Cécile McLorin Salvant - Optimistic Voices / No Love Dying (Live at Jazz at Lincoln Center)
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- Опубликовано: 29 авг 2024
- Cécile McLorin Salvant performs "Optimistic Voices / No Love Dying," from her album 'Ghost Song,' live in concert at Jazz at Lincoln Center. You can hear the album at cecilemclorins...
Cécile McLorin Salvant - vocals
Sullivan Fortner - piano
Keita Ogawa - percussion
Marvin Sewell - guitar
Alexa Tarantino - flute
Yasushi Nakamura - bass
Filmed live in concert at The Rose Theater at Jazz at Lincoln Center on May 12, 2022
Video Producer: Justin Bias
Video Director: Jim Sapione
Camera Operators: Hiram Becker, Evan Fairbanks
Audio Mixing Engineer: Todd Whitelock
Mixing Assistant: Chris Gold
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"Optimistic Voices" written by Harold Arlen, Edgar Harburg, Herbert Stothart
"No Love Dying" written by Gregory Porter
#cecilemclorinsalvant #jazzatlincolncenter
Wow. This is a Great American Songbook oddity I'd never have expected anyone to cover, or even notice. I sure didn't notice it, or even think of it as a song - it was only the underscoring to a scene in "The Wizard of Oz" And yet Cécile McLorin Salvant has made it into quite a fine jazz tune.
Gregory Porter would be honored! You both are two of my favorites. Bravo 👏 👏 👏
I was there live and I had tears rolling down my face
Sullivan Fortner on piano tossing in "Somewhere over the Rainbow" at 6:05. nice~
God bless all these musicians, thanks Cécile for the wonders you make 🙏
Stunningly imaginative. Hard to find in this age of the Jazz education industrial complex...
That's a new term to me! What's the Jazz education industrial complex?
@@JamesRone i'm pretty sure they're being tongue in cheek. x industrial complex is a phrase that came to be used around the 60s and 70s to describe various repressive social institutions, ie the military industrial complex, the prison industrial complex. more recently i think, the medical industrial complex. basically the point of the term is to emphasize the way these things are manufactured towards a profit goal and towards certain repressive aims rather than naturalizing them as socially necessary bodies. the jazz education industrial complex seems mostly just funny to me but there seems to be an element of truth haha
@@sorchamccarrey Thanks for the response. Yeah, I could tell it was a joke - but it also seemed like a trope among jazz musicians, maybe? Which makes me wonder what kinds of orthodoxies are produced by jazz education in 2022.
@@JamesRone o right on ok, it was hard for me to gauge your knowledge level so overexplained lol. ya i am not equipped to answer that haha
@@sorchamccarrey No worries! Cool channel, by the way!
She is amazing ❤
I can NEVER get enough of her🙇💕
❤❤❤❤❤❤
Beautiful
"Sencillamente maravillosa".
❤
Belleza