Making a Car Chase
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- Опубликовано: 25 май 2016
- Full scene - • CAR CHASE: A Short Act...
The Making of - • DJI Film School - Car ...
Film Riot Extras: Breaking Glass - • Tutorial: Breaking Gla...
Written, Directed & Edited by - Ryan Connolly
/ ryan_connolly
DP / Inspire Op - Josh Knepper
/ joshknepper - / joshknepper
Stunt Coordinator - Fraser Corbett
Music Composer: Daniel James
/ h2daniel -- / h2daniel
CAST:
Zandara Kennedy - Woman/Stunt Driver - / zeedrives
Josh Connolly - Man - / josh_connolly
Levi Allen - Baddie
Fraser Corbett - Stunt Driver
CREW:
Trevor Addie - Producer
James Healey - 1st AC
Josh Connolly - Producer/Director of BTS / josh_connolly
Brett Sworder - Production Sound Mixer
Allen Yang - Boom Op
Lindsay McMillian - Hair/Makeup
Levi Allen - EPK
Carl Sheldon - EPK
Terrance Mazzuolo - PA
Luke Strahm - PA
Jay Stushnoff - PA
Michael Stark - Visual Effects
Special thanks to:
Nickel Automotive - @nickelautomotive
Seth Worley
Produced by Triune Films & Transposition Films 
Кино
I really appreciate all the vehicle filming tips, always get some new ideas for my channel. Thank you!
So the cars weren't actually in close PROXiMITY?
well played
Internet high five
Film Riot - I'm loving these action break downs. Feels like you're back to your old selves. Thank you!
Film Riot is evolving really great, keep up the great work!
awesome job, totally loved this. I have seen you guys grow in the past few years. Super proud, hope to work with you guys soon
Film Riot!! This is legit! Thanks for all the time you put into making tutorials!
Awesome job, loved the grading demo and that tracking zoom shot was just amazing.
Miata and S14, I LOVE IT!!!
Finally, after all these years you show me something about cars!
Love your work guys, I'd love to make something with you especially if it's got a car in it.
Amazing work again. I have been watching for 4 years now and man you and your crew ROCK. And Josh really is a star :)
Ryan seems a whole lot more stressed and busy this episode. Not complaining completely understandable. really appreciate these vids guys. Here's a big fat juicy THANK YOU!!!
This is really cool. I like that you teach stuff like flexibility and balance. Most channels or companies would probably not be transparent and only want to talk about bigger productions. This is practical and it helps a lot :)
absolutely loving all this new content
Gosh you are a freakin genius man, please keep doing these!!!
Would love to work on a set with Ryan and the rest of the crew it seems so awesome!
Nice, rendering a trailer for my upcoming scifi action Timewars while watching this - nice timing, good inspiration! and awesome episode :)
Just loving these action shorts! Then their bets, and effects breakdowns on the second channel.
You guys are doing an awesome thang..keep it up filmriot
Film Riot great going.. Great to see the intercept small clip too!
Whoa whoa whoa, is that a S15?
Great video! I'm really digging this Action Month!
Fantastic work and the humor is what makes it all worth watching at least for me.
Thanks, Robert!
That chase was absolutely perfect!!
Great use of what you were dealt. I honestly didn't notice that was such a short road. Great magic!
you did soooo much work guys . love it
Josh--bravo on the performance man!
That poor Zenki 240SX lol
I'm literally making a car chase action scene next week. Talk about timing! Thanks a lot!
Am I the only one who still remembers Intercept? Will it actually ever get released?
Good Question
yes, it will, just look at Andrew Kramer's blog, he updated it recently with info about Intercept. Don't know if i can link it but i'll try below;
www.videocopilot.net/blog/
actually Andrew Kramer just released a new teaser 6 days ago (videocopilot.net/blog)
Yes. It will.
It indeed never got released lol
You guys have really upped your game! Awesome!!!!!
Well done. And it's nice to see the guy with automatic weapon finally win a gun fight. :)
I really liked this scene! Comedy was good, action was good, it had it all!
I liked the old intro more than the new one!
+Outman Alex not low key enough. Be more subtle
Filmriot logic, take a fairly expensive thing and tape it to a stick. Works every time.
This is my favorite episode
when you get to a million subs, you have to make an hour long film!!
great i love it please can you tell me what lens sizes you use for this project am working on a car chase short film
Cool! Didn't know you guys were in BC, woulda loved to have come out to meet the Ry Guy himself!!! Hope you liked Raincouver!!!!
Like the MX-5!
I just got to work with an inspire today
i love the quality and flexibility these DJI products are putting out. Is it safe to say that you plan to add the osmo and x5 camera to your arsenal of filmmaking gear?
hey Ryan
can you show us how to do several different types of gun squib aka bullet hits practical and digital
This is why i am subscribed to filmriot
hey ryan ! i love to watch your each and every episode . but can u shows us how to film a mirror without showing a camera ??
I just want to know how they managed to do the "dolly zoom" effect on the osmo???
Great video! I currently have Adobe elements 12 and a Nikon D3300 plus a rode mic! Do you have any tips for shooting with these tools? (I also have a slider) thanks Henry!
super, make for more such videos!
Hey Ryan I just saw X-men apocalypse and I was wondering how to do the quicksilver scene where he was running really fast and everything around him is moving really slowly so can you show me how to do that please.
Your color corrections are really good, please make tutorials
please and i mean please give us the footage so we can practice these effects for the action month...
pleeaaassssee!!!!
Hello I was planing on getting a gimbal for my a6300 but now I'm debating on getting the osmo and the x5 I don't what to pick please help
Watch the car chase video then imediatly watch '' drive fast without driving fast '' video by film riot . What an evolution !
i have always wonderd how do u do a running chase scene?
i wonder if a gopro camera can be an alternative
I have a question! : How cars in the final movies looks a lot faster than cars in the scene?
@Film riot, could you please explain how you made the chase appear that fast. Obviously you shot with the car moving at a slower pace, but then the final film appeared like the car was moving at a crazy fast speed. How did you do that in post
how do you get such good quality shots with the osmo?
Probably because they're using either the DJI X5 or X5R camera for the Osmo and the Inspire, rather than the normal DJI X3 camera. The X3 is what comes on the base model Osmo, and it's similar to a GoPro quality camera, but the X5 is a pro-grade camera similar to the Panasonic GH4 or Sony a7S in quality. However, it's significantly more expensive - about 3x the price of the Osmo+X3 for just the X5 alone.
Well that explains it :/ The X3 gets pretty decent quality if there's enough light. Otherwise it gets absurdly noisy. Or at least that's been my experience with it.
It seems like this happens to us a lot when we are doing How-To Tech on classic cars. Plan one thing and then the project flips in mid-shoot. Way to over come Ry.
HEY! i am making a new horror movie film and theres a scene where a character and others run out a dark room and something is going on a character to which he stands in front of the door and he looks up with his eyes black like a demon and gets pulled back in the air to the room. PLEASE is there anyway i could do this Being Safe and not using a harness that will cost me money, is there anyway to do this in after effects?!
I love how they censor licence plates but then they miss some of them and then you can clearly see AKO 57D
Hey Ryan! I have a question for you guys:
So I have this channel where I stand in front of a green screen and talk. :)
And I need some help because I recently switched to Premiere and After Effects.
Should I key out the green screen in After Effects and then move it over to Premier and do all the cuts and color grading?
Or is there another order that makes it easier?
Thanks!
We cut our footage together and then key that. If you key it all it will take forever.
+Film Riot I'm sorry I don't understand that. Why would keying just one clip take longer than keying many short clips?
Say it takes you 10 minutes of recording to get all your lines right, then you cut it down for a 2 minute video. If you key after you cut down, you're only be rendering what you'll be using instead of rendering all of it. Things like this make it so you have more time to put into the rest of the video.
+Nathan Lefever thank you so much for explaining man! But since it's cut down to many short little clips, I would have to key out several clips instead of just one big clip? Or if I move it to After Effects does it make it just one clip?
If you're locked on your edit of what you need to key, you can select all those clips and replace them with an After Effects composition, then do your key on one clip, then copy and paste to all the other clips.
You can key in Premiere as well, just take your clips in a sequence and nest them, then do your effect once.
+Film Riot Hey, Ryan, can you go over how to write different types of action scenes in your next video? I'm having trouble figuring out what information needs to be conveyed in my scripts and what stuff I can trim down. Thanks. :-)
why is that intro so hype XD
When Spielberg made Dual, the truck and the car traveled little more than 25 miles an hour, so you're defo in good company there. The car chase looks great.
how do you record the audio...???? please add that on your next episode
wonder if that 240sx & Miata are still around
Namste,
Dear Ryan..which picture style you use when shooting a short..plz brief us
pocket tacos. a taco that can fit in your pocket.
This was AMAZING
I see you've taken cues from the airstrip scene from Fast and Furious 6.
That's a kick ass shirt!
Is there a way to add 3D models to After Effects for free
guys you are all awesome
Where can I get that ""Choose Your Weapon" shirt?
I have the 3rd camera to the right on Ryan's shirt
Hello , my preview in Hitfim 4 Express jerky despite good hardware . I have the FX 8350 AMD and the GTX 970 SSC and 16 GB RAM . I do not know why. I ask for help
Ryan, I notice you're using the Zenmuse X5 on the Osmo. Do you think that the device would be as useful and successful if you used the X3 that it comes with? There's quite a price gap between the two.
LUVIN' IT!!
I know this a film channel but who else sees the 240sx haha this is awesome
great tshirt,where i can get it?
Do you guys own a RED camera now or is it a rental just for the Action Month? Love the entire concept of the series btw!
Dose anyone know any sites were you can edit film
RYAAN! How'd you get the audio inside the car when you tracked up to it, had Josh get the gun and shoot the van? Was it ADR, lav mics, or some other type of hidden goodness? Thankxx
It looked like you wrote the "script" on the way to the location.
why did you use rampant instead of action essentials
Hey Ryan, what shutter speed did you guys use to get the faster effect?
"in the Car Chase"
Hey Ryan, could you please make a tutorial of changing from a normal person to a metal skin person, like in Xmen. like Colossus do please
I didn't know you could track masks in premiere? I find masking a challenge, tutorial maybe?
oh shit, i didnt know you could use track masks in PP now
Yo ryan whats your favorite B movie
I wrote a tutorial on how to shoot cars really steady with a simple steadycam/glidecam. If somebody wants it, ill give you the link.
Did you intercut with Red and the Osmo?
Pure awesomeness!
Nice MX-5
Josh's face seemed a bit flat out... make sure to pump him up the next camera roll!
The short drived me crazy tho!
This is going to sound horrible but I'm so glad your day didn't go as planned. It really does show us indie film makers that there is no excuse. You make the best of what you have. True run and gun style.
amazing
Can you do a video on Recording vehicle sounds,like you did on recording guns,Because im in india there is no good indian vehicles sound library on internet.
its would hav been easy if u hav used HDRX in red to match foreground background inside the car
Hey Ryan, how much of the audio was ADR?
very nice action