Music will always be there for you, and even if you cant find that music you can play that music no matter how simple your ability, whatever music you make will capture your feelings and be there with you in a divine way.
listening to Derek's tone is the main reason that I've gone back to playing Fender Jazz Basses period, not to mention Derek's just a phoenominal player and I enjoy listening to him play regardless of who he's with.
This is one beautiful album. This song in particular invokes a very imaginative landscape in me. All works of art from music to perfume has the capacity to transform a person to a different dimension. Its a very subtle and beautiful orchestration. Everyone should get this album..
Man this is like a gumbo, I can hear a little bit of everybody in there. I hear some Pat Metheny, a sprinkle of Jaco and a dash of Marcus Miller. Very nice...this is a good look for Derrick.
A strange occassion when I actually prefer the album version of a jazz track.... especially the first minutes sound convoluted and defocused compared to the album version. Derrick sounds rather muddy in his low end, and the pianist can't seem to decide when to play or not play his cues... Gets much better once the improvisation really gets going though. Overall a good performance but I couldn't help feeling a little underwhelmed.
The album version is definitely beautiful and it had the advantage of production (overdubs, etc.) and that cello. If we sounded tentative it might’ve been due to the fact that we hadn’t been playing together too long before this gig. As for the comment on the pianist, l’m not sure if it was me or Mike you were referring to - he took the solo. I have to hear this again but l don’t think l missed any cues...the vibe of the tune - at least the way we were approaching it - called for things to not be nailed down too much; Derrick was looking for some air, some space...and to sometimes imply things rather than playing them. Either way, l appreciate your take on this as it wasn’t the usual gushing we read on comments...You definitely read the situation fairly accurately, and l hope l was able to shed some light on your take. It definitely wasn’t the best version we ever played of this tune.
Music will always be there for you, and even if you cant find that music you can play that music no matter how simple your ability, whatever music you make will capture your feelings and be there with you in a divine way.
Really love this composition the sweeping majestic thing I hope we hear more of this from Hodge. "Dancing with Ancestors" is like an epic movie♥
Geeennniiuuussss!!!! .. just too beautiful!! .. listening to this cruising down the highway ... flippin heaven for the soul
Indeed!
listening to Derek's tone is the main reason that I've gone back to playing Fender Jazz Basses period, not to mention Derek's just a phoenominal player and I enjoy listening to him play regardless of who he's with.
Same here!!!!
erik dennard Not only does he play Fender Jazz basses, but MIM Fender Jazz basses. I love mine!!!
Derrick*
This is one beautiful album. This song in particular invokes a very imaginative landscape in me. All works of art from music to perfume has the capacity to transform a person to a different dimension. Its a very subtle and beautiful orchestration. Everyone should get this album..
ugh this stuff makes me tear up i love it
Just wonderful 👏🏾
This is a great piece...
man that was beautfiul. wish I could hear the whole concert! thanks for uploading!
Creativity at its highest level of perfection. Quite truly Amazing.
Simply the truth!! D. Hodge!!
Here is a good one from the Kennedy Center. In my opinion this sound is one of the freshest I have heard in the Jazz world for a while.
6:06 tells me everythings gonna be alright.
Real music!!!
Awesome tune!
Man this is like a gumbo, I can hear a little bit of everybody in there. I hear some Pat Metheny, a sprinkle of Jaco and a dash of Marcus Miller. Very nice...this is a good look for Derrick.
I'm convinced Derrick has zero bad looks.
Very true. There is something very "September 15th"-ish about the way he built that preamble. Very dark and soulful. Beautiful.
aaahhhh ... too beautiful!!
That was incredible...enjoyed every second
If yall are ever in Brazil, i'll be in the front row.
This is deep!
luv luv hodge's solo trying to learn what he does near the end
Beautiful and inspiring 🙏🏾
that mute on the trumpet send chills up my spine, i need to get one
In life heart is the biggest thing
bravo derrick
Very smooth.... keep it up guys
Incredible
Great great
I wish u guys come someday to the Berks Jazz Festival.
Que exquisito👏🏻👏🏻👏🏻
Exelente !!!!
Good Lord!
well said
@4:47 what kind of watch is that?
What is the range defined as
How does Mark get that Bass drum sound??? it's fuckin' sweet.
50 cent Bass rsrs
Tiago Rodrigues hhhhh yes
In what way can you possibly answer
when the melody gets carried by the bass and trumpet, reminds me of Marcus Miller stuff
agreed! thats reminicent from marcus work with miles! i find it beautiful!
yes sir .........
A strange occassion when I actually prefer the album version of a jazz track.... especially the first minutes sound convoluted and defocused compared to the album version. Derrick sounds rather muddy in his low end, and the pianist can't seem to decide when to play or not play his cues...
Gets much better once the improvisation really gets going though. Overall a good performance but I couldn't help feeling a little underwhelmed.
The album version is definitely beautiful and it had the advantage of production (overdubs, etc.) and that cello. If we sounded tentative it might’ve been due to the fact that we hadn’t been playing together too long before this gig. As for the comment on the pianist, l’m not sure if it was me or Mike you were referring to - he took the solo. I have to hear this again but l don’t think l missed any cues...the vibe of the tune - at least the way we were approaching it - called for things to not be nailed down too much; Derrick was looking for some air, some space...and to sometimes imply things rather than playing them. Either way, l appreciate your take on this as it wasn’t the usual gushing we read on comments...You definitely read the situation fairly accurately, and l hope l was able to shed some light on your take. It definitely wasn’t the best version we ever played of this tune.
Yangshensensen See my reply to your comment below...Sorry l didn’t tag you. Be well
Hey range can be a good name for some body
See I predicted the motherfucking future