Mozart Concert for 3 pianos, Argerich, Gulda bros, Arming NJPO

Поделиться
HTML-код

Комментарии • 155

  • @Kaydebee
    @Kaydebee 11 лет назад +19

    You can see the influence of their teacher in all of the mannerisms and style. Martha must fell like she is playing with Gulda again. She said that she could anticipate what he was feeling with only a gesture.

  • @clarilozanonieto2770
    @clarilozanonieto2770 20 дней назад +1

    Maravilloso , cuanto placer escuchar a estos grandes pianistas ,,,y de Mozart no tendría palabras ni conocimiento para expresar lo que siento oyendo su música . Sólo darle las gracias por por el gran regalo que dejó a la humanidad

  • @thethikboy
    @thethikboy 9 лет назад +13

    The second movement is astral -unearthly the unique gift that is Mozart

  • @gabbib55
    @gabbib55 12 лет назад +9

    Thank you! It `s simply wonderful ! Great pianists ! Besides. I love Mozart so much! It`s a pity that so few people are able to enjoy really this music today!

  • @aaronjorgefridman5662
    @aaronjorgefridman5662 Год назад +6

    Un concierto muy rara vez ejecutado o difundido. Una joya escondida. Vale la pena oirlo varias veces

  • @marianacristescu1835
    @marianacristescu1835 11 лет назад +7

    Un bijou! Et le joueurs du piano sont, tous le trois, de grands interprets.

  • @francoisrobert8652
    @francoisrobert8652 10 лет назад +9

    Dextérité, passion, émotion. Quelle maîtrise. Mozartien comme il se doit.

  • @giancarlo1937
    @giancarlo1937 9 лет назад +2

    Quando gli interpreti si divertono, sempre viene fuori qualcosa di eccezionale!

  • @Pet471028
    @Pet471028 11 лет назад +4

    This piece is very similar to the main motives of Don Giovanni. Splendid, charming, heavenly, eternal.

  • @dick12235
    @dick12235 9 лет назад +7

    Thanks again for this Wonderful Mozart Treat.

  • @estherszalay5921
    @estherszalay5921 8 лет назад +6

    Loved every note of it! Thank you.

  • @pmmdrt
    @pmmdrt 12 лет назад +3

    The brothers make an own cadenza in the last two parts, amazing good.

  • @gabbib55
    @gabbib55 9 лет назад +6

    Great moments... rare... Perfection...Thank you!

  • @jorgefedericokahl8721
    @jorgefedericokahl8721 7 месяцев назад +1

    SIMPLEMENTE MARAVILLOSO !!!!!!!!!!!!!!!!

  • @igoralceste53
    @igoralceste53 10 лет назад +2

    Merveilleux trois pianos phantastique,bravo aux pianistes!!!!!!!!!!!!!!

  • @susanmcdonald6971
    @susanmcdonald6971 3 года назад +2

    I really enjoy this performance,:) thank you

  • @hansrichardnohrer2834
    @hansrichardnohrer2834 Месяц назад +2

    Ein gutes video das

  • @sergiogerardovicogimena6605
    @sergiogerardovicogimena6605 9 лет назад +3

    UNA ACTUACIÓN SENSACIONAL DE LOS GÜLDA CON LA GRANDE MARTHA ARGERICH.
    SIEMPRE LA IMPRONTA DEL GENIO DE MOZART, QUE INCLUYE CON LA CADENZA DEL FINAL, EL TEMA SUBLIME E INTIMISTA DEL 2° MOV. DEL CONCIERTO PARA PIANO Y ORQ. N°21 K. 467, PARA DESARROLLARLO Y CORONARLO CON EL TUTTI... ¡ BRAVO !!!

    • @federicocuneo7508
      @federicocuneo7508 9 лет назад +2

      Gracias por tu comentario. Descubrí este concierto y me sacudió. Desconocía que los hijos de Gulda habían heredado su genio.

  • @gnedelcu7
    @gnedelcu7 2 года назад +1

    Thank you for this video.
    Amazing!
    Bucharest, Roumanie

  • @ozielich
    @ozielich 10 лет назад +4

    Bravo! La pieza de Gulda en la cadenza final es hermosísima!

    • @irisballestrasse4575
      @irisballestrasse4575 3 года назад +1

      Coincido es sublime, estimo que es la mejor interpretación de este concierto

    • @ozielich
      @ozielich 3 года назад +1

      @@irisballestrasse4575 Verdad? Muy conmovedora.

  • @jesushernandezleon9746
    @jesushernandezleon9746 9 лет назад +9

    EXCELENTE, FANTASTICO

  • @harrylyon4464
    @harrylyon4464 8 лет назад +3

    Great playing from all!

  • @peteacher52
    @peteacher52 12 лет назад +3

    Well said! Martha Argerich is, in fact, one of the very few musicians who can read a new musical score as we read a book and commit it to memory straight away. Her formidable technique requires very little practice as we understand the word, to maintain. And as you correctly say, she will be using the score here for reasons other than a fickle memory.

  • @Kobzar3374
    @Kobzar3374 11 лет назад +4

    The quotation of the second movement of the Piano Concerto Nr. 21, at the end of the finale of this one, and the way how it is developed, has kept me on the edge of my seat. Only Mozart could do something like that. Thank you for sharing this beauty.

    • @StuartSimon
      @StuartSimon Год назад +1

      It’s hard to quote something that won’t be composed for another ten years.

  • @mariamanuelaayala4242
    @mariamanuelaayala4242 11 лет назад +1

    I like so much! Thanks!!

  • @biancavonmuhlendorf2608
    @biancavonmuhlendorf2608 10 лет назад +1

    It is simply beautiful!

  • @profhennig
    @profhennig 4 года назад +2

    super, danke

  • @mshrmrya9180
    @mshrmrya9180 10 месяцев назад

    Very interesting, beautiful and rare. I enjoyed.

  • @MissYinKS
    @MissYinKS 12 лет назад +1

    beautiful....

  • @amedeomarra8398
    @amedeomarra8398 Год назад +2

    Questo è puro Jazz, per tre pianoforti. Che fenomeno paranormale è W.A.Mozart.

  • @mirnacabello8192
    @mirnacabello8192 Год назад

    Soy de Chile🇨🇱❣️FELICITACIONES...bello Concierto. Lo he deleitado varias veces ...maravilloso 👏👏💌

  • @davidm.8766
    @davidm.8766 4 года назад +2

    Gulda brothers: like father, like sons
    :)

  • @joxekarrantza
    @joxekarrantza 9 лет назад +5

    YES, MOZART, AT THAT TIME ,WHILE LIVING IN AUSTRIA, WAS GERMANY

  • @thethikboy
    @thethikboy 12 лет назад +1

    the second movement is music box enchantement

  • @leedufour
    @leedufour Год назад

    Thanks!

  • @guillermopuma61
    @guillermopuma61 8 лет назад +2

    HERMOSO

  • @user-uw9qe7ew4e
    @user-uw9qe7ew4e 9 лет назад +3

    Прекрасное исполнение! Спасибо за интересную запись!

  • @charissamarluk
    @charissamarluk 9 лет назад +1

    i love you Wulfie...!!

  • @siawso2977
    @siawso2977 11 лет назад +1

    The soloists are not "sight reading". They clearly know the music and feel it deeply. They are using the scores (which seem to be full orchestral scores) to synchronize with each other and with the orchestra, not an easy task with 3 pianos!!

  • @joxekarrantza
    @joxekarrantza 9 лет назад +4

    FANTASTIC TRIO OF PIANIST IN A MASTERPIECE FROM THE GERMAN GENIUS

    • @TheJORDIGRAU
      @TheJORDIGRAU 9 лет назад +4

      Albert Sobczak
      At Mozart's time, Germany did'nt exist as a unified state. On the other hand, there was a german culture. From this point of view, one can say that Mozart was a "german" musician. One thing is certain : he was not austrian. He's born in Salzburg, a city which didn't belong to Austria in the 18th century but was more or less independant. It's only in 1805 that Salzburg has become austrian, that is 14 years after Mozart's death.

    • @fenriquealvarez
      @fenriquealvarez 9 лет назад

      TheJORDIGRAU

    • @cmourat1
      @cmourat1 9 лет назад

      Jose Carranza Mozart was an Austrian, but then again so was Adolf Hitler. This music is called "Germanic".

    • @Bechstein1910
      @Bechstein1910 5 лет назад

      A masterpiece indeed, with an extraordinary surprise 3 piano solo towards the very end. Michael Harvey, Luxembourg

    • @Michael-bt3cq
      @Michael-bt3cq 5 лет назад

      Michael Harvey. The Cadenza is a typical example of what was one of the great gifts of Gulda, a speciality. Watch interview with Martha and Gilda’s Donna

  • @beatevincent3461
    @beatevincent3461 11 лет назад

    So true!

  • @camusrinto4969
    @camusrinto4969 12 лет назад

    excellent

  • @Setting4success
    @Setting4success 9 лет назад +1

    Nourishment for the #mindbodyspirit from this wonderful Grand Dame of the 20th Century #piano #mozart #Argerich

  • @marcelochiribogabruzzone2950
    @marcelochiribogabruzzone2950 8 лет назад

    Interesante concierto. No lo había escuchado

  • @avocatdenis
    @avocatdenis 11 лет назад

    Indeed. Memory is tricky thing.

  • @kowalityjesus
    @kowalityjesus 11 лет назад

    thanks for your corroboration :) also for the tip

  • @BrandonKingVloggin
    @BrandonKingVloggin 11 лет назад

    To sight-read this would be a feat all in itself.

    • @fierywomanpacnw7004
      @fierywomanpacnw7004 4 года назад

      Not really. Depends upon the technical level of the musician.

  • @takeshitedada4595
    @takeshitedada4595 9 лет назад +9

    Great Performance. Many Thanks. I hear Friedlish Gulda was the teacher of Martha Argerich. The two genlemen pian are sons of Prof. F Gulda?

    • @umovilac
      @umovilac 4 года назад

      Yes, are his sons, Paul and Rico Gulda

  • @TheGoldberg1984
    @TheGoldberg1984 11 лет назад

    This fragment owns to Friedrich Gulda's aria. You can hear it right here in youtube. ;) I love classical music too :)

  • @hermofilosuareznino8090
    @hermofilosuareznino8090 10 лет назад

    muy bueno

  • @user-cz4ze5zx9j
    @user-cz4ze5zx9j 5 месяцев назад

    現在演奏中の作曲家の楽曲よりも別の作曲家の楽曲を案内して欲しいと思います。ありがとうございます。

  • @user-vj4wq8ml1l
    @user-vj4wq8ml1l 11 лет назад

    Mozart Concert for 3 pianos - интереснейшее произведение для исполнителей: пианистов, оркестра, дирижера и слушателей. Моцартовская легкость, изящество, мелодичность, полетность пронизывают все три части концерта, оркестр добавляет
    в эту хрупкость устойчивый и более яркий фундамент. Появление мелодии второй
    части из Concerto 21 в финале радует слушателей, но, на мой взгляд, снижает его динамическую устремленность, цельность трехчастной композиции.

  • @francescoelia.marino
    @francescoelia.marino 4 года назад +2

    After minute 22, it seems to listen to the music you would likely listen to when entering Heaven (if there was one).

    • @jeanghika7653
      @jeanghika7653 4 года назад +1

      Have you any doubt about the existence of eaven? Poor you!

    • @francescoelia.marino
      @francescoelia.marino 4 года назад

      @@jeanghika7653 yes Jean, I would like to believe in Heaven but I do not believe in it, not even in hell or purgatory. 🙄

  • @bertrandheraud8566
    @bertrandheraud8566 Год назад +1

    qui est le troisieme pianiste? (bros signifie frere...je reconnais pas f gulda ???????

  • @Zois2015
    @Zois2015 11 лет назад

    Unfortunately, that is often the case during concerts - as soon as a piece or movement is over, everyone starts coughing. I'm always wondering why they don't simply keep it in 'til after the concert, if they can hold it for the duration of the movements....

  • @jiyujizai
    @jiyujizai 4 года назад

    🎶☺️♦️🥀

  • @pmmdrt
    @pmmdrt 12 лет назад

    Paul Gulda is a look a like from the famous pianist and director Christian Zacharias.

  • @AlanInUtah
    @AlanInUtah 11 лет назад

    Showing up with memorized music wasn't until the 19th century and chamber performances are often done with the aid of sheet music.

  • @musikfreund5483
    @musikfreund5483 8 лет назад

    KV 242 ?

  • @MozartianObsessor
    @MozartianObsessor 11 лет назад

    I noticed that at the intervals between the movements, many people start to cough. How do they cough at such a right time. Was they able to hold the cough and then burst them out when the players stop between movements?

    • @carstenlund2130
      @carstenlund2130 3 года назад

      The cadenza mostly derives from Friedrich Guldas “Aria” and some piece of Mozarts Elvira Madigan theme. The players do not succed with playing it . It sounds clumpsy !

  • @BADRUBULDURA
    @BADRUBULDURA 3 года назад

    🙂🙂🙂

  • @jorgealbertobaron1
    @jorgealbertobaron1 11 лет назад

    GRAN COMPOSITOR DICE JORGE ALBERTO BARON

  • @alfredoboerner32
    @alfredoboerner32 11 лет назад

    Martha plays with a page-turner , and every proffessional paianist does it in order to read and hear the other(s) are playing, not nacause of lack of memorisation.

  • @Superfiercelink
    @Superfiercelink 11 лет назад

    Unless you're a jazz player, then that is quite common (aka unexpected gigs)

  • @AaronPetitPiano
    @AaronPetitPiano 11 лет назад

    22:42 did he borrow this from himself. I thgouth this was piano concerto 21 2nd monvemt.

  • @agentNOOBSMOKE
    @agentNOOBSMOKE 11 лет назад

    I think all these people here fighting, makes the purpose of art go stupid. There is not right o wrong way to make things, to play, there just exists different points of view, different kind of performances. Of couse some works had more quality than others, but when we closed our minds so hard trying to attack the others, we should ask ourselves what is really going on inside of us. By the way, I think these concert is beautiful.

  • @cagataykiyici2921
    @cagataykiyici2921 Год назад +2

    Thank you very much for this rare and wonderful recording. Another interesting recording of this piece by Solti, Barenboim and Schiff: ruclips.net/video/3ztEjqpSaJA/видео.html Solti is both playing and conducting :)

  • @Superfiercelink
    @Superfiercelink 11 лет назад

    Sight reading is sight reading

  • @dick12235
    @dick12235 10 лет назад +1

    Brain says "Great": Thanks.

  • @jorgealbertobaron1
    @jorgealbertobaron1 11 лет назад

    MAESTRO DE MAESTROS MOZART DICE JORGE ALBERTO BARÓN

  • @user-zo1ts8ti6e
    @user-zo1ts8ti6e 2 года назад

    3

  • @PaulHCohen-lx8nf
    @PaulHCohen-lx8nf 9 лет назад +3

    Regretfully, the cadenza (for me) was an inappropriate distraction from an otherwise lovely performance. It seemed a poor idea to borrow the haunting theme from the 21st concerto and variate it so poorly. (The theme that is irritatingly referred to as "the Elvira Madigan")

  • @lsbrother
    @lsbrother 11 лет назад +1

    I go to quite a lot of concerts - I've never seen a orchestra without music stands - orchestral players are not expected to memorise scores.

  • @thethikboy
    @thethikboy 9 лет назад +1

    12:17 the mundane melts into transcendant landscapes

  • @yangdahui
    @yangdahui 11 лет назад

    Gulda's student and sons

  • @andresraya
    @andresraya 10 лет назад

    who's the baton's?

  • @lsbrother
    @lsbrother 12 лет назад

    I think possibly you are confused about terminology. "Sight reading" means to read at sight - that is to play on seeing the music for the very first time. It does not mean merely having the music in front of you. It usually takes many hours of practise and analysis before the music can be dispensed with.
    Richter in his later years lost confidence in his memory and, even for pieces he knew and had played 100's of times before, had the music in front of him. He was not 'sight reading'

  • @trixter1471
    @trixter1471 11 лет назад

    most of the violinists

  • @brigitte8259
    @brigitte8259 4 месяца назад

    Wo und wann wurde die Aufnahme gemacht ? Wer war der Dirigent ? Bitte die Grundinformationen immer mitliefern !

  • @AaronPetitPiano
    @AaronPetitPiano 11 лет назад

    that is completely different.

  • @kowalityjesus
    @kowalityjesus 11 лет назад +1

    the steinway monopoly must be broken. This is not uncommon in professional players used to playing Rach and Chopin; music that doesn't seem very technically challenging they say, "oh there's nothing to practice, I can pull this off," ESPECIALLY for music like Mozart. It makes for shabby performance.

  • @rcohen3046
    @rcohen3046 11 лет назад

    Not using a score in performance is a relatively modern affectation. Chamber musicians universally play with music and those pianists included in chamber performances never play from memory.

    • @fierywomanpacnw7004
      @fierywomanpacnw7004 4 года назад

      Although in their earlier years, Quartetto Italiano played without music ("the score".)

    • @pjkhunold
      @pjkhunold 3 года назад

      Simply wrong

  • @anthonycurtis4120
    @anthonycurtis4120 11 лет назад

    but these professionals did very well don't you think?

  • @thomasclark2380
    @thomasclark2380 11 лет назад

    Get a stereo system or perhaps go for audiometry

  • @thethikboy
    @thethikboy 12 лет назад

    OMG arguing about sheet music - this is a concerto for THREE pianos - the coordination is critical which is also why the orchestra plays with music stands..

  • @ScottyP713
    @ScottyP713 12 лет назад

    Ironically, Martha is the only one keeping the tempo with the conductor. The brother sitting next to her is trying to conduct the entire performance, and if this were a true
    reenactment, he probably would be conducting the piece but he seems to be fighting against the true conductor.

  • @jeanghika7653
    @jeanghika7653 4 года назад

    Fort bien, mais il faudrait que ces MM. Gulda apprennent à s'habiller non seulement pour faire des emplettes, mais aussi pour venir en scène. Mes deux maîtres, George Georgesco et Sir John Barbirolli les auraient envoyés à la maison, se changer.

  • @aaronjorgefridman5662
    @aaronjorgefridman5662 Год назад +1

    Agrego: la filmación no es buena. Pocas cámaras, mal ubicadas. Más para oír que para ver

  • @rolandscharenguivel8216
    @rolandscharenguivel8216 8 лет назад

    Yes, I agree who composed this cadenza ..... not Mozart I`m sure.! The cadenza was amateurish and sounded like a jazzy piece that did not fit into the concerto .The performance also lacked the sparkle and brilliance of this Mozart concerto.

    • @moderato9264
      @moderato9264 8 лет назад

      +Roland Scharenguivel It's Gulda composing this! Did you hear that was Gulda's For Paul in the cadenza? Just amazing to see Paul himself playing it!

    • @moderato9264
      @moderato9264 8 лет назад

      +Roland Scharenguivel At 20:36

  • @grampus1974
    @grampus1974 Год назад

    K 242

  • @johnbitoy1938
    @johnbitoy1938 10 лет назад

    Why the heck would you sightread something at a concert?
    She just had it there for security.

    • @jamesfrank5271
      @jamesfrank5271 4 года назад

      Try getting three "artists" in the same place at the same time. The Gulda boys are no amateurs. Rehearsal time is very sparse.

  • @eyalnevo
    @eyalnevo 11 лет назад

    who in the video is Asian?

  • @lsbrother
    @lsbrother 12 лет назад

    No professional pianist would turn up to attempt to sight read at a concert. It would be far too risky and also immensely disrespectful to their colleagues, - this is how they earn their living. There is a difference between having learnt how to play a piece and having memorised it

  • @sethnickerson9515
    @sethnickerson9515 11 лет назад

    This is in japan, and the primary pianist is Martha Argerich. Don't be a racist.

  • @Pijanoo
    @Pijanoo 11 лет назад

    Rico Gulda is half asian.

  • @niklakislakis6557
    @niklakislakis6557 11 лет назад

    Could a European play :Keto" as good as a Japanese?....well,think

  • @LeonSpiandorelli
    @LeonSpiandorelli 11 лет назад

    If this were a Rachmaninoff composition, we would barely hear the orchestra...

  • @MozartianObsessor
    @MozartianObsessor 11 лет назад

    Well at least they didn't do that during the playing. :)

  • @SekangKwon
    @SekangKwon 12 лет назад +5

    22:43 surprised me!! The moment when I heard it, I doubted my ears.(I thought it occured an error.) Frankly, I'm still feeling awkward. But good try. This is a piece of CLASSICAL MUSIC. But this kind of new playing makes it be not classical. That's why we love CLASSICAL MUSIC!!

  • @lsbrother
    @lsbrother 12 лет назад

    Silly myths often spread about people and pianists are no exception. Isn't it enough to know that they play the piano extremely well wthout believing that they do it by magic!