Mozart - Piano Sonata No. 8, K.310 (1778) {Ingrid Haebler}
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- Опубликовано: 6 авг 2024
- Wolfgang Amadeus Mozart (27 January 1756 - 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era. According to Bartje Bartmans one of the greatest and brightest stars on the firmament.
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Piano Sonata No. 8 in A minor, K.310 (300c) Paris, 1778
1. Allegro maestoso (0:00)
2. Andante cantabile con espressione (6:53)
3. Presto (15:48)
Ingrid Haebler, piano
The sonata is the first of only two Mozart piano sonatas in a minor key (the other being No. 14 in C minor, K. 457). It was composed in the summer of 1778 around the time of his mother's death, one of the most tragic times of his life.
Little is known about the precise circumstances surrounding the composition of the sonata; unlike the earlier Sonata in C major, K. 309/284b, it was little mentioned in his correspondence. The surviving manuscript was written using the same type of paper that was used for the Symphony in D major, K. 297/300a, which Mozart purchased while in Paris. 
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Fresh air, cristalline classical sound. No hurry, no speed just to ask for applause for the pianist. Great! Thank you Ingrid for this delicate and inspiring interpretation. Thank you Barjie Bartmans for uploading.
The world would’ve been a much better place if Mozart had composed more minor key sonatas
Sorry I don't follow.....
@@mr-wx3lv most of them are in major key
@S Z Yeah, but why would the world be better with more of Mozart’s piano sonatas in minor keys?
Agreed. Mozart did not write many compositions in a minor key...But I do think the world is a better place because of Mozart. Minor or Major..
I agree. I LOVE Mozart in a minor key. Not enough sonatas, symphonies, etc. I think only two of his symphonies are in a minor key -- the 25th and No. 40, and they're two of my favorites.
Ingrid playing Mozart = perfection
Her playing is in simple terms...precious! Truly made me feel in the classical era, unlike other performances that sound too romantic.
Wonderful, you can see Fenaroli's partimento inside of it.
Only shows that Mozart was not just talent like people say, He studied. A lot.
Finally the right tempo.
Ingrid’s tempos are wonderful in this recording. The first movement is taken as a moderato, which I think fits. This was written the summer that Mozart’s mother died, and I don’t feel that enough performers evoke the tragedy that he was experiencing at the time. I’m able to tell if I like a recording of this sonata based on measures 6-7. I’ve always felt that you need to slow slightly to let the minor seventh chords ring out, as it creates a strong feeling of sadness and creates a mood that can only be described as Mozartean.
Her andante is played perfectly and ebbs and flows to allow for the cantabile style to sing through. And the Presto is absolutely spot on.
For me, she is the definitive Mozart sonata performer. She plays with perfect technique and style, yet lets the music make it’s own decision on how fast it should be played. She truly allows the music to play through her without need for impressing an audience with speed or volume.
Gilels and her ace this sonata to absolute perfection.
Beautiful playing, and beautiful (and to me fully correct) tempo choice for the first movement
love the font. Not sure how old he was when he wrote this, but to me, the music has staggering maturity. Nothing is wasted, nothing is overstated, I am never bored, and am continually surprised. What a master.
Mozart wrote this sonata in the summer of 1778, around the time his mother died. So he was (I think) 22 years old
He was in Paris and his mother died. He was devastated. It is a very anxious sonata.
@@etiennedelaunois1737 Thanks for the information. I can hear the "anxious" style, especially in the last movement. I love the bitter-sweet of the first movement. I still am amazed at his writing. For example, his use of spicy chords (diminished, dissonant, and out of scale chords such as the flat second) never comes across as corny, and do not jar at all, he uses them perfectly, with perfect voicing. That is Mozart. Nothing out of place. Nothing to correct, nothing to try changing.
Wunderschöne Interpretation dieser perfekt komponierten Klaviersonate im gut analysierten Tempo mit klarem doch zugleich anmutigem Anschlag und künstlerisch kontrollierter Dynamik. Der zweite Satz klingt besonders schön und echt lyrisch. Einfach wunderbar!
This is my favorite mozart's sonata, cheers
Me too!
wonderful ~ thank you !
Waah. Johannes Chrysostomus Wolfgangus Theophilus Mozart.. No wonder he was so talented
It sounds like a march piece. One of his most serious minor sonatas.
yeah bc his mother passed away before mozart was writing this
Bartje thank u always for your channel
Thank you for your feedback!
i finally understood this sonata
I was waiting for this one so, so much, thank you! I'm also looking forward for the C-minor one (well, for all of them to be honest).
Wonderfull!!
If you play the first two phrases in A flat minor, slowly and with the left hand an octave lower, you will hear where Beethoven got the slow movement of his great Sonata #31 in A flat major, op. 110. I'm sure the clear connection was unconscious.
if there ist something so nice like this ... haebler playing mozart on piano ... it can´t not so bad at all ... 🙂
She is so correct to the minute, I envy her ease, seriously
A somewhat more dramatic Mozart sonata, in a minor key, definitely foreshadows Beethoven.
Definitely! The opening few bars sound like a Mozart version of Moonlight Sonata 3rd Movement.
I'm not sure if it foreshadows him! For me it absolutely does not! This sonata is really beautiful, but it's not wise to compare composers...
Asi es, es como si Mozart le ubiera mostrado distintas clases de tecnicas de acompañamiento a Beethoven el cual aplicó a su manera con la composición de melodía marcada y emocional que lo caracteriza
Thankss ❤️
I think I've never heard (and seen) the LH at the written octave at the beginning of development (3:42). When did the change occur?
This sonata has made me re-evaluate Mozart's piano music, which has not always been my favorite; a lot of the sonatas are a bit dry and formal to my ears--but this one and the C minor are powerful and dramatic: Mozart at his best. (I have fairly recently discovered Mozart's variation sets, which are as good or better than the sonatas IMHO.)
His best works are in the chamber music and concertos (especially piano concertos).
@@FrostDirt yep, agreed.
Not so the number 12,15. Second movement of no 15 even anticipates Wagner.
(Beethoven hearing this growing up and taking notes -- literally)
очень хорошо
Habler is just about peerless in this repertoire.
andante cantabile filled with temperament, good!
Excelente melodía, uno por lo menos en español
Wim Winters is that you??
Omg that's an insult to Haebler🤣🤣🤣
This is a good tempo, yes a little on the slow side, but I find it quite agreeable personally. Sokolov’s is my favourite performance, but the accuracy and beauty of this performance is still worth lots of merit :)
@@TheModicaLiszt Agreed.
👌
I'm playing this sonata now. It is so hard for me...
@@windmillwilly True, I'm very active on RUclips.
Mozart only wrote 2 piano sonatas in minor keys, this one and the number 14 in c-minor, and both are very difficult indeed.
@@FirstGentleman1 Yeah, the 14th is really cool. I had it in an exam and I thought 95% it was by Beethoven.
11:30 ❤
I like this very much.
Ingrid Haebler is an amazing pianist, although, for this piece, seems like a bit more "con spirito" is needed..
4:00
The eight or the nineth? Henle puts it at the nineth position.
3:42
11:31
It sounds like a rehearsal version to me but I may be too used to hear that sonata played with drive.
"rehearsal version" How condescending can you get?. Haebler plays it as it is supposed to be. Not showy, not with that romantic drive and passion. That is done by pianists who don't understand Mozart and the instruments he had to his disposal.
@@bartjebartmans You know the first prelude from the Well Tempered Keyboard sounds better at the piano, though there weren't any back then... I guess it's part of the magic
@@kanjuro8926 it is all subjective. But the fact is that there were NO piano's in Bach's days. The ones we are used to are from after 1870's. It doesn't matter what sounds better. If you want to get close to how Bach experienced it you need a harpsichord, or even better, a pedal harpsichord.
I think, she hits the three after the punctuation a little early: horror vacui.
11:55
Hey Bartje, just wanted to let you know I just uploaded a full score to Ferdinand Ries Piano Concerto No. 8 to IMSLP. You've used my Ries editions before, it'd be awesome if you can make a video for this one too. :)
That would be great! I was kind of thinking of the Ries concertos.
Bartje Bartmans Do you like Beethoven piano sonatas?
Of course. I play them all myself.
@@bartjebartmans then which is youyour favourite Beethoven sonata
@@otakuxgirl6 I will give you my top 5, 1. Sonata No. 24 in F# Major, 2. Waldstein Sonata, 3. Sonata No. 2 in A major, 4. Sonata No. 18 5. Sonata No. 19
7:55 those 2 bars are recycled as a theme in his 2nd movement of his 29th symphony
кто пианист преклоняюсь
19:13
полифони
Ist das von J.S.Bach 🤔🤔?
Die spielt wie eine alte Klavierlehrerin.
Quatsch