Xenakis begins the first of five sections of his piece with a canon using a rhythm he called "Tititi tata" in his sketches. After the canon the rest of the section is determined through applying stochastic or chance based methods using his musical language he called GENDY (GEN for generation and DY for dynamic) to the previous material. In the second section the Fibonacci series is used. The fourth section also uses GENDY.
Xenakis begins the first of five sections of his piece with a canon using a rhythm he called "Tititi tata" in his sketches. After the canon the rest of the section is determined through applying stochastic or chance based methods using his musical language he called GENDY (GEN for generation and DY for dynamic) to the previous material. In the second section the Fibonacci series is used. The fourth section also uses GENDY.
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