Fusion for Production - VFX Compositing with Fusion - 02b Fusion Compositing inside DaVinci Resolve

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  • Опубликовано: 26 дек 2024

Комментарии • 15

  • @Manoloalube
    @Manoloalube Год назад +2

    Excellent series of tutorials. All well explained. Thank you very much.

  • @BlenderDaily
    @BlenderDaily Год назад +2

    thank you so much for this series! extremely well explained & exactly what I was looking for!

  • @abhijithsjayan9575
    @abhijithsjayan9575 2 года назад +1

    excited

  • @he.smile_
    @he.smile_ 2 года назад +1

    Thank you for this series!

  • @General111100
    @General111100 Год назад +1

    will we be able to get the files to follow along if we become patreons?

  • @matejivi
    @matejivi 2 года назад +1

    dankeschön! Please more of davinci tuts. Dont want to learn After Effects...

    • @pixeltrain3d
      @pixeltrain3d  2 года назад +1

      Will come in the future, promise!

  • @sh7066
    @sh7066 2 года назад +2

    😎👍

  • @GeorgeNicola
    @GeorgeNicola 2 года назад +1

    Amazing. What would be the best workflow to bring the JPG sequence into Fusion and combine it with the Exr sequence? When I load both, my EXR it's looking okay, but the JPGs are washed out?

    • @pixeltrain3d
      @pixeltrain3d  2 года назад +4

      Thanks. The reason for this is color management. If you followed the tutorial you have loaded the EXR sequence and it is linear with a Gamma of 1. So, to compensate this dark appearance we switched the view LUT to a conversion to Gamma 2.2 . The Datastream (the color of your flow) are still calclulated with Gamma 1, it's only the viewer. If you now take a JPEG, it has a natural built-in Gamma of 2.2, if you then put that into the viewer you make a another transform with the LUT and it looks to bright.
      So, the solution is, decide in which Gamma world you want to work and convert the JPEG or the EXR.
      For example, you want to work in Gamma 1, because the EXR sequence is linear. So, take your JPG stream an convert it to Gamma 1. There are different ways to do that, depending if you are in Resolve or Fusion. So I take an easy one which works in both. Take a Gammut Node / Tool behind the Loader of your JPG sequence. In the Gammut node set the Source Space to "sRGB" or "Adobe RGB". Now the Gamma of 2.2 is removed from your JPG and it now has a Gamma of 1 like your EXR.
      Hope that helps,
      Helge

    • @GeorgeNicola
      @GeorgeNicola 2 года назад

      @@pixeltrain3d Thank you, that worked!

  • @hungrylampchop6414
    @hungrylampchop6414 2 года назад +1

    It is really cool tutorial!!! fucking insane!!

  • @BEATLINK1plus
    @BEATLINK1plus 2 года назад +1

    oh auf englisch... würde mich auf deutsch mehr freuen

    • @pixeltrain3d
      @pixeltrain3d  2 года назад

      Ja, für deutsch ist der Aufwand leider zu groß.

  • @TheClarecg
    @TheClarecg 4 месяца назад +1

    Very good useful tutorials. Thank you for this. I'm not sure if you know but the hidden proxy settings in DR18 Fusion page can be found, oddly, when right-clicking on the very beginning of the timeline. I found this out in this video by Matt McCool: ruclips.net/video/FOu17g9wohk/видео.html