Being totally self-taught, I started with jazz manouche listening to django, stochelo, joscho and many of the gypsy masters and played lead melodies to backing tracks and learned the notes and developed my understanding of the fretboard and then my need for progression grew and I got introduced to Joe Pass by Tomo Fujita from his videos and got immensely attracted to his solo playing that not only sounds melodic but also full and complete with the chords accompanying the melody perfectly. Joe Pass's playing to me isn't the most technical but he always manage to capture the most important things for what he tries to express. Finding the right content online when you don't have a full musical training background on theories and stuff can be hard but I managed to start from shell chords and then progress the understanding of chords and now I'm able to play somewhat like the style of Joe Pass and looking back on the journey so far It simply just amazes me how far I've came along and how much more fun I'm having the more I learn about jazz guitar. I think from looking at your video I'd need to think about the approach of having chords and melody connect on the most efficient and powerful way.
Wow, great lesson. You touch upon many points that others fail to point out. You have an example where you play a line then find it elsewhere on the fretboard. It's easy to hear, fun to find and we learn the fretboard without having to complete a boring exercise. I just found your paged and immediately subscribed. Thank you!
Even I, a mere piano player, have found useful information here. It seems to me that Tina Jäckel is exactly where she should be, doing exactly what she does best. Very nice lesson.
That was a very clear lesson in visualising the chord shapes, and their inversions. Then thinking about the chord scales, their alterations including the embelishments, enclosures, etc. I have been dabbling long enough to know exactly what you were explaining but had never looked at it in this complete way. Perhaps I need to analyse more solos. Thank you that was a great clear analysis. I was only happy to subscribe to your channel.
Many thanks for doing this! Enjoy the discussion- plus those lines are just such a good workout even on a skill level i.e. doing rolles and working on getting some speed. Thanks for the pdf!
I like how JP always emphasized to better play 'easy' things on the guitar, rather than getting ones fingers and mind twisted and locked. Now it seems like climbing the Mont Ventoux on a fair day. With a brilliant guide, though. Hopefully my ankles take it well. Thankyou 🌻:)
I have that IDENTICAL guitar. Same chocolate sunburst and everything. I've had it for nearly 40 years and all the piping is yellowing with age. Yours looks brand new.
Thanks I like that melody.....Oh yea 1235 Tennessee waltz... I was playing that other part with the 7th chords and the first part and it had the same notes on the top so like an Ab6 with 5th on top move that note down half step and its an inversion of the D half dim then the G half dim etc but the C7 will have the root on top so they are both pretty much like the turnaround to a blues I think before the 251.... I really like that part that goes from that DbM to Gm7b5 then to G7 and gets to C! So its like a 62 and you think its going to the 5 but goes to the 5 of instead ..did not know that one!
I had a guitar teacher who taught the Gurdjiefian Method - "just do." I never got very good with that. I must have been his own private experiment or something.
I have a very similar model Ibanez-- the AS153. I'm not very good at jazz, but I picked up two tips that I think I can put to use immediately. 1) try the melodic minor scale a half step above a dominant chord. 2) you can get a jazzy sound very easily just by approaching each note of a triad from a half step above. I also agree with your analysis-- from a video I have of Joe Pass he tends to think of things pretty simply even though he also knows how harmony works at a very sophisticated level. For example, he says he thinks of all chords as being basically major, minor, or dominant. See minute 3:30 of his Jazz Lines DVD from 1991 for the quote.... ruclips.net/video/3tb2UOpfEE4/видео.html
I'm Just Mesmerized about How Much Musical Theory was Showed There .... And I Know Just A Couple of Chords and playing just By Hear😅😅😅... Would Love To Go Back a 40years and Restart with some proper Lessons..
There's no such thing as complex chord progressions. It's all in the patterns: I chord only I V7 chord sequence I IV V chord sequence I VI II minor V7 sequence Those are pretty much the patterns you're working with for popular music (yes...jazz music is popular music). Here's the trick for anyone reading this: PLAY A SOLO IN THE KEY OF THE SONG NO MATTER WHAT THE CHORD SEQUENCE IS. PLAY IN THE KEY. That's it. The other notes you can play are incidental to the chords and you can play them or not (i.e. flat 9, flat 5, sharp 4, minor 3rd, major 7th). A lot of the time those notes appear in people's licks and folks just copy them because they think it's cool and because the chord sequences are so simple, you can pretty much play anything on it along with the basic key. So that's it. NO MATTER WHAT, PLAY A SOLO IN THE KEY OF THE SONG. Everything else is extra or bullshit depending on whether you're creative or not or are a fucking dick.
Great info but you talk way too fast and too soft. I miss a lot of what you're saying. Slow down. There's no fire anywhere. Give us a chance to absorb what you're saying. It's good stuff.
![OsamaSon - ik what you did last summer [Official Music Video]](http://i.ytimg.com/vi/4DIQDnu3mr4/mqdefault.jpg)
![Eminem - Temporary (feat. Skylar Grey) [Official Music Video]](http://i.ytimg.com/vi/ZaK9Wi5ho0o/mqdefault.jpg)
You win the Guitar Face of the year award. Brilliant lesson! I understood most of it.
finally!!! 😝
@@tinajackelThis is pure meditation!
Being totally self-taught, I started with jazz manouche listening to django, stochelo, joscho and many of the gypsy masters and played lead melodies to backing tracks and learned the notes and developed my understanding of the fretboard and then my need for progression grew and I got introduced to Joe Pass by Tomo Fujita from his videos and got immensely attracted to his solo playing that not only sounds melodic but also full and complete with the chords accompanying the melody perfectly. Joe Pass's playing to me isn't the most technical but he always manage to capture the most important things for what he tries to express. Finding the right content online when you don't have a full musical training background on theories and stuff can be hard but I managed to start from shell chords and then progress the understanding of chords and now I'm able to play somewhat like the style of Joe Pass and looking back on the journey so far It simply just amazes me how far I've came along and how much more fun I'm having the more I learn about jazz guitar. I think from looking at your video I'd need to think about the approach of having chords and melody connect on the most efficient and powerful way.
Cool, nobody cares! ;)
Wow, great lesson. You touch upon many points that others fail to point out. You have an example where you play a line then find it elsewhere on the fretboard. It's easy to hear, fun to find and we learn the fretboard without having to complete a boring exercise. I just found your paged and immediately subscribed. Thank you!
welcome to the club! ❤️
I saw Joe Pass live in Chicago in the late 70s & am still trying to figure out some of the things he did-one show is like a life long lesson! 😀
i've always loved this joe pass solo! great lesson
thank you!
Great lesson, thanks.
thank you!
Joe Pass was my into to Jazz back in 2017 and I was hooked. I've been trying to study him ever since.
You have the most expressive learning a new song face ever🎉 Bravo!
Great lesson Tina. Thank you
thank you!
Even I, a mere piano player, have found useful information here. It seems to me that Tina Jäckel is exactly where she should be, doing exactly what she does best. Very nice lesson.
thank you!
It's abeautiful thing for sure!
As a mere piano player, which side do you prefer to be presented to the audience during performance?
Your left or your right?
That was a very clear lesson in visualising the chord shapes, and their inversions. Then thinking about the chord scales, their alterations including the embelishments, enclosures, etc.
I have been dabbling long enough to know exactly what you were explaining but had never looked at it in this complete way. Perhaps I need to analyse more solos.
Thank you that was a great clear analysis. I was only happy to subscribe to your channel.
thank you so much for subscribing 😀
Wow, great lesson !! Thank you!
thank you!
Lovely tone on that guitar.
thank you!
you are a wonderful guitar teacher 👍
thank you!
Many thanks for doing this! Enjoy the discussion- plus those lines are just such a good workout even on a skill level i.e. doing rolles and working on getting some speed. Thanks for the pdf!
thank you Mike!
Cool abalone inlays on that Ibanez. My 2003 Destroyer has similar inlays
Hi Tina! I love your video! Thank you!!!
great material, Miss Jäckel. Thank you. I learned a lot.
thank you for watching Luiz!
Your tone is divine.
thank you!
Thank you for the lesson.
Very good explanation Thx
thank you!
This is a great video. Thank you!
Is that a John Scofield Ibanez? Your playing and videos are top notch incredible. Keep up the great work, your making a difference in this world.
Ibanez AS2000
@@yoojin-oi8ij Look at the tuners. I've only seen the John Scofield with those.
yea this is my guitar www.thomann.de/de/ibanez_jsm100vt_john_scofield.htm
Really great lesson, love your channel.
thank you!
very interesting, thankyou
Thank you! This really helped to understand what is happening with those changes and solo note choices!
i am happy if i can be of help! thank you for watching my videos!
very nice lesson thank's a lot;
brilliant, thank you
thank you!
Insightful and useful analysis. Thanks 😎
I like how JP always emphasized to better play 'easy' things on the guitar, rather than getting ones fingers and mind twisted and locked. Now it seems like climbing the Mont Ventoux on a fair day. With a brilliant guide, though. Hopefully my ankles take it well. Thankyou 🌻:)
you are welcome 😍
I have that IDENTICAL guitar. Same chocolate sunburst and everything. I've had it for nearly 40 years and all the piping is yellowing with age. Yours looks brand new.
Merci!
thank you!
oh boy you got the swing on you...beautiful play. loved!
thank you!
Actually, Joe Pass don´t think about subdominant function at all. He said he thinks the entire II-V like a dominant.
Thanks for the lesson!
Yup, I've heard him say that too. Doesn't even think about the 2 chord.
yes !!
Excellent lesson. You are getting a great sound out of your Ibanez.
thank you!
Great Video, Wish I played Jazz Guitar, sounds fantastic.
thank you!
Thanks!❤
Thanks I like that melody.....Oh yea 1235 Tennessee waltz... I was playing that other part with the 7th chords and the first part and it had the same notes on the top so like an Ab6 with 5th on top move that note down half step and its an inversion of the D half dim then the G half dim etc but the C7 will have the root on top so they are both pretty much like the turnaround to a blues I think before the 251.... I really like that part that goes from that DbM to Gm7b5 then to G7 and gets to C! So its like a 62 and you think its going to the 5 but goes to the 5 of instead ..did not know that one!
Great tone!
thank you!
Db Melodic minor on C7alt... standart, Pass like it...
Спасибо за видео, thanks!)..
that looks like a step up from my Ibanez Artstar which is similar orangeburst.
Love This
thank you!
5:06 I find the augmented trads really wild because of their versatility.
yes so true!
I had a guitar teacher who taught the Gurdjiefian Method - "just do." I never got very good with that. I must have been his own private experiment or something.
Real talk!
Sweet looking guitar
thank you!
Awesome lesson. Where can I find the pdf of Joe’s solo? Many thanks!
thank you! you can find the PDF here: www.tinajaeckel.com/downloads
🎉 great job 🎉 you're awesome 🎉 thank you so much for sharing hope you are well God loves you deeply shalom 🤗🐼♥️✝️💐 Philippians 4:8
Amazing how you can play all that without watching the fretboard😮
Germany? Nice playing, relaxing
ja! thank you!
Thanks:)
You're sooooo....JAZZY!! 😎🎸🎸🎸🎸🎶🎵
thank you
thx!
I have a very similar model Ibanez-- the AS153. I'm not very good at jazz, but I picked up two tips that I think I can put to use immediately. 1) try the melodic minor scale a half step above a dominant chord. 2) you can get a jazzy sound very easily just by approaching each note of a triad from a half step above. I also agree with your analysis-- from a video I have of Joe Pass he tends to think of things pretty simply even though he also knows how harmony works at a very sophisticated level. For example, he says he thinks of all chords as being basically major, minor, or dominant. See minute 3:30 of his Jazz Lines DVD from 1991 for the quote.... ruclips.net/video/3tb2UOpfEE4/видео.html
Oh my gosh... so very beautyful !!! And a very beautyful Ibanez! Play on - very best Regards from crazy Germany (sorry) Please go on!!!
thank you!
Superp jam...just lovely.
thank you!
Brazil thanks
Am I getting a free master class? This is next level D:
it’s a pleasure!
Was was taught that the Coltrane thing is called a digital pattern
Nice guitar.
thank you!
❤ feel
> Listen: HERMETO PASCOAL -> Chorinho pra Ele.
ruclips.net/video/nx_jyPpYfq0/видео.html
i live that song 😍
Bravissima!!
thank you
I'm Just Mesmerized about How Much Musical Theory was Showed There .... And I Know Just A Couple of Chords and playing just By Hear😅😅😅... Would Love To Go Back a 40years and Restart with some proper Lessons..
just play now- gotta be able to find some teacher near you?
What's on the ceiling?
you might overtake tomo as my favourite guitar teacher on youtube
oh no!! i love Tomo!
Класна гітарка!
Яка це модель?
Дякую за урок! )))
www.thomann.de/de/ibanez_jsm100vt_john_scofield.htm
thank you!
What guitar model is that?
www.thomann.de/de/ibanez_jsm100vt_john_scofield.htm
I really enjoyed this lesson - also, you have an awesome name for the stage! Tina Jäckel has a great ring to it!
thank you ☺️
Dont recognize the jackel name
Is there something interesting on the ceiling?
yes
hebat ibu👍👍
I loved it when I felt the pain with my old rock band. Like hitting that b2 in a aelion chord progression. They always looks at me with anger xd
that guitar sounds so creamy and full of tone!!!
thank you 😍
Sir you are a good guitar teacher. I learnt lot from you.even you sing very well. When I'll become rich I'll send you some money
thank you!
You are from which country
I want to meet you I'm from India i play guitar and sing all kinds English songs. I want to learn much more from you. I'm George
Ummm Sir is for males...lol, just use her first name is a bit more natural.
@@TheStrataminor ok
✌😎🎼🎵🎶
I also have a damp patch on my kitchen ceiling.
There's no such thing as complex chord progressions.
It's all in the patterns:
I chord only
I V7 chord sequence
I IV V chord sequence
I VI II minor V7 sequence
Those are pretty much the patterns you're working with for popular music (yes...jazz music is popular music).
Here's the trick for anyone reading this:
PLAY A SOLO IN THE KEY OF THE SONG NO MATTER WHAT THE CHORD SEQUENCE IS. PLAY IN THE KEY.
That's it.
The other notes you can play are incidental to the chords and you can play them or not (i.e. flat 9, flat 5, sharp 4, minor 3rd, major 7th). A lot of the time those notes appear in people's licks and folks just copy them because they think it's cool and because the chord sequences are so simple, you can pretty much play anything on it along with the basic key.
So that's it. NO MATTER WHAT, PLAY A SOLO IN THE KEY OF THE SONG. Everything else is extra or bullshit depending on whether you're creative or not or are a fucking dick.
hey i noticed the name is different... I pay for the you tube content of this person
(I forget what its called)... Anyway should i be concerned
Bella/linda.🥵🥵🥵🥵🥵🥵💨
I was waiting to hear her say what she was looking at on the ceiling. 🤷♂😳
sounds horrendous! well played, just horrendous! lol
Great info but you talk way too fast and too soft. I miss a lot of what you're saying. Slow down. There's no fire anywhere. Give us a chance to absorb what you're saying. It's good stuff.
sorry!