Capturing the MAGIC of Bach's Music on Cello

In this clip from his tonebase course, Jan Vogler highlights how important it is when playing Bach’s music that we distinguish bass voices, middle voices, and upper voices - a bit like a one-person choir. This is especially the case toward the end of the Allemande from his Suite No. 1 in G Major, BWV 1007, where the wide leaps separate the voices more clearly.
Watch Jan Vogler's Full Course on Bach's Suite No. 1 in G Major, BWV 1007:
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