Get instant access to the LINKIN PARK "Papercut" individual multitracks, mix breakdown tutorials, custom drum samples heard in this tutorial, and more by donating $20 towards my medical fundraiser at this link: academy.themixacademy.com/offers/qAGKXRCc
Hi David, Love your videos and courses. I was just wondering where I can find your daily mixing template and where you go through it track by track, bus by bus, I know you did it a while ago on the Pro Audio Files but I assume it has changed dramatically since then, thanks in advance. PS: if that means getting your core membership, I will do that. Thanks Josh.
You need dissolve it all from Mitolife. It’s 2 systemic enzymes called Serrapeptase and Nattokinase. They will go through your body and dissolve cysts. Take them on an empty stomach first thing in the morning and wait 30 to an hour before you eat. Start with 2, work up to 6 or more. Much love man.
Great question! An EQ will affect the whole signal which can make the vocal sound dull and less forward in the mix. De-esser’s work as a compressor that only reacts to the sibilance. By only reacting to the sibilance we can keep the vocal forward without those darn s’s taking people’s heads off. I hope that helps!
I'm afraid to use a de-esser, because I worry about ruining the vocal. I don't know why anyone would want to go overboard with a de-esser. I like to find alternative methods. Maybe use a multiband EQ & only tame the extremes with the dynamic setting. I've also seen someone cut the beginning of the harsh sounds with Melodyne. I've never actually used a de-esser.
You might try a split test with the same vocal to see which provides the best results to your ear. Because I've had good results with de-essers I start there and only ditch them if necessary. The speed of setting the de-esser blows away any manual method I've used so those techniques only come out if the plugs don't work. Thanks for watching!
@@who_is_dis With me, it's a matter of something that I might not hear, but it's somehow running the vocal. I figured I might as well not try with a de-esser if I'm just going to worry about something that I may have done to the vocal, even if it's very subtle.
@@BillGraper Have a reference track somewhere and use it as orientation. I still do this, check in on some track from time to time just to get a sense of where I am with my mix. That way you kind of get to step back and see things you may have missed, both good and bad.
I honestly think this plugin was a sad miss. It works pretty good dont get me wrong. But where it misses. Is the fact that it doesnt save the waveform. It shows you the spectrum and the wave form. But once you stop the track it disappears. I think if they made it more of like autotune or an app that will show you the whole wave form and actually let you go in on a base by base level and be able to fix individual plosives and esses it would be maybe the next level of audio plugins. Like the ara2 on studio one. Autotune for example. It takes and makes you a whole waveform and you can go in and individually work on your sounds. Single words phrases whatever. If you could do that with this plugin. Go in and work on each individual s and plosive. It would take it to a whole nother level. Just my humble opinion
Get instant access to the LINKIN PARK "Papercut" individual multitracks, mix breakdown tutorials, custom drum samples heard in this tutorial, and more by donating $20 towards my medical fundraiser at this link: academy.themixacademy.com/offers/qAGKXRCc
Hi David ✨I’ll like to contact you please 🙏🏾
@@davemoyo4445 support@themixacademy.com
🙏🏾
Hi David, Love your videos and courses. I was just wondering where I can find your daily mixing template and where you go through it track by track, bus by bus, I know you did it a while ago on the Pro Audio Files but I assume it has changed dramatically since then, thanks in advance. PS: if that means getting your core membership, I will do that. Thanks Josh.
You need dissolve it all from Mitolife. It’s 2 systemic enzymes called Serrapeptase and Nattokinase. They will go through your body and dissolve cysts. Take them on an empty stomach first thing in the morning and wait 30 to an hour before you eat. Start with 2, work up to 6 or more. Much love man.
@@vincecrow4512 means a ton! Looking into that now. 🙏🏻
@@TheMixAcademy ♥️
I have a question, why not using EQ only to reduce harsh sibilance at spesific frequency than DeEsser? is the concept same?
Great question! An EQ will affect the whole signal which can make the vocal sound dull and less forward in the mix. De-esser’s work as a compressor that only reacts to the sibilance. By only reacting to the sibilance we can keep the vocal forward without those darn s’s taking people’s heads off. I hope that helps!
You can use a dynamic EQ to do it, but never use a static EQ to do it.
@@teddym2808 Exato 👍
I'm afraid to use a de-esser, because I worry about ruining the vocal. I don't know why anyone would want to go overboard with a de-esser. I like to find alternative methods. Maybe use a multiband EQ & only tame the extremes with the dynamic setting. I've also seen someone cut the beginning of the harsh sounds with Melodyne. I've never actually used a de-esser.
You might try a split test with the same vocal to see which provides the best results to your ear. Because I've had good results with de-essers I start there and only ditch them if necessary. The speed of setting the de-esser blows away any manual method I've used so those techniques only come out if the plugs don't work. Thanks for watching!
Just don't render the audio until you get it right? Bit of a weird thing to be worried about..
@@who_is_dis With me, it's a matter of something that I might not hear, but it's somehow running the vocal. I figured I might as well not try with a de-esser if I'm just going to worry about something that I may have done to the vocal, even if it's very subtle.
@@BillGraper Have a reference track somewhere and use it as orientation. I still do this, check in on some track from time to time just to get a sense of where I am with my mix. That way you kind of get to step back and see things you may have missed, both good and bad.
Sub-SCRIBED!
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Thanks for watching, Kevin!
@@TheMixAcademy yes sir!
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I honestly think this plugin was a sad miss. It works pretty good dont get me wrong. But where it misses. Is the fact that it doesnt save the waveform. It shows you the spectrum and the wave form. But once you stop the track it disappears. I think if they made it more of like autotune or an app that will show you the whole wave form and actually let you go in on a base by base level and be able to fix individual plosives and esses it would be maybe the next level of audio plugins. Like the ara2 on studio one. Autotune for example. It takes and makes you a whole waveform and you can go in and individually work on your sounds. Single words phrases whatever. If you could do that with this plugin. Go in and work on each individual s and plosive. It would take it to a whole nother level. Just my humble opinion
WTF? Thanks for showing us the Pro DS GUI 10 times and not giving us one single audio example vs the Sonible to compare. Troll video?
Absolutely.