I can't believe they exist. i have seen them twice, talked to them in person 3 times, watched countless performances and reactions on YT, and every time I see them, I can't believe they exist - and are this good! Words can't even express.
I think you have expressed it perfectly. It doesn't seem possible they are real. I met them at the show in San Francisco, and it's like they glow with some kind of inner force. It's crazy.
Just to put the record straight... that isn't actually a baby grand piano. It's a Roland electric piano dressed up to look like a baby grand. This concert, I believe, was the first time Miyako had played this piano and she spoke later of how difficult it was to adjust to it and how nervous she'd been attempting this difficult etude on it live. p.s... No that's the old bass player Miho.
I imagine it would be too cumbersome to transport an actual acoustical grand or baby grand piano to the various concert venues due to the fragility and constant re-tuning required to keep the instrument in top condition.
@@raybl9295 You're probably right although on the live DVD on the Heavy Metal Never Dies tour Miyako did have a genuine miked up grand piano. I saw Lovebites in England twice last summer and one of the only things I regretted was that the band, having to travel with the minimum of equipment, had no keyboards with them so all the songs requiring keys, including "Swan Song" were dropped from the set list. Miyako even had to limit herself to one guitar instead of the six or seven she habitually carries on any Japanese tour.
@@michaelafrancis1361 I was at the Garage show in London as well. It was well worth the traveling for me. I'm from NY as I didn't know they were planning shows in the US when they announced their Europe tour. That last tour was bare essential LB with no technical support. Miyako was doing all the sound check and they even had fans helped moving equipment from show to show. Despite that, the concert was amazing. To be able to watch Miyako and Asami performed from 10 ft away made it totally memorable. It was probably my last chance to see them so close.
Btw.: the white piano wasn't even a "real" piano, it was an electronic one and Miyako told in a video on her channel that she didn't really liked the way it "felt" .. so she was even kinda like a bit handicapped when playing this.
Roland digital piano indeed and yes she doesn't like its feel (she's used to "real" pianos and has one at home). But of course digital piano is much more convenient on stage, and much easier to mix in a band context.
@@realdocloco The digital piano is a godsend to techs and roadies everywhere. If you have also watched Thje Warning Live form Pepsi center you will note that is what Pau played during her two solo spots just before Enter Sandman. Oh and as an old theatre kid getting two baby grands off stage between end of overture and full curtain up on a production of No No Nanette nearly killed the back stage crew every night (so glad I was out front riding the sound board while my younger brother was busting ass on that move).
Miyako (lead guitarist/pianist at stage left) is a generational talent who is a virtuoso on BOTH the guitar and piano. She has been classically-trained on the piano since the age of 3. Miyako also composed & arranged "Swan Song" and this track is a neoclassical metal masterpiece. Throughout the song, you can hear motifs from Romantic-era composers Chopin (intro, main riff, solo) and Dvořák (Chorus). Miyako's piano intro is Chopin's "Étude Op. 10, No. 12 in C minor", aka the "Revolutionary Étude". BTW, it's still the previous bassist, Miho, in this video. The new bassist, Fami, joined the band in 2022. Asami (lead vocalist) is a mezzo-soprano who can easily drop down to the lower range of an alto when necessary.
Listening to the piano outro of this song always gives me goosebumps and tears. I think it's not because of the instrument change for the sake of a gimmick, but because I'm witnessing something perfect and unbelievable: "This is the only thing at the end of this song." Chopin would have given a standing ovation in heaven.
Regarding Asami’s singing posture, The vocal coach, The Charismatic Voice has an excellent reaction analysis on their song Holy War specifically discussed about her throat positioning. Elizabeth was more than impressed.
LOVEBITES - Swan Song lyrics & credits: If this was the last day you could live on this earth Would you still go on, accusing someone for today It’s better to fail than not do anything at all It is not the length, but depth of life that counts Oh brave soldier Oh gallant warrior Valor to those who died in battle to Valhalla Believe what’s in your soul For death will come to all You shall rest peacefully in God’s Heaven Floating lotus You are so graceful Saintly and glorious Till the end of time Floating lotus You are so beautiful Sing me your sweet song The legend of the swan If you’ve never hoped, you’ve never been through despair Ignorance is bliss, it’s easier to never care You might think it’s meaningless to sacrifice a life Sometimes the life of one can save so many more Oh brave soldier Oh gallant warrior Valor to those who died in battle to Valhalla Believe what’s in your soul For death will come to all You shall rest peacefully in God’s Heaven Floating lotus You are so graceful Saintly and glorious Till the end of time Floating lotus You are so beautiful Sing me your sweet song The legend of the swan SOLO: miyako / both Floating lotus You are so graceful Saintly and glorious Till the end of time Floating lotus You are so beautiful Sing me your sweet song The legend of the swan SOLO: midori [guitar] / miyako [piano] ----- lyrics: asami music: miyako arrangement: miyako & LOVEBITES (miho, haruna, midori, miyako, asami) album: Electric Pentagram 01/29/2020 ---
I saw another reactor (vocal teacher I think) said that ASAMI has Soprano voice and she doesn't use falsettos but her natural voice. You can see her singing high pitch notes in "Soldier Stand Solitarily" in the LOVEBITES's Official Channel.
13:25 Asami comes from a R&B background, like I' m sure people have already pointed out... She hardly, if ever, goes into the head voice at all. Her incredible power is within that chest, to the extent where she is apparently more comfortable belting all of it, as high as the notes may come. Truly rare, I think, because it is natural to go over into head voice as one gets higher. P. .S: Together with "Glory to the World", which you already saw, this is probably among their songs where the vocal lines are consistently high, and reach up from there. In others, the thrashers, the more groovy or rocking songs, Asami uses her powerful mid- to-low range a lot, and to great effect!
You can see why this song is requested so frequently. Miyako a great pianist and composer that knows how to intertwine classical with metal just perfectly. She does go from guitar to piano quickly but in Frozen Serenade she goes from piano to guitar even faster in which you didn't make mention of in your reaction. This is the former bassist Miho and not the present bassist Fami. Glad you had the lyrics up and I know you mainly focus on the vocals and instruments but the lyrics in the song are rather deep. Recommend Edge of the World live 2020 next.
@bigg2988 Yes, on Frozen Serenade it is amazing the short time frame from Miyako on piano to her playing guitar. It's like she had the pick taped to the guitar 🤔
Yes, these women are just beyond belief. Again, their main influences are the great metal bands of the past but they have been developing their own and unique style. Miyako embeds her classical training into their metal stuff and it is an outstanding plus. Somebody commented that Miyako might not be the best guitar player and might not be the best pianist but her level at mastering those two instruments is just outstanding and probably unmatched. Another excellent track is “Dystopia symphony” (only audio); another masterpiece composed by Miyako that is based on Beethoven’s “moonlight sonata”.
The key change at the start of the last chorus is really back to the original key (compare with the previous chorus before the bridge). The composer (Miyako) is sneaky that way - when her solo in the bridge starts she drops to a lower key and it continues til the final chorus begins.
The last chorus when it came in, it returned to the same key as previous chorus. The previous key change was going into the guitar instrumental. Another song suggestion is Dystopia Symphony. No recorded live performance on the song, just the studio album version. Miyako incorporates a couple of Beethoven's composition melodies into the song, just played at a blistering speed. It was a song dedicated to Beethoven.
Nice observation about Miyako's choice of holding a guitar :D Unfortunately, she started to wear pants lately, so no more breathtaking underwear solos :) I think one of the best songs to judge Asami's range is Edge of the World. She holds a really long note at the beginning. Actually, all 3 of holy E trinity (Empty Daydream, Edge of the World and Epilogue) are very good, they are like ballads (at least, partially). Frozen Serenade is also worth listening.
🤘🐺🤘🎹Roland GP609... Asami Vocal Range: From D3/E3 to A5/B♭5 . Mezzo soprano, Lyricist, Music Composer, Pianist,etc... Significant High Notes: B♭5: "Shadowmaker" live Bloodstock 2018 A5: "Don't Bite the Dust", "The Hammer of Wrath", "Stand And Deliver , "Shadowmaker", "When Destinies Align", "Winds of Transylvania" G♯5: "Painkiller" G5: "Above the Black Sea", "The Apocalypse", "The Crusade", "Edge of the World", "Inspire", "Judgment Day", "Nameless Warrior", "No Time to Hesitate", "Scream For Me", "Soldier Stands Solitarily", "The Spirit Lives On", "Stand And Deliver (Shoot 'Em Down)", "Warning Shot" F♯5: "Burden of Time", "The Crusade", "Glory to the World", "Liar", "My Orion", "Painkiller", "Paranoia", "Rising", "Spellbound", "Stand And Deliver", "Thunder Vengeance", "Under the Red Sky", "We the United" F5: "Above the Black Sea", "Addicted", "The Apocalypse", "Bravehearted", "The Crusade", "Dissonance", "Dystopia Symphony", "Eagle Fly Free", "Empty Daydream", "The Final Collision", "Glory to the World", "Holy War", "Judgment Day", "Lost in the Garden", "No Time to Hesitate", "Set the World On Fire", "Soldier Stands Solitarily", "The Spirit Lives On", "Swan Song", "Today is the Day", "When Destinies Align" Significant Low Notes: G3: "The Apocalypse", "The Crusade", "Don't Bite the Dust", "Lost in the Garden", "Pledge of the Saviour", "The Spirit Lives On", "Today is the Day", "Warning Shot" F♯3: "Epilogue", "A Frozen Serenade", "Lost in the Garden", "M.D.O", "Paranoia", "Signs of Deliverance", "Under the Red Sky" F3: "Don't Bite the Dust", "Edge of the World", "The Hammer of Wrath", "Pledge of the Saviour", E3: "The Hammer of Wrath", "M.D.O", "Warning Shot" D3: "If I Ain't Got You" live 2014, "Wicked Witch" The Range Planet Asami is not a "TV-talent show" singer with autotune & pitch correction... LOVEBITES Asami & Miyako Rising Acoustic Version ruclips.net/video/wUWENwVWcoU/видео.html
Lovebites makes me me feel safe, but they also put me in a very very good mood just knowing that musicians such as they are actually exist in the same moment in time as I do. We are so fortunate to have them....and this song moves me every time I hear it. It is magical. "SSS" is on a another level musically, but "Swan Song" is far and away the most beautiful piece of music I've ever hear (Well, not including Tchaikovsky of course.)
Actually, Miyako explains in one of her own videos that she was dissatisfied with this Roland as it had platic keys. Her own Yamaha was gifted from her parents and she paid herself to have the keys upgraded to ivory. Nittpicking much? 😅
Wasn't it that Miyako had an issue with playing too fast so that those "plastic keys" couldn't flip back fast enough? I still prefer this outro to that one in 2023... which she said was more like she planned to do it...
@rainerzufall42 I believe she didn't liked the "feel" of the plastic keys? She is known to be quite picky on her equipment. Unlike Midori, she does use analogue pedals and likes to mix n' match until she gets the sound she likes. Same with her Deans where she switched the PU's. I love her Geekish take on music,, just as well as being a Star Wars fan.
@@andreaspedersen3952 She's IMHO also doing the quality management for LOVEBITES, no wonder that they use high end material ("hard"- and "soft"-ware). I guess, you need to be this kind of a control freak to make it perfect. I like this approach!
Great reaction-this bro knows music for sure. Respect! This is Miyakos masterpiece, one of them for sure. This song just has to be one of the best metal performances in the last 20 years. You should react to Eagle Fly Free piano cover-Miyako will blow your mind dude. She is s real treasure-her music power is limitless.
that's been one thing that grabs me every time i watch miyako's chopin intro. the way that each hand is playing out of time with the other. i know she's trained since 3 years old but come on - it takes a special kind of talent to do what she's doing. i believe that piano is a roland gp609 and was surprised to see it only goes for 9 grand. i would have thought it would be more
I have 3 recommendations for you, all by Lovebites. One is a ballad called "Epilogue" (live version ofc), where you can hear little different side of Asami's voice, second is "Soldier Stand Solitarly" (live version ofc) where she's throwing some serious high notes and 3rd "Thunder Vengence" (live, always live ;)) where she's using a lot of low notes.
Asami can belt up to an F5, she does it routinely. Check " Holy War and " Edge of the world. " 😏❤️🎙🎸🎹🥁😎🤘Btw, any video produced after Oct 2022 will have Fami in it.
This is one of those performances where if you didn't know much about them, you would realize that you are dealing with world class musicians at every position and you just sit back and be amazed at the great experience. For a song that would fit in a Castlevania game check out Winds Of Transylvania live and get blown away! 🤘🐺🤘
I believe that is Gary Moore, Miyako plays it on both guitar and piano. ruclips.net/video/bMmkDttnR7k/видео.html ruclips.net/video/wT0Xw73p8a8/видео.html
To hear Asami improve the vocal to near perfection on this song, (better English pronunciation, and note rolls in the chorus delivery more closely mirroring the excellent studio version) see their official video from 2023. It's the one most people recommend against because the piano intro is not included, and the instrument mix isn't as good, but vocally it is a thing of beauty. ruclips.net/video/bK21cuI-V7c/видео.html
If you like the tapping and the harmonization of the guitars, I’d recommend Signs of Deliverance live and you’ll get harmonized tapping lol. I’ll find a link because I don’t think it’s ever officially been posted Here we go: ruclips.net/video/ZFNrk19fKgg/видео.htmlsi=cU93vBu6xa32xFeb
ASAMI’s highest note is heard in JUDGMENT DAY, where she goes up three octaves in the last verse. In A FROZEN SERENADE, three beats separate MIYAKO’s last note on piano from the first note on guitar. The new bassist? Consider the date of the video.
❤❤ If you've never hoped, you've never been through despair Ignorance is bliss, it’s easier not to care You might think it's meaningless to sacrifice a life Sometimes the life of one can save so many more 💔💔
Ok. Challenge accepted. Another LOVEBITES song with: - Piano intro. (Franz Liszt , "La campanella") - Great melodies (based on Liszt song) - Great solos(intro +A+B+C+outro) - New Bass player FAMI (in all songs after 2022) - Bass Solo. - Piano play IN the song (not Miyako) - Vocal range (from low to very high) - Key changes in it. "Lost in the garden" (from 2023 Album "Judgement day" ) ruclips.net/video/HfPGDVx3d14/видео.html
Miyako put out a LP of 6 metal songs she converted to piano classic pieces which is stunning. Try Helloween's Eagle Fly Free on a stunning piano you will really enjoy.... ruclips.net/video/-h3BLRs0Xr4/видео.html Miyako is a musical savant but her genius would be wasted without her insanely talented band-mates who can play her creations especially LIVE. This band will always surprise and NEVER disappoint. They bring class, humble personalities, love of their music, and devotion to one another and their fanbase (Wolfpack). Miyako can construct anything in her head and is often doing it while performing I bet. She is a Star Wars fanatic, a gear nerd, and off stage she is a riot to be around and her real personality shines (check her YT channel for all of that). Asami on vocals really brings her ballet training to bear during this song in her movements.
I can see what you're saying. It's a sad world we live in where true talent isn't rewarded but instead complete mediocrity is. Oh well, it's part of the reason I started this channel and it's why I continue it. Bring music to more people who may not have seen artists before 😊
The back story of Revolutionary Etude connects to the lyrics of Swan Song. You should try a phenomenal sustain of Asami in Edge Of The World ruclips.net/video/jQKf8Dy_chA/видео.html. She makes high notes in Soldier Stands Solitarily ruclips.net/video/30yWisiRBuM/видео.html. THIS IS bass tapping by Fami the new bassist. She was a high school girl then, a genuine prodigy ruclips.net/video/30yWisiRBuM/видео.html.
Vocally, you might enjoy Liar ruclips.net/video/YWHPfnJz2qk/видео.html It's a song Miyako wrote for her previous band. In it, Asami has an A capella section, uses some falsetto, and there's a key change (which is beautiful). Very melodic solo and Asami's vocals are great, but I don't think you get her full range. It's hard to find one song where she does everything that she can.
Fami, the new bass player is a young(er) girl and joined the group 2022/2023. This is 2020. This is the original old ladies, in their early thirties when this was recorded. Fami is 20+ today.
Miyako (from LOVEBITES) / Eagle Fly Free (HELLOWEEN) - PIANO COVER [ ruclips.net/video/-h3BLRs0Xr4/видео.html or LOVEBITES〖EPILOGUE〗ruclips.net/video/JIAJYBuuKGM/видео.html Also this is Fami the new base player [alien alien Bass cover] ruclips.net/video/Q_UqztwYAOU/видео.html
Hi from France: I have been a die-hard LOVEBITES fan since 2018 and I love this band, its compositions, its stage performances, the virtuosity displayed by each of the members, their interaction on stage and of course their charisma. But, there is always a but... I was born at the same time as rock in the US (yes, I am not very young in life anymore, except for this music) and I fell into it at the age of 6 and, for me, on stage, rock must be able to leave a little room for madness and improvisation. However, LOVEBITES uses Backing-tracks for each piece played live, which gives magnificent musical atmospheres and colors, but confines them to a playing rigor that does not allow them to stray from the axis line of the piece played (like Band Maid or Nemophila or Asterism...). A bit like classical concert performers who express their artistic feelings on subtleties that have nothing to do with the world of rock. See "Honkai (本懐) | Spin Off" or "Hate? live" by Band Maid to understand what I mean. Reading the 5 DVDs and their various streaming, their concerts, this is the observation that we can make, this side a little too orchestrated and rigorous. It's just my feeling. However, these musicians are real virtuosos very pleasant to listen to and see and I never get tired of them, certainly one of the best things that happened to the world of rock in the last thirty years (with bands like Band Maid, Nemophila and many others mainly coming from Japan). And Midori (blond hairs and ESP guitar) is definitely part of my top three guitarists in the history of rock...
This one is still with the old bass player Miho. You haven't seen Fami yet. To see her, check out "Judgement Day," "Stand and Deliver (Shoot 'em Down)," "Soldier Stands Solitarily," as well as the version of "Hammer of Wrath" that was taken from the Knocking on Heaven's Gate DVD.
Asami's voice is unique and amazing. There is also a singer with a singing monster called Mari Hamada in Japan. Try searching for Mari Hamada when you have time😁
You can almost see the energy, but you can certainly feel it while they play this song. Such a Masterpiece! I think you will love 'Epilogue' ruclips.net/video/JIAJYBuuKGM/видео.html or "Liar" from their channel. Thank you so much for covering this song. 🍻
i think that the highest note i have heard asami to go up to is the final one she hits in the mv for 'when destinies align'. she goes high in 'holy war ' and 'set the world on fire' but i think this one is higher : ruclips.net/video/hLFelI93VkM/видео.html
I assume it has already been explained below that this performance was before Miho (co-founder and original bassist of Lovebites) retired, because no bassist carries her instrument as cool and deep as Miho does! She is a fantastic bassist and I admit, I miss her in Lovebites - but the "young blood" Fami represents a young type of bassist and is also a fantastic bassist in her playing and, incidentally, has raised the average height of Lovebites. 😜 Now Miyako is no longer the undisputed tallest in the band in terms of height (on a, admittedly, low level - for all the "long noses" in the world). Lovebites stands for me as such a fascinating, incredibly good metal band in our world, that I am currently having a hard time finding comparable class in the modern music world.
Speaking of piano players check out Yuja Wang and Khatia Buniatishvili. Although there is no vocals Yuja especially shows incredible power and speed for someone so tiny.
Vampires? Castlevania? Dude you should check out their song Wind of Transylvania - live at Tokyo Dome City Hall 2021 ruclips.net/video/qd_qop5j1bs/видео.html
New sub here! Please try "Lost in the Garden" with Miyako's piano intro: La Campanella, from Franz Liszt: ruclips.net/video/HfPGDVx3d14/видео.html In this video you see the new bassist Fami, always with a smile on her face! Enjoy
Otherwise... apart from your “mistake” at the beginning... good reaction... even if most commentators, pianists included, will “never” point out the indecisions/hesitations of Miyako's left hand... she knew it and had said so... pointing out this piano that had been “imposed” on her and that didn't suit her...
@@grieverproductions2022 No. I played the song linked in your description (from "Sayonakidori") and it is not the one you watch in your video (from "Harry Vethkov Maffiosov") AND you did skip the first part of the Chopin piece Miyako plays. The video you watched starts with silence, darkness & silence, as does the one linked in your description. Please give attention to details with LOVEBITES. Make sure the time-line is all the way back at the very start of the video, and watch to where the video ends. Also, note the error in the embedded subtitles of the video you watched, as also stated by ChadTheDragonLord, The subtitles are incorrect - The one line should be "It is not the LENGTH [not "worth"], but depth of life that counts." Here is the comment I left on your "Glory To The World" reaction, > "Your comment about "grainy" video for "A Frozen Serenade" urged me to share these links. Optional links that are 1080p with [cc] lyrics for "A Frozen Serenade" LIVE 2021: ruclips.net/video/sEjN7dAh4ok/видео.html "Swan Song" w/Chopin intro LIVE 2020: ruclips.net/video/WBhtqgiXEA4/видео.html The other links offered are 720p with errors in embedded lyrics. This is simply in the interest of people viewing the highest quality video and accurate lyric subtitles. These are not my uploads, they are just the ones that are best quality." > a comment you 'liked' and replied to with "Thanks for these! I will have a look 😊" yet you ignored what I wrote. I attempted to assist you in avoiding the 'wrong lyric'. Honestly, I did not watch this video beyond seeing you CUT the start of Miyako's Chopin performance. I skipped forward to check which video you actually watch in your reaction. I am disappointed in your carelessness (cutting start) and having ignored/forgotten/not-cared about my comment that you 'liked' and replied to, but not actually 'having a look'. Your reply to this comment (or lack of a reply) will determine if I bother with your future LOVEBITES reactions, as I am sure you understand considering your lack of attention & respect for the artist & fans with how you begin (not at the start) with this one. The links in my 'copied comment' are legit. High quality, no errors in [cc]. Will it be worth my time to share info & links to the highest quality videos with you? At this time, I expect not. This into & links are for your benefit, to the benefit of your channel, if not ignored. dreg👁
@@grieverproductions2022 There are YT-Versions of the Intro starting in quietness and blue monochromacity about 5 seconds earlier than your version: ruclips.net/video/WBhtqgiXEA4/видео.html
I can't believe they exist. i have seen them twice, talked to them in person 3 times, watched countless performances and reactions on YT, and every time I see them, I can't believe they exist - and are this good! Words can't even express.
I think you have expressed it perfectly. It doesn't seem possible they are real. I met them at the show in San Francisco, and it's like they glow with some kind of inner force. It's crazy.
Just to put the record straight... that isn't actually a baby grand piano. It's a Roland electric piano dressed up to look like a baby grand. This concert, I believe, was the first time Miyako had played this piano and she spoke later of how difficult it was to adjust to it and how nervous she'd been attempting this difficult etude on it live.
p.s... No that's the old bass player Miho.
I imagine it would be too cumbersome to transport an actual acoustical grand or baby grand piano to the various concert venues due to the fragility and constant re-tuning required to keep the instrument in top condition.
@@raybl9295 You're probably right although on the live DVD on the Heavy Metal Never Dies tour Miyako did have a genuine miked up grand piano. I saw Lovebites in England twice last summer and one of the only things I regretted was that the band, having to travel with the minimum of equipment, had no keyboards with them so all the songs requiring keys, including "Swan Song" were dropped from the set list. Miyako even had to limit herself to one guitar instead of the six or seven she habitually carries on any Japanese tour.
@@michaelafrancis1361 I was at the Garage show in London as well. It was well worth the traveling for me. I'm from NY as I didn't know they were planning shows in the US when they announced their Europe tour. That last tour was bare essential LB with no technical support. Miyako was doing all the sound check and they even had fans helped moving equipment from show to show. Despite that, the concert was amazing. To be able to watch Miyako and Asami performed from 10 ft away made it totally memorable. It was probably my last chance to see them so close.
@@raybl9295 I was at the Garage too.... best night ever! 😃
@raybl9295 Was also at the Garage. Was the highlight of the year. Got a fist bump from Midori at the New Cross Inn show too
Btw.: the white piano wasn't even a "real" piano, it was an electronic one and Miyako told in a video on her channel that she didn't really liked the way it "felt" .. so she was even kinda like a bit handicapped when playing this.
Roland digital piano indeed and yes she doesn't like its feel (she's used to "real" pianos and has one at home). But of course digital piano is much more convenient on stage, and much easier to mix in a band context.
@@realdocloco The digital piano is a godsend to techs and roadies everywhere. If you have also watched Thje Warning Live form Pepsi center you will note that is what Pau played during her two solo spots just before Enter Sandman. Oh and as an old theatre kid getting two baby grands off stage between end of overture and full curtain up on a production of No No Nanette nearly killed the back stage crew every night (so glad I was out front riding the sound board while my younger brother was busting ass on that move).
Miyako (lead guitarist/pianist at stage left) is a generational talent who is a virtuoso on BOTH the guitar and piano. She has been classically-trained on the piano since the age of 3. Miyako also composed & arranged "Swan Song" and this track is a neoclassical metal masterpiece. Throughout the song, you can hear motifs from Romantic-era composers Chopin (intro, main riff, solo) and Dvořák (Chorus). Miyako's piano intro is Chopin's "Étude Op. 10, No. 12 in C minor", aka the "Revolutionary Étude". BTW, it's still the previous bassist, Miho, in this video. The new bassist, Fami, joined the band in 2022. Asami (lead vocalist) is a mezzo-soprano who can easily drop down to the lower range of an alto when necessary.
Listening to the piano outro of this song always gives me goosebumps and tears.
I think it's not because of the instrument change for the sake of a gimmick, but because I'm witnessing something perfect and unbelievable: "This is the only thing at the end of this song."
Chopin would have given a standing ovation in heaven.
Regarding Asami’s singing posture, The vocal coach, The Charismatic Voice has an excellent reaction analysis on their song Holy War specifically discussed about her throat positioning. Elizabeth was more than impressed.
Good reaction. Asami is a great singer. I attended the concert on December 15, she sang in totally different styles with incredible ease.
LOVEBITES - Swan Song lyrics & credits:
If this was the last day you could live on this earth
Would you still go on, accusing someone for today
It’s better to fail than not do anything at all
It is not the length, but depth of life that counts
Oh brave soldier
Oh gallant warrior
Valor to those who died in battle to Valhalla
Believe what’s in your soul
For death will come to all
You shall rest peacefully in God’s Heaven
Floating lotus
You are so graceful
Saintly and glorious
Till the end of time
Floating lotus
You are so beautiful
Sing me your sweet song
The legend of the swan
If you’ve never hoped, you’ve never been through despair
Ignorance is bliss, it’s easier to never care
You might think it’s meaningless to sacrifice a life
Sometimes the life of one can save so many more
Oh brave soldier
Oh gallant warrior
Valor to those who died in battle to Valhalla
Believe what’s in your soul
For death will come to all
You shall rest peacefully in God’s Heaven
Floating lotus
You are so graceful
Saintly and glorious
Till the end of time
Floating lotus
You are so beautiful
Sing me your sweet song
The legend of the swan
SOLO: miyako / both
Floating lotus
You are so graceful
Saintly and glorious
Till the end of time
Floating lotus
You are so beautiful
Sing me your sweet song
The legend of the swan
SOLO: midori [guitar] / miyako [piano]
-----
lyrics: asami
music: miyako
arrangement: miyako & LOVEBITES (miho, haruna, midori, miyako, asami)
album: Electric Pentagram 01/29/2020
---
I saw another reactor (vocal teacher I think) said that ASAMI has Soprano voice and she doesn't use falsettos but her natural voice.
You can see her singing high pitch notes in "Soldier Stand Solitarily" in the LOVEBITES's Official Channel.
Asami is Mezzo Soprano, not Soprano
13:25 Asami comes from a R&B background, like I' m sure people have already pointed out... She hardly, if ever, goes into the head voice at all. Her incredible power is within that chest, to the extent where she is apparently more comfortable belting all of it, as high as the notes may come. Truly rare, I think, because it is natural to go over into head voice as one gets higher.
P. .S: Together with "Glory to the World", which you already saw, this is probably among their songs where the vocal lines are consistently high, and reach up from there. In others, the thrashers, the more groovy or rocking songs, Asami uses her powerful mid- to-low range a lot, and to great effect!
This song is a masterpiece.
You can see why this song is requested so frequently. Miyako a great pianist and composer that knows how to intertwine classical with metal just perfectly. She does go from guitar to piano quickly but in Frozen Serenade she goes from piano to guitar even faster in which you didn't make mention of in your reaction.
This is the former bassist Miho and not the present bassist Fami. Glad you had the lyrics up and I know you mainly focus on the vocals and instruments but the lyrics in the song are rather deep.
Recommend Edge of the World live 2020 next.
In "Frozen Serenade" it is literally 2-3 seconds from the moment lights go out on the piano to the point where the riff starts. 😵😍
@bigg2988 Yes, on Frozen Serenade it is amazing the short time frame from Miyako on piano to her playing guitar. It's like she had the pick taped to the guitar 🤔
Yes, these women are just beyond belief. Again, their main influences are the great metal bands of the past but they have been developing their own and unique style. Miyako embeds her classical training into their metal stuff and it is an outstanding plus. Somebody commented that Miyako might not be the best guitar player and might not be the best pianist but her level at mastering those two instruments is just outstanding and probably unmatched. Another excellent track is “Dystopia symphony” (only audio); another masterpiece composed by Miyako that is based on Beethoven’s “moonlight sonata”.
The key change at the start of the last chorus is really back to the original key (compare with the previous chorus before the bridge). The composer (Miyako) is sneaky that way - when her solo in the bridge starts she drops to a lower key and it continues til the final chorus begins.
The last chorus when it came in, it returned to the same key as previous chorus. The previous key change was going into the guitar instrumental. Another song suggestion is Dystopia Symphony. No recorded live performance on the song, just the studio album version. Miyako incorporates a couple of Beethoven's composition melodies into the song, just played at a blistering speed. It was a song dedicated to Beethoven.
For "Swan Song", Miyako used two of her favorite classics: Chopin's "Revolutionary Etude" and Dvorak's "New World Symphony" 🤘
Nice observation about Miyako's choice of holding a guitar :D Unfortunately, she started to wear pants lately, so no more breathtaking underwear solos :)
I think one of the best songs to judge Asami's range is Edge of the World. She holds a really long note at the beginning. Actually, all 3 of holy E trinity (Empty Daydream, Edge of the World and Epilogue) are very good, they are like ballads (at least, partially). Frozen Serenade is also worth listening.
I'm guessing Miyako designed and sewed the dress herself. So every detail is carefully designed and crafted to fit her legs and guitars perfectly.
Miho is the bass in this performance. You will know when you see Fami. She is almost always smiling. Definitely living her best life! 🙂
Theyre all wearing shorts under the dresses.. Lovebites embodies elegance..
You are quickly becoming one of my favorite reactors. Keep up the good work. Lovebites rules!! ❤😎🤘
Cheers! That means a lot honestly 😊
🤘🐺🤘🎹Roland GP609...
Asami Vocal Range: From D3/E3 to A5/B♭5 . Mezzo soprano, Lyricist, Music Composer, Pianist,etc...
Significant High Notes:
B♭5: "Shadowmaker" live Bloodstock 2018 A5: "Don't Bite the Dust", "The Hammer of Wrath", "Stand And Deliver , "Shadowmaker", "When Destinies Align", "Winds of Transylvania"
G♯5: "Painkiller" G5: "Above the Black Sea", "The Apocalypse", "The Crusade", "Edge of the World", "Inspire", "Judgment Day", "Nameless Warrior", "No Time to Hesitate", "Scream For Me", "Soldier Stands Solitarily", "The Spirit Lives On", "Stand And Deliver (Shoot 'Em Down)", "Warning Shot"
F♯5: "Burden of Time", "The Crusade", "Glory to the World", "Liar", "My Orion", "Painkiller", "Paranoia", "Rising", "Spellbound", "Stand And Deliver", "Thunder Vengeance", "Under the Red Sky", "We the United"
F5: "Above the Black Sea", "Addicted", "The Apocalypse", "Bravehearted", "The Crusade", "Dissonance", "Dystopia Symphony", "Eagle Fly Free", "Empty Daydream", "The Final Collision", "Glory to the World", "Holy War", "Judgment Day", "Lost in the Garden", "No Time to Hesitate", "Set the World On Fire", "Soldier Stands Solitarily", "The Spirit Lives On", "Swan Song", "Today is the Day", "When Destinies Align"
Significant Low Notes:
G3: "The Apocalypse", "The Crusade", "Don't Bite the Dust", "Lost in the Garden", "Pledge of the Saviour", "The Spirit Lives On", "Today is the Day", "Warning Shot"
F♯3: "Epilogue", "A Frozen Serenade", "Lost in the Garden", "M.D.O", "Paranoia", "Signs of Deliverance", "Under the Red Sky"
F3: "Don't Bite the Dust", "Edge of the World", "The Hammer of Wrath", "Pledge of the Saviour",
E3: "The Hammer of Wrath", "M.D.O", "Warning Shot"
D3: "If I Ain't Got You" live 2014, "Wicked Witch"
The Range Planet
Asami is not a "TV-talent show" singer with autotune & pitch correction...
LOVEBITES Asami & Miyako Rising Acoustic Version ruclips.net/video/wUWENwVWcoU/видео.html
Lovebites makes me me feel safe, but they also put me in a very very good mood just knowing that musicians such as they are actually exist in the same moment in time as I do. We are so fortunate to have them....and this song moves me every time I hear it. It is magical. "SSS" is on a another level musically, but "Swan Song" is far and away the most beautiful piece of music I've ever hear (Well, not including Tchaikovsky of course.)
Asami has mezzo-soprano range, guitarist/pianist Miyako has soprano range.
Most talented metal band to come along in decades. They are all immensly talented, however Miyako is from another planet. She is a mesmerizing talent.
Fami joined the band in October 2022 at the age of 20, so any videos from before that will have Miho in them.
The subtitles in this video are incorrect - The one line should be "It is not the LENGTH, but depth of life that counts."
Actually, Miyako explains in one of her own videos that she was dissatisfied with this Roland as it had platic keys. Her own Yamaha was gifted from her parents and she paid herself to have the keys upgraded to ivory. Nittpicking much? 😅
Wasn't it that Miyako had an issue with playing too fast so that those "plastic keys" couldn't flip back fast enough?
I still prefer this outro to that one in 2023... which she said was more like she planned to do it...
@rainerzufall42 I believe she didn't liked the "feel" of the plastic keys?
She is known to be quite picky on her equipment. Unlike Midori, she does use analogue pedals and likes to mix n' match until she gets the sound she likes.
Same with her Deans where she switched the PU's. I love her Geekish take on music,, just as well as being a Star Wars fan.
@@andreaspedersen3952 She's IMHO also doing the quality management for LOVEBITES, no wonder that they use high end material ("hard"- and "soft"-ware). I guess, you need to be this kind of a control freak to make it perfect. I like this approach!
Empty Daydream (one of the 3 E Songs) let Asami shine. And of course Epilogue
mr. chopin, how many keys on the piano do you want to use ?
chopin: all of them
So true 😂😂
Great reaction-this bro knows music for sure. Respect! This is Miyakos masterpiece, one of them for sure. This song just has to be one of the best metal performances in the last 20 years.
You should react to Eagle Fly Free piano cover-Miyako will blow your mind dude. She is s real treasure-her music power is limitless.
that's been one thing that grabs me every time i watch miyako's chopin intro. the way that each hand is playing out of time with the other. i know she's trained since 3 years old but come on - it takes a special kind of talent to do what she's doing. i believe that piano is a roland gp609 and was surprised to see it only goes for 9 grand. i would have thought it would be more
looking forward to it . A great song to explain why we (Wolfpack) love lovebites
I have 3 recommendations for you, all by Lovebites.
One is a ballad called "Epilogue" (live version ofc), where you can hear little different side of Asami's voice, second is "Soldier Stand Solitarly" (live version ofc) where she's throwing some serious high notes and 3rd "Thunder Vengence" (live, always live ;)) where she's using a lot of low notes.
I will add them to the list!!
Just love LOVEBITES 🔥🤘🙏
💞🐺🦢🐺🦢🐺🦢🐺🦢🐺💞
Maybe we could have fun with their 'Winds of Transylvania' som day😄👍
The bending, and the 'in unison' note at 15:58, at that tempo, is beyond my ability to believe.
Masterpiece!!
It is not known even in Japan, let alone the world.
We know how good this song is. But waiting 6 days to see your reaction is ruthless, almost a crime. Have mercy brother. 😊
Let's see, if he manages to be so patient...
Haha I do apologize I needed to take a bit of a break and then put scheduled as I recorded haha 😂
@@grieverproductions2022 I was kidding, don't worry. We love your reactions and I can't wait to see this one.
@@TL-MetalHead It's probably worth the waiting!
@rainerzufall42 I strongly disagree. Why "probably"? I'm sure it will be great and face melting reaction. 😉
Behold, the power of Miyako! 😊❤😊
Epic, majestic, masterpiece. 🤘👍
Asami can belt up to an F5, she does it routinely. Check " Holy War and " Edge of the world. "
😏❤️🎙🎸🎹🥁😎🤘Btw, any video produced after Oct 2022 will have Fami in it.
This is one of those performances where if you didn't know much about them, you would realize that you are dealing with world class musicians at every position and you just sit back and be amazed at the great experience. For a song that would fit in a Castlevania game check out Winds Of Transylvania live and get blown away! 🤘🐺🤘
This song was played in 2020 so still with the old bass player and co-band founder Miho. The new bass player Fami joined the group 2022.
Parisienne Walkways from Liszt i think looks much harder for me
I believe that is Gary Moore, Miyako plays it on both guitar and piano.
ruclips.net/video/bMmkDttnR7k/видео.html
ruclips.net/video/wT0Xw73p8a8/видео.html
17:44 Although the key has changed, it is the same as the first chorus.
To hear Asami improve the vocal to near perfection on this song, (better English pronunciation, and note rolls in the chorus delivery more closely mirroring the excellent studio version) see their official video from 2023. It's the one most people recommend against because the piano intro is not included, and the instrument mix isn't as good, but vocally it is a thing of beauty. ruclips.net/video/bK21cuI-V7c/видео.html
Asami can hit A5.
I should say, can belt an A5.
Six days later...... Gorgeous reaction for great epic song. I had no doubt it will be. Thank You.
If you like the tapping and the harmonization of the guitars, I’d recommend Signs of Deliverance live and you’ll get harmonized tapping lol. I’ll find a link because I don’t think it’s ever officially been posted
Here we go:
ruclips.net/video/ZFNrk19fKgg/видео.htmlsi=cU93vBu6xa32xFeb
Speaking of Vampire theme,pls.react live version of LOVEBITES WINDS OF TRASYLVANIA a ost of the vampire anime VLAD LOVE,thanks LOVEBITES RULES .🐺🤘🔥♥️
ASAMI’s highest note is heard in JUDGMENT DAY, where she goes up three octaves in the last verse.
In A FROZEN SERENADE, three beats separate MIYAKO’s last note on piano from the first note on guitar.
The new bassist? Consider the date of the video.
❤❤
If you've never hoped, you've never been through despair
Ignorance is bliss, it’s easier not to care
You might think it's meaningless to sacrifice a life
Sometimes the life of one can save so many more 💔💔
Happy New Year!
Same to you!
18:55 “that woman” Asami, former ballerina, performs the dying swan.
Ok. Challenge accepted.
Another LOVEBITES song with:
- Piano intro. (Franz Liszt , "La campanella")
- Great melodies (based on Liszt song)
- Great solos(intro +A+B+C+outro)
- New Bass player FAMI (in all songs after 2022)
- Bass Solo.
- Piano play IN the song (not Miyako)
- Vocal range (from low to very high)
- Key changes in it.
"Lost in the garden" (from 2023 Album "Judgement day" )
ruclips.net/video/HfPGDVx3d14/видео.html
Neo-Classical bliss... with surprises. :)
Miyako put out a LP of 6 metal songs she converted to piano classic pieces which is stunning. Try Helloween's Eagle Fly Free on a stunning piano you will really enjoy.... ruclips.net/video/-h3BLRs0Xr4/видео.html
Miyako is a musical savant but her genius would be wasted without her insanely talented band-mates who can play her creations especially LIVE. This band will always surprise and NEVER disappoint. They bring class, humble personalities, love of their music, and devotion to one another and their fanbase (Wolfpack). Miyako can construct anything in her head and is often doing it while performing I bet. She is a Star Wars fanatic, a gear nerd, and off stage she is a riot to be around and her real personality shines (check her YT channel for all of that). Asami on vocals really brings her ballet training to bear during this song in her movements.
🤘🏽LOVEBITESRULES🤘🏽
They are too good for a wide range of public consumption. It's sad, but that's how life is.
I can see what you're saying. It's a sad world we live in where true talent isn't rewarded but instead complete mediocrity is. Oh well, it's part of the reason I started this channel and it's why I continue it. Bring music to more people who may not have seen artists before 😊
This is the older bassist.. 'Miho' miss her so much😢😢
The back story of Revolutionary Etude connects to the lyrics of Swan Song. You should try a phenomenal sustain of Asami in Edge Of The World ruclips.net/video/jQKf8Dy_chA/видео.html. She makes high notes in Soldier Stands Solitarily ruclips.net/video/30yWisiRBuM/видео.html. THIS IS bass tapping by Fami the new bassist. She was a high school girl then, a genuine prodigy ruclips.net/video/30yWisiRBuM/видео.html.
Vocally, you might enjoy Liar ruclips.net/video/YWHPfnJz2qk/видео.html It's a song Miyako wrote for her previous band. In it, Asami has an A capella section, uses some falsetto, and there's a key change (which is beautiful). Very melodic solo and Asami's vocals are great, but I don't think you get her full range. It's hard to find one song where she does everything that she can.
Fami, the new bass player is a young(er) girl and joined the group 2022/2023. This is 2020. This is the original old ladies, in their early thirties when this was recorded. Fami is 20+ today.
You are interested in analysing the vocal? Check-out Edge of the World and Soldier Stands Solitarily, a little contrast there….
Musical masterpiece for sure.
🤟🏻🔥Lovebites🐺Masterclass🔥🤘🏻
Miyako (from LOVEBITES) / Eagle Fly Free (HELLOWEEN) - PIANO COVER [ ruclips.net/video/-h3BLRs0Xr4/видео.html or LOVEBITES〖EPILOGUE〗ruclips.net/video/JIAJYBuuKGM/видео.html Also this is Fami the new base player [alien alien Bass cover] ruclips.net/video/Q_UqztwYAOU/видео.html
MIYAKO had a Steinway grand piano in black, it's a present from their parents. On stage she use a white Roland.
Knew you'd like this one. It's not the new bassist though. 😊😊👍👍👍👍
Your stunned, open-mouthed staring at the end is all of us watching it the first time. Or the hundredth.
'in harmony' I meant., not in unison. Jeeesh.
Hi from France:
I have been a die-hard LOVEBITES fan since 2018 and I love this band, its compositions, its stage performances, the virtuosity displayed by each of the members, their interaction on stage and of course their charisma.
But, there is always a but... I was born at the same time as rock in the US (yes, I am not very young in life anymore, except for this music) and I fell into it at the age of 6 and, for me, on stage, rock must be able to leave a little room for madness and improvisation.
However, LOVEBITES uses Backing-tracks for each piece played live, which gives magnificent musical atmospheres and colors, but confines them to a playing rigor that does not allow them to stray from the axis line of the piece played (like Band Maid or Nemophila or Asterism...). A bit like classical concert performers who express their artistic feelings on subtleties that have nothing to do with the world of rock. See "Honkai (本懐) | Spin Off" or "Hate? live" by Band Maid to understand what I mean.
Reading the 5 DVDs and their various streaming, their concerts, this is the observation that we can make, this side a little too orchestrated and rigorous. It's just my feeling.
However, these musicians are real virtuosos very pleasant to listen to and see and I never get tired of them, certainly one of the best things that happened to the world of rock in the last thirty years (with bands like Band Maid, Nemophila and many others mainly coming from Japan).
And Midori (blond hairs and ESP guitar) is definitely part of my top three guitarists in the history of rock...
these Ladies are awesome, here's another side....Lovebites slips back to th 1980s SPELLBOUND ruclips.net/video/qG7hwU_RJnE/видео.html it's so cool
Asami’s voice reminds me of Pat Benatar. This was Miho on bass. ❤️🔥🤘🏼🐺🐺🐺🐺🐺🤘🏼❤️🔥
This one is still with the old bass player Miho. You haven't seen Fami yet. To see her, check out "Judgement Day," "Stand and Deliver (Shoot 'em Down)," "Soldier Stands Solitarily," as well as the version of "Hammer of Wrath" that was taken from the Knocking on Heaven's Gate DVD.
Asami's voice is unique and amazing. There is also a singer with a singing monster called Mari Hamada in Japan. Try searching for Mari Hamada when you have time😁
Mari Hamada is godlike...she has insane vocal skills
You can almost see the energy, but you can certainly feel it while they play this song. Such a Masterpiece!
I think you will love 'Epilogue' ruclips.net/video/JIAJYBuuKGM/видео.html
or "Liar" from their channel.
Thank you so much for covering this song. 🍻
You need Fami in your life now.Tapping Goddess.
i think that the highest note i have heard asami to go up to is the final one she hits in the mv for 'when destinies align'. she goes high in 'holy war ' and 'set the world on fire' but i think this one is higher : ruclips.net/video/hLFelI93VkM/видео.html
Check out their MV Judgement Day, first one with the new bassplayer Fami. Concert up the the pandemic concert 2021 is with Bassplare Miho.
more piano..lost in the garden...next
Paused to talk about Chopin and its difficulties which could have easily been pointed out before starting the video.
Yeah most likely. Just the way my ADHD brain works. It's more something that crosses my mind later and needs to get blurred out before I forget it 🙂
@@grieverproductions2022 ❤, thank you for the reply and for sharing 🙏
Enero? =(
It's only a few days away!
@@grieverproductions2022 I have a very near clue how this amazed you, and how this Lovebites Ladies Art, made you happy =)
I assume it has already been explained below that this performance was before Miho (co-founder and original bassist of Lovebites) retired, because no bassist carries her instrument as cool and deep as Miho does! She is a fantastic bassist and I admit, I miss her in Lovebites - but the "young blood" Fami represents a young type of bassist and is also a fantastic bassist in her playing and, incidentally, has raised the average height of Lovebites. 😜 Now Miyako is no longer the undisputed tallest in the band in terms of height (on a, admittedly, low level - for all the "long noses" in the world).
Lovebites stands for me as such a fascinating, incredibly good metal band in our world, that I am currently having a hard time finding comparable class in the modern music world.
Speaking of piano players check out Yuja Wang and Khatia Buniatishvili. Although there is no vocals Yuja especially shows incredible
power and speed for someone so tiny.
Pause and Rewind central, my goodness.
Sure is. It's a reaction where I break down different aspects of the music. The original is in the description if you don't want the reaction :)
I would recommend ‘Solder stands solitarily’ which has the new bass player called Fami It also has more shots of Haruna aka ‘The little big engine’
Great!, even more things to be amazed ath, keep enjoying this artists!!
Vampires? Castlevania? Dude you should check out their song Wind of Transylvania - live at Tokyo Dome City Hall 2021 ruclips.net/video/qd_qop5j1bs/видео.html
🤘🐺
🔥🔥🔥🔥🔥🔥🔥🔥
how many students do you teach a month?
At the moment between 10-15. Some less frequent than others 😊
@@grieverproductions2022 for only the rock singers?
@@galaxyheavymetal5292 nah not at all. Mostly contemporary and classical actually although there are a couple of rock singers in the mix 😊
Stop! Imagine that words cost money. Now speak 🙂
🐺🤘🔥
New sub here! Please try "Lost in the Garden" with Miyako's piano intro: La Campanella, from Franz Liszt: ruclips.net/video/HfPGDVx3d14/видео.html In this video you see the new bassist Fami, always with a smile on her face! Enjoy
Otherwise... apart from your “mistake” at the beginning... good reaction... even if most commentators, pianists included, will “never” point out the indecisions/hesitations of Miyako's left hand... she knew it and had said so... pointing out this piano that had been “imposed” on her and that didn't suit her...
Demetrius Katafalque ?
You know what...? a thumbs down for starting the video almost in the middle of the intro... a little respect, please, for Miyako...
Are you saying there was more to the intro? That's all this video had 🤔🤔
@@grieverproductions2022 No. I played the song linked in your description (from "Sayonakidori") and it is not the one you watch in your video (from "Harry Vethkov Maffiosov") AND you did skip the first part of the Chopin piece Miyako plays. The video you watched starts with silence, darkness & silence, as does the one linked in your description. Please give attention to details with LOVEBITES. Make sure the time-line is all the way back at the very start of the video, and watch to where the video ends.
Also, note the error in the embedded subtitles of the video you watched, as also stated by ChadTheDragonLord, The subtitles are incorrect - The one line should be "It is not the LENGTH [not "worth"], but depth of life that counts."
Here is the comment I left on your "Glory To The World" reaction,
>
"Your comment about "grainy" video for "A Frozen Serenade" urged me to share these links.
Optional links that are 1080p with [cc] lyrics for
"A Frozen Serenade" LIVE 2021: ruclips.net/video/sEjN7dAh4ok/видео.html
"Swan Song" w/Chopin intro LIVE 2020: ruclips.net/video/WBhtqgiXEA4/видео.html
The other links offered are 720p with errors in embedded lyrics.
This is simply in the interest of people viewing the highest quality video
and accurate lyric subtitles.
These are not my uploads, they are just the ones that are best quality."
>
a comment you 'liked' and replied to with "Thanks for these! I will have a look 😊"
yet you ignored what I wrote. I attempted to assist you in avoiding the 'wrong lyric'.
Honestly, I did not watch this video beyond seeing you CUT the start of Miyako's Chopin performance.
I skipped forward to check which video you actually watch in your reaction.
I am disappointed in your carelessness (cutting start) and having ignored/forgotten/not-cared about my comment that you 'liked' and replied to, but not actually 'having a look'.
Your reply to this comment (or lack of a reply) will determine if I bother with your future LOVEBITES reactions, as I am sure you understand considering your lack of attention & respect for the artist & fans with how you begin (not at the start) with this one.
The links in my 'copied comment' are legit. High quality, no errors in [cc].
Will it be worth my time to share info & links to the highest quality videos with you?
At this time, I expect not.
This into & links are for your benefit, to the benefit of your channel, if not ignored.
dreg👁
@@grieverproductions2022 There are YT-Versions of the Intro starting in quietness and blue monochromacity about 5 seconds earlier than your version:
ruclips.net/video/WBhtqgiXEA4/видео.html
At the end it is MIYAKO compilation, not CHOPIN!!!