Stunning. Dindo's playing transcends what I had long considered what already was the highest level of artistry and technical mastery possible on the cello-something that represented the attainment of the pinnacle. I was wrong, at least about the extraordinary playing shared on these videos by a man whom I consider to be the greatest cellist in the world today. My greats of the past-Tortelier, Starker, Rostropovich, Fournier, Gendron, Cassado, et al-rather than feeling usurped, surely, are looking down and smiling, knowing that the pathway they had built had not reached the end of the line , but rather, cleared the way for others (of the necessary talents and commitment) to continue the journey. With that, Dindo has taken the cello to altogether new heights, a mind-numbing achievement for which there seem to be no adequate words.
Es muy notable en estas suites cómo Enrico Dindo no sólo obtiene un salido cálido y profundo que se siente en el oido y en la piel, sino que es magistral como maneja las tensiones y las resuelve con una sonoridad perfecta y limpia. Mario Carlos Ginzburg Argentina
Thank you Mr. Dindo! I am busy now with the complete Bach Suites, going to record them in October! I was a little lost in this Suite, but you INSPIRE me! Thank you for this wonderful interpretation! For me you and Truls Mork are my favourites!
There are as many ways to play the Suites as there are players capable of executing them; but I often refer to these performances as being as close to the way I do them myself (violist) as I've found anywhere. Bravo Signor Dindo!
L'ho ascoltata in concerto a Pisa pochi giorni fa ed è stata davvero una grande emozione. Speravo proprio di trovare una sua esecuzione delle suite di Bach (in particolare la n.5) su RUclips. Grazie per averla condivisa (e grazie per il bellissimo concerto) !! :)
Suite 5 is normally my least favorite of Bach's suites (Except I love this suite's courante) But listening to this interpretation of it was so amazing!
I appreciate the fact that he uses little or no vibrato. In the baroque period vibrato was a form of ornamentation. If you listen to a proper baroque chamber orchestra, they use vibrato sparingly. I just discovered this guy and I adore his playing. Mind you, I love Yo Yo Ma and Mischa Maesky but I think this guy sounds better.
My favorite suite, especially when played with the scordatura. Have you tried any of embellishments of the Sarabande, such as the one by Simon Rowland-Jones?
enrico dindo Enrico, do you know of anywhere (apart from iTunes) where I can buy a downloadable version of your complete Bach suites. As I am in U.K., iTunes doesn't allow me to buy it from the Italian store 😪...and the CDs are unavailable in Amazon UK !. ....Kind regards, Ray
@@antonycooke6402 she's a vocalist. How in the hell would she know how to phrase the Bach cello suites? There's this joke which I find to be very true in all its irony: vocalists have so much air coming in and out of them that inside their head there's nothing else but air itself.
00:13 Prelude
06:30 Allemande
13:27 Courante
15:25 Sarabande
19:49 Gavotte I & II
24:22 Gigue
Stunning. Dindo's playing transcends what I had long considered what already was the highest level of artistry and technical mastery possible on the cello-something that represented the attainment of the pinnacle. I was wrong, at least about the extraordinary playing shared on these videos by a man whom I consider to be the greatest cellist in the world today. My greats of the past-Tortelier, Starker, Rostropovich, Fournier, Gendron, Cassado, et al-rather than feeling usurped, surely, are looking down and smiling, knowing that the pathway they had built had not reached the end of the line , but rather, cleared the way for others (of the necessary talents and commitment) to continue the journey. With that, Dindo has taken the cello to altogether new heights, a mind-numbing achievement for which there seem to be no adequate words.
Antony Cooke, thank you, you are so kind. I'm happy you like. All the best. Ciao
Each phrase is perfectly pronounced. Amazing performance!
The prelude is strange, haunting, and beautiful. Your playing sounds very.... rock 'n roll !
The most beautiful playing g of this piece I have ever heard💗🔥👏🙏
OMG! I must say as a cello student, I just listened the prelude, and it was breathtaking!!!!!!! Bravo signore Dindo
Meraviglioso...Senza parole
Una delle migliori interpretazioni di questa Suite che abbia mai ascoltato! Mi piace pure la scelta di aver adottato un diapason barocco La=415 Hz.
Giorgio Lamborghini grazie 🙏🏼
Such meditative yet thorough artistry.
Es muy notable en estas suites cómo Enrico Dindo no sólo obtiene un salido cálido y profundo que se siente en el oido y en la piel, sino que es magistral como maneja las tensiones y las resuelve con una sonoridad perfecta y limpia.
Mario Carlos Ginzburg Argentina
Enrico Dindo, the best!!!
As a viol player, I like your interpretation and bowing
Thank you Mr. Dindo! I am busy now with the complete Bach Suites, going to record them in October! I was a little lost in this Suite, but you INSPIRE me! Thank you for this wonderful interpretation! For me you and Truls Mork are my favourites!
Thank you. Enjoy your recording!
Enrico Dindo Thank you! I will enjoy....once it is done 😅
Enrico Dindo GRANDE interprete.
Che meraviglia! Grazie di cuore per aver condiviso questi magnifici video...
PS Spero tanto di ascoltarLa in dal vivo un giorno.
On my lunch break at work, and I only have time to listen to the Prelude right now, but man, it was FABULOUS!
Tnx Seán 😉
@@enricodindoYT You're welcome, Enrico; thank you so much. I look forward to listening to the rest of the suite when I have the chance.
Davvero bravo, complimenti.
marvelous. great tone and phrasing and very intense playing
Magnifica!
Divine. 😍
This is mi favorite interpretation.
There are as many ways to play the Suites as there are players capable of executing them; but I often refer to these performances as being as close to the way I do them myself (violist) as I've found anywhere. Bravo Signor Dindo!
Fantastic!
L'ho ascoltata in concerto a Pisa pochi giorni fa ed è stata davvero una grande emozione. Speravo proprio di trovare
una sua esecuzione delle suite di Bach (in particolare la n.5) su RUclips. Grazie per averla condivisa (e grazie per il bellissimo concerto) !! :)
Tanta roba...
Suite 5 is normally my least favorite of Bach's suites (Except I love this suite's courante) But listening to this interpretation of it was so amazing!
Thank you 😊
I appreciate the fact that he uses little or no vibrato. In the baroque period vibrato was a form of ornamentation. If you listen to a proper baroque chamber orchestra, they use vibrato sparingly. I just discovered this guy and I adore his playing. Mind you, I love Yo Yo Ma and Mischa Maesky but I think this guy sounds better.
For this suite the top string, normally pitched at A3, is lowered a whole step to G3.
Good!!
😍😍
My favorite suite, especially when played with the scordatura. Have you tried any of embellishments of the Sarabande, such as the one by Simon Rowland-Jones?
Un cellista que no tiene que mover ninguna parte de su cuerpo porque ya todo lo transmite con la mirada.
Awesome playing. I love your sound. Such a physically relaxed approach.
Tnx Michael, ciao
Il terzo e quarto tempo della sesta battuta non dovrebbe essere si sol la si? O é un altra edizione? Interpretazione stupenda...
Dal manoscritto di Anna Magdalena, che è la mia fonte favorita, sembra chiaramente ribattere il La.
What model of cello is this enrico ? Love the timbre
Pietro Giacomo Rogeri, Brescia 1717
enrico dindo I'm just luxuriating in your Bach 5 on RUclips. Thanks so much. You have a very honest face!
Thanks. 😉
enrico dindo Enrico, do you know of anywhere (apart from iTunes) where I can buy a downloadable version of your complete Bach suites. As I am in U.K., iTunes doesn't allow me to buy it from the Italian store 😪...and the CDs are unavailable in Amazon UK !. ....Kind regards, Ray
Send me (prvatly: info@enricodindo.com) your home address, i'll send you ;-)
amateur phrasing
Such dismissive indifference reveals how very little you know.
Post your recording and let the rest of us decide about your phrasing.
@@antonycooke6402 she's a vocalist. How in the hell would she know how to phrase the Bach cello suites? There's this joke which I find to be very true in all its irony: vocalists have so much air coming in and out of them that inside their head there's nothing else but air itself.
Who elected you God?
Rusalka 78: Oh, another specialist! I look forward to see and hear your Bach! Then we can continue to discuss!