@@LeXro6 well i stopped doing what others want and create what i really like so yeah, before judging do a little research and watch most viewed videos.
Hey man, really appreciate the videos and how clear you are on them, I've been a landscape photographer for some years now but making the move to video and it's videos like this that just make it so much easier learning the ropes of a new eco system to edit within :)
The SRT file with colour mode info - thanks for that! . I was searching all over web and this is first time I got an answer about this meta data location.
Naaaaa, you MISSED a BIG POINT in General: You've got more than 150 different color effects and more then 1000 Sliders JUST to CONTROL the COLOR of a fuckin 8-Bit Image. THINK before you WRITE!
Thank for the amazing content! I really appreciate it! Could you do other tutorials like: only editing the person to have a more natural skin, or exclude specific element from color grading? Thanksss 😃
Excellent tutorial. Thx!! couple of questions: - Dlog M on the Air 3s is 10 bit. Do you set the Luma wave form to 10 bit then? -Why do you set the Rec 709 conversion under creative panel en not in the input lut in the Basic Correction? Thx :)
I appreciate it! - Yes, I do, but you won't see a noticable difference - Because then you can adjust the "Basics" about the "Creative" tab. So the conversion lut will be applied after your basic adjustments, which allows for better quality.
The DJI Neo doesn't support color profiles like DLOG-M or D-Cinelike. So you have to skip color correction and go straight to color grading. But the Neo doesn't have the best bitrate for color grading, so you can't edit the colors too much.
Please get the gopro 12 (or new flywoo naked even better) and show us some color graded G-log footage! Would love to see how it compares to my naked gopro 10
Just got it 2 weeks ago! Good idea. But I can say right away: The GoPro 11 and 12 feature 10-bit colors, so you will see a huge difference when color grading a GoPro 10 compared to 11/12
It would be more helpful if the export settings were also shown in this video. That's where I'm finding it difficult-I'm not sure what I was doing wrong, but my exported footage has blown-out highlights and is oversaturated.
I'm not using conversion log because I'm using d-cinelike, Question is. What is the difference of having 2 adjustment layer where you can put the luts and color correction in one adjustment layer?
Very nice Video :) is it a must to put a rec 709 Lut on the d log footage? Or is it possible without? and what if when i film with the go pro hero 11 and a flat color profile, I have to put the lut also on?
You dont have to convert rec709 by using a lut. In some difficult scenes, it can be helpful to do the color conversion manually. But the conversion lut usually is the go-to. For the gopro flat you shouldnt use a conversion lut. But for gopro 12‘s „G-LOG“, you should
So its almost the same as davincy.. but I will try with these steps and see if I can find out masking in davincy. I like this collor correction easier to follow. Then in davincy.
I there any difference to applying the different stages to seperate layers, does it matter the order of the layers and will you achieve the same result by just applying all these steps to the original clip? Also, shouldn't the correction lut be applied under basic correction input LUT not creative?
Using 2 different adjustment layers just allows for a cleaner workflow. And no, it should be under Creative, so you can adjust the Basic Exposure before applying the conversion LUT.
This is unclear and confusing. I've watched a ton of RUclips Tutorials. When do I add the Lumetri Color Effect? To the Adjustment layer or the layer of footage? I don't see you explaining when.
Hi, Im sorry to hear that you’re struggling, it actually has no different effects, using an adjustment layer or directly putting the Lumetri Color onto the clip. I just like an adjustment layer more to keep it clean and increase the adjustment layer’s length to use it above multiple clips. If there are still any questions, I’d recommend a default Premiere Pro beginner tutorial to get used to adjustment layers and some basic effects. Hope you’ll figure it out and enjoy the process :)
Awesome, user-friendly, no unnecessary fluff, just the stuff we opened the video for, shows the logic behind every move!
This is the most helpful video I've found on this topic. Thanks so much!
Great workflow, finally found a good guide on how to make Dlog look as real as if looking through the camera
More video like this man they are amazing
learned something new masking from the bottom never knew thanks.
Bro has 300k subscribers and no likes on his comment
@@LeXro6 wow i didnt know that
@@letzUploadit 😂 usually verified accounts have thousands of likes on comments
@@LeXro6 well i stopped doing what others want and create what i really like so yeah, before judging do a little research and watch most viewed videos.
That’s the way!
Finally a video that you can learn from and that goes straight to the point! Thanks
This is gold for me, been waiting for this from you! Thanks Matthias!
Top strukturiert, da hab ich richtig Bock mich endlich ran zu setzen! 👍
Viel Spaß!!
Hey man, really appreciate the videos and how clear you are on them, I've been a landscape photographer for some years now but making the move to video and it's videos like this that just make it so much easier learning the ropes of a new eco system to edit within :)
Up till now i understood that if first use the conversion log the rest of the corretions are done in 8bit. Because dlog-m is 10 bit en rec709 is 8bit
Thank you, Man
Really informative
The SRT file with colour mode info - thanks for that! . I was searching all over web and this is first time I got an answer about this meta data location.
Always nice to read into how others edit! Picked up a couple of tips from this one that ill use in the future, cheers man!
Great to hear that man, keep crushing it!
Very informative and very well explained. Answering every question which popped into my head while watching the video.
this is a work changer video for me, thanks a lot, greetings from Santiago, Chile
Greetings from Berlin!
great useful explanation
Top tier vid. Pls drop another one
Thank you!
Very instructive video and 10 very very intensive minutes! 👍
Glad you liked it!
Super Video, mega erklärt! Danke dir🙏🏻
Thank you, excellent color, I like the color of Adobe better than Davinci
Naaaaa, you MISSED a BIG POINT in General: You've got more than 150 different color effects and more then 1000 Sliders JUST to CONTROL the COLOR of a fuckin 8-Bit Image. THINK before you WRITE!
wowww man awesome tutorial thankkkkk
This was so helpfull. You gained a new subscriber! 😁
Happy to hear that, thank you!
Thank for the amazing content! I really appreciate it! Could you do other tutorials like: only editing the person to have a more natural skin, or exclude specific element from color grading? Thanksss 😃
great video thank you
I enjoy your Videos Matthias!
Which conversion LUT will fit best vor Dji avata/avata2 in your Option? 😊
The official Avata2 DLOG-M Lut from DJI
Very good video, thanks.
Thank you!
thank you very much..
Excellent tutorial. Thx!!
couple of questions:
- Dlog M on the Air 3s is 10 bit. Do you set the Luma wave form to 10 bit then?
-Why do you set the Rec 709 conversion under creative panel en not in the input lut in the Basic Correction?
Thx :)
I appreciate it!
- Yes, I do, but you won't see a noticable difference
- Because then you can adjust the "Basics" about the "Creative" tab. So the conversion lut will be applied after your basic adjustments, which allows for better quality.
@@MatthiasDangl ah good to know! Thx for the answer 😁
Amazing tutorial! 👌
So d clinelike (mini 3 pro) does not need color conversion?
What are the specifications of the equipment (PC/Laptop) you use to edit? Thanks.
Hello your video is really cool! One question mate please help me is very important! Can I do these to Dji neo footage???
The DJI Neo doesn't support color profiles like DLOG-M or D-Cinelike. So you have to skip color correction and go straight to color grading. But the Neo doesn't have the best bitrate for color grading, so you can't edit the colors too much.
Make a video like this one for lumix vlog footage :)) Would be great
Please get the gopro 12 (or new flywoo naked even better) and show us some color graded G-log footage! Would love to see how it compares to my naked gopro 10
Just got it 2 weeks ago! Good idea. But I can say right away: The GoPro 11 and 12 feature 10-bit colors, so you will see a huge difference when color grading a GoPro 10 compared to 11/12
New subscriber here
Hi! Very random question but what’s your computer specs? I find that my Mac always crash when I try to
It would be more helpful if the export settings were also shown in this video. That's where I'm finding it difficult-I'm not sure what I was doing wrong, but my exported footage has blown-out highlights and is oversaturated.
I'm not using conversion log because I'm using d-cinelike, Question is. What is the difference of having 2 adjustment layer where you can put the luts and color correction in one adjustment layer?
Amazing
how i download this drone
fotage
Very nice Video :)
is it a must to put a rec 709 Lut on the d log footage? Or is it possible without?
and what if when i film with the go pro hero 11 and a flat color profile, I have to put the lut also on?
You dont have to convert rec709 by using a lut. In some difficult scenes, it can be helpful to do the color conversion manually. But the conversion lut usually is the go-to.
For the gopro flat you shouldnt use a conversion lut. But for gopro 12‘s „G-LOG“, you should
So its almost the same as davincy.. but I will try with these steps and see if I can find out masking in davincy. I like this collor correction easier to follow. Then in davincy.
Yes you can find the same features in davinci. Enjoy!
Where did you get DJI AIR2S DLOG conversion LUT? I didn't find it in DJI website.
It's included in my LUT packages
coollllll
I there any difference to applying the different stages to seperate layers, does it matter the order of the layers and will you achieve the same result by just applying all these steps to the original clip?
Also, shouldn't the correction lut be applied under basic correction input LUT not creative?
Using 2 different adjustment layers just allows for a cleaner workflow.
And no, it should be under Creative, so you can adjust the Basic Exposure before applying the conversion LUT.
@@MatthiasDangl cool thanks for the reply
Do you also have a conversion file for the DJI Mini 3 pro?
Its included in the 2nd link in the description
What is your best bit rate for CBR mbps for HD exports in Premier?
For IG Reels, I'd go for 20
@@MatthiasDangl thank you!
hello, i can(t find the luts if you can help me
Please try the link again
Every clip for me looks good after just color correction haha I think Iack imagination😅
would any one work for dji fpv drone
There's no link here
Isn't this clipping like crazy?
its not free bro, offer expired?(LUTs)
Auf Deutsch wäre TOP!!!
Tell me you are german without telling me you are german😂
This is unclear and confusing. I've watched a ton of RUclips Tutorials. When do I add the Lumetri Color Effect? To the Adjustment layer or the layer of footage? I don't see you explaining when.
Hi, Im sorry to hear that you’re struggling, it actually has no different effects, using an adjustment layer or directly putting the Lumetri Color onto the clip. I just like an adjustment layer more to keep it clean and increase the adjustment layer’s length to use it above multiple clips.
If there are still any questions, I’d recommend a default Premiere Pro beginner tutorial to get used to adjustment layers and some basic effects. Hope you’ll figure it out and enjoy the process :)
2024 and Adobe still can't make a mask path like Davinci 😢
So adding fake colors basically
your comment is as useful as a fork when eating broth😂
😂😂😂...Yeah, like filters
where your color for free?? it's for 59 $!!
In deutsch besser
??