J.S. Bach Christian Immler Weihnachtsoratorium Christmas Oratorio 'Grosser Herr, o starker König'
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- Опубликовано: 8 сен 2024
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Rachel Harnisch - Sopran
Anke Vondung - Mezzosopran
Maximilian Schmitt - Tenor
Christian Immler - Bass
Chor des Bayerischen Rundfunks
Akademie für Alte Musik Berlin
Peter Dijkstra - Leitung
Aufnahme Dezember 2010, München, Herkulessaal der Residenz
My favorite rendition of this aria !
same here
I love the trumpet part in this piece!😍😍😍😍 just sang the Christmas oratorio on Saturday and yesterday
I always return to this performance for complete enjoyment on so many levels, especially because the dynamics-contrast is so enjoyable! Dijkstra and this entire ensemble simply rocks which makes my feet tap and body sway!!! Immler always delivers this aria better than anyone I have heard no matter the ensemble, but here is the best!!!
This one of those very familiar arias that you either do it right or wrong. In the case of Christian Immler this aria is done right. I've followed him from his beginnings as a treble and into adulthood. His is none the less remarkable !
I agree 💯 .. wunderschön
Enfin LE timbre viril pour cet air sublime,j'entends par viril le métal qu'il faut pour que le chanteur ne soit pas écrasé par la trompette.BRAVO !
what a great coincidence Christian Immler and Panojotis(Panito) Iconomou sang/played this for their respective Weihnachtsoratorium oratorios. They were both originally from Tölzer knabenchor. Both are great Bass Baritones., and were great boy altos when they were in the Tolzer choir.
Love this piece and seeing how Christian Immler's qualities as a boy alto transformed into an excellent bass. Exactly as Panito Iconomou has. Nothing between them then and nothing between them now, just great. Thank Bar Iton
I woke up with this aria in my mind.
This performance is a beautiful surprise.
Clarity.
Unglaublich.....!
Großer Herr, oh starker König,
Liebster Heiland, oh wie wenig
Ah, Ah, Ah, Ah,
Achtest du der Erden Pracht...!
der Erden Pracht!
Großer Herr, oh starker König,
Liebster Heiland, oh wie wenig
Ah, Ah, Ah, Ah,
Achtest du der Erden Pracht...!
Liebster Heiland, Großer Herr, oh starker König,
Oh wie wenig Achtest du der Erden Pracht...!
Großer Herr, oh starker König,
Liebster Heiland, oh wie wenig
Ah, Ah, Ah, Ah,
Achtest du der Erden Pracht...!
Ah, Ah, Ah, Ah, Ah, Ah,
der Erden Pracht...!
Der die ganze Welt erhält,
Der die ganze, die ganze Welt erhält,
Ihre Pracht und Zier erschaffen,
Muss in harten Krippen schlafen.
Der die ganze, die ganze Welt erhält,
Die ganze Welt erhält,
Ihre Pracht und Zier erschaffen,
Muss in harten Krippen schlafen.
Großer Herr, oh starker König,
Liebster Heiland, oh wie wenig
Ah, Ah, Ah, Ah,
Achtest du der Erden Pracht...!
der Erden Pracht!
Großer Herr, oh starker König,
Liebster Heiland, oh wie wenig
Ah, Ah, Ah, Ah,
Achtest du der Erden Pracht...!
Liebster Heiland, Großer Herr, oh starker König,
wie wenig Achtest du der Erden Pracht...!
Großer Herr, oh starker König,
Liebster Heiland, oh wie wenig
Ah, Ah, Ah, Ah,
Achtest du der Erden Pracht...!
Ah, Ah, Ah, Ah, Ah, Ah,
der Erden Pracht...!
Fantastica trompetista!!
Ute Hartwich, baroque trumpet
J'adore écouter á la musique classique
Diese Aria hat zwei Solisten, die gleichberechtigt sind. Deshalb gehören beide im Titel genannt.
Nur den Sänger zu nennen ist respektlos gegenüber Ute Hartwich, der glänzenden Trompeterin!
amazing!
somebody tell me why they keep removing this version from RUclips, what possible harm is it doing, surely it is the best performance of this work.
Copyright?
J'aime beaucoup !
Superbe🤗Quelle belle énergie.
good!
I liked Barry McDaniel doing this with the Tolzer Knabenchor in the 70s, but Immler is just great here, with the same earnest and lively interpretation he brought as a 14 year old alto in the Johannes Passion.
Perfect barocco German baryton in authentic German tradition!
Who is this guy?
Das ist Christian Immler, lieber Nik! Obnimayu tebya krepko! www.christianimmler.com/
das ist Toll
Nicely zippy tempo. Good performance. I have a weakness for Fischer-Dieskau singing this, but this is very good.
C sharp by the way is the traditional key for basses in this area, and in the Bach's time it sounded as about the modern D.
+Nucdatrutn Why so?
+Nucdatrutn The oboe d'amore, which Bach used extensively in his cantatas, has a home key of A (three sharps) so I'm sure if you comb through his cantatas, you'll find C# minor being used somewhere! That, and the baroque transverse flute in D (two sharps) were both favorites for Bach's Leipzig works, thus resulting in sharp keys being used a lot there.
+Nucdatrutn Bach's Leipzig cantatas and oratorios seem to have been written in chamber pitch, since the organ parts are all in transposed keys. His cantatas from Weimar and earlier were all written in choir pitch and it seems the woodwinds had to transpose on the fly. The organ in Leipzig must have been tuned to a well temperament in order to play in the exotic remote keys that the transpositions required. Of course, the Christmas Oratorio from the 1730's was mostly made up of recycled music from various secular cantatas he wrote for the Saxon royal family.
+AML2000 Thanks for UR highly qualified answer!
Unforetunately, C-sharp is not so brilliant as D natural, but the key seems perfect for the guy. I sang it myself in stupid bass C natural key.
My friend, the key of D in 1743 is pitched at about what we call C# today. A was NOT 440 Hz as it is today.
Educate yourself about pitches through the centuries.
You will be amazed
Bach muss viel existenzieller und auch spiritueller gesungen werden. Hier müht sich ein nicht sehr substanzhaltiger Bass um Noten- und Rhythmuserfüllung, aber sowohl rhetorische Dringlichkeit als auch die kantable Linie bleibt auf der Strecke. Etwas weniger Grimmigkeit hätte der Aussage der Arie zu mehr Glaubhaftigkeit verholfen!
@Kaiser Franz von Lappen der 2. Denke ich nicht. Die Spitzenchöre sind und bleiben gemischte Chöre. Hören Sie die Thomaner im Vergleich zu Vocale Gent,