so much.
great Amp-Info Leonard, the vintage creamy blues sound is awesome
Thanks. So glad you liked it.
These haven't been out long enough to see how durable they are, but in theory they should (I hate the word "should" lol). I won't complain about mine (black) since I got it second hand mint for half price. Just the light weight and not to worry about tubes, mixed with how close they sound to the real thing is good enough for me to have it go through hours of daily practice. I haven't thought of replacing with the celestion speaker... but will consider it :) What I needed was a lightweight workhorse amp that can be loud and quiet (for the house) and I'm pretty sure I found it. I'll save some tube hours on my other amp.
Thanks for your valued opinion! :)
And thank you so much for watching.
@@leonardgriffieblues5845great job! I’m wondering if any local amp tech will take these amps in case they need repairs after the warranty or only fender are able to, since it’s digital technology.
@@michellegault4122I imagine it’s going to depend on the tech, but these are modular, and any good tech should be able to isolate a problem and order the replacement part from Fender, if needed. As I understand it, a lot of the parts are off the shelf stuff but things like the main processing unit are proprietary of course.
Hi Leonard, just listened to "better late. .." really enjoyed it, some really good songwriting.
Thanks so much.
Very well articulated!
Thanks so much.
i have mine for 3 years now ( the black one ) , have not done any firmware upgrade and i like the jensen speaker , great amp , great sound !
Very nice. Thanks for watching.
I have one coming this week or early next week (Black one). What does the Firmware upgrade do/change specifically? Thanks
I bought one shortly after they arrived in the UK and it crapped out the second time I turned it on. Dead...Nuthin'.😮 I took it back to Guitar Guitar in Birmingham and they sent it back to Fender under guarantee. They replaced it with a new one. Obviously not very fixable. This was before Fender had published the firmware updates and the reverb was over the top at low attenuation. This all changed once the updates arrived. I am still a proud owner, I love the amp and am quite happy with the Jensen Neo. Great playing, man!
I've never played through a Tone Master Fender but I'm confident I'd be 100% happy with the sound. I'm sure I'll get one eventually. Right now I'm really enjoying my old Peavey Bandit 65 for fender-y cleans. It sounds incredible.
If you’re happy with your sound, no need to spend money. Thanks so much for watching.
Never a bad idea to have an 80s peavey sitting around, they can be had for cheap and will come through when you need them
@@jasondorsey7110 And Peavey amps from the 80s will be some of the few things that survive a nucelar blast.
I have the Blonde Version and I still love it today. Even more so when I don't get to play on it for a few days or when I rotate it with little Supro Delta King 8 1wtt amp. I like the Blonde Deluxe better infact. It just really sounds thay part.
Yeah, it’s funny because I bought the black with the idea I’d immediately upgrade it to blonde specs, which I did. Then realized, “wait a minute, I could have bought the blonde for 50 bucks more, then sold my neo Creamback and come out ahead! Doh!” LOL.
Thanks for watching.
@@leonardgriffieblues5845 lol true! But the original Blackface look one of my favorites. I wish I had the option of the Blackface with the creamback speakers. Although I really liked the sound of the Blonde Deluxe better. But I definitely dig the amp.
8:53 you are right and that's the problem, it's like most modern technology, which isn't made to last and gets replaced after a few years. Computers, smartphones, TVs, all of those get replaced every couple of years because they break, they burn, they have battery issues, the material worn out quickly, the updates stopped and a long etc
I think “every couple years” is a bit pessimistic. Fender reports very few Tone Master failures and contrary to what’s been repeated on the internet, they are fully serviceable. The problem isn’t that things like TVs don’t last, it’s that consumers want something new long before the one they have fails. I’ve been shopping used TVs. People are selling 7 or 8 year old models that work as well as ever because they bought one that’s 3 inches bigger. Computers, yes. They force you to upgrade as new software is developed.
Thanks so much for watching.
It would be good if Fender put the Celestion Creamback in the Black amp. I've been sitting on the fence with the Tonemasters, and the new Bassman T/M seems very enticing. Not cheap though.
I agree, but they were going for something close to a vintage Deluxe and unfortunately that neo-Jensen is just not a very good speaker. Almost anything else would be better. Of course the advantage to the neo-Creamback is, not only does it sound great, but the firmware update gives you the IRs based on that speaker so the line out sounds just like what you hear out of the cab.
Hi. I agree with everything you said. I'm 75 yrs old (oh... man) and I now use a tone master Twin Reverb in my bar gigs. It sounds great. I've had it since 2021 and no problems so far. I love the fact that the XLR cab sim can go direct to the board and I can have lower stage volume. I also play in a weekly jam session where its possible to leave the gear there.
For that jam I have a 68 Silverface Super Reverb that Is the classic Blackface (AB763) circuit. I am fortunate in that I have electronics training so I can repair it if need be. I love both these amps. I'd like to try the Deluxe though. And you're correct about that Tone Master being a hell of lot easier on my 75 year old back than the Tube versions. My only concern is, as you said, how long will Fender support these amps. If they decide to put an effects loop in future versions, I fear they might cease production of modules for earlier versions like mine. I can fix the 68 Super... the Tonemaster twin is another story.
Keep up the great vids. Subscribed.
Nice. I used to tour with a 68 Super Reverb. Had two of em. I loved em but If I lifted one now I’d be crippled for weeks!
Thanks so much for watching.
I have 7 fender tube amps but have been looking for something not as heavy. If they made a vibrolux version I'd probably considered buying one, but for the difference in cost between the deluxe reverb TM and black star debut 50 I ended up buying the debut 50 after trying both out.
Well finding something you like for that price is great. Glad it works for you.
Coincidentally, I own a 1966 Deluxe Reverb, had serious lumbar spine issues requiring major surgery, and am in a working band averaging 35-40 gigs per year. I bought the Blonde Deluxe Reverb Tone Master about a year ago. I agree the (42 lbs) tube version is slightly better, but in a live environment the (23 lbs) Tone Master is a winner. I now carry the amp in one hand and my guitar in the other when loading/unloading. I think of it as my "senior citizen" amp! Love it! Great review, thank you.
Thank you. I find that those who’ve actually used these amps feel the same way.
"senior citizen" amp for you and "midlife crisis" amp for me! We all win, especially our backs and arms.
I found your review and comments very interesting and helpful. At 78 it's time to sell my old 58 Bassman, I just can't lug it around anymore like I used to. I can see the Tone Master Deluxe Reverb will do everything I'm likely to want perfectly. I've been wanting a Deluxe Reverb for several years.
Thanks. I’m glad you found the video helpful. Yes, these amps are quite capable. I used to lug a Super Reverb around myself and the Tone Master has been a godsend. Best of luck.
I wouldn't sell the Bassman until you've played the Tonemaster for a month or two. I had the Blonde deluxe tonemaster with the software updated, and wasn't very impressed. My Blues Junior IV sounded better overall to my ear. I sold the Tonemaster a couple of months later.
My 2 cents... I have the blonde TM Deluxe Reverb. I got it because it sounded good and it is only 23 lbs.
I play only at home now. But I've had about 40 pre 1970 fender amps. IMHO, the TM Deluxe will not be close to your 58. But it will sound pretty good.
@@mikelundquist4596 Yes, I can't see myself gigging any more now. I only play at home these days too. I also use Scuffham S-Gear 3 on the computer sometimes. You can dial up a pretty close Deluxe Reverb for practicing at home on that. I'll check out the blonde TM Deluxe next time I'm in the city.
@@skeres01 Thanks for the tip. I don't think I'll be selling the Bassman now. I have it going through a Boss Tube Amp Expander, which allows the amp to sound great at any volume setting. As I've decided I most likely won't be gigging any more, the weight won't won't be an issue. I can't imagine it not sitting there behind me after all the years I've had it.
What an excellent channel!
Thank you so much. Appreciated.
Great “Roast” or praise for your Tone Master!! I agree this amp sounds just about perfect for those of us that want that Fender sound without the weight or those pesky Tubes!
One other complaint is the lack of a effects loop, and that would be a Big plus for guys that run a lot of pedals that sound better in a loop then thru the front. 💥😱
Yeah, there was a lot of carping about no loop when these came out. It seemed strange to put non traditional features like a line out and attenuator and no loop. I do seem to remember a Fender rep said there was a technical reason to leave it out but I can’t remember what it was.
@@leonardgriffieblues5845 It had to do with latency if I remember correctly.
Thank you so much for these truly insightful observations that can only come from long and deep experience. What a difference from other superficial reviews. I bought a used Black TM at a good price in a private sale. It recently failed and is now in for repair. Plan to update you guys with details when I get it back.
First, thank you. I’m very glad you found my presentation helpful.
Yours is the first case of any failure of these amps I’ve personally heard of, and yes, I’d be very interested in the outcome. It would appear very few have had any problems (or reports would be impossible to miss) but of course an occasional issue is inevitable with any electronics. I hope it’s minor and inexpensive.
Any update on the repair of your Tone Master? What failed and was it a reasonable cost to get repaired?
@@counterbalancelife4305 Fixed and working perfectly. Took it to Flynn Amps, very highly regarded around here……builder and repairer of tube amps. …Marshall/ Fender clones etc. The guy had never heard of TM. Completely flummoxed by the internals. Had little hope of sourcing parts. Lots of to and fro with Fender USA. (from here in Scotland) . Time consuming. Eventually they put him on the right track for parts. The work was way out of his specialisation. He didn’t really charge for the time he spent so I gave him a twenty five dollar bottle of champagne. We had great chat. He laughed at the dummy standby light. Explained how the shape of the squared-off digital wave form was always going to sound different from analogue. He’s right of course but I have a Blues Junior, a Five Watt Custom Champ , hand-wired, and a Princeton Reverb . Yes the TM sounds very slightly flatter……but still fantastic. I love it.
Sounds good to me.
First gen CT here which i gigged and love.
And that’s what it’s about. Thanks.
Thanks. Great to hear it played well with different guitars.
So glad you found it useful. Thanks for watching.
I don’t know how but I seen this when you got it I seen one year and now I’m seeing the two year I bought a Marshell origin very clean for the blue
I owned a Marshall Origin for awhile. Not a bad amp at all. I’m more of a Fender amp guy but there was nothing wrong with the Origin. Thanks for watching.
Hey man, this is an excellent video. You give real world, real experience info and you're a player. A player! Thanks, LGB. Rock on, my good sir!
Thank you my friend. Happy you enjoyed it.
Thanks! Very helpful - looking for a lighter giggable amp. This one sounds good. I notice they also have something called the FR-10 and 12. Might check those out too since they are smaller. I mostly play smaller places, and if I play a larger venue, they usually have the amps already there.
Thanks, I’m glad you found it helpful.
As a handwired Fender guy from the past, I will say that good on you on lightening the load! Lower back / hip issues caused me to use a different perspective on today's technology.
Oh yeah, if I was still body building and didn’t have the poor judgement to get old, I’d still be lugging my Super Reverbs around! 😆
Actually, I’m very lucky. These amps came along at exactly the right time.
Thanks so much for watching.
I’ve been playing electric guitar in rock bands for 50 years (yes, 50). Been using two Tonemaster Deluxe Reverbs for over two years. One stays at the rehearsal room, the other I take to gigs. I absolutely love them. Only weighs 23 pounds ! Sounds as great as any Deluxe Reverb and is plenty loud enough! Sound guys STILL tells me to turn down! HA‼️. I play in a surf band and the reverb is just what I need! I heard the Celestion speaker upgrade adds 7 pounds to the amp. Is that true? If so, I’ll pass.
@@doctorskull8197 Not even remotely true. The Celestion Creamback Neo weighs 4.2 lbs, and the Jensen N12K weighs 4.4 lbs, so the Celestion is actually a hair lighter. I put a Creamback Neo in my Louis Electric Columbia Reverb (a terrific, all-tube 1x12 amp based on a Princeton Reverb circuit) to lighten the weight from 39 lbs to 34.5 lbs, and the speaker sounds absolutely GREAT in the amp... I love the Creamback Neo. Nonetheless, the amp is still heavier than my 70-year-old back is inclined to deal with every time I take it out, so I'm thinking of picking up a TMDR for a lot of my band's live gigs, which is why I found myself here.
I got sick of my tube amp sounding good, then crap, then great, then total crap based on the power available at gigs. I bought a Twin Reverb Tone Master and my first gig it actually sounded great. We had to play at lower volumes, so I used the attenuator. I've also played it at rehearsal at 22W power and it's a beast. It will never sound as good as a great tube amp with good power. But, who cares. It's consistently good all the time.
Exactly right my friend. I loved my vintage Super Reverbs, and thankfully I played enough big, outdoor festival stages where I could turn it up a bit. But it was never at home at small clubs. And, of course, I’m past being able to lug them around.
With the superb line out, I rarely set my Tone Master Deluxe higher than the 12.5 watt setting, which allows dialing the amp into the sweet spot every single time. Yes, my SRs dialed into the sweet spot was a bit more heavenly, but I couldn’t always do that, so when it comes to that all important consistency, the TM wins.
Thanks for watching.
Hand wired for me.
That sunburst hollow sounds great.
As I said in the video, I played vintage Super Reverbs for years. But the weight would kill me these days. Thanks for watching.
Great synopsis/assessment Leonard!
Thanks very much. I hope you found it useful.
My whole lumbar is fused and why I changed to TM Princeton 20 lbs. and we’ll worth it. Diff as you said marginal. I’m happy as a home studio/ song write4 @ 65. TY. I felt I was becoming tone deaf. I feel better now.
That’s great. Yeah these came along at the perfect time for a lot of us. I find it perfectly satisfying for both live and studio work. Thanks for watching.
Bought a black TM DLX RVB in 2019 when it hit the stores. Did not like it. The speaker, the reverb, the bright cab, how it took dirt pedals and there was some digital sizzle even when clean notes were ringing out. So I sent it back. Last year I got me a blonde one, did the latest firmware update (reverb and bright cap) and I am loving it! I also own a 64 Custom hand wired DLX Rvb where I swapped the original Jensen for a Creamback . That's my own, my precious. But the TM Blonde is perfect for practicing at home, recording at home and the odd session or pub gig.
Yes, but the firmware update and speaker make all the difference. Night and day really. Thanks for watching.
Great review and playing. I am on the fence with the blond deluxe or the new Bassman Tone Master with the effects loop.
I don’t tend to use effects loops, so for me it’s all about the character of the sound, and they are very different sounding amps. I haven’t had the opportunity to play through the TM Bassman yet, but from what I’ve heard it does have the tweed Bassman thing going on. It’s also going to be a bit louder if you need the extra volume. Obviously, if possible, spend some time playing through both. They probably feel a bit different as well.
Thanks so much for watching.