Great performance. Looks like maybe a 5 octave Musser kelon, perhaps not everyone's first choice for orchestral soloing, but why would anyone comment negatively on it? Maybe they don't like his mallet choice, since he's using harder ones to bring out the articulation but they also bring out the glassy sound of the kelon.
You prolly dont care but if you guys are bored like me during the covid times you can watch pretty much all the latest series on Instaflixxer. Been binge watching with my brother for the last weeks :)
Molto bravo, complimenti! desidero chiedere come mai i glissandi si rivelano poco efficaci ed anche perché nel 2° mov. non si sono impiegate mazzuole più grosse e pesanti ma sopratutto perché i tremoli sono fatti destra-sinistra cioè a bicordi alternati. Grazie.
beh sui bicordi ti so rispondere io: è più semplice così :) il problema come hai detto è che ha usato bacchette che li facevano sentire troppo staccati per la velocità che aveva nel rullo
l'ideale sarebbe poggiare alternativamente tutte e 4 bacchette (una alla volta), ma qui conta in modo di impugnare le bacchette: meglio tenerne una tra medio ed anulare hehe
I'm surprised to find myself saying this, but I actually like the sound of the Keylon here. If I set aside my very strong (4 decade!) bias against these instruments, it kind of works with the live orchestra. FWIW: we'd better all get used to hearing different timbres from the marimba as Honduran Rosewood gets harder and harder to get... Great job, young man!
バクー、とても美しくて見事です！ BRAVISSIMO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
バクー、それが秘密ではないのなら、どこでマリンバ音楽をこんなに美しく演奏することを学びましたか？
どうもありがとうございます！マリンバは日本で学びました。
このプレイヤーは、楽器の性質やホールのサイズやマレットの重さや堅さまで、すべて計算して演奏しているように思えます。この曲の演奏には、正直あまりいいものに恵まれませんでしたが、ここまでクオリティの高いマリンバ協奏曲を初めて聴きました。
大変嬉しいコメントをありがとうございます！
Great performance. Looks like maybe a 5 octave Musser kelon, perhaps not everyone's first choice for orchestral soloing, but why would anyone comment negatively on it? Maybe they don't like his mallet choice, since he's using harder ones to bring out the articulation but they also bring out the glassy sound of the kelon.
Amazing interpretation, deserved a better marimba.
You prolly dont care but if you guys are bored like me during the covid times you can watch pretty much all the latest series on Instaflixxer. Been binge watching with my brother for the last weeks :)
@Drake Jadiel definitely, I've been using Instaflixxer for since december myself :D
Баку, очень красиво и виртуозно! БРАВИССИМО!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Molto bravo, complimenti! desidero chiedere come mai i glissandi si rivelano poco efficaci ed anche perché nel 2° mov. non si sono impiegate mazzuole più grosse e pesanti ma sopratutto perché i tremoli sono fatti destra-sinistra cioè a bicordi alternati. Grazie.
beh sui bicordi ti so rispondere io: è più semplice così :) il problema come hai detto è che ha usato bacchette che li facevano sentire troppo staccati per la velocità che aveva nel rullo
l'ideale sarebbe poggiare alternativamente tutte e 4 bacchette (una alla volta), ma qui conta in modo di impugnare le bacchette: meglio tenerne una tra medio ed anulare hehe
Eh beh la Stevens regna suprema ;)
I'm surprised to find myself saying this, but I actually like the sound of the Keylon here. If I set aside my very strong (4 decade!) bias against these instruments, it kind of works with the live orchestra. FWIW: we'd better all get used to hearing different timbres from the marimba as Honduran Rosewood gets harder and harder to get... Great job, young man!
Thank you so much! I like the sound of the Keylon too!
マリンバとマレットのメーカと品番を教えていただけませんか？
すごく綺麗な音で.........素敵な演奏でした！！
ありがとうございます！このマリンバはマッサーのキーロンマリンバです。ローズウッドではなくファイバー素材で鍵盤が作られています。マレットはVicFirthのテリーギブスモデルM33を1、3楽章でM32を2楽章で使用しています。
2:08
great player, terrible instrument