Frefrik Lundin: Thanks so much for sharing this wonderful music... God know it is so much music in this media, but I always listen Jazz. I am a jazz fanatic. My love to all jazz fanatic. From New Orleans the city of jazz.
Loved to hear Chet since I found about him researching who was behind the Look for the Silver Lining rendition on old TCM commercials. The CD entitled Young Chet showed his great trumpet playing and his mysterious, melancholy voice... Still one of my favorites after all these years
What a musical story teller he is, Glauco Masetti. Fantastic solo: balanced, interesting and energetic. I can understand why Chet chose to join horns with him. Gullin is normally a great baritone player, but his is in my humble opinion a little incoherent here. What about Chet, then? Well, his talent does always show, even when he... as in this particular solo... seems to be slightly distracted.
In my equally humble opinion, Lars Gullin sounds very coherent. Beautiful line and sound. And Chet sounds focused to me. Got to disagree with your critique.
looking at Chets emboucure (sp.) does anyone think this was soon after he lost his front teeth? He is playing very low, puffing out his cheaks and shys away from taking the first solo.
Of the horn players, only the altoist has given the totality of his capability. An excellent storyteller is he: Smooth, structured, good tonal quality, improvisation adheres to the standard rules of communication with its coherence and logical progression. By the way, what's his name? He seems to have attended the same Conservatory of Music as, amongst others, Bud Shank, Lee Konitz, Paul Desmond and Art Pepper - the sound, tone, phrases and patterns utilized during his improvisation. Lars Gullin, my baritone hero, appears to be unable to lift the horn let alone to perform at his customary best. Too weak to stand; to infirm to put the required air in the horn, resulting in a subdued and comparatively mediocre display Chet is dressed for the occasion, and looks well despite the apparent eye infection (laugh!) After an unwelcomed, shaky start , Chet musters strength and summons his experience to pull him through. The rhythm section is excellent . Tks for posting! His solo has climaxed into a progressive master- piece of opulence - Chet Baker's
What "unwelcome (sic), shaky start" are you talking about? He's building his solo to a climax, dummy! The entire solo is well-structured and cleanly played! There's not a "shaky' second in it. I've played trumpet solos before and you build them slowly to a well-defined climax, as Chet does here.
+retrorex As an active trumpeter and saxophonist who had been following Chet's performances even before he cowered as a young player under the magnificence of Charlie Parker, I am forced to admit unswervingly that this delivery of Chet Baker is far removed from his customary stellar performances. "DUMMY", this is an inebriated Chet Baker - not exactly the way to build an improvised solo; not Chet's natural modus operandi, "DUMMY". Go an initiate yourself with the REAL Chet Baker, "DUMMY"; maybe then you will be in a position to dialogue with me sensibly - "DUMMY" and quack.
I have 75 Chet Baker albums and have been listening attentively to him for over 40 years. I have transcribed several of his trumpet solos by ear, because I wanted to play them for myself. "Initiate yourself?" Really? What planet are you from, dumb ass? (See, I didn't call you "dummy" this time, even though you apparently don't know the first thing about structuring a jazz solo.)
ganelio: Thanks, my friend! Oh, how I do adore, admire and enjoy the totality of his musical performance! On listening to him several times over, I can detect flashes of those Parkeresque "thing". Could I have played as he did - - - Oh, Gee! What a happy musician I would have been!
Makes me remember the days when I first fell in love with jazz, many years ago, and hopes and dreams and friends and family and loves all long since past...
Hot damn these videos are a jazz lovers dream, so many musicians, so much music
the Benito Mussolini's grandson playing piano
this is the first time I've heard Glauco Masetti - he's so lyrical , beautiful phrases
One can hear a beautiful influence of Lee Konitz in his playing.
Frefrik Lundin: Thanks so much for sharing this wonderful music... God know it is so much music in this media, but I always listen Jazz. I am a jazz fanatic. My love to all jazz fanatic. From New Orleans the city of jazz.
I enjoyed every second of this amazing video recording. Thank you for the opportunity to experience this on RUclips!
Loved to hear Chet since I found about him researching who was behind the Look for the Silver Lining rendition on old TCM commercials. The CD entitled Young Chet showed his great trumpet playing and his mysterious, melancholy voice... Still one of my favorites after all these years
Two legends sadly not with us nomore.
We italians,are used to think about Mr.Franco Cerri as a fine guitar player.Probably,we should think to him as a 360 degrees musician!
Does anyone know where the full concert of this is? I know My Funny Valentine is in this set but would anyone know about the others?
Not to mention Lars Gullin :-)
Very nice - Chet has been favorite trumpet man since the 1950s. Some pretty good men with him here.
Jazz is the best thing the USA ever exported
One of the best things along with Cinema and US Constitution. If you guys only accepted baseball, that would be the fourth thing !
Along with Rock n´Roll. And soul. And blues. And the 50s and 60s cars.
it's a pity that uSA exported more war blood and misery than jazz in the world
@@donegidiodabruzzo shut up European
@@cjgreen4331 You shut up.
Great video. Specially like the alto. Think chet and Lars normally do a better job
Rolf Billberg på altsaxofon? Tack för upplägget. 4:16
Chet wasn't there.....dope must have been cheap down there...
No me canso de escucharlo, un genio.
What a musical story teller he is, Glauco Masetti. Fantastic solo: balanced, interesting and energetic. I can understand why Chet chose to join horns with him. Gullin is normally a great baritone player, but his is in my humble opinion a little incoherent here. What about Chet, then? Well, his talent does always show, even when he... as in this particular solo... seems to be slightly distracted.
In my equally humble opinion, Lars Gullin sounds very coherent. Beautiful line and sound. And Chet sounds focused to me. Got to disagree with your critique.
Oscar Klein recorded with Mussolini, son of famous head of state. The architecture of the tune is brilliant.
Thank you so much for this. Another page in history.
great jazz....great players....tnx 4 post in
Essa música é uma obra prima do jazz! Chet Baker e Billie Holiday são suas duas jóias raras!
And.. How totally fantastic Lasse is playing!
More beautiful is not possible!
Chet burned out far too soon. RIP
@louispippie He didn't loose his teeth until the late 60's this was filmed in the late 50's.
Rolf Billberg på altsaxofon? Tack för upplägget.
Nej, ikke Billberg. Det er italienske musikere. Står ovenfor.
looking at Chets emboucure (sp.) does anyone think this was soon after he lost his front teeth? He is playing very low, puffing out his cheaks and shys away from taking the first solo.
nope , he totally has his chops !
He lost his teeth in 1968. He did have one front tooth missing since high school, though.
Lovley clip... I love Chets dress ;)
This is just fabulous and the tempo ideal for this tune.
I like how the tempo picks up dramatically during Chet's solo, then they're going relatively breakneck during the piano solo.
Chet: "No man, your taking that 1st solo" Badass!
Lars was the Stan Getz of baritone. tonal beauty in everything he played.
Fabulous and mesmerizing. Thank you so much💐☕️
Benito Mussolini's son on piano.
brother not son
Jazz is all about taking turns and waiting for your turn.
Fantastic!! With Lars Gullin too.
❤❤❤
@sonofjabba Not so. Here Chet is singing on this very same night. Sans teeth:
watch?v=8SGAcP7Zh6U&feature=related
Though I am a fan of Gullin (Who isn't?) I must admit he seems a bit uninspired in this tune.
Great film!
@@thomassimmons9839 Cecil Payne too
I enjoyed every second of this amazing video recording. Thank you for the opportunity to experience this on RUclips!
Good one… never saw this one before
i love chet !!!!
så intelektuella komentarer You are so wery clever and
MARAVILHOSO!!!
ja ju längre tiden går .. tror ja man förstår .. huru jazzen påverkar .. tack !
gäller fortfarande .. trots att "demensen" styr mej mer .. men BRA jazz verkar funka - tack för den härliga jazzmusiken !
Very very sophisticated!!!
can not hear piano
Who was your grandpa ?
🌾🌱💙😀
1:00
Nam B-)
3:55
Their all playing different tunes -
*they're
Stick with it Mort !
Poor Lars looks so doped out he can hardly stand up...
emtube You don't get it do you!
though he played it really nicely
Of the horn players, only the altoist has given the totality of his capability.
An excellent storyteller is he: Smooth, structured, good tonal quality, improvisation adheres to the standard rules of communication with its coherence and logical progression.
By the way, what's his name? He seems to have attended the same Conservatory of Music as, amongst others, Bud Shank, Lee Konitz, Paul Desmond and Art Pepper - the sound, tone, phrases and patterns utilized during his improvisation.
Lars Gullin, my baritone hero, appears to be unable to lift the horn let alone to perform at his customary best. Too weak to stand; to infirm to put the required air in the horn, resulting in a subdued and comparatively mediocre display
Chet is dressed for the occasion, and looks well despite the apparent eye infection (laugh!)
After an unwelcomed, shaky start , Chet musters strength and summons his experience to pull him through.
The rhythm section is excellent .
Tks for posting!
His solo has climaxed into a progressive master- piece of opulence - Chet Baker's
What "unwelcome (sic), shaky start" are you talking about? He's building his solo to a climax, dummy! The entire solo is well-structured and cleanly played! There's not a "shaky' second in it. I've played trumpet solos before and you build them slowly to a well-defined climax, as Chet does here.
+retrorex
As an active trumpeter and saxophonist who had been following Chet's performances even before he cowered as a young player under the magnificence of Charlie Parker, I am forced to admit unswervingly that this delivery of Chet Baker is far removed from his customary stellar performances.
"DUMMY", this is an inebriated Chet Baker - not exactly the way to build an improvised solo; not Chet's natural modus operandi, "DUMMY".
Go an initiate yourself with the REAL Chet Baker, "DUMMY"; maybe then you will be in a position to dialogue with me sensibly - "DUMMY" and quack.
I have 75 Chet Baker albums and have been listening attentively to him for over 40 years. I have transcribed several of his trumpet solos by ear, because I wanted to play them for myself. "Initiate yourself?" Really? What planet are you from, dumb ass? (See, I didn't call you "dummy" this time, even though you apparently don't know the first thing about structuring a jazz solo.)
Glauco Masetti is the alto player.
ganelio:
Thanks, my friend!
Oh, how I do adore, admire and enjoy the totality of his musical performance!
On listening to him several times over, I can detect flashes of those Parkeresque "thing".
Could I have played as he did - - - Oh, Gee! What a happy musician I would have been!
Makes me remember the days when I first fell in love with jazz, many years ago, and hopes and dreams and friends and family and loves all long since past...