80,000 HOURS ➤ 80000hours.org/talefoundry Please, please take this opportunity to check out 80,000 Hours. They exist PURELY to help you find a job that will enable you to change the world, and they're offering all their resources to you entirely for free! At the very least, it's certainly worth giving a look!
Tale foundry, you should check out the 60's band the monkee's backstory they had a movie named head that flopped but the masterly level of horrors of television and how being a television character changes your real life drastically
Accidental preventable deaths are weird when humans do it. Edited: mosquito eating till it pops..fun now you know. Finding a way unintentionally...to eat until you die and before you do you finally realize you have eaten to much ..but it's too late to do anything..and all you can do is look at a beloved family member before you drop to the ground. Dose scare me It's not someone or something distorting your reality so that you kill yourself..you just one day doing what you usually do ..stop perceiving reality in a specific way that you kill yourself before someone could stop you but not so late as to not see you die.
In the book "Doing Good Better" which has been distributed through that website and written by William MacAskill, one of the two founders of 80000hours; page 161 contains a paragraph supporting sweatshops and endorsing claims in support of sweatshops. I've transcribed the majority of the page here: "Because conditions in sweatshops are so bad, it's difficult for us to imagine that people would risk deportation just to work in them. But that's because, as we discussed in Chapter 1, the extremity of global poverty is almost unimaginable. In fact, among economists on both the left and the right, there is no question that sweatshops benefit those in poor countries. Nobel Laureate and left-wing economist Paul Krugman has stated, 'The overwhelming mainstream view among economists is that the growth of this kind of employment is tremendous good news for the world's poor.' Jeffrey Sachs, Columbia University economist and one of the foremost proponents of increased efforts to help those in extreme poverty, has said 'My concern is not that there are too many sweatshops but that there are too few.' The reason there's such widespread support among economists for sweatshops is that low wage, labour-intensive manufacturing is a stepping stone that helps-" Sweatshops are a product of power imbalance between people in the world, an extreme but very common form of labour hierarchies and their violence. The abuse found in them is not something to support and deem a "good thing". I encourage everyone to support the people around them and anyone else to the best of their ability, while taking care of themselves first and foremost. Effective Altruism has some odd ideas bouncing around, however the intention of the people in the movement and the general ideas, are positive. Everyone should do additional research and be careful about signing their name on any one set of ideas. I can see how from a narrow solely economic perspective, one can conclude that there is some sort of benefit to sweatshops - but there is so much more depth to these complex issues and people shouldn't suffer exploitation under the guise of "economic growth".
In the book "Doing Good Better" which has been distributed through that website and written by William MacAskill, one of the two founders of this company; page 161 contains a paragraph supporting sweatshops and endorsing claims in support of sweatshops. I've transcribed the majority of the page here: "Because conditions in sweatshops are so bad, it's difficult for us to imagine that people would risk deportation just to work in them. But that's because, as we discussed in Chapter 1, the extremity of global poverty is almost unimaginable. In fact, among economists on both the left and the right, there is no question that sweatshops benefit those in poor countries. Nobel Laureate and left-wing economist Paul Krugman has stated, 'The overwhelming mainstream view among economists is that the growth of this kind of employment is tremendous good news for the world's poor.' Jeffrey Sachs, Columbia University economist and one of the foremost proponents of increased efforts to help those in extreme poverty, has said 'My concern is not that there are too many sweatshops but that there are too few.' The reason there's such widespread support among economists for sweatshops is that low wage, labour-intensive manufacturing is a stepping stone that helps-" Sweatshops are a product of power imbalance between people in the world, an extreme but very common form of labour hierarchies and their violence. The abuse found in them is not something to support and deem a "good thing". I encourage everyone to support the people around them and anyone else to the best of their ability, while taking care of themselves first and foremost. Effective Altruism has some odd ideas bouncing around, however the intention of the people in the movement and the general ideas, are positive. Everyone should do additional research and be careful about signing their name on any one set of ideas. I can see how from a narrow solely economic perspective, one can conclude that there is some sort of benefit to sweatshops - but there is so much more depth to these complex issues and people shouldn't suffer exploitation under the guise of "economic growth".
I remember reading a quote where someone said that 'horror is just comedy without the punchline'. Your comment about being held in that moment of suspense instead of having it alleviated made me think of that.
Horror and comedy are the same process, working in opposite directions. You can remove the laugh track from Big Bang Theory, and find naught but awkward silence. Conversely, you can modify FNAF to replace a jumpscare with an animatronic Default Dancing on you. It takes great effort to turn fantasy into scifi, but bad comedy is okay horror, and bad horror is decent comedy.
I like to describe it as the horror of absurdity/absurd horror. The impossibility of what I'm looking at, the clash between reality and something i can only describe as a violation, creates such an interesting gulf between the known and unknown.
Absurdist horror briefly deposits you into a universe where your understanding of reality has broken down. While its counterpart, absurdist comedy, uses it to poke fun at the day to day or just be merry about it, absurdist horror makes you look at something strange, and either say to yourself "this is wrong, why are you doing that" or "if this is normal, then what am I doing?" It is horror, minus logic, and for all the good logic does, it also makes things predictable. I can boil down a horror movie into elementally pure tropes, but an absurdist work of horror refuses and outright antagonizes at times the idea of rationalizing what is happening exactly. Bo is Afraid is a movie about the fundamental cruelty of being born into a world that does not fit your perspective on life or needs at all. I don't think it's a coincidence the movie starts with him talking to a psychiatrist.
I agree as well, as I think pace here places a big role in what it does to each persons. Too short and people don't get hooked, too long and they get familiar with it, and this varies wildly per person.
Oh my God, I first saw "Unedited Footage of a Bear" at I guess 4 AM in my late teens because I was up fighting off a fever, and until someone said to me like six years later, "Hey have you ever seen 'Unedited Footage of a Bear'?" I had no idea this was a real thing and I thought it was just a fever nightmare I had.
This was my experience with the surreal music video for "Black Hole Sun". I couldn't sleep; I had an upcoming flight to go back home from my grandparents' place, and there were coyotes howling around their home as the sun was coming up. I decided to get up and pack my bags. I turned on the TV, and after a couple of ads, the music video for "Black Hole Sun" came on. The video focuses on various happy people whose smiles and eyes keep getting larger and less realistic as we watch. It was terrifying in the moment and I wasn't entirely sure was real until I saw the video again years later.
Not technically horror, but the fourth-wall break at the end of The Guy Who Didn't Like Musicals reminds me of this. Like when the cast is bowing and Emma screams "Can someone help me, please?... WHY ARE YOU CLAPPING?" Really funny, really unsettling, and also implies that you've technically been infected too.
Eyyy Starkid mention! I agree with you; TGWDLM’s ending is so clever and sad and it’s unfortunate that so many reactors don’t watch until the VERY end. It’s a perfect, last little gut punch after the already tragic ending of the show.
I think the Magnus archives said it best when describing the Stranger, “The familiar made wrong.” Taking something known and established in your mind and tweaking it just a few centimeters of in kilter creates a subtle sense of anxiety that gradually grows until the difference is glaring. By the time you realize what’s wrong the thing has your throat between its jaws.
I was JUST THINKING about TMA with this. I was thinking about the Distortion/Spiral, though. Things twisted and confused and gaslighting you into believing it's all normal. My boy Micheal would love this stuff,
"At least when you're afraid you know when to run" is one of the best comments on what living with an anxiety disorder feels like dude. Real life turning into this kind of horror where you don't know if you should laugh or run away from it and you can't realistically ever run away because the horror is inside of your brain instead of a real threat you can escape from. And laughing can only help so much before it isn't funny anymore and you just break.
This house has people in it is an ENORMOUS rabbit hole that I've spent hours watching analysis videos about. The horror doesn't get much clearer even when you have nore information. I'd love for you to talk about it more!!
This House keeps getting less and less scrutable the further you dig into it, to where the only sensible conclusion about any of what happened is that some guy on TV is full of crap, and whatever happened here needed to be recorded in full detail, either for profit or research.
The best word I often associate with these sorts of creations is “disquieting”, something that could be viewed as entertaining in a deeply uncomfortable way.
Theres a game called squirrel stapler which is 100% a horror comedy and perfectly encapsulates the whole line between fear and comedy. You stapling squirrels to your wife’s corpse is dark comedy, but when she starts moving and leaving notes it is terrifying.
Blue Kid's "The Dismemberment Song" came to mind, for somewhat similar vibes, since the song feels like a wife snapping and violently torturing and killing an (implied) abusive husband, but most of the track sounds like it came from a cheery musical. More dark comedy, I guess, but still gruesome in some of the lyrics.
As someone with cripplingly severe OCD I was going to comment on uncertainty and anxiety before I even got into the video but I'm glad you mentioned it. It really is incredible, in a horrifying way, just how excruciating unending uncertainty and anxiety can be. Before the onset of my symptoms I would have never fathomed that something so seemingly ordinary could result in so much suffering. So yeah, I definitely agree that uncertainty and anxiety can often be worse than straight up horror.
YES I was hoping someone would talk about OCD and uncertainty. In my experience with OCD, it can be 10000000 times more excruciating to feel uncomfortable and unsettled rather than knowing what to be afraid of...
This might be my favorite kind of horror. It plays on the fear of the unknown so effectively by making you unsure of what exactly what you're witnessing and creates this deeply unsettling feeling that haunts the audience well afterwards
Fr when I first watched Going to the Store I thought it was the funniest shit but without the music and the filter over it yeah it became quite unsettling
There is a huge difference between scary and creepy. Scary is like a bear charging at you. It’s immediately recognizable as a threat, and rapidly makes you choose fight or flight. Creepy is like the antique doll you inherited which keeps changing locations when you look away. Is it possessed or is it your roommate? You don’t know, and not knowing is the worst type of fear. It’s that high-cortisol uneasiness where you can’t decide what action to take.
Salad Fingers is 100% what this video is talking about. i remember watching it and thinking that i can't figure out to laugh or be horrified, but i also couldn't turn away. makes my skin crawl just thinking about it again
"Art should disturb the comfortable, and comfort the disturbed." Of course horror and comedy both go together. I'm surprised you haven't discussed Scream yet in that sense. It would be a good fit for discussing satire, especially in the context of horror and humor.
I think a pretty good example of this would the podcast, The Silt Verses. Where everything feels wrong yet all the characters are just fine with the appliances made out of sacrificed humans.
@@Amethyst_Topaz oh yeah. Definitely check it out. First season is a bit of a slog to get through cause it's the first season but it gets better by the second season.
This is exactly the stuff I love. I just call it liminal - it's not this or that, but both and more so it can't be pinned down. Regular horror doesn't do much for me, but this stuff that eludes my grasp is endlessly satisfying.
@@wa5657 Skinarmarink is a perfect example I think of what you're looking for. It's highly divisive and some people hated it while others say it's one of the scariest movies they've ever watched. Some aspects of it I did find terrifying, mostly based on thinking back on how terrifying it can be to be a child with an underdeveloped sense of reality.
Dont hug me I'm scared always freaked me out a lot more given I just cant stand puppets or claymation at all. Something about it, alongside the shows premise, just never made me able to properly watch it. It's probably the one thing that truly haunts me when I see it and I kinda love it for that.
Interestingly, despite also having had a huge fear of puppets as a kid and being really scared of dhmis when I first learned what it was, once I actually watched it I actually fell in love with it and it became one of my favorite pieces of media from the comedic angle rather than the horror one. It's weird, it's as if someone acknowledging this creepiness I've felt towards puppets my whole life and putting it on display is what it took for me to overcome that fear.
Bob Costas asked Mel Brooks what is the difference between comedy and tragedy. Mel Brooks responded that tragedy is if he gets a papercut. It's going to hurt, he's going to put iodine on it, a badage, and he's going to worry about it. "Comedy is if you fall through a manhole and die."
This is gonna sound super weird to anyone who just knows of them through cultural osmosis, but Dan and Phil actually do this really well. They have this series called “don’t cry, craft” where they just take you through a simple crafting project together. As the video goes on more and more strange things happen that make you go “wait what?” Slowly the music stops, the energy becomes weird and genuinely eerie, and it devolves into some “occult” nonsense. But what keeps you in that uncomfortable place is that it’s never acknowledged as strange, or really at all. They never stop being “Dan and Phil”, the funny and trustworthy people who parasocially feel like your close friends. Your brain wants to rip off the bandaid, accept that the intended feeling is fear and allow yourself to be immersed in it, but the dissonance of that won’t really let you.
Nick Nocturne over at "Night Mind" turned me on to this form of horror a long time ago, as I never watched Adult Swim, and, yes, you make great points. I remember EVERY SINGLE ONE of these, and they made a huge impact on my brain. "Insidious" is exactly the word for all of this. Great mini-doc here!
I think a perfect example is Smiling Friends, and some of the scenes in it. The Blackface Demon and Spamtopia are both just so absurd in an already absurd show that I can’t tell if I’m actually supposed to be off put and afraid or if it’s just the same as the rest of the show.
I haven’t watched the whole video yet but I just wanted to mention that I think quite a bit of analogue horror falls into this “uncanny valley” type horror category; the typical twisted grotesquely, familiar comforts of everyday life turned on their heads in a deeply unsettling way, and no one else seems to bat an eye at the utter *wrongness*. Good stuff. Can’t wait to actually watch the video now lol
Important question humor > fear, it's a "dark comedy" humor < fear, it's a 'pulp horror" so the question is where is the line between the two? where is there the overlap between comedy to fear ratio to change the genre??
I think a perfect (yet somewhat simple) example of this horror is the dinner table scene in Texas Chainsaw Massacre. Just this weird mix of comedy and shock and “what the hell is happening” creating this weird mix of indescribable feelings in the viewer
I'd generally call this The Uncanny. It's sort of a liminal spot of headspace that's unsettling for much the same reason as physical liminal spaces can be. It's almost a familiar thing... but then not. That said, back in '69, Jim Henson made a short experimental film called The Cube, about a man trapped in a featureless white cube of a room. No muppets or anything, just a man, in a cube. It's got a fair bit of this, on the lower-key side of things.
I sort of get the feeling that The Addams Family fits into this category in a way, or at least borders it. If not, maybe it's because this family's schtick of normalizing the macabre has become normalized to _us_ that we more or less know what to expect out of them. Another character that comes to mind is Freaky Fred from Courage the Cowardly Dog. I've heard that a lot of people think this is one of the scariest characters in the show, even though the worst he does is shave people and animals bald. But at the same time, he's perpetually calm and expresses little else than a huge toothy grin, and narrates an internal monologue the entire episode in a rhyming poem.
This reminds me of how people would react to the scene in Princess Mononoke where the hero manages to behead a guy with a single arrow with laughter because of that "short circuit" response, and then people got mad about it & thought it was "mocking" the movie instead of being a reflexive WTF response. EDIT: Also, I will forever maintain that the Informercials are the best non-rerun shows on Adult Swim. It's telling that they gained more popularity online than with the block's regular viewership.
Some start as horror but devolve into dark comedy (like 682 when you get to the termination attempts), while others start comedically but turn to horror (like the multiplying cake, though it turns back to comedy when you realize it's a reference to Eddie Izzard's Cake Or Death).
"Anxiety might be scarier than terror, at least when you are afraid, you know either or not to run" That is one of the most foreboding things I have ever heard
When people ask me what having autism is like, I show them "Going to the Store". That. It feels like that. You feel like people around you are odd and incomprehensible and in turn you feel incomprehensible to them. You learn you have to appear normal but you never really are. You both feel like the going to the store guy, and feel like people around you are the going to the store guy. And sometimes that's funny and weird, often it's awkward... and often it's unsettling.
"The Man in the Bear Suit" scene in The Shining definitely reminds me of this HEAVILY. That messed me up as a kid, but watching it now when I'm at a party completely cracked me up (probably because I was a bit _"tipsy"_ but that's not the point)
I'm autistic. So, a lot of what lots of people say is "scary" just makes me lift a bemused eyebrow. The stuff in this video feels more like surrealist avant-garde: not really horrific, just dreamlike/nightmarish/otherworldly
Similar: I don't _think_ I'm autistic, but I did read a lot of 2000AD comics and scifi when I was young, so I think I got desensitized to out-of-context and dark irony.
It perhaps doesn't cover all of them, but I see a big niche where the media isn't a horror within its own narrative universe, however being forced to live in that universe would be horrifying for us. Our knowledge, beliefs and social cues would not equip us to survive in such a world. That concept is horrifying.
the beginning of madoka magica kind of had this effect for me, since i knew going in that it would get dark. since i was already on edge, little things stuck out to me as unsettling, like how all the settings were a little too big and too empty
With regards to the priming section, I think that's what got me with Midsommar. People are so used to horror movies being so dark and grimy, when something so horrific takes place in such a colorful, brightly lit place, its extra unsettling imo
From your thesis I figured this would be a video about Resnick, describing his works as anxiety-inducing is quite apt and probably as good as any explanation we could get
YES !!! I’VE BEEN RANTING ABOUT ALAN RESNICK SINCE 2015/2016 This type of horror are my absolute FAVORITE finds. It’s such a cool way to tell a horror narrative and I love seeing how it evolves & branches off.
I love this kind of horror. I like to call it "deceitful horror." Does anyone else remember the game Eversion? While there were a few games before this (some lesser known titles, and I guess screamers like the Scary Maze sort of technically count but not really), the first big example of a deceitful horror video game was Eversion, which was also the first time I've seen a video game do this (it's also not a coincidence that it was one of Dan Salvato's big inspirations for DDLC), and I was blown away by it.
1. Makes me feel unsettled and disturbed a bit 2. Is goofy and silly I laughed at it a bit 3. Unsettling and creepy for sure 4.Distressing 5. Confused 6.A bit sad 7. Strange 8. Nothing 9. Nothing again 10. Eerie 11.Curious 12. Silly 13. I know the source material so disturbed These are my feelings to the pictures in the first minute of the video
Tim and Eric Bedtime Stories is actually an amazing example of this. I found it both funny and deeply deeply scary at the same time. I have no idea where to place it, and that is what makes it unique
This kind of horror gets me chills in the good way. I watch something like Local57 or what i call "Corruption Horror".Which these are videos/games that starts innocent and predictable, but slowly and progressively gets corrupted into unease and twisted, till it becomes it's from hell. Like the video game .exe creepypastas. Gets me everytime. Also it's I find it that i get the horror chills if I was the "victim" living in the horror world, rather than being a spectator/bystander. Repeatedly yelling at the oblivious character in the TV to "DON'T GO INTO THE BASEMENT!!". Which breaks the immersion as I get frustrated by it.
I assume you know about Spec Ops: The Line and Doki Doki Literature Club. If not, you might like those. The former got removed from Steam though, so you'll have to hunt down a physical copy.
It's almost funny to see Thalasin referenced in this specific context because every time I see a clip all I can think is "Yo, it's my guy dorcelessness!"
I think it's also related to our 'fear of the unknown'. Something that's been developed in us as a mean of survival. We tend to feel uneasy with darkness because we don't know what's in there, could there be lions that may harm us or just plainly nothing? I could be wrong, great video regardless!
It's almost like a kind of psychological horror. It's horror in the sense that you can't really even fully make it out whether there's a threat or not. It's the kind of terror you get from being uncertain about it all.
I think describing what you are seeing isn’t really the description that defines what’s so unsettling about it, I like to think if it as “cerebral horror,” when what you see challenges your core views of your personal reality, like how cosmic horror may not be scary at face value, but the implications are what is truly terrifying about it.
I really wish child me could have had horror and comedy's similarities explained to me this way, i just thought more 'normal' children laughing at horror was absolutely terrifying, signalling some debauched hunger I didn't possess, feeling like a porkchop in a room with 20 rabid dogs.
I think Cyriak has some videos that are in this kind of category. For the videos of his that fall in this category it matters what you find horrifying or humorous. If you are more susceptible to being sacred it might be scary or if you find it easier to laugh at it might ruin the experience. Possibly even me telling you about before hand would ruin it for you since you have expirations that might change your perspective.
I have a theory that when comedy shows/films/etc do tragedy it hits deeper because it’s allowing all emotions to exist within it unlike dramas that take themselves super seriously. I feel like there’s probably a similar thing with horror.
Uncertainty is always more uncomfortable than that actual confrontation, whatever it may be. I think that's why the anxiety-inducing all-buildup / no payoff style of horror you're describing is "the most frightening" without being overtly frightening. It borders on not just the unknown, i.e. being confused about something you're watching but the UNKNOWABLE, making it almost cosmic in nature. I think it might also relate to our fear of mental decline, wherein we might lose our ability to comprehend or interact with reality, thereby losing our agency. The helplessness we feel as we grasp for some sort of meaning or release in these horror shorts, mirrors the loss of agency we could experience with mental disorders. Either way, this video primed me into thinking the 80,000 hours ad at the end of the video to follow the same theme: i.e. starting out benign and with the slightly jarring change in the tone of your "advertiser voice" and slowly devolve into something sinister or incomprehensible. And i don't know whether or not that was intentional.
"Anxiety. That's almost scarier than terror because when you're afraid, at least you know whether to run." Perfect summary of exactly the vibe we're talking about.
This is part of what I loved about Nic Cage in Longlegs. His performance elicits both humor and terror. It’s so uncanny and strange. Like that scene where he starts singing randomly is so uncomfortable, but oddly funny so you don’t quite know how to react
The scene in Tommy when his mom smashes a TV and beans come out of it all over it shouldn't of scared me but it was one of the most visceral experiences of my childhood still think of it from time to time
this video is making me realize this is maybe my Favorite Genre of thing. so much of what I grew up on as a gen z kid on the internet was this brand of viral, weird art. dhmis, salad fingers, I Feel Fantastic, Possibly In Michigan, Who Wants To Gnaw On Human Bones, I Am The Beast, Henry eats - anything by ben wheele, actually. all of that off the top of the top of my head and theres a million im forgetting. shit that is Uncomfortable and makes you feel bad and weird cause its just so _strange,_ there is no foothold to grab onto to understand what you are looking at. I love it, I've been obsessed with it since I was in middle school, and I hope people never stop making art like it. I catch myself when making my own art trying to hold on to the scaffolding of writing techniques that have been tread for decades, this video is really making me want to get my hands dirty and make something. confusing.
The way you talk about creating anxiety through conflicting expectations reminds me of experiences I’ve had where I wasn’t sure whether someone was mockingly imitating a demographic, or was actually part of that demographic in a way that just happened to align with stereotypes. In hindsight it was probably the former, but because I’m autistic, I always second-guess my interpretation of the cues for these sorts of things and it makes the interaction super uncomfortable.
Alan Resnick's works are my favorite example of this type of horror, comfort from the parts that are normal until broken with the non normal, causing pure discomfort
I’ve heard that laughing used to be the body’s way of asking not to be killed. Almost like an act of submission, like when a dog rolls over to show its belly.
I’ve always found challenging content like Don’t Hug Me I’m Scared or Adult Swim’s more experimental stuff soothing. I’ll sometimes play an episode of Off The Air right before I sleep because it gives my brain dreamlike stimulation. I think that’s the point of works like the ones described
If you want a really good and underated example of absurd horror, I high recommend Jake Bowen's Uncle Samsonite series. The fact that the Bowen brothers managed to make an entire series whose the main monster is a poorly made cgi Cat/Pig thing in supsenders that dances to the song Pony by Ginuwine (the song actually plays a mojor role in the entire series in fact) is as impressive as it is fucking insane just from how I described it. If you ever have the time, please, go gove the series a bing watch. Its worth it to "have some fun with Uncle Samsonite" and to "Jump on It."
Just went to the intro stinger and you've asked why analog horror is so effective, and the answer for me is that the horror feels the same as when you get scared in real life. The best example IMO is when the lady starts running in unedited footage of a bear. I've been exactly that sort of frightened before. Horror realism.
I remember during a Q&A Alex Newell, producer of the Magnus Archives and voice of Martin Blackwood, said this: "Horror is a fail state of comedy. Comedy is a fail state of horror." I think that pretty well explains why you might laugh at something scary, but not shriek at something funny. When the thing intended to be funny does illicit a scared response, it no longer registers as comedy. Or, if, as bad comedy, as comedy that made you uncomfortable, rather than settling you into hilarity. Meanwhile, we can well be aware that something is both meant to be scary, and good at it, and still laugh at it, because we wish it WASN'T good at it. When horror fails to scare you, it easily becomes funny. And if it's scaring you enough, convincing yourself that it's failing instead, that rather than something terrifying it is actually silly, is comforting. There's no real reason to deny that comedy is making you laugh, unless you disagree with the message behind the joke. And at that point, you wouldn't be associating your particular terror at the situation with horror.
I feel like fear mostly comes from thinking about what could happen but is not yet guaranteed, while humor comes from realizing that it doesn’t matter (whether it’s because it’s not real or nothing’s going to change it) and adding a scary setup makes you think about what going to happen and thus makes it seem preventable because you knew that something would happen, whereas a comedic setup makes everything seem safe and casual so what happens next feels unexpected and unpreventable.
5:46 the first final destination does something very similar to this, there's a scene where one character is critisizing another for thinking that he knows the death's plan and order to kill each character, insisting that she must be be next. as soon as she walks way from the conversation, she gets hit by a bus and dies.
The “new emotions” video is high hilarious surrealism and I’ve loved it from the moment I first saw it. The seriousness of the announcer makes it work.
This explains why I always laugh at Paul Allen’s death scene in American Psycho. The Priming of Patrick Bateman delightfully describing his favourite album before violently murdering someone with an axe makes it unintentionally hilarious.
Horror is the best genre for so many reasons. One is that it's by far the most creative visually as well as conceptually. Another is that it doesn't have to fit in a category to elicit emotions in you that are extremely effective. This is why I say some of the greatest pieces of horror media aren't even trying to scare you. They're just telling amazing stories and have a way of reaching the feelings that make you human.
Finally! This is the kinda horror I enjoy/want to create. The unsettling feeling of not knowing how to feel that lingers with you long after the experience is ever. Now I have words that can help me articulate what I mean.
the opening scared me to shit so bad I switched tabs after a few seconds and (metaphorically, not actually) prayed to god that the intro would start and you'd start explaining the genre in a less… terrifying way. I mean I'm sure I'll get to know when I finish watching but *what do you mean that's not horror??* this kinda stuff freaks me the hell out like absolutely nothing else. edit: yeah ok so it's fear of the unknown, as well as fear of fear itself. I know both of these are quite effective against me specifically so yeah
You're so right for this, I remember my friend showed me the "going to the store" vid years ago and I was on edge the whole time because I really wasn't sure what this was
Comedy in horror should be a break of fear, or maybe a realization of how the situation can be silly for that moment. It can also be a bonding moment for a group. It shows that we are together and can face anything together.
I feel like meatcanyon does this really well. Sometimes his stuff is funny, sometimes it’s horrifying and other times I’m not sure which one I’m supposed to be feeling
I have nowhere to post this and nobody that will appreciate this, but a perfect example of this weird creepy, funny, unsettling horror is the childhood books by David Lubar, like Invasion of the Road Weenies. Read this as a child and forgot about it until now!
This type of horror (I usually call absurdity horror) is something that I love. It felt so perfectly made for RUclips and Adult Swim. Because outside of those places is hard to describe this level of weirdness, without looking like a manic when you said you found funny but also terrified.
80,000 HOURS ➤ 80000hours.org/talefoundry
Please, please take this opportunity to check out 80,000 Hours. They exist PURELY to help you find a job that will enable you to change the world, and they're offering all their resources to you entirely for free! At the very least, it's certainly worth giving a look!
Tale foundry, you should check out the 60's band the monkee's backstory they had a movie named head that flopped but the masterly level of horrors of television and how being a television character changes your real life drastically
Accidental preventable deaths are weird when humans do it.
Edited: mosquito eating till it pops..fun now you know.
Finding a way unintentionally...to eat until you die and before you do you finally realize you have eaten to much ..but it's too late to do anything..and all you can do is look at a beloved family member before you drop to the ground. Dose scare me
It's not someone or something distorting your reality so that you kill yourself..you just one day doing what you usually do ..stop perceiving reality in a specific way that you kill yourself before someone could stop you but not so late as to not see you die.
this ad is very good I even click on it
In the book "Doing Good Better" which has been distributed through that website and written by William MacAskill, one of the two founders of 80000hours; page 161 contains a paragraph supporting sweatshops and endorsing claims in support of sweatshops.
I've transcribed the majority of the page here:
"Because conditions in sweatshops are so bad, it's difficult for us to imagine that people would risk deportation just to work in them. But that's because, as we discussed in Chapter 1, the extremity of global poverty is almost unimaginable.
In fact, among economists on both the left and the right, there is no question that sweatshops benefit those in poor countries. Nobel Laureate and left-wing economist Paul Krugman has stated, 'The overwhelming mainstream view among economists is that the growth of this kind of employment is tremendous good news for the world's poor.' Jeffrey Sachs, Columbia University economist and one of the foremost proponents of increased efforts to help those in extreme poverty, has said 'My concern is not that there are too many sweatshops but that there are too few.' The reason there's such widespread support among economists for sweatshops is that low wage, labour-intensive manufacturing is a stepping stone that helps-"
Sweatshops are a product of power imbalance between people in the world, an extreme but very common form of labour hierarchies and their violence. The abuse found in them is not something to support and deem a "good thing".
I encourage everyone to support the people around them and anyone else to the best of their ability, while taking care of themselves first and foremost. Effective Altruism has some odd ideas bouncing around, however the intention of the people in the movement and the general ideas, are positive. Everyone should do additional research and be careful about signing their name on any one set of ideas.
I can see how from a narrow solely economic perspective, one can conclude that there is some sort of benefit to sweatshops - but there is so much more depth to these complex issues and people shouldn't suffer exploitation under the guise of "economic growth".
In the book "Doing Good Better" which has been distributed through that website and written by William MacAskill, one of the two founders of this company; page 161 contains a paragraph supporting sweatshops and endorsing claims in support of sweatshops.
I've transcribed the majority of the page here:
"Because conditions in sweatshops are so bad, it's difficult for us to imagine that people would risk deportation just to work in them. But that's because, as we discussed in Chapter 1, the extremity of global poverty is almost unimaginable.
In fact, among economists on both the left and the right, there is no question that sweatshops benefit those in poor countries. Nobel Laureate and left-wing economist Paul Krugman has stated, 'The overwhelming mainstream view among economists is that the growth of this kind of employment is tremendous good news for the world's poor.' Jeffrey Sachs, Columbia University economist and one of the foremost proponents of increased efforts to help those in extreme poverty, has said 'My concern is not that there are too many sweatshops but that there are too few.' The reason there's such widespread support among economists for sweatshops is that low wage, labour-intensive manufacturing is a stepping stone that helps-"
Sweatshops are a product of power imbalance between people in the world, an extreme but very common form of labour hierarchies and their violence. The abuse found in them is not something to support and deem a "good thing".
I encourage everyone to support the people around them and anyone else to the best of their ability, while taking care of themselves first and foremost. Effective Altruism has some odd ideas bouncing around, however the intention of the people in the movement and the general ideas, are positive. Everyone should do additional research and be careful about signing their name on any one set of ideas.
I can see how from a narrow solely economic perspective, one can conclude that there is some sort of benefit to sweatshops - but there is so much more depth to these complex issues and people shouldn't suffer exploitation under the guise of "economic growth".
I remember reading a quote where someone said that 'horror is just comedy without the punchline'. Your comment about being held in that moment of suspense instead of having it alleviated made me think of that.
Horror and comedy are the same process, working in opposite directions. You can remove the laugh track from Big Bang Theory, and find naught but awkward silence. Conversely, you can modify FNAF to replace a jumpscare with an animatronic Default Dancing on you. It takes great effort to turn fantasy into scifi, but bad comedy is okay horror, and bad horror is decent comedy.
That's such a good quote, I've never heard it before but it's so true
My girl garnet once said "All comedy is derived from fear," and i think that strikes the same chord.
I've heard Jordan Peele say it in an interview. I figure he of all people would know about both horror and comedy.
@@leeshajoi i think peele was talking about how comedy and horror is the same just with different soundtracks.
I like to describe it as the horror of absurdity/absurd horror. The impossibility of what I'm looking at, the clash between reality and something i can only describe as a violation, creates such an interesting gulf between the known and unknown.
Dadaist horror?
I've seen it called absurdist horror as well. It's one of my favorite sub genres
Absurdist horror briefly deposits you into a universe where your understanding of reality has broken down. While its counterpart, absurdist comedy, uses it to poke fun at the day to day or just be merry about it, absurdist horror makes you look at something strange, and either say to yourself "this is wrong, why are you doing that" or "if this is normal, then what am I doing?" It is horror, minus logic, and for all the good logic does, it also makes things predictable. I can boil down a horror movie into elementally pure tropes, but an absurdist work of horror refuses and outright antagonizes at times the idea of rationalizing what is happening exactly.
Bo is Afraid is a movie about the fundamental cruelty of being born into a world that does not fit your perspective on life or needs at all. I don't think it's a coincidence the movie starts with him talking to a psychiatrist.
That works
I agree as well, as I think pace here places a big role in what it does to each persons. Too short and people don't get hooked, too long and they get familiar with it, and this varies wildly per person.
Oh my God, I first saw "Unedited Footage of a Bear" at I guess 4 AM in my late teens because I was up fighting off a fever, and until someone said to me like six years later, "Hey have you ever seen 'Unedited Footage of a Bear'?" I had no idea this was a real thing and I thought it was just a fever nightmare I had.
This was my experience with the surreal music video for "Black Hole Sun".
I couldn't sleep; I had an upcoming flight to go back home from my grandparents' place, and there were coyotes howling around their home as the sun was coming up. I decided to get up and pack my bags. I turned on the TV, and after a couple of ads, the music video for "Black Hole Sun" came on. The video focuses on various happy people whose smiles and eyes keep getting larger and less realistic as we watch. It was terrifying in the moment and I wasn't entirely sure was real until I saw the video again years later.
First time I ever smoked my friends put it on and it left me reeling for days hahah
Saw the first half of that once, and didn’t realize it wasn’t a fever Dream until I started watching Night Mind.
Holy shit I swear I saw the top comment before but I’ve never watched this video
Not technically horror, but the fourth-wall break at the end of The Guy Who Didn't Like Musicals reminds me of this. Like when the cast is bowing and Emma screams "Can someone help me, please?... WHY ARE YOU CLAPPING?" Really funny, really unsettling, and also implies that you've technically been infected too.
Holy hell, a TGWDLM reference in the wild
@@krakios3950 A fellow Starkid enjoyer?!?! Hi :D
love that musical :D
Eyyy Starkid mention! I agree with you; TGWDLM’s ending is so clever and sad and it’s unfortunate that so many reactors don’t watch until the VERY end. It’s a perfect, last little gut punch after the already tragic ending of the show.
@@wompadillœ They don’t think about the implications
My friend called this "Questionable sanity" as an artform.
That's a good name for it
It should become some kind of industry😅 @@Acatinabox
I think the Magnus archives said it best when describing the Stranger, “The familiar made wrong.” Taking something known and established in your mind and tweaking it just a few centimeters of in kilter creates a subtle sense of anxiety that gradually grows until the difference is glaring. By the time you realize what’s wrong the thing has your throat between its jaws.
Hell yeah!
Describes the uncanny valley perfectly
I was JUST THINKING about TMA with this. I was thinking about the Distortion/Spiral, though. Things twisted and confused and gaslighting you into believing it's all normal. My boy Micheal would love this stuff,
"At least when you're afraid you know when to run" is one of the best comments on what living with an anxiety disorder feels like dude. Real life turning into this kind of horror where you don't know if you should laugh or run away from it and you can't realistically ever run away because the horror is inside of your brain instead of a real threat you can escape from. And laughing can only help so much before it isn't funny anymore and you just break.
This house has people in it is an ENORMOUS rabbit hole that I've spent hours watching analysis videos about. The horror doesn't get much clearer even when you have nore information. I'd love for you to talk about it more!!
This House keeps getting less and less scrutable the further you dig into it, to where the only sensible conclusion about any of what happened is that some guy on TV is full of crap, and whatever happened here needed to be recorded in full detail, either for profit or research.
There's a video by Night Mind that goes into ALL of it, and I highly reccomend it!
The best word I often associate with these sorts of creations is “disquieting”, something that could be viewed as entertaining in a deeply uncomfortable way.
Theres a game called squirrel stapler which is 100% a horror comedy and perfectly encapsulates the whole line between fear and comedy. You stapling squirrels to your wife’s corpse is dark comedy, but when she starts moving and leaving notes it is terrifying.
Nice.
Nothing says "I love you, but please stay still" like metallicly attached arboreal rodents.
Blue Kid's "The Dismemberment Song" came to mind, for somewhat similar vibes, since the song feels like a wife snapping and violently torturing and killing an (implied) abusive husband, but most of the track sounds like it came from a cheery musical. More dark comedy, I guess, but still gruesome in some of the lyrics.
squirrel stapler is awesomely designed. Love the writing on the wall off the start
Reminds me of rat shaker
As someone with cripplingly severe OCD I was going to comment on uncertainty and anxiety before I even got into the video but I'm glad you mentioned it. It really is incredible, in a horrifying way, just how excruciating unending uncertainty and anxiety can be. Before the onset of my symptoms I would have never fathomed that something so seemingly ordinary could result in so much suffering.
So yeah, I definitely agree that uncertainty and anxiety can often be worse than straight up horror.
YES I was hoping someone would talk about OCD and uncertainty. In my experience with OCD, it can be 10000000 times more excruciating to feel uncomfortable and unsettled rather than knowing what to be afraid of...
Seeing jack Stauber, Too Many Cooks AND Don't Hug Me I'm Scared being referenced in the same video made me feel so validated
This might be my favorite kind of horror. It plays on the fear of the unknown so effectively by making you unsure of what exactly what you're witnessing and creates this deeply unsettling feeling that haunts the audience well afterwards
This house has people in it 🔥🔥
Can confirm i was the fire that burned it down! 🔥🔥
Seconded; I was the bottle of Claridryl sitting on the shelf! 🔥 🔥
Edit: YOOOO I WASN'T EXPECTING HIM TO MENTION UNEDITED FOOTAGE OF A BEAR
I was the missing bedsheet 🔥🔥
@sirmcmoneyston4449 you mean you werent the knockoff sonic? Dang
Lynks disease 🔥🔥🔥
I never thought Going To The Store was unsettling until seeing it without the music
Fr when I first watched Going to the Store I thought it was the funniest shit but without the music and the filter over it yeah it became quite unsettling
Even without the music, I still hear the music in my head. It is too funny to be unsettling. To each their own creepiness.
😂 I found it hysterical
There is a huge difference between scary and creepy. Scary is like a bear charging at you. It’s immediately recognizable as a threat, and rapidly makes you choose fight or flight. Creepy is like the antique doll you inherited which keeps changing locations when you look away. Is it possessed or is it your roommate? You don’t know, and not knowing is the worst type of fear. It’s that high-cortisol uneasiness where you can’t decide what action to take.
Great example.
Great horror knows how to utilize both
"How does it makes you feel?"
Humber. It makes me feel humber. That emotion is designed specifically to feel about such things =)
Salad Fingers is 100% what this video is talking about. i remember watching it and thinking that i can't figure out to laugh or be horrified, but i also couldn't turn away. makes my skin crawl just thinking about it again
"Art should disturb the comfortable, and comfort the disturbed."
Of course horror and comedy both go together. I'm surprised you haven't discussed Scream yet in that sense. It would be a good fit for discussing satire, especially in the context of horror and humor.
Or Evil Dead 2…
FINALLY SOMEONE REMEMBERS ALAN TUTORIAL
i still think of "military time watch" at least once a month
I think a pretty good example of this would the podcast, The Silt Verses. Where everything feels wrong yet all the characters are just fine with the appliances made out of sacrificed humans.
I haven't listened to that one but what you just described tells me you might like Welcome to Night Vale if you like Slit Verses
@@Amethyst_Topaz oh yeah. Definitely check it out. First season is a bit of a slog to get through cause it's the first season but it gets better by the second season.
The Silt Verses doesn’t scare me…but it disturbs me deeply consistently. The episode where Paige is introduced in particular gets me.
@rosep6453 Saaaame. That episode was so fucked. Gotta feel bad for Paige... watching her friend like that
It occurred to me while watching that one anime, My Deer Friend Nokotan: All comedy is horror from a certain point of view.
Storytelling.
Storytelling never changes.
Lord this comment section is filled with cringe
This is exactly the stuff I love. I just call it liminal - it's not this or that, but both and more so it can't be pinned down. Regular horror doesn't do much for me, but this stuff that eludes my grasp is endlessly satisfying.
Yes! I'm the exact same but I didn't know what to call it. I like what you call it, liminal is perfect 😁
could you recommend more pieces?? even cooler if you know some full length movies
@@wa5657 Skinarmarink is a perfect example I think of what you're looking for. It's highly divisive and some people hated it while others say it's one of the scariest movies they've ever watched. Some aspects of it I did find terrifying, mostly based on thinking back on how terrifying it can be to be a child with an underdeveloped sense of reality.
Dont hug me I'm scared always freaked me out a lot more given I just cant stand puppets or claymation at all. Something about it, alongside the shows premise, just never made me able to properly watch it. It's probably the one thing that truly haunts me when I see it and I kinda love it for that.
Interestingly, despite also having had a huge fear of puppets as a kid and being really scared of dhmis when I first learned what it was, once I actually watched it I actually fell in love with it and it became one of my favorite pieces of media from the comedic angle rather than the horror one. It's weird, it's as if someone acknowledging this creepiness I've felt towards puppets my whole life and putting it on display is what it took for me to overcome that fear.
Bob Costas asked Mel Brooks what is the difference between comedy and tragedy. Mel Brooks responded that tragedy is if he gets a papercut. It's going to hurt, he's going to put iodine on it, a badage, and he's going to worry about it. "Comedy is if you fall through a manhole and die."
This is gonna sound super weird to anyone who just knows of them through cultural osmosis, but Dan and Phil actually do this really well. They have this series called “don’t cry, craft” where they just take you through a simple crafting project together. As the video goes on more and more strange things happen that make you go “wait what?” Slowly the music stops, the energy becomes weird and genuinely eerie, and it devolves into some “occult” nonsense. But what keeps you in that uncomfortable place is that it’s never acknowledged as strange, or really at all. They never stop being “Dan and Phil”, the funny and trustworthy people who parasocially feel like your close friends. Your brain wants to rip off the bandaid, accept that the intended feeling is fear and allow yourself to be immersed in it, but the dissonance of that won’t really let you.
Nick Nocturne over at "Night Mind" turned me on to this form of horror a long time ago, as I never watched Adult Swim, and, yes, you make great points. I remember EVERY SINGLE ONE of these, and they made a huge impact on my brain. "Insidious" is exactly the word for all of this. Great mini-doc here!
I think a perfect example is Smiling Friends, and some of the scenes in it. The Blackface Demon and Spamtopia are both just so absurd in an already absurd show that I can’t tell if I’m actually supposed to be off put and afraid or if it’s just the same as the rest of the show.
Never thought I'd see "Going to the Store" on this channel
What you're feeling about all of that is likely a mixture of whimsy and dorcelessness.
I love this. Dreams are so often like this. Horror but not nightmares. Wake up and think about it and it is horrifying. Thank you for making this
I haven’t watched the whole video yet but I just wanted to mention that I think quite a bit of analogue horror falls into this “uncanny valley” type horror category; the typical twisted grotesquely, familiar comforts of everyday life turned on their heads in a deeply unsettling way, and no one else seems to bat an eye at the utter *wrongness*. Good stuff. Can’t wait to actually watch the video now lol
Important question
humor > fear, it's a "dark comedy"
humor < fear, it's a 'pulp horror"
so the question is
where is the line between the two?
where is there the overlap between comedy to fear ratio to change the genre??
In any case, I hope to find an exact equal ratio of comedy and horror to produce the first piece of media to be classified as "dark pulp"
I think a perfect (yet somewhat simple) example of this horror is the dinner table scene in Texas Chainsaw Massacre. Just this weird mix of comedy and shock and “what the hell is happening” creating this weird mix of indescribable feelings in the viewer
I'd generally call this The Uncanny. It's sort of a liminal spot of headspace that's unsettling for much the same reason as physical liminal spaces can be. It's almost a familiar thing... but then not.
That said, back in '69, Jim Henson made a short experimental film called The Cube, about a man trapped in a featureless white cube of a room. No muppets or anything, just a man, in a cube. It's got a fair bit of this, on the lower-key side of things.
I sort of get the feeling that The Addams Family fits into this category in a way, or at least borders it. If not, maybe it's because this family's schtick of normalizing the macabre has become normalized to _us_ that we more or less know what to expect out of them.
Another character that comes to mind is Freaky Fred from Courage the Cowardly Dog. I've heard that a lot of people think this is one of the scariest characters in the show, even though the worst he does is shave people and animals bald. But at the same time, he's perpetually calm and expresses little else than a huge toothy grin, and narrates an internal monologue the entire episode in a rhyming poem.
This reminds me of how people would react to the scene in Princess Mononoke where the hero manages to behead a guy with a single arrow with laughter because of that "short circuit" response, and then people got mad about it & thought it was "mocking" the movie instead of being a reflexive WTF response.
EDIT: Also, I will forever maintain that the Informercials are the best non-rerun shows on Adult Swim. It's telling that they gained more popularity online than with the block's regular viewership.
I love SCP for this reason
Me when there's an unknown number between ▮ and ▮
Love it,tho it can make you pretty nervous because it makes you ask if it actually would happen in the real world...
Some start as horror but devolve into dark comedy (like 682 when you get to the termination attempts), while others start comedically but turn to horror (like the multiplying cake, though it turns back to comedy when you realize it's a reference to Eddie Izzard's Cake Or Death).
"Anxiety might be scarier than terror, at least when you are afraid, you know either or not to run"
That is one of the most foreboding things I have ever heard
"it uncomfortable to not know what your feeling" I HAVE AUTISM! I LIVE THAT!
Might be related to 127% of autists having crippling anxiety.
Bro is indestructible.
When people ask me what having autism is like, I show them "Going to the Store".
That. It feels like that. You feel like people around you are odd and incomprehensible and in turn you feel incomprehensible to them. You learn you have to appear normal but you never really are. You both feel like the going to the store guy, and feel like people around you are the going to the store guy.
And sometimes that's funny and weird, often it's awkward... and often it's unsettling.
i had the exact same thought
That's alexythimia. A lot of autistic people have it, but not everyone.
"The Man in the Bear Suit" scene in The Shining definitely reminds me of this HEAVILY. That messed me up as a kid, but watching it now when I'm at a party completely cracked me up (probably because I was a bit _"tipsy"_ but that's not the point)
I'm autistic. So, a lot of what lots of people say is "scary" just makes me lift a bemused eyebrow. The stuff in this video feels more like surrealist avant-garde: not really horrific, just dreamlike/nightmarish/otherworldly
Similar: I don't _think_ I'm autistic, but I did read a lot of 2000AD comics and scifi when I was young, so I think I got desensitized to out-of-context and dark irony.
It perhaps doesn't cover all of them, but I see a big niche where the media isn't a horror within its own narrative universe, however being forced to live in that universe would be horrifying for us. Our knowledge, beliefs and social cues would not equip us to survive in such a world. That concept is horrifying.
Someone showed me Too Many Cooks for the first time when I was on acid and I had a full blown panic attack.
If that person was your friend, I hope they aren't anymore because that is _horrendous_ behavior
Absolutely incredible work, the change in accent really threw me at the start
the beginning of madoka magica kind of had this effect for me, since i knew going in that it would get dark. since i was already on edge, little things stuck out to me as unsettling, like how all the settings were a little too big and too empty
There is always something inherently scary anywhere, just depends on where you look.
💯‼️you have anxiety✌️🎉
With regards to the priming section, I think that's what got me with Midsommar. People are so used to horror movies being so dark and grimy, when something so horrific takes place in such a colorful, brightly lit place, its extra unsettling imo
From your thesis I figured this would be a video about Resnick, describing his works as anxiety-inducing is quite apt and probably as good as any explanation we could get
YES !!! I’VE BEEN RANTING ABOUT ALAN RESNICK SINCE 2015/2016
This type of horror are my absolute FAVORITE finds. It’s such a cool way to tell a horror narrative and I love seeing how it evolves & branches off.
I love this kind of horror. I like to call it "deceitful horror." Does anyone else remember the game Eversion? While there were a few games before this (some lesser known titles, and I guess screamers like the Scary Maze sort of technically count but not really), the first big example of a deceitful horror video game was Eversion, which was also the first time I've seen a video game do this (it's also not a coincidence that it was one of Dan Salvato's big inspirations for DDLC), and I was blown away by it.
1. Makes me feel unsettled and disturbed a bit
2. Is goofy and silly I laughed at it a bit
3. Unsettling and creepy for sure
4.Distressing
5. Confused
6.A bit sad
7. Strange
8. Nothing
9. Nothing again
10. Eerie
11.Curious
12. Silly
13. I know the source material so disturbed
These are my feelings to the pictures in the first minute of the video
Tim and Eric Bedtime Stories is actually an amazing example of this. I found it both funny and deeply deeply scary at the same time. I have no idea where to place it, and that is what makes it unique
This kind of horror gets me chills in the good way. I watch something like Local57 or what i call "Corruption Horror".Which these are videos/games that starts innocent and predictable, but slowly and progressively gets corrupted into unease and twisted, till it becomes it's from hell. Like the video game .exe creepypastas. Gets me everytime.
Also it's I find it that i get the horror chills if I was the "victim" living in the horror world, rather than being a spectator/bystander. Repeatedly yelling at the oblivious character in the TV to "DON'T GO INTO THE BASEMENT!!". Which breaks the immersion as I get frustrated by it.
I assume you know about Spec Ops: The Line and Doki Doki Literature Club. If not, you might like those. The former got removed from Steam though, so you'll have to hunt down a physical copy.
@@stevenstice6683 I'm fully aware of them both. Thank you though
A few of the ones in the beginning could be considered Analog Horror, at the very least.
It's almost funny to see Thalasin referenced in this specific context because every time I see a clip all I can think is "Yo, it's my guy dorcelessness!"
I think it's also related to our 'fear of the unknown'. Something that's been developed in us as a mean of survival. We tend to feel uneasy with darkness because we don't know what's in there, could there be lions that may harm us or just plainly nothing? I could be wrong, great video regardless!
so happy to finally have a video analyzing not just the works of Alan resnick, but alan himself as the creator
It's almost like a kind of psychological horror. It's horror in the sense that you can't really even fully make it out whether there's a threat or not. It's the kind of terror you get from being uncertain about it all.
The rubber guy going for a walk killed me. Still does. Its so damn funny 😂
I think describing what you are seeing isn’t really the description that defines what’s so unsettling about it, I like to think if it as “cerebral horror,” when what you see challenges your core views of your personal reality, like how cosmic horror may not be scary at face value, but the implications are what is truly terrifying about it.
I really wish child me could have had horror and comedy's similarities explained to me this way, i just thought more 'normal' children laughing at horror was absolutely terrifying, signalling some debauched hunger I didn't possess, feeling like a porkchop in a room with 20 rabid dogs.
I think Cyriak has some videos that are in this kind of category. For the videos of his that fall in this category it matters what you find horrifying or humorous. If you are more susceptible to being sacred it might be scary or if you find it easier to laugh at it might ruin the experience. Possibly even me telling you about before hand would ruin it for you since you have expirations that might change your perspective.
Cyriak mentioned!! What is...what am I looking at😮
I have a theory that when comedy shows/films/etc do tragedy it hits deeper because it’s allowing all emotions to exist within it unlike dramas that take themselves super seriously. I feel like there’s probably a similar thing with horror.
Uncertainty is always more uncomfortable than that actual confrontation, whatever it may be.
I think that's why the anxiety-inducing all-buildup / no payoff style of horror you're describing is "the most frightening" without being overtly frightening.
It borders on not just the unknown, i.e. being confused about something you're watching but the UNKNOWABLE, making it almost cosmic in nature.
I think it might also relate to our fear of mental decline, wherein we might lose our ability to comprehend or interact with reality, thereby losing our agency. The helplessness we feel as we grasp for some sort of meaning or release in these horror shorts, mirrors the loss of agency we could experience with mental disorders.
Either way, this video primed me into thinking the 80,000 hours ad at the end of the video to follow the same theme: i.e. starting out benign and with the slightly jarring change in the tone of your "advertiser voice" and slowly devolve into something sinister or incomprehensible. And i don't know whether or not that was intentional.
"Anxiety. That's almost scarier than terror because when you're afraid, at least you know whether to run."
Perfect summary of exactly the vibe we're talking about.
I love that whackey naked dancing guy - It brings me so much happiness. I watch that short a few times a year.
10:58 my audio glitched and I kept listening for an embarrassingly long time thinking that you were pulling a bait-and-switch on us.
What’s the word for a cat hissing. Whatever that is is how they make me feel, arched back, bottle brush tail.
Anarchist
This is part of what I loved about Nic Cage in Longlegs. His performance elicits both humor and terror. It’s so uncanny and strange. Like that scene where he starts singing randomly is so uncomfortable, but oddly funny so you don’t quite know how to react
The scene in Tommy when his mom smashes a TV and beans come out of it all over it shouldn't of scared me but it was one of the most visceral experiences of my childhood still think of it from time to time
this video is making me realize this is maybe my Favorite Genre of thing. so much of what I grew up on as a gen z kid on the internet was this brand of viral, weird art. dhmis, salad fingers, I Feel Fantastic, Possibly In Michigan, Who Wants To Gnaw On Human Bones, I Am The Beast, Henry eats - anything by ben wheele, actually. all of that off the top of the top of my head and theres a million im forgetting. shit that is Uncomfortable and makes you feel bad and weird cause its just so _strange,_ there is no foothold to grab onto to understand what you are looking at. I love it, I've been obsessed with it since I was in middle school, and I hope people never stop making art like it. I catch myself when making my own art trying to hold on to the scaffolding of writing techniques that have been tread for decades, this video is really making me want to get my hands dirty and make something. confusing.
The way you talk about creating anxiety through conflicting expectations reminds me of experiences I’ve had where I wasn’t sure whether someone was mockingly imitating a demographic, or was actually part of that demographic in a way that just happened to align with stereotypes. In hindsight it was probably the former, but because I’m autistic, I always second-guess my interpretation of the cues for these sorts of things and it makes the interaction super uncomfortable.
Alan Resnick's works are my favorite example of this type of horror, comfort from the parts that are normal until broken with the non normal, causing pure discomfort
I’ve heard that laughing used to be the body’s way of asking not to be killed. Almost like an act of submission, like when a dog rolls over to show its belly.
I don’t know how to feel about most things that’s probably because I don’t fully understand my own emotions to begin with
I’ve always found challenging content like Don’t Hug Me I’m Scared or Adult Swim’s more experimental stuff soothing. I’ll sometimes play an episode of Off The Air right before I sleep because it gives my brain dreamlike stimulation. I think that’s the point of works like the ones described
If you want a really good and underated example of absurd horror, I high recommend Jake Bowen's Uncle Samsonite series.
The fact that the Bowen brothers managed to make an entire series whose the main monster is a poorly made cgi Cat/Pig thing in supsenders that dances to the song Pony by Ginuwine (the song actually plays a mojor role in the entire series in fact) is as impressive as it is fucking insane just from how I described it.
If you ever have the time, please, go gove the series a bing watch. Its worth it to "have some fun with Uncle Samsonite" and to "Jump on It."
Horror and comedy being so similar is very reminiscent of Jordan Peele's switch from a comedian to a horror director.
Just went to the intro stinger and you've asked why analog horror is so effective, and the answer for me is that the horror feels the same as when you get scared in real life.
The best example IMO is when the lady starts running in unedited footage of a bear. I've been exactly that sort of frightened before. Horror realism.
I remember during a Q&A Alex Newell, producer of the Magnus Archives and voice of Martin Blackwood, said this:
"Horror is a fail state of comedy. Comedy is a fail state of horror."
I think that pretty well explains why you might laugh at something scary, but not shriek at something funny. When the thing intended to be funny does illicit a scared response, it no longer registers as comedy. Or, if, as bad comedy, as comedy that made you uncomfortable, rather than settling you into hilarity. Meanwhile, we can well be aware that something is both meant to be scary, and good at it, and still laugh at it, because we wish it WASN'T good at it. When horror fails to scare you, it easily becomes funny. And if it's scaring you enough, convincing yourself that it's failing instead, that rather than something terrifying it is actually silly, is comforting. There's no real reason to deny that comedy is making you laugh, unless you disagree with the message behind the joke. And at that point, you wouldn't be associating your particular terror at the situation with horror.
I feel like fear mostly comes from thinking about what could happen but is not yet guaranteed, while humor comes from realizing that it doesn’t matter (whether it’s because it’s not real or nothing’s going to change it) and adding a scary setup makes you think about what going to happen and thus makes it seem preventable because you knew that something would happen, whereas a comedic setup makes everything seem safe and casual so what happens next feels unexpected and unpreventable.
5:46
the first final destination does something very similar to this, there's a scene where one character is critisizing another for thinking that he knows the death's plan and order to kill each character, insisting that she must be be next. as soon as she walks way from the conversation, she gets hit by a bus and dies.
The “new emotions” video is high hilarious surrealism and I’ve loved it from the moment I first saw it. The seriousness of the announcer makes it work.
This explains why I always laugh at Paul Allen’s death scene in American Psycho. The Priming of Patrick Bateman delightfully describing his favourite album before violently murdering someone with an axe makes it unintentionally hilarious.
"It's uncomfortable, isn't it? Not to know how you're supposed to feel?" Is accidentally the hardest hitting line ever when you're neurodivergent
Horror is the best genre for so many reasons. One is that it's by far the most creative visually as well as conceptually. Another is that it doesn't have to fit in a category to elicit emotions in you that are extremely effective. This is why I say some of the greatest pieces of horror media aren't even trying to scare you. They're just telling amazing stories and have a way of reaching the feelings that make you human.
Finally! This is the kinda horror I enjoy/want to create. The unsettling feeling of not knowing how to feel that lingers with you long after the experience is ever. Now I have words that can help me articulate what I mean.
the opening scared me to shit so bad I switched tabs after a few seconds and (metaphorically, not actually) prayed to god that the intro would start and you'd start explaining the genre in a less… terrifying way.
I mean I'm sure I'll get to know when I finish watching but *what do you mean that's not horror??* this kinda stuff freaks me the hell out like absolutely nothing else.
edit: yeah ok so it's fear of the unknown, as well as fear of fear itself. I know both of these are quite effective against me specifically so yeah
experiential noisecore that tickles the uncanny valley funny bone from the opposite side
15:21 Don’t think I didn’t notice those extra seconds of silence.
Very slick.
Your animated intro is gorgeous, I love the way your hands look when they move
You're so right for this, I remember my friend showed me the "going to the store" vid years ago and I was on edge the whole time because I really wasn't sure what this was
Comedy in horror should be a break of fear, or maybe a realization of how the situation can be silly for that moment. It can also be a bonding moment for a group. It shows that we are together and can face anything together.
I feel like meatcanyon does this really well. Sometimes his stuff is funny, sometimes it’s horrifying and other times I’m not sure which one I’m supposed to be feeling
I have nowhere to post this and nobody that will appreciate this, but a perfect example of this weird creepy, funny, unsettling horror is the childhood books by David Lubar, like Invasion of the Road Weenies. Read this as a child and forgot about it until now!
New to the channel and i must say, something about our narrator robot's form is... not unsettling but just leaving for there. Especially his hands.
This type of horror (I usually call absurdity horror) is something that I love. It felt so perfectly made for RUclips and Adult Swim. Because outside of those places is hard to describe this level of weirdness, without looking like a manic when you said you found funny but also terrified.