Mozart Piano Sonata No. 8 in a-minor KV 310, Grigory Sokolov
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- Опубликовано: 8 июн 2024
- Grigory Sokolov: Mozart Piano Sonata No. 8 in a-minor KV 310
1. Allegro maestoso [0:00]
2. Andante cantabile con espressione [8:33]
3. Presto [19:09]
This work was on his program from February until December 2012.
From "Mozart's piano sonatas" by Paul and Eva Badura-Skoda (from the web site of Henle Verlag, www.henle.de):
Mit der a-Moll-Sonate wird plötzlich ein Abgrund aufgerissen. Alfred Einstein dürfte recht gehabt haben, wenn er annahm, dass diese Sonate unter dem Eindruck des Todes der Mutter in Paris entstanden sein muss und wenn er damit die in dieser Sonate ausgedrückte Tragik erklärt.
ERSTER SATZ Allegro maestoso ist der erste Satz überschrieben, und er beginnt auch mit einem wahrhaft majestätischen Thema. Früher galt ja der punktierte Rhythmus als Symbol des Majestätischen und wurde von Mozarts Zeitgenossen als solches verstanden. Die unerbittlich klopfenden Akkorde der orchestralen Begleitung freilich zeigen keine festliche, sondern viel eher eine dämonische, düstere Majestät: Ein ständiges Hin und Her zwischen Aufbäumen und Resignation oder Verzweiflung charakterisiert diesen ersten Satz. Die Vorschlagsnoten im 2. und 4. Takt des ersten Thema sind sicherlich jeweils „lang" zu nehmen. Anstelle eines zweiten Themas steht (ab Takt 23) [0:44] eine durchgehende Sechzehntel-Bewegung, der eine polyphonierende Zweistimmigkeit in der linken Hand ab Takt 28 [0:53] folgt. Die letzten fünf Takte der Exposition [1:24] bringen nochmals den punktierten Rhythmus des Hauptgedankens. In der Durchführung [3:07] bricht dann ein Sturm los, wie er nicht seinesgleichen hat, weder bei Mozart noch in der Klaviermusik seiner Zeit. Ganz ungewöhnlich ist dabei der vorgeschriebene dynamische Kontrast zwischen ff und pp und danach wieder ff, wie Mozart ihn für die drei Wellen der Durchführung vorzeichnete. Spezielle Beachtung verdienen zwei verminderte Septimenakkorde in Takt 126/127 [5:31], die in der Klassik-Epoche immer Ausdruck höchster Tragik und Erschütterung bedeuteten.
ZWEITER SATZ Wunderbar ist dann der milde Trost, das ruhige „Schreiten der Grazien" im zweiten Satz dieser Sonate [5:47], ein Andante cantabile con espressione in F-Dur, das mit Würde zu spielen ist. Trotz einer lyrischen Grundstimmung vermittelt dieser ausdrucksvolle Satz etwas leidenschaftlich-Großartiges und ist somit weit entfernt von der warmen und graziösen Innigkeit anderer Mittelsätze in einer Dur-Tonart. Ein zweites Thema (ab Takt 15) [9:53] erinnert mit seinen Tonwiederholungen im Aufbau übrigens deutlich an das Seitenthema im zweiten Satz der Symphonie KV 201. Die großartige Steigerung in der Durchführung mit dem Höhepunkt in Takt 43-49 [15:10] erweckt natürlich Reminiszenzen an die Durchführung des ersten Satzes. Umso schöner ist dann die Rückkehr zum trostreichen Hauptthema und zur Reprise [16:00].
DRITTER SATZ Der dritte Satz [19:07] führt wieder in die düstere Stimmung des ersten Satzes zurück, nur dass er anstelle der orchestralen Dramatik nur eine im presto-Tempo dahinhuschende schattenhafte Darstellung des tragischen Grundaffekts gibt. Anders als Beethoven kennt Mozart in den Finali seiner Moll-Sonaten und Symphonie nicht oder nur selten die Befreiung in strahlendes Dur, die Überwindung der Tragik durch die Freude. Schicksalshaft kehren die meisten seiner Moll-Stücke nach Dur-Episoden in die Stimmung des Anfangs zurück. So ist es auch hier. Dieser Presto-Satz ist eines der düstersten Stücke, die Mozart je geschrieben hat, mit einem merkwürdigen Wechsel von Aufbäumen und Verzweiflung. Nur einmal wird in diesem Satz eine subtil zarte, lichte Vision der Seligkeit in A-Dur, eine Fata Morgana, kurz sichtbar; danach kehrt die Stimmung der Verzweiflung und Resignation vom Anfang zurück. Trotzig und energisch schließt der Satz in a-Moll.
The sheet music is freely available at imslp.org. This edition is Breitkopf & Härtel, Leipzig 1878 (public domain: free from copyrights). 
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Please watch my friend Mary Jane’s RUclips video: ruclips.net/video/Xt492xVUEC4/видео.html
On the day before her 30th birthday, she reflects on her life and gives some very good advice to people in their twenties.
Thank you.
@@valeruano1636 ok
Thank you for recording this precious performance Auke. And thank you for including the score: it's so much more enjoyable to read the music while listening to it.
I'm honored by the shoutout to my video, hopefully it can give food for thoughts and help to many others.
Ü
Pp
The sonatas of Mozart are unique; they are too easy for children, and too difficult for artists.
― Artur Schnabel
One of my favorite quotations.
Nice quote.
Why?
Too easy for children? To listen to or to play?
@@brodycates8472 To play.
Anybody who plays the piano can appreciate just how astounding the articulation is in this performance. Achieving those pearl shaped 16th notes which somehow sound both legato and staccato at the same time takes an incredible technique. I think this might be my favorite.
Indeed, this pianist has one of the clearest articulations I've heard.
Indeed, the articolato sound is difficult af, and also the trills, in fact I found Mozart being more difficult than some Rachmaninoff ahahahah.
Exactly
For me only Gilels is better for Mozart and Beethoven
Ένας σπουδαίος καθηγητής που ειχα στη μουσική οταν τον ρωτούσαμε γιατι δεν εκτιμά τον Ραχμάνινωφ μας απαντούσε : «πολλες νότες…!!!… γιατί;;;; Ενώ ο Μότσαρτ ακριβώς όσες χρειάζονται!!!» Και είχε δίκιο! Όσοι παίζουμε Μότσαρτ ξέρουμε οτι αν μας φύγει μια νότα αν κατι ξεχάσουμε μετά καταρρέει όλο το έργο γιατι κάθε νότα στον Μότσαρτ παίζει τον ρόλο της….
When I hear 15:10 I think of a 70 year old man who has lost his wife.
But it's 21 year old Mozart who lost his mother. Absolutely incredible.
That's because Jesus gave you some response
Yes, I have heard of that before. I also heard of that happening with Beethoven. Beethoven was really 9 years old when he was considered a child prodigy but his father said Beethoven was 6 years old because 9 years old sounded too old to call Beethoven a prodigy.
Basically the same, so you were on the right track.
*Bereavement*
Loss of a family member.
Caters Carrots this is has nothing to do with the original comment, you obviously just wanted to show off useless trivia.
Esco Piliatese even if it’s «useless trivia» your comment was not need at all, especially with how rudely you stated it. You had no use in commenting :)
That Presto... no rushes, no false virtuosism, just pure A minor melodic joy!!!
That second movement is exceptionally beautiful! 250 years later we still listen to Mozart's music ... This is one the most precious things life has to offer us
the most precious
Dean De Block I think it has only been 228 years since his death
Dean De Block gay
mozart is not beautiful. there is no meaning in his little compositions. they are simple and emotionless. they do not demonstrate true mastery of composition. only of unsophisticated light music.
I appreciate the nuance in your statement, but i would just like to point out that mozart's faux-sentimentality is an affection. He always can ruin a nice melody by going back to arpoggiaturas and alberti basses
For anyone wondering, the chord progression between 15:10 and 15:40 is V - Im - IVm - ♭VII⁷ - III - Im - IV⁷ - VII° - Im - IV⁷ - ♭VIIm - III⁷ - I⁷ - IVm - ♭VII⁷ - III (with suspensions)
That progression is a tonal miracle. It could suggest the goal of 200 years of tonal taught was to ground that passage
@@sergiogiudici6976 true
first mozart passage to make me cry lol. i appreciate your comment
How does Sokolov turn any piece into liquid gold? He makes them make sense. It's magical to me. Not only clear articulation, but extremely musical. All the passages he makes it voiced, cantabile, important. When I try to play it there's so much weird notes. I'm in awe.
Sokolov plays with crystalline clarity plus a fine control of dynamics.
Феноменально! ❤
Mozart wrote this sonata not long after his mother passed away, which was extremely depressing for him. Can you hear how the music leaps between many octaves at once? It's believed by some that's Mozart expressing his sadness in his music, and how he tried to distract himself at the time from the terrible tragedy he was faced with. Mozart is known for creating music with a tone quality that reflected the positive or negative aspects of his life at the time.
vaaai se fu der
The motifs of the first movement are forceful and then an extended feeling of dragging oneself through a swamp with heavy boots. The way the development is written is really telling as well to his misery, which wasn't often for him.
The second movement is the lilting cry of a child turning back to his young memories of simple dances, traveling, and simple peaceful tones. The way he wrote the melody pulled like a thread is heartbreaking.
The way the third movement runs is incredibly telling of his mood, perhaps his anger at his father. The closing repetitious slamming of chords is uncharacteristic of Mozart and exhibits a rare sliver of his anger.
Leitilumo very well said. The second movement in particular is beautiful.
MusicMania248 I know, but from what I have heard and seen, I don't feel sadness. Maybe he wasn't that sad at that age.
We tend to read our modern notions of grief, sadness, and art in older artists. Music wasn't such a vulnerable "look at my sadness" type of thing back then. Sad affects were sought to bring out some sort of sadness in the audience, not as a reflection of the composer's own grief, as would be common in the romantic era. Though, sure, one could argue that only a composer with personal tragedy would know how to bring out those "sad affects" onto the audience. Still, we're reading a bit too much into the composer. It reminds me of people who talk that way about Bach's music, when Bach dedicated all of his music to his own expression of how he perceived God, not as an expression of himself. I genuinely think the artist as a self expresser is a new concept.
Der beste Mozart ist der Mozart vom Sturm und Drang.
There's a specialplace in hell for people who put ads in the middle of classical music smh
Read your comment and just got an ad lol
I would say they are only worthy of emptying Mozart's chamber pot, except that they are not worthy of that honor. Instead, they are worthy of having Mozart's chamber pot emptied on their heads! As Mozart would say, as useful to me as shitting...
Lucifer can and will confirm that.
Lmao
@@user-fu5bp3ep7q in RUclips app, you can't install ad blocks. They are only useful in browsers .
This work by W. A. M. is just plain awesome, beautiful piece, It literally brings tears to my eyes every time I hear it. I wish Mozart was here today so I could thank him. I have been a fan of Mozart since I was 5 years old In in my 60s now!
Cosindering the situation Mozart faced at that time, I guess that Mozart wanted to express the anger and sorrow in his mind,
The living legend Sokolov expresses the emotion perfectly by the brilliant play!!!
I have heard this sonata A minor played by various pianists and now I can say with a confidence that Sokolov is the Best.
Love his approach to this sonata. Sounds so new, so fresh, so dramatic, and at the same time does complete justice to the language of the period.
Jorge Aguirre right? It is quite fresh.
Agree, not boring at all
Yeah quite fresh
Thank you for being born, on this day, back in 1756. So indebted to you!
Grigory Sokolov has very broad repertoire, including Mozart. And his interpretation and ability to apply it to pianoforte is just great. One of the greatest ever
15:10 is one of my favorite parts. So much tension and beautiful harmony.
I think Beethoven has something just like it in one of his sonatas forgot wich one though. Awsome part
There is a certain level of insight that Sokolov brings to his performances that I just don't hear in other recordings. Which isn't to say that theirs aren't legitimate, but Sokolov brings something out from behind and between the notes that set him apart from everyone else.
it is infuriating to have ads marking this masterpiece.
Mozart always stands out from the rest of the composers - especially the ones from his own time. Nobody could create to this height of artistic and technical level.
Nobody is a very big word.
@@ffelegal Bach wasn't just nobody, so enriquebonifacino9939's sentence checks out.
I just love the unexpected change starting at 16:37. If that isn't heartbreak I'm not sure what is.
I lost my Mozart sheet music book so I really appreciate this!
I'm thirteen years old, and my teacher just gave me this piece, I'm so FREAKING EXCITED to start working on it!
Alexandra's same 😆😆
It’s so good. I’ve read the discription and i saw that he had written the name of the wed where the sheets are available. I accessed that wed but don’t know how to get these sheets. Can you please tell me how to get the sheet or give me the correctly link of the sheets?I would be very thankful.
I'm 17 and I've just been given it so.. I guess you're winning in life.
@@misoweli I'm 19 and I just started playing it, and by your logic I should be even more loser than you? xD Makes no sense...
I'm 23 years old and I'm practicing the 3rd movement, I'm the real loser here kids.
I’m learning the first movement for an audition and it’s probably become one of my favorite Mozart pieces
Astonishing clarity. The first 2 movements are extraordinary, the last nothing short of miraculous.
I can't help but to feel heartbreak at 15:10 through 15:39. The six notes per beats are what get me. I can hear a choir singing that section. Beautiful. Just beautiful.
Alan Zamarron Yes, I agree, as frantically dark as the first movement is, these few measures in the midst of an otherwise dainty, pleasant reminiscence, is the tragic heart of the entire sonata. Right in the center of the whole thing too! I'm afraid, however, I am less moved by Sokolov's interpretation than by others I've heard.
Totally agreed....feels like my heart is squeezing....
Gives me shivers. It's amazing how that sequence of chords always gives me shivers, in so many different pieces. It's pretty obvious why, but still.
I feel the same thing... Another part that make me feel instigated is in 16:42
The dissonance too excite me, in 15:10
Какой восхитительный,хрустально-прозрачный звук...
The second movement won me the talent show in my high school. I am forever grateful.
That's actually surprising.
toothless toe exactly
We dont give a fuck about you
good job, even though the second movement is free
KuPoMoMo with a classical piece?! Whaaaaat!?
This is Mozart's Appassionata. There is that feeling of permanent interruption and necessary continuation, that fighting for expression in the first movement and there is that little volcano of the third. There is something unique and indescribable about this particular sonata of his, despite all of them being, the more often you hear them the more, achingly beautiful.
So is this the most passionate and dramatic Motzart can get?
uhm...
ok...
One cannot necessarily say that. However, its "passion" is not spelled out and screamed into your face. There are other musicians that will more immediately please the very strong passions of Phillistines so Mozart might not be exactly your place to go.
@@miguelisaurusbruh1158 it's subtle dramaticism, if you want an in-your-face dramatic Mozart, his minor key concertos are your to-go.
@@FrostDirt Ok thx!, i'm in a mortzart maraton and i've already listened to lacrimosa, all of his piano sonatas, and a lot of his symphonies
@@miguelisaurusbruh1158 listen to his violín sonata 27 adagio, very melancholic piece.
- Don Giovanni a cenar Teco m'invitasti
- capriccio k 395
- the requiem
- kyrie k 427 from c minor mass
- piano Concerto 23, 2nd mov
- ah soccorso from don giovanni
So much beauty here, and power, and melancholy.
Чем больше слушаю., тем сильнее эта музыка меня поражает. О, Господи! ❤❤❤
This is the best Mozart sonata ever, I don't get how this is not much much more popular. It is excellent. Emotionally, it has this raw, in your face opening and theme like Beethoven, and it is very contrapuntal in some places. The development section is ingenious, the way he just develops the initial semi-tone openig motif, to the point of just alternating between E and A on the base along with gorgeous right hand figuration. Then in the recaputilation the theme goes to the left hand for a lengthy section. I think Beethoven got his idea of putting the theme on base on the 3rd movement recapitulation of Moonlight Sonata from this sonata. As much as Mozart is praised, it is pieces like these where you not only think he deserves all praise but you almost think he is underrated somehow still :D
Beethoven copied Mozart. That is his fame and fortune.
@@psalm2764 and member of the great germany
@@psalm2764 God l wish its not right
@@bedranhikmet5609 It is though.
@@kwastormayt Right. Beethoven was a sodomite liar, Mozart was high above both him and all the rest. That is why they murdered him. Unadulterated ENVY.
14:16 - 14:45 - 15:10 one can just say: wow
Falta de respeito do RUclips colocar um anúncio bem no meio do movimento! Belíssima interpretação, uma das melhores dessa sonata maravilhosa de Mozart.
He preforms with the crisp elegance and verve as I understand Mozart.
Mozart es inmortal. Esta brillante versión lo pone de relieve
The second movement is so good.
i love the slow movements of mozart
floating and flying on the clouds with his melodies
swooping down into the valleys and canyons and back up again
15:10 sad beyond words
How?
@@musik350 Unless you are born without hearing you can hear that its a sad part
@@Metadeth1997 Then I'm apparently deaf, thanks for your diagnosis.
@@musik350 Apparently
This remarkable performance also requires to to be learned, listening over and over to discover Mozart's and Sokolov's ideas!
This is a truly amazing performance. I find it difficult to imagine a more refined intepretation of this demanding sonata where the repeted left hand chords, in the second movement for instance, almost allways sound murky. Here everything is played with perfect clarity and tone controll. Many thanks!
The second movement might be the most beautiful thing I have ever heard from Mozart.
the second movement is so sincere
Mozart's best works often come from when he was in too much of an emotional state to give a fuck what the public would think. This was perhaps the first instance of that with his mothers death inspiring this eternally harrowing yet filled with passion for music masterpiece.
At this piece, this is best interpretation I have heard! Listen to how every not is as clear as crystal! Brava!!!!
Just started studying this and I feel like crying…
19:10 Does anyone notice Presto sounds very much like Beethoven's Pathetique sonata 3rd movement?
Yes! And both this and the Pathetique were the 8th piano sonata that each had composed.
Mozart was such a genius! Incredible :)
Я думаю, что Моцарт~ посланец Бога на Земле!
I've always preferred Emil Gilels, but I have to say Mr. Sokolov really makes these come alive. Sokolov takes a bit more freedom with the tempo/ score, but it works a charm. The few bars around 15:00 are so tender, deep and emotive. I let a few tears. It could also be that I'm more emotional during this whole Corona lock-down, and thinking about my own loved ones. Music really speaks to that like nothing else can.
This is so beautiful.
I had been searching it for a long time.
Музыка~ божественна! Исполнение~божественно! БРАВО, МОЦАРТ! БРАВО, МАЭСТРО! Лучшее исполнение! Восторг и восхищение! ❤
The sonata sweeps one directly into its enthralling beauty, lightness, and intensity. 🥰😍
악보를 보면서 들으니.
더욱더 귀에 잘 들어오고
신이 납니다
Greeting. My Brother Michele Vaccari in Seoul he live and Is married With korean girl. If u see Say bye.have nice time.
La migliore esecuzione che ho sentito! Ricerca timbrica eccezionale!
Sokolov is the best (for me) interpreter of this piece
Для меня тоже!
Sokolov never seezes to amaze me. His understanding of style is so spot on, whether he is in Couperin or Prokofiev.... its a wonder he isn't generally thought of alongside the ranks of Argerich, Pollini, MIchelangeli etc... he deserves his place in the pantheon of the greatest of the greatest... ever. This sonata is a revelation. He effortlessly brushes aside the Mozartians ( Uchida, Pires, Eschenbach ) and plays a fresh, unique and ruthlessly stylish rendering of this often overheard masterpiece.
+mikejr41387 Sokolov is considered by many fellow pianists and piano connoisseurs as far superior to Argerich, Pollini and the like, at least from an interpretative point of view (Michelangeli would be a more complex and different parallel - so let's leave him aside). Sokolov's account of this Mozart's sonata is at the level of Lipatti's famous version, according to me, though their approach is rather different.
well yes, amongst thinking musicians this is obvious... but I mean, he never gained the international popularity or had half the career of Argerich or Pollini. I wonder why?
+mikejr41387 Well he never had a major recording company behind him, and never wanted so since he hates studio recs. He does not travel to US, he rarely playes show-off pieces (like much Liszt, not in his repertoire at all), he stopped playing concerti because of the few reharsals with conductors and complexity in getting around interpretations with many of them. In a nutshell, being uncompromised has its penalties... as usual in life.
This sonata is sad
But do you guys know what makes me even more sad?
That is someone put several ads, yes, not 1, but 4, ads, right in the middle of this video.
Use an adblocker, for god sake..
@@leesiheon8013 Well it's not going to Sokolov actually. The algorithm decided it's played by 6 other pianists.
@@leesiheon8013 But not in the middle of a song, I mean you can but as much as you want at the beginning.
@@Benjamin-ml7sv I mean, nothing is perfect, is it? Ideally, there would be ads in the beginning, between movements, and the end (and RUclips strives to do that), but the problem I want to ask you is this: if 4-minute music videos can have multiple advertisements, why can't 40-minute concertoes have more than 10 ads? It is because RUclips (and the music distributors) still has enough sense to limit the alogorithm into placing only a few ads. If you look at it optimistically, we should be glad we are not getting bombarded by advertisements every 4 minutes. I do agree with you that ads in the middle of performances are off-putting, though.
To add to my argument, if RUclips did not classify this performance as Sokolov's, it probably means that the music distributor holding a contract with Sokolov did not provide RUclips with a reference recording and did not try to claim this recording for themselves explicitly regarding RUclips. (I mean, what Google algorithm would not detect a perfect copy or a compressed copy of a recording that exists in its database and label it accordingly?) I don't want to go into much more detail about RUclips's copyright system but let me ask you this: is it possible for RUclips to collect every single recording and performance of music out there to put in the database and avoid copyright infringement? The answer is no. Therefore, they relied on a system that assumed that most of the big music distributers will give them their recordings to earn more money.
Here is a great video by Tom Scott on RUclips's copyright system if you want to watch it: m.ruclips.net/video/1Jwo5qc78QU/видео.html
(I'm not particularly trying to praise RUclips here-I don't have RUclips Red because I do not want to give more money to RUclips when they fail at a number of things that I want them to fix-but their copyright system is working (at least) to support the legal existence of the company and the liberty of RUclips creators regarding the posting of copyrighted material.)
truly amazing sonata written at the age of 22. The finale goes like a tragic rocket.
Exellent playing. I have no words.
My favorite one, the sound is so good. I like all the movements and especially the second one when I imagine he's backing to his childhood.. Oh my *_*
One word. Masterpiece
0:00 -1
8:37 -2
19:10 -3
Thank you for posting, a five-year belated kudos to your fine RUclips post "pmc schultz", this wonderful performance with the matching score. It really adds to the enjoyment of this gift to humankind.
I finished leaning the piece, but the precision and cleanness is just unbelievable
Beautiful piano playing ! Thanks for posting :)
I absolutely love the way Mozart used the Neapolitan/Phrygian chord in the first movement. So good. The use of Augmented 6th chords is also on point. That stepwise descent prolonging the motion of i-V incidentally forming a progression of A-, E-/G, F#Ø, F(#6), E is absolutely fantastic. I love the bII6 - vii°65 around 7:58 as well.
So much beauty!
Wow, whats is A- ? It's Am ?
Can anyone timestamp this?
@@tavmata A minor can also be notated as A-
@@tanmayee3066 man, music theory is so confusing, help me pls
Beautiful - thanks so much for sharing!
Stupendo,.. meraviglioso !!! 🎶💞💖
4:20 My heart...
4:20 Mozart did it before Dr. Dre
Dunh Lee hehe nice ear bro
Dunh Lee haha! And the time is 4:20 as well 😂
@@oi.meunomeejaorampvp5846 Jesus calm down. he's just pointing out that the arpeggios sound similar to those in Still Dre
Hahahaha
Also, if you slow down the first RH figure in K. 332, you get the riff for "Flashlight" by Parliament. George Clinton stole it.
absolutely beautiful and wonderfully played 🌺🌸🌺🌸🌺👏
Truly a great work of art!
I wonder if Mozart ever revised any of his music after the fact - it's hard to believe not a note of anything was changed - this piece is typical of his genius...
Genius .... expecially so beautiful from 3:22 to 4:04 !!
my favorite part
Thanks for uploading!
Mozart weet altijd met de simpelste middelen het grootste effect te bereiken.
was vibin 2 this and then an ad started playing... wtf
oh..is builtbar!! Great.I Playthepiano
I love the piano
I love his interpretation ❤️
Одна из самых красивейших сонат. Моцарт прекрасен!.. ❤
4:20 the guy who always turns everything to still dre
ik ur joking but just wanted to say that this was created hundreds of years before still dre
@@alexyu8951 I know you're just being pedantic but it's pretty obvious it was. Mozart didn't just release a hot new single.
This piece is magnificent
This song is very nice. I love how Grigory Sokolov put lots of dynamic into a piece like this. I also love how the first movement is very fast, and the next one is slow and steady. Nice joB!!
Piece not song. Song is something else.
@@TheMightyFork_ I saw the main comment and immediately knew what the one reply would say xD (not hate at all but it just made me laugh.)
グリゴリー・ソコロフによる非の打ち所がない誠に見事な演奏ですね。円熟期を迎えて巧みな指裁きに益々磨きがかかり、この難曲をいとも簡単に弾いているように感じられます。
The influence of J.S. Bach in the first movement is prevalent.
How? It doesn't sound like Bach at all.
@@SpaghettiToaster Of course it's 100% Mozart, but the harmony and counterpoint over the pedal points in the development could have come straight out of a bach partita. For example, listen to Bach Partita in D major: ruclips.net/video/61Hn85VU7d0/видео.html It has almost exactly the same harmony (sequence of suspensions including a minor 9th and half-diminished 7th) over the pedal and it's obviously contrapuntal too. Mozart even uses the french overture dotted rhythm in this section too!
Piano Telope Some interesting points; the problem though is that this sonata (1778) predates Mozart’s real introduction to the music of Bach and Handel at Baron van Sweiten’s home in Vienna by about three years - it is very unlikely that before that date he knew much of Bach’s music at all.
@@elaineblackhurst1509 Interesting! Perhaps this is a case of convergent evolution in music rather than a direct influence of one composer on the other. Great minds think alike.
@@elaineblackhurst1509 Perhaps the influence was indirect? Essentially all the music Mozart would have been exposed to during his lifetime was influenced by Bach.
On the reptition of the second part (1st movement) he changes the dinamics..I find that cool!!
4:21-4:38 Nobody does these kinds of things other than Mozart
Sorry, it may not be related to the topic, but I wanted to ask you something. What is the metronome speed of this piece from start to finish? I'm working on this piece right now, but I don't know its real speed, so unfortunately I'm working slowly.
Wonderful rendition!
He creates a special atmosphere
A fine, intelligent interpretation.
Как же прекрасна эта Музыка!!! ❤
Totally mesmerizing piece!
so cool that you put the note sheet in the video. its awesome to follow the notes. although im not very good at piano i can read the notes
I Play it but I'm 14. This is such a beautiful sonate!
Im 15 and I play it too. Its one of the best pieces I've ever taken, its so beautiful.
@@Ksgskshs I agree with you
I’m 16 and I do nothing. Beautiful indeed
Such con espressione! The best on a difficult piece!
Studying this at the moment, gorgeous piece and the 2nd movement actually sounds harder than it sounds!
Sokolov, how come I've just discovered you! You put all the contemporary piano virtuosos to shame!You've recovered the music of Beethoven and Mozart to their original form and intent --- such clarity and logic of expression!Absolutely brilliant!Angela Lai
And not only the contemporary :-) ... .
Sokolov's interpretation of this is admirable both for its period accuracy and its perfect execution, while Uchida's expresses something a bit more emotional, modernly emotional that is. It's impossible to choose a favorite.
Why should we choose? Each mudician expresses him/herself. And each hearer finds what is more important for him/her personally. I enjoy Grigorij Sokolov's playing
But other variants are also interesting.
Cool piece!! I love it!!