Tripod and GeoH Tracking in SynthEyes

In this tutorial, Russ Andersson introduces a technique that combines regular and geometric hierarchy tracking in SynthEyes, useful for handling bouncy shots, nearly tripod shots, and shots with distortion. Russ explains the process using a bouncy shot example, demonstrating how to stabilize the shot with a rough tripod track before applying geometric hierarchy tracking. He details the importance of an initial field of view, configuring the pinning tool for geometric hierarchy tracking, and setting up a cylinder as the geometric object. Russ also highlights the process of refining the track, locking tracked objects, and compensating for residual motion due to camera movement or distortion. This technique is valuable for adding 3D effects to localized portions of an image, even in challenging shots.

[@substance8785]

объясните пожалуйста, как сделать имитацию отсутствия стабилизации, например как в трейлере minecraft the movie, где актер, записанный на зеленом фоне находится в мире minecraft. Мой вопрос состоит в том, что я хочу перенести дрожжание камеры из клипа с актером в клип с геймплеем (у меня это assetto corsa), тем самым имитировать настоящую съемку прямо в игре, как это делалось, например, в The las of us part 1. Сама игра на движке, а кадры были записаны на камеру, движения которой смогли перенсти в движок

[@borisfxlearn]

That is straightforward matchmoving. Just place the keyed character into a 3D scene, with a solved camera and at the same coordinates as a marker in the original shot. With many types of shots you don't even need a 3D solve. Just do a 2D or 2.5D track with Mocha Pro and you'll get the wobble of the camera, if the camera isn't moving too much.