Hey Mate, many thanks for this video and your tips! Realy nice. Maybe you want to show us more details to create a hypnotic deep techno track? That will be fantastic!
This is an amazing technique so simple but effective...I think oscar mulero uses this also on his kicks .... Now I know the real way to do it . Much appreciated 👌🙏
Really great video, thanks for the tips. Would be great to hear more thoughts on transient shaping and sidechain - would you recommend using calculus to workout precise release times?
It can work, but it's heavily dependent on the decay of the kick drum, so I'd say you can try a 1/64 note release time and listen what it sounds like, for the fun of it at the very least. Otherwise I'd say it better to just pull down the threshold all the way down more or less and dial in a release time that sounds good and/or pumps in rhythm to your track, then shut your eyes and pull the threshold up until it sounds right to you.
How does Alex di Stefano make does techy drumloops/percussion loops like the ones in his tech effect sample pack .. they seem to have a sense of urgency or energy to them that's hard to replicate .like they're 3/4 time layered with 4/4 or something in that realm . Is he using lfo movent on each sample hit / percussive hit ECT ? Tia
I haven't had issues with it myself. With proper monitoring, checking the mix in mono and having a trained ear, it's not a problem, in my opinion and experience. It can be problematic during parallel compression, however, if the low end of the processed signal is filtered incorrectly. There I'd be cautious and always check the mix in mono to hear how the low end respond.
The examples here are made so that you can hear what each step does, rather than focusing on tweaking until it sounds right for this particular example. You may use the methods to fit your sound. Thanks for watching!
![Создаем мощный Sub Bass с нуля в Ableton Live 11 [Ableton Pro Help]](http://i.ytimg.com/vi/ztsv4m-0TjM/mqdefault.jpg)
Super instructive video, thanks a lot
youre a really good teacher, thanks a lot.
Dude spent a lot of time watching vids on this topic and u absolutely nailed it. Your explanations on everything are awesome. Thanks subbed
the best tutorial on the topic, thx !
super well explained and useful !
I'm glad to hear that, have fun.
Hey Mate, many thanks for this video and your tips! Realy nice. Maybe you want to show us more details to create a hypnotic deep techno track? That will be fantastic!
Excelent information! Thank you so much for sharing this tips.
Have fun.
great tutorial!
This is an amazing technique so simple but effective...I think oscar mulero uses this also on his kicks .... Now I know the real way to do it . Much appreciated 👌🙏
thanks, a really useful and informative video
I'm glad you found it useful!
Amazing content! Really loved it, many thanks
Tack!
thanks mate!!!
so useful dude, infinite thanks. Keep doing this kinda stuff
Thank you for the support.
Merci Michel !
Really great video, thanks for the tips. Would be great to hear more thoughts on transient shaping and sidechain - would you recommend using calculus to workout precise release times?
It can work, but it's heavily dependent on the decay of the kick drum, so I'd say you can try a 1/64 note release time and listen what it sounds like, for the fun of it at the very least. Otherwise I'd say it better to just pull down the threshold all the way down more or less and dial in a release time that sounds good and/or pumps in rhythm to your track, then shut your eyes and pull the threshold up until it sounds right to you.
great man!
How does Alex di Stefano make does techy drumloops/percussion loops like the ones in his tech effect sample pack .. they seem to have a sense of urgency or energy to them that's hard to replicate .like they're 3/4 time layered with 4/4 or something in that realm . Is he using lfo movent on each sample hit / percussive hit ECT ? Tia
What do you think about the phase issues that carries eqing de low end with low cut? Have you faced this issue before?
I haven't had issues with it myself. With proper monitoring, checking the mix in mono and having a trained ear, it's not a problem, in my opinion and experience. It can be problematic during parallel compression, however, if the low end of the processed signal is filtered incorrectly. There I'd be cautious and always check the mix in mono to hear how the low end respond.
you rock bro!!!
I'm confused, where did you get the kick from? You sampled it from a finished track?
The kick is a sample. I made it when creating the first Aether Mechanics album.
the techniques are good but it dosen't sounds real good.
The examples here are made so that you can hear what each step does, rather than focusing on tweaking until it sounds right for this particular example. You may use the methods to fit your sound. Thanks for watching!